Hey. This is my reblog account. If you want my shitposts and happiness posts, check out @shadowing-k1ng. Thanks!
Also send any and all asks to there as well, thank you!
DEAR READER
Claire Keane
Cosmic Funnies

Love Begins

pixel skylines

★
Lint Roller? I Barely Know Her

"I'm Dorothy Gale from Kansas"
todays bird
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
noise dept.

祝日 / Permanent Vacation

Discoholic 🪩
Keni
we're not kids anymore.

Kaledo Art
he wasn't even looking at me and he found me
seen from Germany

seen from United States

seen from Türkiye

seen from United States
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seen from United States

seen from Malaysia
seen from United States

seen from Malaysia
seen from United Kingdom
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@voidic-reblogs
Hey. This is my reblog account. If you want my shitposts and happiness posts, check out @shadowing-k1ng. Thanks!
Also send any and all asks to there as well, thank you!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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여어- 히싸씨부리 ( ɔ̸ᴉʇɐ͟N͞さんのツイート )
“NAFTER NOON!”
Every. Time. Every single time. I always get so delighted by this picture set. And I always forget what it’s followed up by. And then I see the “NAFTER NOON!” and absolutely lose it. I’m so glad this post exists.
me in argyle st greggs for my weekly steak bake
my favourite part about this post
I think a lot about how in Ice Age 1 a huge theme is the slow but unstoppable advancement of the human species as they start to threaten previously unchallenged megafauna (hunting the pack of the antagonist sabertooth and killing Manny the mammoth’s family) and then in all the sequels they just fuckin disappear
I think a lot about how the first movie was actually pretty somber and dark with moments of lightheartedness and comedy, about three animals who had lost their own families finding family in each other while trying to return this baby to his own family… The first sequel, while wackier, touches on the existential dread and loneliness Manny feels at being the apparent last of his kind, his exhilaration at meeting another like him, and the question of “be together because we want to be, or we HAVE to be?” as well as Ellie having been part of a found family herself… ….and then the franchise from then on out turns into “wacky animal hijinks.”
OKAY FOR REAL i rewatched the original ice age a little while ago for nostalgia and this movie is GOOD you guys—i literally rewatched it all over again the next day. there are a couple of key things i noticed:
1. they know how to shut up. the animals know how and when to shut up. yes, even the comic relief one. do you have any idea how important this is? yes, they play it for laughs when diego first confronts manny and they fight and then diego stops, clears his throat, and asks manny politely for the child (which was brilliant, by the way, i laughed aloud), but aside from that, when there’s a serious moment, they let it be serious. when manny accepts the baby from the mother, when he sees the paintings of the mammoths on the cave wall, when he returns the baby to its father, these are moments where everyone is dead silent, even sid, and the music is soft and heartwrenching and the next line is rarely, if ever, a joke that undercuts the prior moment. they let these scenes linger and it really makes this feel like an emotional, somber, serious movie with fun character interactions rather than a comedy that makes cheap appeals to emotion.
2. the way they characterize manny at the beginning is SUPER interesting to me. by the end of this movie, we know manny is a big softie who was deeply wounded by the loss of his family. we as the audience don’t know this yet, though, and the first time we catch a hint that there’s something deeper going on here, it’s when manny firmly, sharply insists to sid that partners should be loyal to each other. it’s not an obnoxiously blatant “hey i have trauma” flag, since it could be interpreted as the writers playing with the monogamy of mammoths and promiscuity of sloths, which i’m fairly certain they bring up in this movie, if not one of the others. still, though, it strikes that perfect balance of not making the Oh Frick Manny Had A Family reveal later on completely blindside us while also not telegraphing it too obviously. at the beginning, manny is clearly a loner who wants nothing to do with sid, but to avoid making him come off as a straight-up jerk, they make it abundantly clear in the introductory sequence that he has a strong moral code that he holds himself to (”I don’t like animals that kill for pleasure”). i just thought this was really well done, opening the movie with a scene that demonstrates both that manny is a complex character who comes off as cold but cares deeply (which sid basically sees straight through and i love it) and that sid is incredibly unlikable and as such nobody likes him. i didn’t realize it at first, but that’s such an interesting move. we open the movie with sid getting abandoned by his family, but then we find out how annoying he is and go “oh, well that explains it.” but then he tells manny all about how they regularly do their best to ditch him and it’s so clear that he’s just too pure and innocent to hold any malice towards them. under it all, though, it’s clear that he’s lonely, too, and has been for a while. these characters have depth, and feel like people, and every quiet moment just drives it home even more that they really don’t have anyone except each other.
3. DIEGO! we stan. i think it’s really interesting how instead of just throwing these characters into the world together, the writers make it clear that they had other people, before, but those people either were toxic and ditched them (sid’s family), were toxic and needed to be ditched (diego’s pack), or were loving but torn away by circumstance (manny’s family). i dunno, it just adds a really interesting layer of depth here. but anyway, diego’s arc was just really well done. he’s only there to get the kid, and though he does start to enjoy himself, he still has his mission. but when manny risks his life to save diego’s and sid makes that comment pointing it out, you can SEE how he starts to linger, starts to dread, the guilt builds up until he TELLS THEM. that’s so important! he tells them!!! there’s no stupid, “liar revealed” plotline where they figure out that he’s been tricking them because he comes clean himself, without provocation or pressure, and they do eventually forgive him and that’s SO important. diego wasn’t being honest with them, was living a lie and planning to betray them, and he made the incredibly difficult decision to stop in his tracks and come clean on his own terms because he knew it was the right thing to do. there were So Many Ways the writers could have handled that reveal, but to have diego just stop, think, change his mind, and confess was SO GOOD. also the dynamic between the three of them was just really, really great. i’m so emotionally attached to these early-2000′s CGI creatures okay.
4. speaking of which, this movie is surprisingly good-looking. like it came out in 2002. that is IMPRESSIVE. manny’s fur holds up shockingly well and my suspension of disbelief was never fricked up by poorly rendered CGI graphics. props to blue sky, man.
5. okay point five is lowkey the whole reason for this rant because it’s a really really cool point i only noticed on my second watch through: the parallelism. why does diego have to kidnap this baby? because his pack’s leader (soto, apparently) wants to eat it alive as revenge for the humans killing half of his own. why does manny want to rescue this baby? because he, too, is a parent who lost a child and doesn’t want the humans to go through that. but, wait, hang on a minute, how did he lose his child? oh, yeah, the humans killed it and his wife right in front of him. both soto and manny lost most of the people they care about to the humans—these humans, specifically, since they seem to be the only community in the area—but where soto swears revenge, manny doesn’t want them to go through what he went through, even though this very act could be what perpetuates that. and they acknowledge it in the movie. diego mentions how this baby is gonna grow up to hunt them and sid counters that maybe the fact that they saved it means it will remember their kindness and things will change. but the whole movie carries the somber atmosphere of a tragedy because, as someone else mentioned above, the humans are steadily encroaching and all of these creatures are going to go extinct, and this one act of kindness may not have the intended effect and may soon be lost to the uncaring tides of history, but that doesn’t make it any less worth it. manny isn’t doing this to try and make a statement or change the humans’ behavior, he just wants to prevent them from going through what he did. calling this story one of “breaking the cycle of violence” cheapens it, i feel, because the humans are hunting the mammoths, not out of malice, but out of necessity for furs and meat and bone and tusk. it’s nothing personal—they’re predators. but still, manny seeks them out to return their baby to them. and when the baby’s father is raising his spear at manny when he’s trying to return it, you can just see that look in manny’s eyes, that he’s begging this human to understand, but he’s prepared to get speared if it means this kid gets to be with his father and MY HEART, YOU GUYS.
6. FOUND FAMILY FOUND FAMILY like i know found family isn’t really all that hard to come by, but this movie is REALLY explicit about it in a good way! they make the distinction between a pack—a group who wants you for what you can do for them—and a herd—a group who regularly looks out to see what they can do for you. and a saber-tooth tiger leaves his PACK to join this HERD! and they joke that this is the weirdest herd they’ve ever seen, but a carnivore has just joined a herd and that makes me feel SO MANY FEELINGS
ultimately, ice age is a movie about choices. manny’s choice to return this kid to its parents, even though he lost his own kid to those very parents, diego’s choice to come clean about his betrayal and his choice to join a herd even though he’s a carnivore, manny making the choice to risk his life to save diego, diego making the choice to return the favor, and all three of them making the choice to not give up hope that they can find a new family again after losing what they had before. this is a movie in which characters are more than the way they were born, are more than the circumstances of their lives, are more than what happens to them. they make choices and their choices matter and they choose to be kind, even when they have absolutely nothing to gain from it and everything to lose from it.
i guess you could say this movie aged nicely.
thank you and good night
stop what you’re doing and watch this
For those who don't know, this is Joe Lycett. He's a British comedian who's also bisexual/pansexual (he uses both labels interchangeably afaik), and this isn't an isolated thing.
He has a show called Joe Lycett's Got Your Back which explains consumer rights, exposes dodgy businesses and actually fights on behalf of people who have been scammed by those businesses, often successfully.
He also legally changed his name to Hugo Boss in protest of the fashion house Hugo Boss hitting a local brewery with cease and desist because they trademarked the word boss. The protest was successful and Hugo Boss receded the c&d.
He's a cool guy and I recommend looking him up. I also recommend looking up the notable cases from JLGYB on the Wikipedia link below
That local brewery is Boss Brewery in Swansea, and if you go to their bar they now sell a pizza named the Lycett in his honour
It's easy to see this as just trolling but it's a really good thing - they shouldn't just fine people without proof
Ok but i don’t see why he should get away with breaking laws just because he’s funny in emails
The point is that the council didn't actually prove that he broke the law. They had a photograph that frankly might not have even been his car. The photograph did not clearly show the violation.
It's not that he's funny in emails, it's that he's funny standing up for what is real and correct. He's talked in interviews about how he's paid plenty of legitimate parking tickets, but how a lot of places (in the UK and in the US) make a lot of their money off of parking tickets that are not legitimate. So he asked them for proof of the violation. If they'd had a photograph that clearly identified his car and clearly showed that it was on a taxi ramp, he wouldn't have had a leg to stand on. The guy didn't give in because he was "funny in emails," he gave in because he knew that Joe had a fucking point, and if it went to court, they wouldn't have a leg to stand on.
Also, the thing the guy said to him "prove you weren't" sounds a lot like "guilty until proven innocent" which is not how laws are supposed to work, and we should absolutely be calling that out wherever it happens.

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Brevity is the soul of wit & this was so damn creative
[ID: a woman stands in front of a hell landscape cgi. she's talking to someone out of view; "... Not supposed to be here, I'm Hindu, I'm supposed to be reincarnated, I told you this bef-"
She's cut off my a section of Lil Nas X's song Montero, specifically the line "... Me in the the mornin', i'll be on...". As the line plays, she looks to the side down, as if something nearby is falling. The music fades in, gets louder, and fades back out. She pauses after it fades all the way out.
"Who the fuck was that??" End ID]
“I told you this before” implying she has died and gone to Hell more than once, either in this life or a past
everytime she dies she has to go through this whole long process of paperwork and bribery to get reincarnated
afaik the only augmentative suffix in English is -zilla.
You are forgetting "2: Electric Boogaloo".
-apalooza, perhaps?
-ocalypse, -ocalyptic, -tastic.
fuckzilla, fuck 2: electric boogaloo, and fuckapalooza work, fucktastic definitely works, but fuckocalyptic doesn't sounds right 🤔
-athon, for duration
training for a half fuckathon
Its actually -pocalypse, as in fuckpocalypse, but as an irregular augmentative you can shorten it in whatever way works best. I'm not sure fuckalypse hits as hard as fuckpocalypse, though
-itude, like "not with that fuckitude it won't"
Fuckalyptic works great
Lest we forget -gate, e.g. “this post is a linguistic fuckergate.”
Gulmp.
captain picker isgonna finger himself
his wife is. 44 years old.
The fucking that old man website when someone actually fucks that old man
Tumblr is stuffed to the brim with 18-25 year olds who talk endlessly about being a hole for old men and have a heart attack the second a consenting adult is in a relationship with an old man
I need y’all to understand that every time that somebody who makes $10,000 a year thinks that somebody who makes $30,000 a year thinks that somebody who makes $50,000 a year thinks that somebody who makes $100,000 a year thinks that YES EVEN somebody who makes $150,000 a year is the real enemy
…a billionaire wins and we all lose.
And every time that somebody who makes $150,000 a year thinks that they’re better than somebody else who makes $100,000 a year thinks that they’re better than somebody else who makes $50,000 a year thinks that they’re better than somebody else who makes $30,000 a year thinks that they’re better than somebody else who makes $10,000 a year
…a billionaire wins and we all lose.
Privilege and comfort rises with income, obvi. It’s not all “the same.” But please zoom the fuck out and look at the whole picture. The WHOLE picture.

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How are my sweetie pees
I Said How The Fuck Are My Fucking Sweetie Pees
I am good, thank you very much. Just found out I'm fully transfem, so that's cool.
Guys I’m going to make a hot take
The whole “I wish I could be with a woman, but instead I’m stuck with my stupid, gross husband/boyfriend” sentiment I see repeated in bi circles is just the “progressive” queer version of the boomer “I hate my wife” jokes
if he’s stupid and gross you should leave him and if he isn’t you’re just being cruel for internet points and he should leave you
the first law of tragedies: the end is already written and inevitable. the second law of tragedies: your actions are all your own and you can choose to get off this ride whenever you want. the third law of tragedies: we both know that you are never going to do that.
Bro I fucking love the DB Cooper case nothing about this whole situation sounds real. None of the passengers on the plane realized they were being hijacked until the plane landed two hours after it was supposed to and the fbi showed up with suitcases full of money. The note about the bomb almost went unnoticed because the flight attendant thought she was being sexually harassed so she didn't read it. One of the main suspects was the first trans woman in Washington to have a sex change operation. A reporter who was so dead set on his suspect that he brought him to court was so upset about being wrong that he went catatonic and was treated with electroshock therapy and it WORKED. There's been multiple "I'm DB Cooper" death confessions. He never even SAID his name was DB Cooper. Either he got away with a million bucks in today's money and the most iconic and harmless crime American history or he impaled himself on a pine tree while falling a zillion miles an hour in the dark while clutching duffel bags full of cash and either option is equally hilarious. He wore a clip on tie. He committed an act of sky piracy. What in the fucking looney toons
HOLY SHIT HAPPY BIRTHDAY DB COOPER
this felt like some kind of modern poem. so,

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The funniest one star review of Wicked I've seen so far
(full article here)
finally, my profession might be legitimately worth something again instead of just "lmao put a chatbot in there"