This is basically what my physical therapist had me do for my back problems last year and it helped with the pain so much! Also walk for at least thirty minutes a day, even if it's just in small chunks throughout the day.
todays bird
art blog(derogatory)
Cosimo Galluzzi
occasionally subtle

Jimmy Eat World
Mike Driver
EXPECTATIONS
Interview Vampire Daily
Cookie Run:Kingdom Official!
Cosmic Funnies
Sweet Seals For You, Always
NASA
I'd rather be in outer space 🛸
sheepfilms
Color Me Curious
Fieri Frames
YOU ARE THE REASON

#extradirty
The Stonewall Inn

seen from United States
seen from T1

seen from Malaysia

seen from Japan
seen from United States

seen from United States

seen from Egypt

seen from Malaysia
seen from France

seen from Japan
seen from Malaysia
seen from United States

seen from United States
seen from Russia
seen from United States

seen from United States
seen from Germany
seen from United States
seen from U.S. Virgin Islands
seen from Finland
@steampunk-archivist
This is basically what my physical therapist had me do for my back problems last year and it helped with the pain so much! Also walk for at least thirty minutes a day, even if it's just in small chunks throughout the day.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
So we all agree we would fuck that giant Basket man? Like, no arguments or discussions needed?
social media is weird. Facebook reels? Everyone is shocked and appalled that apparently, SOME PEOPLE (not us, never us) would, hypothetically, get cracked by the basketman.
TikTok? In depth analysis of WHY some people (not us, never us) would would, hypothetically, bounce on the wicker dicker crazy style.
Tumblr, my sweet, beloved Tumblr?
Already planning the patio furniture orgy.
Me, out loud, not five seconds ago: "THIS WAS A QUESTION?! WE'RE THE MONSTERFUCKING WEBSITE. WE'RE RIDING THAT WOOD UNTIL IT'S A TWIG."
Sean: ::half-listening:: "Uh-huh."
Bail Organa: "I must play the long game, the quiet game, subtly undermining the Empire from within using mostly legal channels."
Also Bail Organa: "I was Yoda's getaway driver after he tried to murder the Emperor."
Bail Organa is whatever the Good Guy version of a Magnificent Bastard is, and he absolutely nails the role.
@snozzberries96 @awkwardsocialfailure @ambientradiation
THAT-
that is coheed and cambria. That is the man who wrote the song.
Its mr coheed and cambria
Hilariously funny that they let the guy known for wandering off without warning to look at birds was allowed to do this
#famously few birds in space#probably the safest place to take him

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Me trying to say something to my partner about some cool fanart I just saw on my dash.
Him: back up back up, what the FUCK is Mouse Effect.
Lizardsex I love you...
The burning question of course is whether everyone is mice, or just the humans. Like are the salarians little frogs or is it Mice and Mice With Blue Tentacles???
sorry im absolutely too floored by the fact you just called me 'lizardsex' to give you an answer
... I see now your name is probably Lizards Exposed and not in fact Lizard Sex Posed.
This exact phenomenon is why there’s now a hyphen in my url.
Ok finally the rupture and repair post!!!
Rupture & repair is the most important thing to be able to do in a relationship, imo. Ruptures are not always one person acting in a way that directly causes harm to another person (they can also involve more than one person; we all have experiences of friend groups rupturing;) more frequently they are patterns of unaddressed hurt that build up over the course of a relationship when communication is poor and conversations about harm and disconnect are focused on saving face and avoiding the feeling of guilt. This is very hard to train yourself out of, in my experience, particularly when one has relational trauma. Conflict can feel like the absolute end of the world, and admitting that anything you did might have hurt someone you care about is like putting your hand on a hot stove. It's easy to respond reactively and defensively when having conversations that involve conflict, disagreement, frustration, or anger. Or even when someone is simply giving you the information "this thing you did hurt me," because when you are relationally traumatized (most people are to some degree imo) that feels like an attack. And "feels like" is not meant to be dismissive here -- the way our nervous systems respond to perceived threats is VERY real and physiological. That's what makes these patterns so hard to change. Often this means that one needs some degree of stability and safety in order to do this with the least amount of pain, but I have found ways to hack the way I think about it which allow me to reframe how I experience receiving this information, and I think this might be useful to others as well.
Most people want to have genuine, trusting and positive connections with their friends & loved ones. Most people do not want to have dysfunctional and conflict-filled relationships wherein nothing can ever be productively discussed. Assume your goal is that you want to hurt the people in your life the least amount possible, and be able to respond to the hurts that do inevitably occur in such a way that it does not weaken the relationship. You also want the other person to do the same; you want this to go both ways. You want to feel safe being able to talk to the people in your life about the impact their behavior has had on you without getting attacked or guilt tripped or punished.
In order to repair (and ultimately reduce!) interpersonal harm you cause, you have to know when it happens and what specific behavior has caused it. The only way to get this information is directly from the people who have experienced the harm, which necessitates those people being comfortable giving you that information. When people do not feel comfortable giving you that information in the moment in a way that allows for correction and repair, you are likely to only find out about the ways in which you are harming people when those people leave. In general, we don't want the people in our lives who we care about to leave. Therefore it is beneficial to proactively try to ensure that the people in our lives are comfortable coming to us with this information. If you are successful doing this, it has the knock-on benefit of modelling for others that these conversations are not scary, and in fact build trust and intimacy when done with care.
So, how do we create a relational atmosphere which lets the people we care about know that we can be trusted not to punish them when they share this information with us? This is the tricky part! It involves a lot of trial and error, and of course our own behavior is not the only factor; most people with relational trauma will feel an aversion to being honest with someone who has hurt them simply based on past experiences, and this often will be true regardless of who they are interacting with. I pretty much only interact with fairly profoundly traumatized people, so this part is important for me to keep in mind. I don't just want to make the experience of sharing this information feel safe, I want it to feel rewarding. I want to behave in ways that encourage it. Again, there is the knock-on effect of modelling this behavior for others: responding gracefully and productively to conflicts shows other people how that can be done, and shows that the results are preferable to trying to make every conflict into a Dominance Battle, which encourages them to try to do the same. If you get two people who are both genuinely trying to do this with one another, you can really speedrun the process of unlearning conflict trauma! So my first piece of advice is: buddy up! Find people who you trust who want to practice this with you.
That all said, here is my personal process, which is geared towards asynchronous communication but which has some utility for phone or in person convos as well:
1. Upon receipt of information, monitor my body. Typically receiving information that my behavior has hurt someone will trigger some pretty Big Bad Feelings; I have learned to identify the specific physiological reactions my nervous system triggers when this happen (for me it's usually a feeling of like, my chest feeling "empty" often combined with that sinking in the gut, I frequently feel a weird "disconnect" behind my eyes, my heart rate picks up and my breathing becomes tighter, etc.)
2. If the aforementioned things happen, take a moment to close my eyes and breathe deeply a few times.
3. Immediately thank the other person for telling me and let them know I need a little bit of time to think about what they have told me before responding. It helps me to have a script for this ahead of time so that I don't accidentally inject my statement with any of my Big Bad Feelings.
4. Having disengaged for the time being, I do all the stuff I usually do to put my nervous system back into parasympathetic mode: have a snack, listen to calming music/sing, curl up with a comfy blanket, ask my partner to hold me (coregulation is sooooo. helpful.)
5. Often I will brainstorm about the situation with my partner or another trusted friend. It's important to do this in a way that isn't just bad faith sniping about the worst possible framing of what the other person is telling you or reacting to, because that can be very tempting, especially when you haven't practiced this a lot. I usually go with, "here's a brief description of what I thought I was doing/saying and the context. Here is how the other person received it. Here is how I am feeling about that and some of my theories as to why those feelings are coming up right now." Talking things through with someone is only helpful if that person is willing to challenge you/won't feel pressured to "take your side"! Its very important to have that kind of person in your life.
6. Speaking of taking sides: I consciously remind myself, repeatedly, that this is not a battle. There aren't sides. My goal is preserving and strengthening my relationship with this person. My goal is responding in such a way that they do not regret providing me with the information they have given me.
7. I usually draft some thoughts in a notes doc and periodically update it over the course of a day or two while I process the situation. Important to keep the other person informed about how this is going so they do not feel they're being ignored -- I will usually say something like "hey just checking in, I'm still thinking about what you said earlier and I really want to make sure I take the time I need to respond with the care it deserves" and give them a rough ETA for when I think I'll be able to do that.
8. I edit/polish my response and send it. Responses can be apologies or not; sometimes the other person is not asking for one, sometimes the context is such that one is not required, but it's smart to read up on how to apologize well and apply those techniques to your reply, even if it is not technically an apology. It's possible to come to the conclusion that you did not Behave Badly and still say "I'm really really sorry that my words hurt you," or "I really regret how that interaction went," etc, and it's important to follow it up with a description of what you think happened wherein you restate and validate their experience of the interaction or behavior. Its important too to stay curious in the reply: "I think in the future it would be better if I handled situations like this in this other way, what do you think?" and so on. This step is more vague than the others bc it truly depends on the situation/context/other person. If I have genuinely Behaved Badly vs a miscommunication (and this is one of the things I reflect on when I am Taking Time: to me, having Behaved Badly means I have acted out of step with my values in a way that I want to globally correct. Miscommunications etc mean I want to correct my behavior *with this person* going forward, because I have been given information about how they are receiving my behavior that shows me that it is not effective in maintaining trust. The distinction is important bc it determines what work I do internally) then I will be specific about that: "that was really inconsiderate of me, I prioritized my own comfort over being fair to you about your experience, because it was easier for me," etc. With miscommunications it will often look more like "I was trying to say x, but it's clear I didn't do that successfully; thank you so much for telling me that so I can adjust how I do things in the future and I'm very sorry I hurt you." <- even with miscommunications wherein you have not actually acted counter to your own values, it is important not to do the Bad Apology "sorry you felt that way" thing!!! Bad Behavior vs Miscommunication is a distinction I find helpful to make FOR ME in my own head. It's not one that needs to be expressed to the other person.
9. Ideally, in this response you're also modelling how you want the other person to approach this discussion: thoughtfully and with care and curiosity for your feelings and experiences. Don't be defensive about behavior you don't want to defend. Keep in mind that this is not a personal attack and you're not under threat. This is a chance to prove to someone that they can trust you. It is an opportunity.
10. None of this addresses that sometimes people with relational trauma will object to your behavior and demand apologies and behavior change as a power play or attempt at coercive control. Those situations are tricky and responding to them depends a whole lot on your relationship with that person. Remember that the point of a response/apology is not to grovel and fawn; it is to repair. This makes it important to keep in mind your own boundaries. Sometimes people in my life who are also working on healing relational trauma will share information like "seeing you say x made me feel y" and they're referring to, like, behavior wherein I assert my right to do something like "express frustration," and in those cases I will usually say "it makes a lot of sense that you'd feel that way; here is where I'm coming from when I make statements like that" and then express curiosity about where the feelings are coming from. These situations aren't the same as someone saying "the way you treated me hurt me," but they're ways you can troubleshoot trauma responses with friends with similar experiences without anyone feeling Bad for their reactions, if that makes sense. I hope it does, I know a lot of this is kind of vague.
Crucially: you can't be saying any of this to placate the other person. You have to actually synthesize the information they give you and apply it to interactions and behavior going forward. This is the part that ultimately proves you are trustworthy.
Something that's also helped me get better at this is practicing how to let people know they have hurt ME in a way that's kind and productive! Often I can shape those sorts of statements in such a way that encourages a thoughtful rather than defensive response (reiterating that I understand why they behaved a certain way while not downplaying the impact it had on me, saying that I know it might be tough information to hear & that I understand if they need to take some time to process it, etc.) which also gives them a model for approaching me about any harm I might do them in the future. It's collaborative!
That's all I can think of rn. If anyone wishes to add thoughts or expand on anything based on their own experiences please feel free to do so; obviously this account is based only on my own, but I really hope it provides at least some framework for how people might consider approaching these things in their own lives.
do you ever find something that is so funny and you want to share it with everyone but it also requires 18 layers of context spanning things like. 90s anime. aviation history. europop. canada. in order to even remotely understand why it is so funny
in the late 90s there was an anime called initial d which was all about street racing and drifting. naturally every single drift was played for great drama and excitement.
in 1999, an italian named giancarlo pasquini released a europop song under the alias dave rogers called Deja Vu. this song was picked up as the theme song for the above anime. it in turn became a meme, a shorthand for drifting and Cool Moves as a concept.
in 1983, air canada flight 143, a full sized 767, ran out of fuel halfway to edmonton, alberta. this is not something you want to have happen to a huge airplane. the flight chose to try and make an emergency landing at a nearby decomissioned airforce base (as they were falling fast and could not make it to a proper airport), where they ran into a second problem: they were falling out of the sky at 500 feet per mile, but reached gimli (the base in question) while still too high to safely land. normally a plane would just do a big loop-de-loop to lose altitude, but they had maybe three minutes of airtime left before they hit the ground: not enough time to make any kind of circle. the pilot, therefore, decided to execute a side slip to lose speed and altitude. this is Not a move you want to do with a massive 767, because airplanes are not built for that and if you screw it up that plane is hitting the ground at a high speed at a weird angle and breaking into a million pieces. nevertheless, the captain tried it... and succeeded. the plane landed perfectly, and there were no major injuries! (a couple of people did get minor injuries when evacuating the plane after.) he did it so well, in fact, that the plane was refueled, flown out of gimli a couple days later, and continued to fly for another 20 years with the nickname "Gimli Glider."
what is a side-slip, you ask?
it's drifting.
the guy goddamn drifted his 767.
in 2008, the tv show Mayday: Air Disaster featured the gimli glider with full reenactments as an episode on season five of their show.
and so, in conclusion, the thing i have been giggling to myself about all weekend:
this is somehow starting to make the rounds so because i am a pedant i am going to take this time to talk a little more in depth about air canada 143, the GIMLI GLIDER
so you may be wondering: how the hell does a 737 (capacity of roughly 100-120 people) run out of fuel midair? the METRIC SYSTEM, that's how!
up until the early eighties, airplanes would have three people in the cockpit: the pilot, first officer, and flight engineer. generally speaking, the pilot's job is to fly the airplane; the first officer's job is to provide support, monitor instruments, and assist (the pilot and FO will swap roles periodically), and the flight engineer's job was to watch over all the fuel gauges, electrical systems, hydraulics, etc., to make sure they were all working properly, as well as taking charge of things like "setting engine power."
however, in the early 1980s -- when this story takes place -- the flight engineer role began to be made obsolete as computers and more advanced systems became capable of doing most of that work. the boeing 737 of this story was one such plane: actually, air canada 143 was quite a new airplane at the time of the accident, and had no flight engineer.
also in the early 1980s? canada was making the switch from the imperial system to metric.
neither of these things is bad in and of themselves. but put together? one of the flight engineer's jobs was to monitor fuel; it hadn't yet been made clear whose job it was now. canada, at the time, was doing refuelling in a convoluted "the fuel is weighed in pounds but put into the plane as liters" system that required Math and Conversion.
let's talk about AIRPLANE FUEL. unlike a car, you don't take your airplane to the station and fill 'er up: fuel has weight, and airplanes care a LOT about weight. way more than you'd imagine. it's the pilot's job to therefore calculate a) how much fuel they need to get from A to B b) how much extra/emergency fuel they need for safety and c) if and when they need to refuel and by how much. is there bad weather in the area? where's the nearest backup airport? if i need Ten Fuels to get to alberta and there's storms in alberta, i need another Two Fuels to circle around and kill time before landing safely, plus another Five Fuels to get to calgary in case alberta is impossible. my airplane is fully loaded, which means it's heavier than usual, so needs another One Fuel for takeoff power. so altogether i need Eighteen Fuels. except i'm in canada in the 1980s so now i need to figure out what that is in liters, and this used to be the flight engineer's job, and idk man. maybe it's 5 liters? that sounds right?
...you see the issue. it isn't that anyone was slacking off, but no one was quite sure what the conversion was, and so instead of giving the soon-to-be Gimli Glider 18 Fuels, they took off in that fucker with nowhere near enough fuel. to make things worse, the plane had a broken fuel gauge, which was a whole other thing and series of comical misunderstandings, but basically it meant that not only was there No Fuel, but the fuel gauges looked something like this:
the very-soon-to-be crashed airplane's day started off normally. they did a little hour long flight from one city to another with no issues. because they knew the fuel gauges were being silly, while on the ground they did a "stick test", which i'm imagining involved a tree branch, basically checking that yep, there was fuel in the tanks, we're good! (in actuality, what it was doing was measuring the weight of the fuel. except, again, they had their maths all backwards, so due to this convoluted conversion process they went "our fuel weighs 5 kilograms, which equals 20 pounds, which equals 18 fuels, which equals 900 liters." just. silly math. i don't want to make these guys out to be idiots: they would obviously have never flown the plane if they had realized their mistake. but the other problem was of course that the process was already convoluted and required multiple conversions; imagine how much worse it would be if, like these pilots, it was a new system you weren't used to!)
so they boarded their passengers and set off from montreal with the intention of flying to edmonton. and that's when things all went terribly wrong.
pictured: the intended and my interpretation of the actual flight.
all this set up leads to the actual flight, which is almost boring in summary: while high up in the sky, the plane suddenly ran out of fuel. this is bad. we do not want this to happen. the pilots had no idea what was happening at first, but i mean: it was pretty obvious. there's no fuel. no engines. no power. you're 30,000 feet in the air in a 64 ton machine and gravity is going hey girllll heyyyy.
but the thing is, airplanes are really cool. like, this is what got me so interested in these plane crashes and accidents: airplanes are awesome. because first of all: just because you weigh as much as a building and are thousands and thousands of meters in the air? doesn't mean the airplane just falls. hell no! without power, an airplane will still stay in the air, losing altitude, sure, but gliding fairly safely and manageably. this doesn't mean you're safe, but: when air canada 143 lost all power, it still had time and options. it also had... the RAT.
the Ram Air Turbine, or the RAT, is an amazing fucking guy. if an airplane loses power? a hatch pops open, and a little propeller drops down automatically. he's wind powered, and he will provide just enough backup power to keep the most critical systems online, even without fuel or engines or god. we LOVE the rat. and the rat leapt into action here, providing the pilots with enough basic systems to keep going.
this doesn't mean that air canada is out of the woods. landing without power is not easy! the trick to landing an airplane is doing it at a nice shallow angle and low speed, which involves things like "doing nice steady turns to line up with a runway" (no time, we're falling steadily), "using engines to get our speed right" (what engines), "getting to the correct altitude and speed to touch down gently" (we have NO POWER we can't go "oopsie too low" and pull up and adjust). if a plane loses too much speed, it WILL fall out of the sky (a stall) because the aerodynamics stop working. if it's going too fast, you're not landing, you're diving cockpit first into the ground. without power, you can turn, but turns will reduce speed. you can't level off or go back up. you are Going In A Downward Direction. the trick is figuring out how fast and how far and aiming at a runway.
this is also where ATC comes in! we love air traffic controllers!! air canada called a mayday, and ATC leapt into action. their job becomes to Get Them What They Need. air canada wants to go anywhere in canada? atc will move everyone out of the way and get them any runway in the northern hemisphere. when this happened, air canada 143 was near winnipeg, which was their initial goal: this IS going to be a crash landing, and the nearer they can be to emergency services, the better. however, the first officer was doing Good Math, calculating their rate of decent vs distance flown, and soon realized that even though they could literally see winnipeg from the windows, they just weren't going to make it. they were falling too fast.
enter: GIMLI. the first officer had actually trained there during his air force days; it's a former base with two runways. it wasn't ideal, because ATC had no information on it and it lacked instruments and equipment (normally, for example, airports will have locator beams and so on to help an aircraft lock on to the runway at the Correct Safe Angle), but... better than a field or lake. one of the dangers of this type of no engine landing is actually being non-committal: waiting too long to make a decision, trying to maximize time in the air rather than land. this makes sense! it's probably pretty human instinct! prolong that crash as long as possible! but it's much, much better to simply Commit and Prepare and Go For It. and that's exactly what air canada now did.
they told ATC they're going to gimli and made the turn. the cabin crew was meanwhile preparing the passengers for a crash landing.
the crazy thing about plane crashes is, actually, that they are very survivable. don't get me wrong: they're bad. people die. but the number of worst case scenarios where dozens of people still, somehow, survive? shockingly high. of course, you don't want ANYONE to die. i would be terrified if it was me. but cabin crew had to know it would probably be... well, not okay. but that if they got everyone prepared and braced, people were going to make it out. people were going to survive this. possibly most of them. possibly all of them.
as the plane approached gimli, problem #87 came up: they were still too fucking fast. they're gliding down! they can't stop! normally, a plane would simply slow down with flaps, or maybe do a couple of big circles before reorienting themselves towards the runway to lose some speed and altitude, but they don't have time -- or altitude. and that's where the theme song KICKS IN
here are reasons you DO NOT DRIFT airplanes, by the way. it can fuck up your engines: engines work in part by taking IN air, so flying at a Drifting Angle means that's all wrong. the aerodynamics are wrong. you're losing speed VERY fast. you can get OUT of the drift, but now your engines are fucked. on the other hand, this plane effectively HAS no engines, but... there's a reason people don't drift planes, okay.
another plot twist: gimli air force base was no more. the runways were still there... but it had been turned into a drag strip, ironically enough. and it was family day! picture this. you're a nice canadian racing fan in 1983, at the strip with your family, cooking hotdogs and poutine on a grill. and a fucking 737 APPEARS OUT OF NOWHERE in front of you. because that is exactly what happened. there were KIDS. on BIKES. with a PLANE HEADING RIGHT TOWARDS THEM. in the mayday episode, the kids tried to outrace the plane in a panic: in the pilot's telling, the kids simply froze in fear.
by the time the pilots realized the runway was occupied, it was way too late to turn back. they landed. in a twist of bad luck that turned into good: without power, they had to manually release their landing gear.... and the nose gear didn't lock. this turned out to be a weirdly good thing: without nose gear, the plane's nose hit the runway and acted as one hell of a brake in ITSELF, grinding on the asphalt as the plane barreled down at high speed. the pilot also intentionally steered the plane into the rail in the middle of the runway, trying to slow the plane even more. and... it worked! the plane came to a stop. everyone was fine. even the kids on bikes.
all this friction caused a small fire in the nose, and so the pilots called for an immediate evacuation to be safe. this caused a bit of an issue: because the nose was on the ground, the butt of the plane was higher than usual, and the back slides were basically just vertical drops. a couple people got mildly hurt using them, as you'd expect.
meanwhile, the drag strip folks were rushing over with fire extinguishers and the like, and the small fire was easily contained (note: do not fuck with burning airplanes. this one had no fuel so COULD be contained). by the time ATC got emergency services to gimli, everyone was safe, ankles were being iced, and presumably everyone was eating hot dogs.
the airplane itself had some minor damage (from when the nose acted as a brake), but was largely intact: it was patched up, refuelled, and took off from gimli a while later, where it flew for another 20 years before retiring of old age.
and that is the story of the Gimli Glider: that time a pilot drifted his plane so hard that he saved the lives of everyone on his plane.
all 69 of them 😎
I had read the story of the Gimli Glider before, and I had seen the video with "Deja Vu" playing, but I never understood where the song came from or why it was supposed to be funny before.
This is "The Most Tumblr Punchline" in action, only I didn't realize there was something to look up.
Now that I do?
Okay, that's funny.
our office has automatic transcription set up for voicemails and I got this message yesterday and I can't stop thinking about it
fucking. Detective Triple Guns. This is my new favorite anime character. This is the spiritual successor of robocop and trigun. I want to watch the intro for this show that doesnt exist so badly
Was driving past the state police headquarters and there are hundreds of donuts strewn across the median out front. What is going on, Detective Triple Guns????
Detective Triple Guns finally has a partner on the force!
you can make nearly any object into a good insult if you put ‘you absolute’ in front of it
example: you absolute coat hanger
as well u can just add ‘ed’ to any object and it’s sounds like you were really drunk
example: i was absolutely coat hangered last night
#i was gazeboed mate #i was absolutely baubled
Meanwhile, “utter” works for the first (e.g., “you utter floorboard”) but somehow “utterly” doesn’t seem to work as well for the second (“I was utterly floorboarded”).
Utterly doesn’t work for drunk because it’s the affix for turning random objects into terms for *shocked*, obviously.
… huh. I thought that might just be the similarity to “floored”, and yet “I was utterly coat hangered” does seem to convey something similar.
I have to tell you, I am utterly sandwiched at this discovery.
Completely makes the phrase mean “super tired”.
“God, it’s been a long week, I am completely coat-hangered.”
Something is
Something is wrong with our language
Is it a glitch or a feature?
Feature

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
[Image ID: Screencap from unspecified website in dark mode. Text reads:
"After that that stupid thing from Bezos and Musk about how a trillion humans would mean a thousand Mozarts, it got me thinking.
We clearly must have Mozarts today, and at least a couple of them probably got the same upbringing he did to nurture their skill and talent, and we would therefore have:
a musician of significant talent, dedication and skill,
who can write music across a bunch of different contemporary genres,
who explicitly draws from the work of other musicians to build their style, and
who is willing to do the musical equivalent of shitposting and wear fancy outfits while doing it.
I can only conclude that the modern-day Mozart is Weird Al Yankovic.
I will not be taking questions."
Followed by: a portrait of Wolfgang Amadeus Mozart and a photograph of Weird Al Yankovic, in similar 3/4 poses with similar eyebrow-raised and smiling expressions. End ID.]
i think a lot of people who have never done music do not understand how absolutely implausible weird al's skill level is. you can say "so many musicians can do at least one of his songs, obviously", and yes, they can, but they couldn't do all of them. you have people who studied ten or twenty years to be able to do something genuinely incredible, and they've specialized and focused and developed the ability to produce a particular kind of thing, and they do it really well, and then this guy comes along and says "welp, time for a new album", picks ten of them, and duplicates their shtick well enough to be clearly recognizable.
this man produced a piece of music which an experienced listener can hear and say "oh, that's Frank Zappa". how? not even Frank Zappa sounds like Frank Zappa!
Is weird Al doing different shit now? Bc if he was writing pastiches this would be true, but all I'm really familiar with is the stuff where he just rewrites the lyrics to an existing song, or does a polka cover of it.
Weird Al's "style parodies", or original compositions explicitly in the style of a particular artist or band, are approximately as numerous as his actual song parodies. Generally the Regular Parodies get all the attention, they're the big money spinners, but his style parodies are both numerous and legendary.
Dare to Be Stupid, the title track off the album of the same name, is probably the big one that people would know - a more Devo song than actual Devo, and that's according to Devo themselves.
An incomplete list of other ones that rule, actually, are:
Germs (Nine Inch Nails)
I'll Sue Ya (Rage Against The Machine)
Pancreas (The Beach Boys)
Craiglist (The Doors)
My Own Eyes (Foo Fighters)
Bob (Bob Dylan)
Everything You Know Is Wrong (They Might Be Giants)
Trigger Happy (The Beach Boys again but from a different era)
This lists all Weird Al's known style parodies. There are a LOT.
I feel like one of the conversational skill failures it’s really easy to fall into is assigning the other person an opinion, rather than asking what their opinion is. This kind of inherently puts them on the back foot, which is uncomfortable, so people don’t like it.
Starting a conversation by informing the other person that you KNOW their feelings, and you are acting based on the feelings you assume they have, without giving them a chance to tell you what feelings they ACTUALLY have… No one likes this!
You may have learned it from your parents doing it to you, in which case I can only imagine you didn’t like it either, but you still internalized it as an acceptable mode of communication because we are always internalizing stuff from our parents even though we don’t like it. It’s kind of a quintessential passive-aggressive parent move: “well, you never want to help me, you don’t appreciate everything I do for you” etc. It puts the addressee in the position of defending themselves and their actual feelings instead of inviting them to SHARE those feelings.
People generally find it easier and more pleasant to converse with you if you go into it with an attitude of curiosity rather than what is essentially a power-play. Assigning your interlocutor an opinion based on your assumptions about their internal experience expresses an unconscious sense that you believe you are and should remain in control of the conversation. But friendly conversations aren’t really supposed to be about control.
Credit: meg_langton_
oh hey i have one for this
Ridiculous yet effective ways to deal with Executive Dysfunction
Dealing with executive dysfunction and ADHD becomes so much easier when you stop trying to do things the way you feel like you should be able to do them (like everyone else) and start finding ways that actually work for you, no matter how “silly” or “unnecessary” they seem.
For years my floor was constantly covered in laundry. Clean laundry got mixed in with dirty and I had to wash things twice, just making more work for myself. Now I just have 3 laundry bins: dirty (wash it later), clean (put it away later), and mystery (figure it out later). Sure, theoretically I could sort my clothes into dirty or clean as soon as I take them off and put them away straight out of the dryer, but realistically that’s never going to be a sustainable strategy for me.
How many garbage bins do you need in a bedroom? One? WRONG! The correct answer is one within arms reach at all times. Which for me is three. Because am I really going to get up to blow my nose when I’m hyperfocusing? NO. In allergy season I even have an empty kleenex box for “used tissues I can use again.” Kinda gross? Yeah. But less gross than a snowy winter landscape of dusty germs on my desk.
I used to be late all the time because I couldn’t find my house key. But it costs $2.50 and 3 minutes to copy a key, so now there’s one in my backpack, my purse, my gym bag, my wallet, my desk, and hanging on my door. Problem solved.
I’m like a ninja for getting pout the door past reminder notes without noticing. If I really don’t want to forget something, I make a physical barrier in front of my door. A sticky note is a lot easier to walk past than a two foot high cardboard box with my wallet on top of it.
Executive dysfunction is always going to cause challenges, but often half the struggle is trying to cope by pretending not to have executive dysfunction, instead of finding actual solutions.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Daily gratitude
I don’t have kids
I don’t spend money on nicotine
I don’t gamble my money away on sports
I’m not reliant on a chat bot for all my life functions
My books/CDs/DVDs collection is plentiful