If you use an e-reader and want to immerse yourself in the classics of literature that are in the public domain, I highly recommend doing so via Standard E-Books
https://standardebooks.org/
Unlike the free e-books you may have downloaded from Amazon or other marketplaces that are full of formatting errors and typos, these are meticulously corrected and use all the proper typographical marks.
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@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!
I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.
If you are able to draw a circle and a couple of lines, you can easily put together a stick person.
Congratulations! You have started to draw. :)
A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.
But what can a stick person teach us about drawing people that look more like⌠well, people? Lets have a look!
By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.
These simple additions can allow us to explore the wide range of human emotion and individuality.
This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.
For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.
We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.
The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!
Now we can use our stick person to show us an even wider range of human movement, action, and expression.
Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.
By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.
By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!
These basic ideas are the building blocks that will enable us to create more complex shapes.
The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.
For example. Two ovals and a rectangle can be combined to create a cylinder.
Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.
Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.
A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.
Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.
Lets see how these solid shapes can be used to compose the human body.
By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.
An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.
We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!
In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.
You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.
The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.
Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.
For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.
With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.
Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.
Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!
I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.
Decide 10: A Relationship Tool I Found to be Helpful
A lot of internet advice says âdonât do things you donât want to doâ or âyou donât owe anyone anything.â Technically true, but real relationships are more complicated. Sometimes youâre tired but still willing, sometimes youâre excited, and sometimes youâre just⌠meh.
Thatâs why I love the Decide 10 system (from Prototype Thinking on Medium). It makes compromise clearer and more balanced. I saw this talked about on Instagram and looked it up.
Hereâs how it works when it comes to activities (I used a different method for an emotional need, which I talk about in example 3).
Each person rates from 1â10 how much they want to do something.
You both reveal your numbers.
If the total is 10 or higher, you do it. If itâs lower, you renegotiate, postpone, or skip it.
Example 1:
This is often used to decide whether to do a specific activity, but it can also be used to decide between two. Youâre deciding between Taco Bell and Burger King for dinner.
Your partner rates Taco Bell 5, Burger King 8.
You rate Taco Bell 7, Burger King 4.
Totals:
Taco Bell = 12
Burger King = 12
Both hit the 10 threshold, so either works but you can see Burger King matters more to them than Taco Bell matters to you. So maybe a compromise is you go to Burger King that night and Taco Bell another.
Example 2: Compromise in Action
Letâs say someone rates something a 9 and youâre only a 3. The math adds up to 12, but beyond the numbers, it shows this thing is really important to them. In a close relationship, you might decide to stretch for them. Not because you owe it, but because you care. And often, theyâll stretch for you too.
The opposite can be true as well. Maybe you say something is a 1, but they rate it an 8. Seeing your low number might help them realize, âThis isnât worth draining you for. I can let it go this time.â Thatâs care, too.
Example 3: An Emotional Need
Today I was feeling sad. I told my friend I was a 6 on the âsad scaleâ and asked what her capacity was for calling. I clarified it wasnât emergent. I was just sad.
She told me she was at about a 4 on capacity. She was tired and normally wouldnât call tonight, but since I was at a 6, she wanted to support me. We agreed sheâd call in two hours when she had privacy. She added that if Iâd said it was emergent, she would have called right away, privacy or not.
That was me applying the concept in a different way. It was honesty about where weâre both at, balanced with flexibility.
The original Decide 10 article talks about adding numbers together for activities. With emotional needs, it worked a bit differently for me. My â6â was about how much support I needed, while my friendâs "4" was about her capacity to give support. Instead of adding the numbers, we compared them and found a compromise. She couldnât call immediately, but she could call in two hours.
Thatâs the point of the scale. It is not rigid math, itâs a framework for honest communication.
Why this helps (especially if you have BPD):
No mind-reading. You donât have to guess how much they care.
Saying âIâm a 3 on thisâ communicates low capacity without it sounding like rejection.
You can see when one person feels strongly and the other doesnât. This makes compromise less painful.
It balances give-and-take instead of one person always âwinning.â
Important to remember:
Use it for everyday decisions and non-emergency emotional check-ins. Donât force it in crisis moments.
Numbers can change. A â2â today might be a â7â tomorrow.
The point isnât the math. It's the honesty and balance it creates.
This is just one tool, but I think itâs a great way to practice boundaries, compromise, and clarity. Things that can be especially tricky when you live with BPD.
I really like it! It's been helpful to me for asking for help honestly. I was able to reach out to my friend today because I felt I could trust her to give me an honest answer on her capacity and we could figure it out from there.
It's also been super helpful for my husband and me when we're struggling with dinner, or what to do for date night. I think it helps things not feel so black and white to me.
if you are doing any kind of design meant to reach large numbers of people, download a colorblindness filter (i use CVSimulator, its pretty simple and free) and use it religiously
you can use color contrast checkers like WebAIM to make sure the foreground/background colors are legible & meet web content accessibility standards as well
Additional note: screen readers can't read any fonts you copy and paste from Google to make your blog look cute, please just use the fonts that tumblr already has
i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors
âred and green are opposites đĽ°â cool now how do i paint a tree with pinks and blues without it looking like a childâs finger painting or incongruous blobs of rainbow vomit
ok i canât explain it very well but im looking for tips and techniques for rendering art like
with specifically the highlights and colors being hues that compliment each other, donât distract from the scene, and make it more interesting/visually appealing
gonna drop some sources I have saved on Pinterest! I don't know if these all link back to the original sources so apologies for that
cohesive but still contrasting
This kind of talks about color and composition
This is a bit about landscape specifically
Values & composition
Contrast in composition
Balance in colors & values
This one's more for palette building but I think it's useful and can be applied to the other ones
Cohesion within compositions/lighting
"Chromatic fringe" - I also see people using this with shading, they bring in a transition color that is a different hue than the base color or shadow, it makes it so that less vibrancy is lost and it doesn't get muddy!
This one specifically has a lot of process behind the style of painting you're looking for!
Also one of my favorite artists who makes bright and colorful art like this is Not Sorry Art on TikTok & YouTube, her website is here and it's<3 my fav. She has some videos where you can see her process
With the oranges painting you put as an example, I noticed they painted the lighter values more toward yellow - they also exaggerated the hues of the undertones of the photo, so I'm guessing they either did it in their head or bumped the saturation up to get a closer look! I really love these paintings you shared and I definitely share your desire to paint/draw like that :)
If you'd like 2 Print books that I absolutely reccomend to every visual artist regardless of Media, Color and Light and Imaginative Realism by James Gurney are basically religious texts for artists, even the 3-D people because his understanding and explanation of how light and form work is that damn good.
If you're wondering about Mr. Gurney's chops:
James Gurney is the Dinotopia Guy (that link includes his Dinotopia books, prints and online classes too)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch ⢠No registration required ⢠HD streaming
Mine too - she was my most visited website for the first few years of my working career, and I cannot emphasise enough how much her advice helped me navigate how to behave in a work environment. You name it, she has an answer for it. Definitely a life hack.
As a college student, currently really hungry with nothing to eat, I understand how hard it can be to get food. Sometimes you really just donât have the money to eat and when you do, you waste it all on fast food instead of stocking up on cheap things because youâre so tired of Ramen Noodes and canned food you could barf. So, Iâve composed a list of recipes and resources that will fit a college kidâs budget and appetite. Donât go hungry! <3
Great get online and go to a job board. Indeed, Linkedin whatever. Now you're gonna search for a role that's in your city, fits your qualifications, and doesn't seem like a bad time.
See that easy apply button? Don't hit it they just throw those in the trash. Now you're gonna want to go to the company's website and check their careers page.
Oh? That job doesn't exist anymore. Cool go back to the job board and find another one.
Great you found another job, you're on the company's career page and the job exists!! So you're going to need to make an account on the career page website. They're using Workday, the same site as the last job you applied for? Who cares? You need to make another account for THIS job's workday page.
Now you're going to upload your resume. That'll autopopulate about 15 boxes with everything on your resume, except formatted wrong and with tons of errors. So just go through and painstakingly check the dates on all of that and rewrite everything you already laid out in an aesthetically pleasing format on your resume.
Ok time for the cover letter, explain why this specific job and company are deeply important to you. You love their mission statement and wouldn't even laugh if their ceo was gunned down in the street. You'll really want to reiterate the things you just spent the last 20 minutes filling out on the resume section
(Remember to include language from the job description, people who work in HR are lower than dogs and they need patterns or they get confused.) Write about a page, but hey don't sound too desperate or robotic this is where they judge your character!
Maybe add your portfolio site at the end here, who knows if that helps no one has ever clicked mine haha.
Anywayyy time to hit apply! Congrats! You'll see that confirmation email come in and you should be getting the rejection letter in about 2 weeks. Unfortunately your resume didn't have the right buzzwords and the AI auto rejected you :(
The above is exactly why half of my friends come to me, and cry they're suffering, and I get to bestow my job hunting knowledge on them. I love this shit, it's a game.
For credentials my fastest job hunting time has been 1 week. I searched for 1 week, got an interview, and was hired within a week. My slowest was 1 month, while out of work, while telling ALL my interviewers that I quit my work without notice (I was testing my interviewers to see how shocked they'd get when I'd tell them why, anyone who wasn't shocked I would tell them at the end that I will keep them in mind (not)). My entire average is 2-3 weeks.
Firstly, what you're gunna do is pick a job sector. You're gunna pick a few of these by the end, but for now pick one. Maybe you wanna do bookkeeping, maybe you wanna do something in doggy daycare. Maybe you're a sous chef. Idk! Figure out what abouts you want first. Do not apply to anything yet. You're gunna look at the job description, I've picked out a few for bookkeepers below.
Now what you're gunna do is you're gunna look for "buzz words", or rather words that are gunna appear commonly and indicate the tone for that job. I've highlighted some, but not all in my examples below
Just look at that snout at how similar those descriptions are!
Now that you've got your buzzwords, you're gunna slap those babies into your resume! You see, since your resume is usually read by a computer first, you're gunna trick the computer into giving it to a person. Really what the computer is scanning for is how similar your resume is to the job description. Remember your bullet points, and to keep it short, try to only have 3 to 5 bullet points per job:
- Processed over 500 invoices a day in an efficient and accurate manner
- Curated reports for management review by utilizing available data
- Monitored and recorded over 100 submissions each day increasing accuracy by 50%
These are some great, made up examples I pulled from those buzz words. You might notice I added some numbers into there. That's something you'll wanna try and note for yourself, how much of something you can do, how accurate, how much efficiency you increased, these look GREAT when your resume gets past the computer and is moved in front of a real person.
Now you have your sector-based resume with lots of buzzwords. This is great! Now for the easy part. You're gunna channel your inner "IDGAF" And you're gunna send that to every listing you like on indeed. Filter for "Apply on Indeed" and spam that shit. Sometimes you gotta answer a few extra questions, but if they give me more than 5 quick questions I trash the submission and move on.
Don't waste your time jumping through hoops, streamline it for yourself and use the same methods companies are using. Push MASSIVE amounts of average quality resumes out. The more opportunities taken = the greater the chance of success. For every opportunity taken you've now pitched a chance of success, for every resume you cannot submit because you're piddling around on their stupid website or answering 50 interview questions online, you send out a 0% chance of success.
So go, try this, and see how it works for you.
Some additional things to consider:
- Add random shit in your resume, I added my "Board Game Club" (BDSM group) into my resume for hobbies and discussed how I got my start using sparklines there
- Never underestimate the flair of a little Clipart fleur-de-lis or something on your resume. Never put colored Clipart, but a little floral or swirl design located somewhere nice makes it stand out
- if you don't have a degree that doesn't mean they won't pick you, twice now I've come to a job without a bachelors and being honest that I was only getting an associates before I think of my next steps
- Embellish, do not lie. Jargoning your job description to make it sound cool and professional is GREAT. Do not give me a resume saying you can use CNC machinery when you've only used a 3D printer. Just tell me you know how to program and manage a 3d printer and want to learn CNC machinery.
- Keep. Your. Resume. To. Two. Or. Less. Pages. You don't need EVERY job, only the relevant ones, if your interviewer asks about the gap, tell them what job you had during that time (or if you wanna lie say you were taking college courses and were on a break, you dont need a degree to say you took courses) and that you only wanted to showcase the most relevant ones
- I'm serious on that last one I'll eat your fucking resume
HERE'S HOW TO WRITE A COVER LETTER FROM SOMEONE WHO HAS DONE IT PROFESSIONALY:
Look at the job description.
Identify what they want examples of like "ability to multitask" or "can work across teams to achieve success" or "can work on a budget".
Pick three.
Write this:
IF YOU CAN FIND THE NAME OF A HIRING PERSON: Dear [Name]
IF YOU CAN'T FIND THE NAME OF A HIRING PERSON: Fuck the usual salutation and just roll directly into "I was very excited when I saw this job application. I feel I am a great fit for this role."
Now, look at the three things you chose from their list of what they want. Write a paragraph like this.
I am an adept multitakser who routinely handles several projects/deadlines/needs (whatever). In my current position I [multitask example]. In my previous work, I [second example].
SECOND PARAGRAPH SAME AS THE FIRST DIFFERENT THING THEY WANT BUT NOT ANY WORSE:
In my current position, I work with multiple teams daily, including [name any team you have waved hello to in the hall] and through my work we have [list an accomplishment that required multiple teams].
THIRD PARAGRAPH HERE WE GO AGAIN:
Staying in budget is something I am very familiar with. When I worked on [team], my contributions [list] not only brought the project in on time but under budget by [number]. I have also brought in other projects under budget [examples].
AND NOW THE FINALE:
Thank you for your time in reviewing my cover letter and resume. I look forward to discussing my qualifications and interest in the role with you at length. I can reached at [phone number] and [email].
Sincerely,
[NAME]
And remember, any question that is looking for a negative story ("Tell me about a time you had a conflict with a co-worker") should ALWAYS be presented by you as "I do have a story for that, and I'm pleased with how I handled it." and then you focus on the all the positives in that situation. So, state what the problem was, and then how you fixed it, and then how fixing it improved your working experience. For example:
"Well, I worked with a man named Bob, and he never answered any emails he got after 3:00 PM, so if I had a question after 3, I'd start a draft email and just add to it if i had further questions. And then I'd schedule it to send at the top of his workday. He started earlier than me, and I'd usually come in to a reply from him with the answers I needed when I first sat down for the day. I actually had another co-worker who was having trouble getting Bob to answer questions, and I said, "Oh, are you sending them after 3?" and when she said yes, I shared my own process so it was easier for her to get information, too."
You see how you acknowledge there was an issue but put most of the focus in your answer on the fix? That's the sort of answer they're looking for. The "tell us about something bad at work" questions are about weeding out people who will take any moment to go into a full-on complaint about anything. Any questions that SOUND negative are about wanting to hear your POSTIVIE ability to manage conflict and difficulties.
Hey someone suggested I use ChatGPT to figure out adulting today, and as I was going through the mental list of places I'd rather look, I realized "beloved strangers on Tumblr dot net" was on that list.
So if you have an aspect of adulting that you're really good at-taxes, budgeting, cooking, insurance, credit, time management, house upkeep, anything-please feel free to reblog with any tips.
That's us! Professional internet adults, specializing in financial stuff! We recommend starting with our Grand List of All Articles, or one of our Masterposts:
MASTERPOST: Everything You Need To Know About Taxes
MASTERPOST: Everything You Need to Know about How to Increase Your Income
MASTERPOST: Everything You Need to Know about Retirement and How to Retire
MASTERPOST: Everything You Need to Know about Credit and Credit Cards
MASTERPOST: Everything You Need to Know about Investing for Beginners
MASTERPOST: Everything You Need to Know about How to Pay off Debt
MASTERPOST: Everything You Need To Know About Living Independently for the First Time
MASTERPOST: Everything You Need to Know about Repairing Our Busted-Ass World
MASTERPOST: Everything You Need to Know about Self-Care
MASTERPOST: Everything You Need to Know about Getting a Job, Raise, or Promotion
MASTERPOST: Everything You Need to Know about Saving Money and Being Frugal
đ How to Build a Culture Without Just Inventing Spices and Necklaces
(a worldbuilding roast. with love.)
So. Youâre building a fantasy world, and youâve just invented:
â Three types of ceremonial jewelry
â A spice that tastes like cinnamon if it were bitter and cursed
â A holiday where everyone wears gold and screams at dawn
Cute. But thatâs not culture. Thatâs aesthetics.
And if your worldbuilding is all outfits, dances, and spice blends with vaguely mystical names, your storyâs probably going to feel like a cosplay convention held inside a Pinterest board.
Hereâs how to fix thatâaka: how to build a real, functioning culture that shapes your story, not just its vibes.
âââââââ ⌠âââââââ
đ Culture Is Built on Power, Not Just Style
Ask yourself:
â Whoâs in charge, and why?
â Who has land? Who doesnât?
â Whatâs considered taboo, sacred, or punishable by death?
Culture is shaped by who gets to make the rules and who gets crushed by them. Thatâs where things like religion, family structure, class divisions, gender roles, and social expectations actually come from.
Start there. Not at the embroidery.
âââââââ ⌠âââââââ
2.đŞ Culture Comes From Conflict
Did this society evolve peacefully? Was it colonized? Did it colonize? Was it rebuilt after a war? Is it still in one?
â What was destroyed and mythologized?
â What do the survivors still whisper about?
â What do children get taught in school thatâs⌠suspiciously sanitized?
No culture is neutral. Every tradition has a history, and that history should taste like blood, loss, or propaganda.
âââââââ ⌠âââââââ
3.đ§ Belief Systems > Customs Lists
Sure, rituals and holidays are cool. But what do people believe about:
â Death?
â Love?
â Time?
â The natural world?
â Justice?
Example: A society that believes time is cyclical vs. one that sees time as linear will approach everythingâfrom prison sentences to griefâcompletely differently.
You donât need to invent 80 gods. You need to know what those gods mean to the people who pray to them.
âââââââ ⌠âââââââ
4.đŤ Culture Controls Behavior (Quietly)
Culture shows up in:
â What people apologize for
â What insults cut deepest
â What people are embarrassed about
â Whatâs praised publicly vs. whatâs hidden privately
For instance:
â A culture obsessed with stoicism wonât say âI love you.â Theyâll say âHave you eaten?â
â A culture built on legacy might prioritize ancestor veneration, archival writing, name inheritance.
This stuff? Way more immersive than giving everyone matching earrings.
âââââââ ⌠âââââââ
5. đ Culture = Daily Life, Not Just Festivals
Sure, your MC might attend a funeral where people paint their faces blue. But what about:
â Breakfast routines?
â How people greet each other on the street?
â Who cooks, and who eats first?
â Whatâs considered âcleanâ or âproperâ?
â How is parenting handled? Divorce?
Culture is what happens between plot points. It should shape your characterâs assumptions, language, fears, and habitsâwhether or not a festival is going on.
âââââââ ⌠âââââââ
6. đŹ Let Your Characters Disagree With Their Own Culture
A culture isnât a monolith.
Even in deeply traditional societies, people:
â Rebel
â Question
â Break rules
â Misinterpret laws
â Mock sacred things
â Act hypocritically
â Weaponize or resist whatâs expected
Let your characters wrestle with the culture around them. Thatâs where realism (and tension) lives.
âââââââ ⌠âââââââ
7.đ§ź Beware the âPretty = Goodâ Trap
Worldbuilding gets boring fast when:
â The protagonistâs homeland is beautiful and pure
â The enemyâs culture is dark and âbarbaricâ
â Every detail just reinforces who the reader should like
You canâand shouldâchallenge the aesthetic hierarchy.
â Let ugly things be beloved.
â Let beautiful things be corrupt.
â Let your MC romanticize their culture and then get disillusioned by it later.
âââââââ ⌠âââââââ
đ TL;DR (but like, spicy):
â Culture is not food and jewelry.
â Culture is power, fear, memory, contradiction.
â Stop inventing spices until you know who starved last winter.
â Let your world feel lived in, not curated.
The best cultural worldbuilding doesnât look like a list.
It feels like a system. A pressure. A presence your characters canât escapeâeven if they try.
Now go. Build something real. (You can add spices later.)
ârin t.
// writing advice for worldbuilders with rage and range
// thewriteadviceforwriters
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⌠A free (and actually helpful) guide to leveling up your first 10 pages âŚIf you're unsure whether your opening is â¨doing enough⨠to hook re
đŻď¸ download the pack & write something cursed:
A gothic prompt pack for writers who love cursed universities, secret societies, and scholarly rot.â Write the Darkness âA 75-prompt horror
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Too many artists are held back by outdated and bad color theory rules, or even rules that are fine but have built in limitations that you should know and I want to set everyone free.
Learning color theory through oil painting is more difficult than learning it through gouache & watercolor, primarily because it takes way more time to find mass tone and mix everything and also it's much less obvious to easily and quickly discern if a paint pigment is highly staining or transparent.
Oil painters like to seem like they have the richest and most storied traditions in color theory to past down but also inevitably they are the most likely to retain an extremely limited chroma palette based on classical palettes for the sake of classicism and not always make that fact very apparent to a beginner aside from saying it's an "old masters palette" watercolor/gouache painters are bad at using paints that are not light-fast and clinging to them despite having better alternatives, but generally still understand chroma gamuts and pigment importance better or at least talk about them more.
When you're mixing paints, the earth colors (browns) don't need to handled and thought of as brown. Ask yourself if the brown is yellow, orange, red, or leaning towards a black (which would be treated as a violet or blue, depending on whether black is warmer or cooler).
Yes there are cool reds and warm blues
Any reference color wheel that places red on the very top hurts my feelings, stop doing this just because you learned "roygbiv". Yellow is at the top and the Indigo-Blue range is on the bottom because this also means the color with the lightest possible value is opposite the color with the darkest possible value, so you have the colors arranged with a value scale from top to bottom BUILT IN.
this is related to why ivory black is actually very dark blue.
This makes me think makeup artists have good color theory, having to understand undertones of skin, warm v neutral v cool toned red lipstick....
Yes!!! I mean first of all, makeup artists are artists.
and they are ALSO ultimately just blending pigments to produce certain colors and effects, so yeah professionally do study the basics of color theory and then necessarily have to adapt it to their medium. And they tend to generally add like, what you talked about with recognizing cool/warm/olive/neutral undertones and such as a big consideration to their canvas.
And that IS why people will say "this is a cooler red lipstick" (although even cooler than that would be magenta or fuschia!).
I think the only thing I've noticed wrt to honestly mostly beauty influencers and not actual professional MUAs is that too many people buy an eyeshadow palette of cool tones in the palette and then put it on and complain it pulls "too warm for their cool skin." And it "isn't actually a true cool tone palette."
I just want to grab all these people by the face and say:
"Shhhhhh. Color temperature is relative. Although you have cool skin undertones, you ALSO have blood under your skin which will inherently make your base skin-canvas slightly warm no matter your foundation shade. So when you put any kind of pigment that isn't fully opaque onto your skin, the transparency WILL be warmed by your skin because you're alive and have blood still. The eyeshadow palette IS a cool palette. You're just not a vampire, which is why that cool taupe shade suddenly looks different from the mass tone in the palette."
These influencers would understand this better if they did some watercolor painting on pre-tintedpaper and then compared it to painting on pure white.
In case anyone is curious here are my top color recommendations
Handprint.com is hands down the most comprehensive scientific explanation of how different color wheels or palette choices work. It's big and dense and exceptionally thorough. I skim frequently and find myself always learning more. https://handprint.com/HP/WCL/water.html everything is done using watercolors as a reference point but a LOT of this translates to other mediums. For the record his CIECAM color wheel is what I consider to be the best (not 3 dimensional) color wheel for artists. Period.
He uses pigment numbers for some of the most common watercolors rather than specific paint brands or color names to place the pigments. It's also a case study in why yellow being at the top is the best because it also means you have a value scale from top to bottom (since black paints are just dark violets or blues, ultimately.)
When you look at this, you can start realizing more and more why the earth colors can be used as if they were like, straight red, or yellow, or orange. Like if you wanted to make a limited palette, you could use "burnt sienna" as your dark yellow (which will make the whole palette lean orange!) Or it could be your orange or you could use burnt sienna as your red. (Look at gamut masking links below)
Seriously it's good to try and swatch your medium (even really quickly!) Within a CIECAM Artist's color wheel. Below are two of my attempts:
From loose memory and then mapping pigments roughly.
He also discusses the difference between visual complements and mixing complements!
Anyways absolutely try to read bits and pieces. The whole site is amazing. Handprint is amazing.
Also:
https://gurneyjourney.blogspot.com and James Gurney's book: Color and Light: a guide for the realist painter. James Gurney is the dinotopia guy. That book is also amazing for painting fantasy with lots of fantastical examples. Here are two short videos on gamut mapping and gamut masking. Accompanying blog posts.
No surprises here! His book also charts pigments:
Actually these are my four favorite books hands down:
Color and Light: a Guide for the realist painter - James Gurney
Color for Painters: a guide to traditions & practice - Al Gury
The oil painters color handbook - Todd m casey
Artist's master series: Color & light - 3d total publishing. This one emphasizes digital!
The first two have been out for awhile now and you can more easily find them cheaper/used online than the latter two which are relatively newer and hefty hardbacks.
Also, from personal experience: al gury is a sweetheart angel who is a huge crazy cat man. I adore him, he's so kind and helpful. I think it's a little late to join the current session (although they did only start Jan 28, so you can always ask! Class videos are recorded), BUT he frequently offers a class on color that is fully online through PAFA continuing education, as well as other classes. I haven't taken it yet, but I HAVE taken other classes online with Al and he's really great.
Oh also online gamut masking tools:
In krita: https://docs.krita.org/en/user_manual/gamut_masks.html
i thought my laptop was on its last leg because it was running at six billion degrees and using 100% disk space at all times and then i turned off shadows and some other windows effects and it was immediately cured. i just did the same to my roommate's computer and its performance issues were also immediately cured. okay. i guess.
so i guess if you have creaky freezy windows 10/11 try searching "advanced system settings", go to performance settings, and uncheck "show shadows under windows" and anything else you don't want. hope that helps someone else.
hey this is apparently helping a lot of people! adding that on top of this you can also go to settings > personalization > colors and turn off transparency to also boost performance. this wasn't the Big Fix for me but might as well do that too if you're trying to optimize.
Ok I know we joke about this but I just went to the settings and first clicked "adjust for best performance" and then re-checked only 1 box:
"Smooth edges of screen fonts"
My computer was running hot before I turned everything off; the office I'm in is very warm, I could feel the heat of my CPU through the keyboard. The fans were going, not as loud as they usually get, but they were still blasting.
Y'all.
I can barely feel the warmth through the keyboard now. It's been like 2 minutes. The fan is nearly silent.
Click the Windows key and start typing "System settings", and "View Advanced system settings" will pop up. Then click "Settings" under Performance:
Then you'll see this:
TURN IT ALL OFF.
I turned "Show window contents while dragging" and then turned that off again. It's up to you.
The second best thing you can do for a Win10 computer is turn off whatever unnecessary services it's decided it needs to run in the background always. Some services it does need, but others are useless. Here's an article that goes into step by steps.
10AppsManager lets you uninstall bloatware. Winaero Tweaker lets you disable crap like Cortana/Copilot, ads, telemetry, internet search results when you search from the taskbar, and all kinds of other stuff, plus it gives you lots of other little options that are just nice to have (like, it can restore the old MS Paint program in place of Paint 3D). Both are totally free.
Oh, and check your startup programs in the Task Manager tab to make sure your computer isn't automatically starting eight million programs every time it boots. But I think people mostly know about that. (Unless this is me going "they only know one or two feldspars... and quartz of course.")
The first best thing you can do for a Windows computer is install Linux Mint. But some of us do need a few pesky Windows-specific programs. Bleh. Still, if you're up for a project, you can have both (and it's awesome). Here's an article about setting up a dual boot Windows/Mint system.
friends romanâs and fellow countrymen i need help
for years and years and years my great aunt made a cheese cake for easter. but it was no ordinary cheesecake. it was a no bake farmers cheese cheese cake that was wrapped in cheese cloth and put in the fridge and had like some kind of nuts and also those gummy fruit things in it. the recipe does not exist. but i know itâs eastern european. and i want to eat this cake. but i cannot find it anywhere on line, every comparable recipe is a baked one. have any of you heard of this??? can anyone send me anything that might be useful?????? please??????????
okay so ive decided to make it because Why Not and step 1 is finding a mold. i know theres a traditional one but my great aunt always used like a 1960s jello mold pan thing and i do not have one. but i have a friend (actually its katyas partner) who deals in such oddities.
alright welcome back everyone. my apologies for the delay i was busy making lemon poppyseed cake, brownies, gluten free babka, killing my spatula and also working. but i am back now. and it is time to embark on the great pashka making endeavor.
the making began Yesterday.
first katyas parter Was in fact able to find me a mold at good will for 2 dollars, right now it is soaking so i cannot show you a picture but trust me, it exists and it is lovely.
second thank you to everyone who sent me in their recipes for pashka. i am eternally grateful. but, i have decided that i will be combining several recipes together for a few reasons:
i know for a Fact that my great aunts version has farmers cheese and sour cream in it, not cottage cheese.
Some People in my family get pissy about eating raw eggs
i feel like this is the proper course of action for any good eastern european girl: making something so uniquely unique that it is impossible for anyone else to replicate.
this of course led to the Third step of the evening, as in yesterday evening, which was gathering the ingredients. this was much harder than i anticipated. because it took three stores.
store 1 (the fresh market) had the appropriate sour cream and golden raisins (which i have decided to use as a mix in) but only salted macadamia nuts. store 2 (safeway) had the macadamia nuts but Nothing else. store 3 (wegmans) had literally everything else i needed Including the candied fruit gummies.
i of course informed my sister of the improvements:
though, my sister was substantially less excited than i was:
i then ate half of the fruit gummies in the car back and came to the conclusion that they were Not in the original recipe because the texture was wrong.
see. no one knows what the fuck was ever in this cake. as seen above. there were definitely tiny macadamia nuts and chopped up candied Somethings (maybe maraschino cherries? and something else green??) but i did not have the time nor the desire to go to a polish deli to hunt for the mysterious candied Things.
could i have asked my great aunt what was in the recipe?
yes absolutely. she's quite alive and well. but after the infamous Walnut Cake Fiasco from christmas eve, during which i had to make walnut cake. for christmas eve. (and no you cannot have the recipe) i decided against asking.
so i decided to Fuck whatever was in the original cake and do my own thing. after copious amounts of research, i have landed on using my macadamia nuts, golden raisins, orange and lemon zest and juice, vanilla bean and vanilla extract. of which i happened to have a fuck ton of because i just made homeade vanilla extract.
and now that it is no later than 11:23pm, it is the perfect time to embark on the task of Trying Not To Fuck Up The Pashka.
but first: a trip to the gas station to get sweetened condensed milk.
alright so the gas station did Not have sweetened condensed milk but they Did have evaporated milk. so we are going to improvise.
in our quest i managed to forget once again that i 1. live in a college town with 7 bars and 2. its a friday night at midnight. so as we traipsed along to 7/11 we got to sing along dramatically to baby by justin bieber that was being blasted by one of the bars. we then got slushees, went to the gas station for the evaporated milk and saw three frat boys decked out in gucci loafers and vineyard vines and all three of them had their cards decline on 1. voss water 2. an ice cream sandwich and 3. a celcius.
but!
im spiking my slushee and getting down to business. its pashka time.
okay. it is 2:41 am. the pashka is in the fridge. and my kitchen is no longer coated with cheese. why was my kitchen coated with cheese? i will explain.
so my mold does not have drainage holes in it (as it is not the biblically correct one) this is not really a problem except for the fact that a vital step of pashka making is pressing the liquid out of it in the mold overnight in the fridge. mine turned out rather soupy and so i had the Brilliant idea to wring the liquid out blob by blob at a time through cloth napkins. which coated my whole kitchen in Cheese. and also myself. and katyas partner who stayed up with me to attempt the pashka. katya went to sleep like a loser. sometimes though, you have to coat yourself in cheese to find yourself. i do not know if i have found myself yet. will report back on that.
anyway the cheese draining method Worked and it Tastes Correct but!!! there was still more liquid that needed to come out so. i put the whole thing in a salad spinner basket in the cheese cloth in a bowl to catch the drips with a plate under it and 2 weights on a plate on top of it to press the liquid out. tomorrow morning once the liquid is drained iâll put it in the mold.
i have no idea if this will work. but it Does taste good. so there is that. and at least my kitchen is no longer covered in cheese.
also to all of you getting pissed i was calling this cake. growing up it was quite literally called cheesecake so. hush. not everyoneâs traditions are your traditions thatâs what makes them traditions.
what Is tradition about this is that my great aunt would be rolling in her grave if she had a grave to roll in.
9:12am. i lay awake and living off of less than 6 hours of sleep, petrified at the state of both my fridge (which may be covered in liquidy sticky goo) and my pashka. my parents are due to arrive sometime between 12 and 1 but itâs my parents so itâll likely be between 1 and 2 but probably not after 3. my sister will be with them. she is the only one who knows about the pashka.
also thank u everyone for figuring out the mysterious red and green cherry things. they do indeed look like the holiday fruit. if this works perhaps i will try again with the holiday fruit.
for now though i lay in fear. and will try to muster the courage to open the fridge.
12:13pm. the table is set. my parents will be here imminently. the pashka has been moved into its mold and is sitting in the back of my fridge. and i myself am walking across the street to get champange. for some reason. i was told to. unsure why. no one in my family drinks. (the spiking of the slurpee last night was an effort to get in touch with my ancestors)
my parents do not know there is pashka.
you might be wondering why we are celebrating easter on a saturday when christ has definitely not yet risen. the answer is that no one in my family is religious. i have actually no idea why we are celebrating easter.
i step out of my kitchen. there have been murmurs of dessert speculations. but no one was expecting a pashka. except my sister who of course knew of my scheme.
âalright,â my dad said, taking a bite. remember that he didnât even know there was pashka until a few minutes ago. âhow did you make the cake? because itâs really goodâ
and while this recipe was a pain in the ass to make, i will share it. with all of you.
HOW TO MAKE THE PASHKA
step 1. first you must be a little insane.
step 2. gather the ingredients: 2lbs farmers cheese, 1/2 cup sour cream, 1 stick soft unsalted butter, 2/3 can evaporated milk, 1 3/4 cups sugar, about half a cup finely chopped unsalted macadamia nuts, about 3/4 cup chopped golden raisins, 1 orange, 1 lemon, vanilla extract, 1 vanilla bean, cheesecloth, 6 inch vintage mold, salad spinner bowl or something else with holes in it, 5 lb weights, napkins, vodka (to drink yourself)
step 3: combine chopped macadamia nuts and chopped golden raisins into a container with lid. zest into it 1 whole lemon and 1 whole orange. add the juice of the lemon and the orange. add in a large splash of vanilla extract and a scraped vanilla bean pod. mix, cover, and put in fridge for several hours
step 4: press the farmers cheese through a fine mesh sieve with the back of a spoon into bowl. set aside.
step 5: put 2/3 cup evaporated milk into saucepan. slowly heat with 1 cup sugar. heat until it has taken on color and has thickened. stir a lot. remove from heat.
step 6: cream butter and 3/4 cup sugar with electric mixer paddle attachment. add sour cream and condensed milk. beat again.
step 7: add in the fluffed farmers cheese. switch to the beater attachment. beat at least 5 minutes
step 8: take the mixture a few scoops at a time into a cloth (not a paper towel) and wring out excess liquid over a sink. this will be messy. and sticky. wear clothes you donât care about. now might be a good time to drink your vodka. scrape the napkin contents out into a bowl. it should still be liquidy but less wet. repeat for rest of bowl.
step 9: drain liquid out of the nut raisin citrus mixture. fold into the drained cheese
step 10: put cheesecloth into the basket of a salad spinner. make sure there is overhang over the edges. place cheese mixture into the cheese cloth. wrap excess cloth over the top of the pashka, weigh down with a plate and 5lbs of weights. place the salad spinner basket into a bowl slightly smaller than the basket so that there is room for the liquid to drain to. put in fridge for around 9 hours
step 10: remove pashka from salad spinner basket and place in your mold, place lid and weights on top of it for 1 hour
step 11: remove weights and plate. soak up any liquid that has been pressed out with paper towels. leave in mold until serving time
step 12: remove from mold, take off cheese cloth, place on plate. serve with strawberries. be very glad that you only have to make this cake once a year.
happy easter. iâm going to drink another mimosa.
I want an entire cookbook written like this post. It's like the antithesis to all those food blog recipes (of which I am also guilty of making) where someone tells about the origins of the recipe and you have to scroll all the way to the bottom just to find out how much sugar to add, except it's unhinged and amazing and tells a story of experimentation and spite and surprise success.
This is quantum physics in theory (incomprehensible unless you're a hardore math simp) but in practice it is Black Magic (you have to sell your soul and sabity in order to perform it).
btw @ everyone who can't wrap their heads around this, here's a longer video going into more detail about prepping the damaged area and mending/darning technique with actual explanations!
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When my mom or her sisters did crochet growing up, their dickhead older brothers thought it was hilarious to snip the yarn somewhere in the middle of the bundle. I suspect mom would've found a trick like this really handy.
I have used this method and I can confirm it is Great. Makes a very, very strong join that won't break, and then you don't have to weave in the ends when you're done!!
If you are in the US, you have access to your state (and county) Cooperative Extension Service! This is a taxpayer funded program all across the nation. They exist to help gardeners garden better, farmers to farm better, homemakers to homemake better, 4H, and a host of other things. Quality depends on how well they are funded by the government. If yours is kind of crappy check out neighboring states with similar climates. Some still give out old, outdated info.
They have a ton of free information online and some even offer free or low cost classes. This is usually out of a land grant university in your state.
This matters b/c gardening has a HUGE local component. What works best in California is not what works best in Vermont, won't be planted at the same time, some types of plants and even down to the cultivars of the plants will do better in some situations and not in others.
For example:
planting calendar for Western North Carolina vegetables and herbs
Texas A&M page with a bunch of organic gardening resources in PDF form
Online Growing Groceries Classes 2025 with the King county (Seattle I think??) Master Gardeners - $8 per class each class is 1.5 hours long. Master Gardeners are trained volunteers who assist the Extension Service.
Midwest Blueberry Production Guide (PDF) - this is REALLY good I have it on my desk at work.
An online 4 hr beekeeping course from the Univ of Oklahoma for only $20
An online 10 hour poultry course from Penn State for only ~$50 - Penn State has a lot of really good online written resources on small time animal husbandry for free too.
UGA's National Center for Home Preservation - Did you know that the internet is full of terrifyingly unsafe food preservation info? Here's an excellent and free science-based resource for preserving your harvests on things you find on a great sale at the store.
Univ of Arizona extension event calendar of things they have going on all over the state.
Most classes used to be in person, but since the lock downs many of them are online.
If anyone needs any help with this, I'm happy to help, just let me know what state you're in and what kind of info you're looking for.