just received the best text message I’ve ever had. from my mom
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I had to draw this beautiful lady
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just received the best text message I’ve ever had. from my mom
2 pics. no caption
I had to draw this beautiful lady

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various groups of people from this manuscript
just in case anyone forgot how wildly colorful Georgian interiors could be, even among the working class to the wealthy:
and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE
ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)
PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO
AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS
"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"
Because, my friend, my war on GREIGE will NEVER end.
Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.
Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!
In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.
WHY THE HIGHLIGHTER COLORS? you ask.
CANDLES.
Those colors reflect candlelight and natural sunlight REALLY WELL.
Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.
(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)
On the subject of Colonial America: don't forget, even if you couldn't afford wallpaper, wall stenciling might still be in reach!
(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)
And that's before you get into American painted murals:
Embrace the decorative arts, folks!
You gotta read and watch some old books and films that aren’t 100% modern politically correct. I’m not saying you should agree with everything in them but you need to learn where genres came from to understand what those genres are doing today and where media deconstructing old tropes is coming from.
Also, more often than you might think, they’re not actually promoting bigotry so much as “didn’t consider all the implications of something” or just used words that were polite then but considered offensive now.
Kill the censor in your head.
When we choose to avoid history because it's Problematic or Says Bad Things, we are choosing to divorce ourselves from understanding how we came from that time to this one, which makes it even more likely for the cycle to repeat, with no one but a few people with shelves of old books aware that it's happened before.
and this shit's important. Media from the past tells us how people from the past acted and thought and behaved.
Plus, a lot of these media pieces were socially acceptable and/or progressive for their time. For example, The Adventures of Huckleberry Finn, while it contains a lot of words and ideas that are offensive now, was very progressive for its time. The book is a statement piece for how a young man who's grown up in a racist environment, with no words to explain himself other than racist and bigoted ones, decides that the whole system is shit and he's not going to follow those rules any more. So not reading or engaging with it because it uses the n-word a lot really misses the point.
also the idea that we're more progressive than we used to be because time has elapsed so progress must have occurred is extremely complacent.... and very easy to check, if you bother to check. the last ten years' slide into fascism means there's movies from 2001 that are more aggressively feminist or anti-racist or both than anything getting greenlit today.
This is reminding me about the discourse that popped up a while back about the Laura Ingalls Wilder "Little House" books. They were adapted from the memory and diary entries of a woman who lived in the 1800s. They're not meant to be a statement - they're a memoir. They're a snapshot of one family's experience at particular period of time. Of COURSE the attitudes and language and events described are going to be problematic. It's ridiculous to expect that something over a century old is going to fit the same Overton Window parameters as we have today, especially considering media that is much more recent is being written off, even if it was progressive as hell at the time. (Looking at everyone who questions why Legally Blonde is considered a landmark feminist work, or why Rocky Horror Picture Show is considered landmark queer representation in cinema.)
Moreover, it lies with the reader to exercise critical thinking and educate themselves. If you're reading or watching something with material that troubles you, first question why it does. Then question why it's there. There's usually a reason.
Not to pick at this but Rose Wilder was a staunch libertarian and edited the Little House books to push that agenda specifically.

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Murderbot + text posts [206/∞]
Prehistoric graves show women wielded more than early archeologists gave them credit for.
"Some 6,000 years ago in the northern reaches of modern Latvia, a young woman died. Afterwards, a group of early humans buried her in an ancient, sacred place along a lakeshore. They carefully lowered her small teenage frame into the ground, gently placing a stone ax, 28 flint flakes, 15 blades, and a stone scraper beside her. Stained with ochre, the stone implements were part of her last rites. This young woman remained there thousands of years, until, when archaeologists discovered her along with more than 300 others in the 20th century. The site, known as Zvejnieki cemetery, is one of Europe’s largest Stone Age cemeteries.
Research conducted at Zvejnieki has often challenged longheld assumptions about gender roles in prehistoric Europe. For instance, the young woman interred in burial 211 described above is one of several women and children buried with stone axes at the site, upending the notion that axes only belonged to Stone Age men. Now, a new study published September 10 in the journal PLOS One again upends gender stereotypes, demonstrating that women and children were just as likely to be buried with stone tools as men. The woman in burial 211 alone was laid to rest with a staggering 45 different stone objects.
(...)
This flies in the face of a decades-old stereotype that Stone Age women didn’t use stone tools as frequently as men. The women were too busy cooking, crafting, and caring for the family to bother with the stone tools used by men in hunting and building. Or so the outdated story went.
“Our findings overturn the old stereotype of ‘Man the Hunter,’” Little said in a statement. Historically, this stereotype “has been a dominant theme in Stone Age studies, and has even influenced, on occasion, how some infants have even been sexed, on the basis that they were given lithic tools.”
Study co-author Dr. Anđa Petrović of the University of Belgrade echoes Little: “This research demonstrates that we cannot make these gendered assumptions and that lithic grave goods played an important role in the mourning rituals of children and women, as well as men.”"
Cute observation we’ve probably made before: European languages approaching the problem of naming a dragonfly.
French, German, Dutch, Italian, Spanish, Polish, Greek, Romanian: it has wonderful balance, so we will sensibly name it “level” - as in ⚖️, balance. It’s so rare that all of us come to such a nice consensus. Hopefully it’s not because, like, English rode in roughshod and -
English, spitting: dragonfly
French, German, Dutch, Italian, Spanish, Polish, Greek, Romanian and a whole host of others: normally you’re more with us than everyone else - did you … get that from the celts, or…?
Welsh: no. Fuckoff. snake’s servant
Irish - BIG NEEDLE
Basque, supportively - witch’s needle!
Swedish - troll’s spindle
Norwegian - eye sticker
Danish - goldsmith
Croatian - fairy’s horse
Finnish: wolf’s rod (?)
Hungarian - sieve-knitter
Turkish - little Joseph 😊
I’d like to study the rest of the world, and ask a few languages some probing questions, but there’s never enough time.
According to the Oxford English Dictionary however, there are some popular names among the same lines as "dragonfly", such as German drachenfliege and drachenhure, they just aren't like the standard terms! The first attestation of the English word is from 1626, but like, compounding like that is a pretty Germanic thing to do, so it makes sense.
Ooh according to the Historical Thesaurus of English there was a term "adderbolt" in use from 1483-1703 (can't get the tumblr link thing to show the specific page but it's category 01.04.01 if anyone wants to look it up)
Ahhh that’s the faint little dying sparks of the snake connection - look at the Welsh name (“gwas y neidr”) and the original English word for adder!
It looks like the “libellule” variants swept over a lot of older regional names, themes in which seemed to be snakes, magic, horses/riders, witches and devils, and needles. Normally it’s English words that do that, but in this case, English is going 🗣️ DRAGONFLY 🗣️ in a mild eddy of independence, and is clearly not guilty.
If you squint, the “spindle” and “needle” themes might go back far enough to connect to the “snake” ones!
hang on can we get back to "Drachenhure"
Yeah good point guys what’s going on there
Thank you for making me look up what hure meant in the middle of my physical therapy
You’re welcome
things I was not expecting to learn when I looked up the word (PDF link):
As far as we know today, dragons featured only in German witch trials from Thuringia, Saxony, and Bavaria, i.e. from the eastern parts of today’s Germany. [...] The belief in a connection between witchcraft and dragons seems to belong to the bedrock of witch beliefs in this area. “Dragon whore” (“Drachenhure”) was a common insult in sixteenth-century Saxony. Dragons featured in the oldest eastern German trials from the early sixteenth century, and they disappeared only in the early eighteenth century when the witch hunts themselves finally petered out.
Dillinger, Johannes. "The Dragon as a Household Spirit: Witchcraft and Economics in Early Modern and Modern Sources." Magic, Ritual, and Witchcraft, vol. 17 no. 2, 2022, p. 212-240. Project MUSE, https://dx.doi.org/10.1353/mrw.2022.0024.
(the thing I was expecting to learn is also in that paragraph but like)
We’ve come so far from the insults of Saxony tbh
Red Fox (Vulpes vulpes), father and pups, family Canidae, BC, Canada
photograph by Henrik Nilsson
BUFFY THE VAMPIRE SLAYER 4.01, "The Freshman"

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And for the blonde man, perhaps some torture?
Project Hail Mary | Deleted Scene
"if yr stabbed dont take the knife out" okay so thats basiclaly cockwarming
i can never leave this place
I feel I would be exceptional at all these average events 🥇
ok but towel flick fencing somehow looks more physical than regular fencing

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Xena’s amazing costumes.
Not what I expected on my dash today but hells yeah