Nentuaby's Tumblr

Not in the sense that two days would be 60 hours, but more that the days overlap between midnight and 6 AM. So, for instance, it something happened 2 AM on Sunday, you could say “2 o’clock on Sunday”, but you could also say “26 o’clock on Saturday”.

Which MAKES SO MUCH SENSE. When you talk about things happening “last night”, it doesn’t suddenly stop being “last night” the instant the clock strikes midnight because I’m not Cinderella.

This is most common in TV schedules:

http://tvtropes.org/pmwiki/pmwiki.php/Main/OtakuOClock

Anime aired from around 11 p.m. until the wee hours of the morning, occasionally indicated by the odd-looking “22:00-27:00” notation. […]

The trope name refers to the odd way of noting when the shows start airing; it’s common to see a show aired at 1:00 am listed at “25:00”. This is largely done to align the schedule with that of the previous day; many Japanese TV networks still sign off in the middle of the night, and those who don’t will only switch to “the next day”’s programming at 4 am or so.

https://en.wikipedia.org/wiki/Date_and_time_notation_in_Japan

Times past midnight can also be counted past the 24 hour mark, usually when the associated activity spans across midnight. For example, bars or clubs may advertise as being open until “26時” (i.e. 2 am). This is partly to avoid any ambiguity (2 am versus 2 pm), partly because the closing time is considered part of the previous business day, and perhaps also due to cultural perceptions that the hours of darkness are counted as part of the previous day, rather than dividing the night between one day and the next. Television stations will also frequently use this notation in their late-night scheduling. This form is rarely used in conversation.

cultural perceptions that the hours of darkness are counted as part of the previous day

my piece for 2nd Turbophone of 2026 !

I was the last one in the team Sorcery 💪🧙✨

the art i had to redraw was already so perfect that i didn't want to change much hahaha

So in the 19th century, a lot of Chinese immigrants started settling in Guatemala. I’m not sure why, but this newspaper article says it could be that the construction of trains happening at that time attracted Chinese immigrants that had already worked in the US during the gold rush. Regardless, by 1920 the census noted 990 legal Chinese residents in the country, tho it was probably higher due to unregistered immigrants.

Over time, this community continued to grow and they also, naturally, brought their cuisine into the country with Chinese restaurants gaining popularity. These restaurants, much like they did in the United States, combined local ingredients and tastes with traditional recipes.

This all led to chao mein (chow mein) becoming well know and loved as a staple of Guatemalan cuisine. I remember my own grandmother going to the local market to buy bags merchants made with vegetables chopped in long strips for making chao mein. There are many versions, like the chao mein tostadas which place it on top a crispy corn tostada, with cheese and cilantro on top:

Some common ingredients include: carrots, onions, celery, peppers, güisquil/chayote, and finally soy sauce and/or Worcestershire sauce which is usually just called salsa inglesa (english sauce). Ingredients are often renamed in Latin America for simplicity and based on common associations. In fact, soy sauce is sometimes also called salsa china.

You can actually see the recipe for Guatemalan chao mein in the back of the soy sauce container next to the Worcestershire sauce:

And I totally get the point they were making. Part of what we love about Steve is all the people he runs into who knew him before the ice. Those living connections are important.

I’ve written before about how most Golden Age superheroes represent specific power fantasies — Superman’s the desire to single-handedly fix the world’s problems, Wonder Woman is feminist empowerment, etc — and I think Captain America is a great example of that. After all, he was very much explicitly created as antifascist propaganda by Simon & Kirby, and since then he typically represents the fantasy of the “good American” that cares more about the welfare of the people around him than he cares about maintaining his nation’s status as a global superpower. On a political level, the United States’ involvement in WWII was suspiciously-motivated at best (after all, the US spent years avoiding joining the war in order to reap the economic benefits of selling supplies to both sides of the war), but plenty of American citizens joined the war effort simply because they believed that the Axis Powers needed to be stopped.

I’m having a hard time finding the right words for my point, but I think that it’s something along the lines of “Steve Rogers has to be a WWII veteran, because if he was a vet from any other American war, he’d come across as a thug at worst and a sucker at best”. The earnest enlistment of Steve Rogers into the military to fight the Nazis is a direct parallel to his co-creator Jack Kirby’s own experiences from the era, but translating that to any other war would just make Steve’s eagerness to serve seem either concerning or foolish.

Tiger Treefrog (Hyloscirtus tigrinus), family Hylidae, Andean highlands of Colombia

ENDANGERED.

So often fandoms try to say about romance, "oh it's basically canon look at this, this, and this"

But even shippers in the phm fandom are just like: It's a beautiful story of platonic love, and for my own fun I like to ship these characters.

It's too rare in fandoms for people to both enjoy ships and appreciate & accept the canon story. And the phm community manages to do that beautifully.