Twinkling Cake and Starry Frosting

I have three Jamil cards on TWST EN (Silk Adorned, Dorm Uniform, and Overblot). So naturally that means Yuuri gets three Jamils right? 🙂‍↕️

Tag List (please let me know if you want to be added or removed): @scint1llat3 @taruruchi @twinklecupcake @theolivetree123 @artsy-y-foxy

(via bsky)

In case anyone hasn't heard, the cyclospora outbreak affecting tons of people in the US right now is coming from Taylor Farms produce. Best to stay away from bagged lettuce and prepared salads completely right now, but especially the ones mentioned in the screenshot:

Taylor Farms Earthbound Farms Little Salad Bar (Aldi) Marketside (Walmart) Kroger House Brand Target private label greens Costco salads and greens etc Trader Joe's chopped salad kits and fresh produce Fast food: McDonalds, Taco Bell, (Yum! Brands), Chipotle, Subway, Pizza Hut, KFC, Olive Garden, Top Golf, Red Lobster, Burger King, etc.

This is not the first time I've heard about a Taylor Farms foodborne illness outbreak. I stopped eating their salads after reading a description of the conditions in their facilities. Doesn't sound like they've improved anything.

Tenna art by @9Aaaalt29 on twt

Scribbly sketch of 'Ghost Groom event' because lissen I need Yumeimi in a bridal dress and and

Me: I wanna say after, because I just think that peak comedy is "Thank god that's over - and here we go again."

I just suddenly thought of 2003's The Haunted Mansion.

📣 MY COMMISSION IS OPEN! 💖

✅ yume illust, comic page, and costume design

Two lips meet in the spring. Love blooms 🌷💋🌷

John Alvin’s poster concepts for Disney’s Beauty and the Beast (1991).

John Alvin is the artist behind the iconic movie posters for such Disney classics as The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King and The Hunchback of Notre Dame. In addition to his work in animation, Alvin also did posters for live-action films like E.T., Blade Runner and Jurassic Park.

Alvin’s wife, Andrea, has released a GORGEOUS book highlighting her husband’s many illustrated accomplishments. As Mrs. Alvin frequently assisted her husband with his work, she also has a lot of fascinating back-stories about the paintings. Reprinted below is her account of the creation of the poster for Disney’s Beauty and the Beast:

“There were many concept sketches done of the two main characters in various settings and poses, both by the staff at Disney and by John. John’s method of working on this aspect of a job was to do very rough thumbnails of various ideas. From that point he would do a larger sketch, around 8.5 x 11 inches, with more attention to detail and composition. He would then move on to color sketches and color comps.

“John did not do too many small color comps on this film. Instead, he did several medium size paintings as color comps and at least two paintings that would be considered finishes. One was the couple dancing in front of a stained glass window featuring a rose, and the other was an image of the couple bathed in an ethereal light. The second was the image used on the one-sheet.

“The poster was done before the film was complete and the characters were not completely finalized when John started painting. That was one of the reasons to have them in somewhat of a silhouette. His technique to create the mood was to begin with a dark background and bring the subjects into the light. He applied the paint with an airbrush, building his paint in transparent layers, similar to a watercolorist. Most airbrush artists use a number of elaborate friskets or masks to protect the areas they don’t want painted at that time. However, John felt that light didn’t have hard edges, and so his painting shouldn’t really have hard edges. It was a game for him to see how few friskets he could use in a piece of finished art. He was fascinated by what he called “heavy light”—the light Steven Spielberg had used in E.T. and Close Encounters of the Third Kind. That was the look he was trying to emulate in the Beauty and the Beast art.

“The final piece was a hit and John was very pleased with it. The printers had some difficulty reproducing the magentas in the art, but in the end did a beautiful job. It was the beginning of a long and successful relationship with Disney feature animation.”