Tafkar

- You kept the wrong guy, because I don't know anything about the ship. - But you are very attractive. - [Coughs] What?

Montreal is pleased to announce that they've signed Katniss to a two-year standard player's contract. Katniss has made a name for herself in the NCAA as a defender, using her enormous size to stop the pucks getting in front of her team's net, and Montreal expects her to be a valuable asset for the coming season.

(This is @tothechaos's cat! If you want your pet signed to a PWHL team, send me some clear pictures (i.e. all of your pet is visible), the team, the pet's name and preferably some details for their little blurb! There's a queue so please be patient.)

In the episode 72 hours, we find out Rose may have contracted AIDs during an emergency gallbladder surgery.

Rose: Why me, Blanche? I'm tired of pretending I feel okay so you won't say, 'Take it easy', and I'm tired of you saying 'Take it easy' because you're afraid I'm going to fall apart. Dammit, why is this happening to me? I mean, this isn't supposed to happen to people like me. You must've gone to bed with hundreds of men. All I had was one innocent operation. Blanche: Hey, wait a minute! Are you saying this should be me and not you? Rose: No! No, I'm just saying that I am a good person. Hell, I'm a goody-two-shoes! Blanche: AIDS is not a bad person's disease, Rose, it is not God punishin' people for their sins!

In Isn't it romantic? we find out Dorothy's childhood best friend is a lesbian who recently lost her partner. She confesses she has feelings for Rose. Rose turns her down but makes it clear that she still wants to be friends even though she doesn't return those feelings.

Sophia: Jean is a nice person. She happens to like girls instead of guys. Some people like cats instead of dogs.

Jean: Rose, about last night. I should never have said anything. Rose: You only said what you were feeling. Jean: It's just that this last year has been so difficult for me. Pat was the person I planned to spend the rest of my life with. And when she died, I just felt so terribly alone. Empty. I thought I could never care for anyone again. Until I met you. I just got very confused. I hope I didn't make you uncomfortable. Rose: Well, I have to admit that I don't understand these kinds of feelings. But if I did understand, if I were, you know, like you, I'd be very flattered and proud that you thought of me that way.

Ebbtide's Revenge gives us Phil's funeral, and Sophia addressing him wearing women's clothes.

Rose: So what if he was different? It's okay that you loved him. Sophia: I did love him. He was my son, my little boy. But every time I saw him I wondered what I did, what I said, when was the day I did whatever I did to make him the way he was. Angela Petrillo: What he was Sophia, was a good man.

Sister of the Bride, where Blanche's brother Clayton brings his boyfriend to town, because they're planning on getting married.

Blanche: Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know? Sophia: Why did you marry George? Blanche: We loved each other. We wanted to make a lifetime commitment. Wanted everybody to know. Sophia: That's what Doug and Clayton want, too. Everyone wants someone to grow old with. And shouldn't everyone have that chance?

and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE

ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)

PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO

AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS

"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"

Because, my friend, my war on GREIGE will NEVER end.

Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.

Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!

In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.

WHY THE HIGHLIGHTER COLORS? you ask.

CANDLES.

Those colors reflect candlelight and natural sunlight REALLY WELL.

Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.

(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)

And that's before you get into American painted murals:

I will be downloading everything I purchased from Bandcamp and keeping an eye on it.

What HAS changed recently is that Songtradr is shutting down THEIR distribution site and telling artists to move to BC.

pros: yay! i finally look like a guy! people think im a man!

this IS one of the craft discussions that got me yelled at on fandom twt because of the exact same misunderstanding. there are MANY ways for a scene to serve a story that have nothing to do with driving a plot, because plot itself is only one element of story. anyone who has not yet developed an understanding of story beyond "fictional events, described in order" might hear "everything in the story should serve a purpose" and parse it as "cut everything that doesn't move the plot forward" but, at the risk of being a pretentious bitch, that's never what the serious people were saying. in lrb example of far from the madding crowd four pages of a guy standing in a freezing sheep field at midnight watching the stars sticks with op because it serves the story without driving the plot. and a lot of those old books are classics that we still study to this day because (among other reasons) it is worth taking the time to sit with those scenes and ask ourselves what their purpose is, what they're doing there, how they work.