snakepperalta

Btw, I made this drawing thinking about a new AU, it would be something like this:

Buck and Eddie are talented actors and well known in Hollywood, they never crossed paths but a lot of people want to see them work together in an action movie or something like that. Everyone knows that Buck is bisexual but Eddie supposed to be straight in the eyes of the world one day this script for an action movie falls into his hands but to his surprise his character falls in love with his partner, who will soon discover that he's played by Evan Buckley. The perfect opportunity for Eddie to show the world who he really is.

A lot of things happen in between (I already have a couple of finished drawings, nsfw)

Speedpaint video (Youtube)

Available in buy me a coffee!

they get energy from lying in the sun, they inject shitty blood IN with their fangs, and they have no hands

op:

The stories are forever embedded in the American psyche, with iconic phrases from the books like “See Spot run” or “Fun with Dick and Jane” still being well-known enough decades later to be turned into movie titles.

Meanwhile, in the UK, the Ladybird imprint of the Penguin publishing house created their own version of Dick and Jane primers in 1964 called Keywords with Peter and Jane featuring a far more British family and their more British sensibilities. The series is still in print and has sold over 80 million books.

Both the US and UK books were often criticized for their not-so-hidden messaging. In the utopian vision of childhood they promoted, mothers wore high heels and stayed at home to clean clean clean, fathers went to work, people of color were invisible, poverty didn’t exist, and everyone everywhere was oh so cheerful and polite. While the US stopped printing Dick and Jane books just as the Civil Rights movement was gathering momentum, the UK has continued to create and publish these culturally out-of-touch books for decades, only occasionally updating egregiously racist or misogynistic images in response to public outcry.

Enter artist and satirist Miriam Elia. In 2014 she launched a successful Kickstarter campaign to create a satirical version of the Peter and Jane books called We Go to the Gallery (pictured above). As the book entered its second printing, Penguin sued her for copyright infringement. She promptly changed the models for Peter and Jane, renamed the characters John and Susan, created her own independent publishing house named Dung Beetle Books, and republished the book with new art to great commercial success.

Lumberjacks, like most megafauna species generally require more space than the average hardware store, even a big box store could provide. The misconception is that Lumberjacks are a social species because of how they often work and live together.

This is a matter of necessity, not preference, and a survival technique for thriving under the LogBoss.

A “pack” of Lumberjacks, if not under the environmental pressure of a LogBoss will naturally disperse until they each have a wide territory.

Lumberjacks rarely fight for territory.

One on one, a Lumberjack could drive out a Dad or Lesbian, however the latter tend to travel in social packs.

Lumberjacks will passively retreat on the presence of large numbers of people. Kind of like Sasquatch.

Getting a “pack” of Lumberjacks assembled would be hard enough unless they were forced into a Hardware Store by a LogBoss. In that case, they would already be in a heightened and potentially agitated state far above their natural behavior. This artificial scenario can be likened to a circus animal running amok. If it had been in the wild, the incident would not have occurred.

Free-roaming Lumberjacks are the cryptids of the Hardware ecosystem. They are surprisingly quiet and unobtrusive.

Only experienced silverbacks or the boldest young Dads dare venture into a craft store for long without his mate or offspring to keep roving Craft Ladies at bay and guide him in this strange ecosystem. If a Dad enters with his mate and is separated from her, he will often scuttle for the seeming familiarity of Woodcrafts, Models, or Paints (the latter not to be confused with Fine Arts, unquestioned territory of art students), but he eyes Scrapbooking and Jewelry with trepidation and will usually venture into those exotic areas only in the company of females of his pack.

Lumberjacks are rarely spotted entering craft stores of their own volition, for while they do not fear it as Dads do, they know it is an environment unsuited for megafauna such as themselves.

Hardware store Lesbians generally adapt more easily to craft stores, although they may enlist another Lesbian of a subspecies more adapted to that environment to guide them until they find their niche. Lesbians have even been known to seek the aid of a Craft Lady, a native fauna that share similarities with Lesbians but are usually smaller and nimbler to suit their chosen habitat. Dads who witness this are often awed by the Lesbians’ temerity, for although larger, Dads are generally wary of the cunning and dexterous Craft Ladies and may mistake their enthusiastic pack greetings as predatory swarming.

Craft Ladies, secure in their ecological niche, have no fear of interlopers and take the presence of non-native beings in stride, although they may become territorial about scarcer resources.