
Today's Document
DEAR READER
Mike Driver
trying on a metaphor
Sweet Seals For You, Always
todays bird
Not today Justin

if i look back, i am lost

tannertan36
d e v o n
$LAYYYTER
Lint Roller? I Barely Know Her
we're not kids anymore.
untitled
almost home
taylor price

pixel skylines
Cosmic Funnies

seen from Singapore
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@enolaholmess

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@usergif’s back to cool event ღ CHALLENGE #5: GROWTH Please, let her be happy. (original.)
BBC MERLIN | MORGANA PENDRAGON
↳ S3E13: The Coming of Arthur: Part 2
me in planning stages of writing: this fucks. this is gonna be so fun.
me the minute i sit down to write: language is an unwieldy cudgel we use to beat the human experience to death in an attempt at ever communicating fully with another being. i wish intelligent life had never evolved. i want to go back to the cell stage like in spore

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Inspired by @irishpotatowife on this post
MELISSA BENOIST AS KARA DANVERS IN SUPERGIRL
2/365 DAYS OF COMFORT CHARACTERS
Wuthering Heights, Emily Brontë.
yes & no — natalie wee (x)

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ಠ_ಠ ಠಿ_ಠ ಠಗಠ
KARA and LENA + Every Hug
kara looking at lena through the years ↳ a follow-up to this post
lena looking at kara through the years
Can’t really articulate it properly but. Something about Clark and the need for ownership being a repeated theme throughout the movie. Something about how he constantly emphasizing that it was his house, his store, his money that pays for everything. Or the way he refers to the copies as “furniture” and treats them as such despite the fact they do show some sentience. The way he treated Mary as a means to justify his not wanting to leave and his refusal to change. The fact that Clark eats from the copies and the Captain eats people.
The Captain’s “den” being filled with piles of clothes and pieces of the cardboard cutout it destroyed. The piles of furniture in the middle of rooms. Something about the Captain’s hostility at people that enter Backrooms possibly from seeing them as an invasion upon his space, his house, threatening change in a place he does not want it. Trying to gain control over your life by trying to own and control everything around you. Is this anything
The way they turned this copypasta concept about yellow hallways into commentary about the hollowness of ownership and the mental illness of consumerism is so important to me

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a handprint made in concrete is just the image of a hand, it’s not the real thing. or, it’s the absence of a hand, more than anything, the negative space. the casing around where it should be. it’s an indent that was made from something real - that could not have existed without something real - but it’s not the real thing, it’s just trying to be. maybe it’s not even trying. you put your hand there with your mother and the concrete remembers, and the handprint doesn’t even know why it exists, it just does. if we can make copies and not-things from real things in the world, who’s the say the world couldn’t do that itself? does it even need to know why?
Backrooms (2026) - Kane Parsons, A24