Tafkar

♪ Only the Big Boss Gets to decide Who dies and who stays alive ♪

So, for instance, I couldn’t say “this book didn’t give its characters strong agency or goals”. I instead had to say, “the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot.”

I think this is really important because a lot of “critiques” people give, if subverted to address what the book does instead of what it doesn’t do, actually read pretty nonsensical. For instance, “none of the characters were unique” becomes “all of the characters read like other characters that exist in other media”, which like… okay? That’s not really a critique. It’s just how fiction works. Or “none of the characters were likeable” becomes “all of the characters, at some point or another, did things that I found disagreeable or annoying” which is literally how every book works?

It also keeps you from holding a book to a standard it never sought to meet. “The world building in this book simply wasn’t complex enough” becomes “The world building in this book was very simple”, which, yes, good, that can actually be a good thing. Many books aspire to this. It’s not actually a negative critique. Or “The stakes weren’t very high and the climax didn’t really offer any major plot twists or turns” becomes “The stakes were low and and the ending was quite predictable”, which, if this is a cute romcom is exactly what I’m looking for.

Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn’t inherently bad. Characters who react to their surroundings can make a good story, so saying “the characters didn’t have enough agency” is kind of weak, but when you flip it to say “the characters acted misaligned from their characterization” we can now see that the *real* problem here isn’t that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.

George Thomas Georgiadis - Young Man on the Sofa in a Moment of Relaxation

- You kept the wrong guy, because I don't know anything about the ship. - But you are very attractive. - [Coughs] What?

Montreal is pleased to announce that they've signed Katniss to a two-year standard player's contract. Katniss has made a name for herself in the NCAA as a defender, using her enormous size to stop the pucks getting in front of her team's net, and Montreal expects her to be a valuable asset for the coming season.

(This is @tothechaos's cat! If you want your pet signed to a PWHL team, send me some clear pictures (i.e. all of your pet is visible), the team, the pet's name and preferably some details for their little blurb! There's a queue so please be patient.)

In the episode 72 hours, we find out Rose may have contracted AIDs during an emergency gallbladder surgery.

Rose: Why me, Blanche? I'm tired of pretending I feel okay so you won't say, 'Take it easy', and I'm tired of you saying 'Take it easy' because you're afraid I'm going to fall apart. Dammit, why is this happening to me? I mean, this isn't supposed to happen to people like me. You must've gone to bed with hundreds of men. All I had was one innocent operation. Blanche: Hey, wait a minute! Are you saying this should be me and not you? Rose: No! No, I'm just saying that I am a good person. Hell, I'm a goody-two-shoes! Blanche: AIDS is not a bad person's disease, Rose, it is not God punishin' people for their sins!

In Isn't it romantic? we find out Dorothy's childhood best friend is a lesbian who recently lost her partner. She confesses she has feelings for Rose. Rose turns her down but makes it clear that she still wants to be friends even though she doesn't return those feelings.

Sophia: Jean is a nice person. She happens to like girls instead of guys. Some people like cats instead of dogs.

Jean: Rose, about last night. I should never have said anything. Rose: You only said what you were feeling. Jean: It's just that this last year has been so difficult for me. Pat was the person I planned to spend the rest of my life with. And when she died, I just felt so terribly alone. Empty. I thought I could never care for anyone again. Until I met you. I just got very confused. I hope I didn't make you uncomfortable. Rose: Well, I have to admit that I don't understand these kinds of feelings. But if I did understand, if I were, you know, like you, I'd be very flattered and proud that you thought of me that way.

Ebbtide's Revenge gives us Phil's funeral, and Sophia addressing him wearing women's clothes.

Rose: So what if he was different? It's okay that you loved him. Sophia: I did love him. He was my son, my little boy. But every time I saw him I wondered what I did, what I said, when was the day I did whatever I did to make him the way he was. Angela Petrillo: What he was Sophia, was a good man.

Sister of the Bride, where Blanche's brother Clayton brings his boyfriend to town, because they're planning on getting married.

Blanche: Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know? Sophia: Why did you marry George? Blanche: We loved each other. We wanted to make a lifetime commitment. Wanted everybody to know. Sophia: That's what Doug and Clayton want, too. Everyone wants someone to grow old with. And shouldn't everyone have that chance?

and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE

ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)

PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO

AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS

"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"

Because, my friend, my war on GREIGE will NEVER end.

Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.

Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!

In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.

WHY THE HIGHLIGHTER COLORS? you ask.

CANDLES.

Those colors reflect candlelight and natural sunlight REALLY WELL.

Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.

(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)

And that's before you get into American painted murals:

I will be downloading everything I purchased from Bandcamp and keeping an eye on it.

What HAS changed recently is that Songtradr is shutting down THEIR distribution site and telling artists to move to BC.