Misplaced Lens Cap
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he wasn't even looking at me and he found me
Not today Justin
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Claire Keane

Janaina Medeiros

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@enolaholmess

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@usergifâs back to cool event አCHALLENGE #5: GROWTH Please, let her be happy. (original.)
BBC MERLIN | MORGANA PENDRAGON
âł S3E13: The Coming of Arthur: Part 2
me in planning stages of writing: this fucks. this is gonna be so fun.
me the minute i sit down to write: language is an unwieldy cudgel we use to beat the human experience to death in an attempt at ever communicating fully with another being. i wish intelligent life had never evolved. i want to go back to the cell stage like in spore

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Inspired by @irishpotatowife on this post
MELISSA BENOIST AS KARA DANVERS IN SUPERGIRL
2/365 DAYS OF COMFORT CHARACTERS
Wuthering Heights, Emily Brontë.
yes & no â natalie wee (x)

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àČ _àČ àČ àČż_àČ àČ àČàČ
KARA and LENA + Every Hug
kara looking at lena through the years âłÂ a follow-up to this post
lena looking at kara through the years
Canât really articulate it properly but. Something about Clark and the need for ownership being a repeated theme throughout the movie. Something about how he constantly emphasizing that it was his house, his store, his money that pays for everything. Or the way he refers to the copies as âfurnitureâ and treats them as such despite the fact they do show some sentience. The way he treated Mary as a means to justify his not wanting to leave and his refusal to change. The fact that Clark eats from the copies and the Captain eats people.
The Captainâs âdenâ being filled with piles of clothes and pieces of the cardboard cutout it destroyed. The piles of furniture in the middle of rooms. Something about the Captainâs hostility at people that enter Backrooms possibly from seeing them as an invasion upon his space, his house, threatening change in a place he does not want it. Trying to gain control over your life by trying to own and control everything around you. Is this anything
The way they turned this copypasta concept about yellow hallways into commentary about the hollowness of ownership and the mental illness of consumerism is so important to me

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a handprint made in concrete is just the image of a hand, itâs not the real thing. or, itâs the absence of a hand, more than anything, the negative space. the casing around where it should be. itâs an indent that was made from something real - that could not have existed without something real - but itâs not the real thing, itâs just trying to be. maybe itâs not even trying. you put your hand there with your mother and the concrete remembers, and the handprint doesnât even know why it exists, it just does. if we can make copies and not-things from real things in the world, whoâs the say the world couldnât do that itself? does it even need to know why?
Backrooms (2026) - Kane Parsons, A24