reblog if you too are bi and confused or support others’ right to be bi and confused
let's talk about Bridgerton tea, my ask is open


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@lasarcasticpanda
reblog if you too are bi and confused or support others’ right to be bi and confused

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Thoughts and prayers to my European mutuals suffering under their omega heat
do NOT google "omega heat"
prayers for the people googling "omega heat" for the first time
honestly so funny that artificial condition is right after all systems red
book 1
mb: I'm a robot and robots aren't people, don't tell me I'm a person
book 2
art: robot that is undeniably a person
mb: god fucking dammit
LFG HOLYOKE!!! 🎉
(via BottomUpBoston)
Official Post of Massachusetts
Scoo... "Puh." You have to put the "puh."

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a bit of inspiration from John Waters.
happy fourth of july to the philippines ONLY
link to article
hi, filipino here. just want to say that our independence day is june 12, not july 4. july 4 is when the united states government decided that they would recognize our freedom, specifically because it is your independence day and they wanted to cement their cultural hegemony over our country. and because of their influence on our country this was recognized for a time as our independence day. we still commemorate it, but i hope you can understand why we don’t want our independence day to be associated so closely with our former colonizer. it wasn’t even a work holiday for us.
june 12 is the day that we filipinos declared our own independence for ourselves, and that is what we celebrate as independence day
happy june 12 to you
@teaboot
if you ever doubt that your ao3 comments matter or mean something: i have been struggling with my writing for 6 months straight, crying myself to sleep afraid that i will never be able to write again, that the thing i love most in the world has left me, that my writing is just gone
this morning i got this comment:
and after i stopped blubbering over it, i picked up my writing notebook, and re-read all my fic research, and opened up my document again for the first time in weeks without being afraid of it
you have no idea how much writers treasure every single comment we get. you have no idea how big an impact you can have. sometimes, just sometimes, your one "insignificant" comment changes everything
anyway they better not pull punches with akasha or twist her motivations. she is a villain. she is an evil, self absorbed, misogynistic queen who is willing to use violence to make the world comfortable for only herself, to make it bend to what she deems as correct. she orders the rape and mutilation of women who won't affirm her religious beliefs. she orders the genocide and colonization of nations because she does not like their cultural or religious practices. when she wakes she refuses to acknowledge her part in the pain and suffering she has caused or the domino affect in the vampiric world that was the result of her violence towards two women and the slaughter of their entire village. instead she victim blames, displaces the responsibility onto men as a whole, and goes on killing and trying to control women to bend to her idea of peace. and it makes her a fascinating villain and very real symbolism for many types of women who exist even to this day, claiming to have feminist morals but being exclusionary, cruel and violent to the women who don't fit their more privileged narratives. it's a relevant story. the world is full of terfs and women in power who trample those beneath themselves all while claiming to be feminist or empowered. that is who akasha represents.

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#REAL
#REAL
[OC] SOMEDAY A MORTICIAN GETS TO SUPERGLUE HIS LIPS SHUT, Seen in Cleveland
Women in Shakespeare
Also like to point out that when her mother says “I was your mother much upon these years that you are now a maid,” (translation: I had you when I was your age) you have to remember her father’s words: “earth hath swallowed all my hopes but she,” (translation: all the other children died.) The whole plot point of Juliet being an only child is explained by her mother being a Margaret Beaufort type who had her first child too young and it damaged her past the point of being able to bear more children.
Margaret Beaufort died in 1509. She was a major player in the Wars of the Roses, the swirling on-again-off-again civil wars that consumed England from 1455-1487. Romeo and Juliet was written and first performed in the early 1590s. Your average English person of Shakespeare’s day would probably have had at least a vague understanding of who she was and what happened to her, because she was a key figure in recent history and was still getting passed around as a cautionary tale.
There are two great problems with what happened to Margaret (and that her parents are trying to do to Juliet). One is easy for modern people to spot (but was also a common response back in her own day). And that’s the moral implications of what was done to her. She was too young to be married, and it was horrifying that she was forced into it so young. Every one of the adults around her either acted immorally or failed to protect her. They were wrong. This is what modern people see, and it’s important to remember that people back in her day mostly agreed with it. You’re supposed to think it’s fucked up! When girls were married that young (and it didn’t happen often!) it was a formality 99% of the time. It was for dynastic or financial reasons (the girl has lots of money and/or land and/or a title that her husband wants), but the “couple” don’t consummate their marriage for years. And it’s not just that they would have separate bedrooms. They might not even live in the same country until the girl was in her late teens and physically and mentally mature enough to bear and raise kids. Hell, a lot of times they didn’t even meet until the girl was older! They had this thing called “proxy marriage” where you would have two separate ceremonies, in two separate places, with each party saying their vows separately, one in one city and the other in a different one. So, yeah, sure, the girl was technically married at 12, but she didn’t actually meet her “husband” in person until she was 17 and they didn’t start sleeping together until she was 20. That was a thing they did.
The other problem, the one that modern people don’t notice, is dynastic. See, marriage wasn’t generally because you loved someone. It was because you had the resources to support a family, and you or your family wanted to pool those resources with someone. It’s about “our family has these resources, and we want that to continue.” It’s about continuity across generations. It’s about making sure that your children and grandchildren have the best possible resources to survive and thrive, whether those resources are land or a trade or a title or money or whatever. In order for this to work, you have to have kids! The family and the family’s resources depend on the married couple having children. If the couple doesn’t have children, the marriage is a failure. And that failure affects not only the couple, but both families. This is a really big problem. And you can’t have just one kid to pass on the family name, because half of all kids die in early childhood. If you want to be safe, you need several kids, to be sure at least one will survive to adulthood (when they can marry and pass on the family name and resources.
You know what happens when a girl has her first pregnancy too young? She is very likely to either die in childbirth, or have complications that destroy her future fertility. Just like Margaret Beaufort. Just like Juliet’s mother. In other words, the marriage is a failure, not just for her, but also for her family, and her husband (who can’t divorce her, it’s not allowed except in extremely rare circumstances), and her husband’s family. So even the people who didn’t have a moral problem with adult men having sex with pubescent girls had a practical problem with girls married too young because you are very likely to destroy the entire purpose of the marriage by doing it. As Shakespeare reminds us in the play through Juliet’s mother having been married too young and only having one child.
Shakespeare is telling us “yeah, this is fucked up. but even if you’re the kind of awful person who doesn’t think girls marrying too young is morally wrong, it’s also a problem for practical and dynastic reasons, don’t forget that by doing this wrong thing you are very likely to destroy what you most want out of it.”
Interesting
It bears repeating:
don’t forget that by doing this wrong thing you are very likely to destroy what you most want out of it.”
yes, excellent discussion!
another thing i noticed, the year my local community shakespeare theater did r&j, and i made the costumes so i got to watch the show every night: part of why capulet is telling paris, take your time, get to know each other, no rush, is that he still has his nephew tybalt as his heir. as long as tybalt is in the picture, there is no pressure on juliet to go further with paris, than get acquainted. once tybalt is killed, then suddenly capulet needs an heir, he needs a husband for juliet, now, this week. (the role of capulet is best given to the actor in the company that can do over the top apoplexy, you need to believe his urgency comes at least in part by how clearly he could drop dead any moment from giving himself a stroke)
i feel like this play is often taught in middle schools as if it was somehow relevant to, or about, teen hormone storms. really it's got more to do with the social structures around family and inheritance. leaving that context out makes it confusing, why is capulet suddenly flipping from nice dad to evil dad?
art history matters.
I've been thinking about this play a lot lately. I really wanna highlight that Lord Capulet asks Paris to wait and get to know her, and to woo her, while Tybalt lives. While Tybalt is alive, Juliet has something of a reprieve, and her wellbeing as his only child matters more to Capulet. But once Tybalt has died, the gloves come off. Lord Capulet was worried about his daughter's wellbeing when he felt he had the space to care, but as soon as his dynasty is at stake, as soon as this becomes larger than Juliet's happiness, his consideration for her health and mental wellbeing get thrown away. Which also is due in part to the fact that Capulet's family is implicated in a brawl that has left several dead after the Prince's family EXPLICITLY told the Capulets and Montagues to stop fighting or face dire consequences, AND Capulet is trying to align himself with the Prince's family by marrying Juliet off to County Paris, a relative of the Prince. So to Lord Capulet, it is now less important that Juliet is happy, and more important than he reminds the Prince of his loyalty via this marriage and aligns his family with the Prince's before it's too late. And he believes this must be done, at any cost...until Juliet kills herself. And that's when he realises the devastating cost of treating his family as chess pieces. He realises his wrongdoing far too late.
Seriously Romeo and Juliet is HEAVY on the dynastic politics, and I think you can't fully understand the play without understanding how that all works, especially because the impact of dynastic marriages on women and girls is like. THE POINT of the play
i’m going to be really honest with you guys i think the tendency to read the absolute worst possible intentions into every action you don’t agree with is getting too automatic and it’s eating you from the inside out

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more pyaari everyone say hi to pyaari
explain your gender in 10 words or less without using boring words like “male”, “female”, “nonbinary”, “masculine”, “feminine” or “androgynous”.
go!