my last polaroid of 2020
Stranger Things
Today's Document

Kaledo Art

blake kathryn

tannertan36
πͺΌ
Sade Olutola
will byers stan first human second
AnasAbdin

if i look back, i am lost
hello vonnie

shark vs the universe
Cosimo Galluzzi
DEAR READER

β

sheepfilms

Product Placement
Lint Roller? I Barely Know Her

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@plantyhamchuk
my last polaroid of 2020

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Lavender Nice Cream (Vegan)
studying history is like. here's to another beautiful day of not being pregnant and of having no obligation to ever be. thank you women who fight for abortion and contraception and independance from men for another beautiful day of not being pregnant and of having no obligation to ever be
Climate change will have a profound effect on agriculture in a myriad of ways. Here in the Wairarapa, as orchardists we are concerned. The climate is changing. Show Your Stripes Day is an annual global campaign held around June 21 to raise awareness about climate change. It encourages individuals and organizations to share "warming stripes" graphics that display long-term, localized temperature increases.
The stripes were created in 2018 by climate scientist Professor Ed Hawkins at the University of Reading, to show the data visualisation at a glance.
Each vertical stripe represents a single year's average temperature.
Blue represents years cooler than the long-term average, and red represents years that were hotter.
The transition from cool blues into increasingly intense, deep reds over the last century visually communicates the reality and acceleration of global warming.
This graphic from Earth Sciences New Zealand. Each of these stripes represents our average overall NZ annual temperature, relative to the 1991-2020 average.
Spot the trendβ¦.we're in the red.
Four of New Zealand's five warmest years on record have been recorded since 2021. The ongoing warming trend observed here at home and globally is largely driven by human greenhouse gas emissions.
NZ stripes are calculated from the 'seven station' series - a long-running temperature record pulled from measurement sites at seven locations
Auckland, Masterton, Wellington, Hokitika, Nelson, Lincoln and Dunedin. (Masterton is close to TeePee Cidery)
These seven locations make the cut because they provide broad geographical coverage of NZ and long records. They've been collecting measurements since 1909.
#climatechange
I heard you like shapes. 1982 geometric house in Annapolis, CA has 4bds, 3ba, 2,511sqft, $895k, (Zillow's est.: $821,800)

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05.27.26
at the top of Mount Tammany overlooking Mount Minsi
What are you reading rn, why are you reading it, and what format are you reading it in (physical book, ereader, on your phone etc)
The hot, steamy days of summer have arrived, and on this particular Saturday a week of intermittent rain had transformed the verdant cove forest along Quarry and Clay Runs in Coopers Rock State Forest into a muggy, dripping wonderland. Hardly surprising - Appalachia's cove forests are temperate rainforests, absorbing and slowly releasing enormous amounts of rainfall and creating the conditions for moss, fungi and ferns to grow on anything and everything that doesn't move, living and non-living. Photos above are from the ever gorgeous Mont Chateau Trail, which features a thousand foot elevation change from Cheat Lake to Henry Clay Iron Furnace, bordered on one side by a steep ravine and on the other by beathtaking rock formations and sprawling rhododendron thickets.
hot take in a roundabout way i think that's also why so many of us opt out of becoming parents ourselves
Spring is drawing to a close, so I wanted to share a few of my favorite late spring photos of my yard and its denizens. Featuring roses, volunteer Sweet Peas, an Oak Titmouse, what I think are raccoon tracks, and of course Kirikou and Hank.
Also if you're reading this, you are invited to enjoy a cup of tea on my catio with me... Although we'll have to sit on the floor.

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plagued by tomato fruit worms rn; we lost another beautiful tomato to one. :(
I blasted through the tomato plants and pruned a ton of branches off, then spot checked for their eggs. I'm sure i missed more than enough of them, but I think I'm going to spring for a container of concentrated BT today because I am fed. upppppp.
I see why people use synthetic pesticides. I'm losing patience but it's not worth using them. As long as I can get outside daily to get the squash bug/leaf footed bug eggs, prune the tomatoes periodically, and watch the tomatoes as they grow, I think we should be ok.
on the alberta oil sands
If you want to understand the Alberta oil sands β and everyone should, at least a little, because they are among the strangest industrial artifacts in the Western hemisphere and the standard coverage of them is almost uniformly wrong β you have to start with the fact that what's in the ground is not oil. Oil, proper oil, the stuff Saudi Arabia and Texas and the North Sea have been pumping for a century and a quarter, comes out of the ground as a liquid. You drill a hole, pressure differentials do most of the work, and what comes up is roughly pourable. This is not what's in northeastern Alberta. What's in northeastern Alberta is bitumen, which is oil that has been sitting around for a hundred million years getting its light ends biodegraded out of it by bacteria, and what's left is a substance with the consistency, at room temperature, of cold molasses or peanut butter. You cannot pump it. You cannot drill it. If you cut a chunk of oil-sand out of the formation and put it on your desk it will sit there, looking like a dark sticky brick, being the least ambitious hydrocarbon in the history of hydrocarbons.
So the entire industry is, at a physical level, a workaround for the fact that the thing they're extracting is an embarrassment to the concept of petroleum.
There are two workarounds and they both cost a lot of energy. If the deposit is close to the surface β and only about a fifth of the reserves are β you can dig it. This means you strip off the boreal forest and the peat underneath it (the "overburden," in the terminology, which is one of those words like "collateral damage" or "surplus population" that you can tell was invented to not describe something) and you run the biggest trucks and shovels in the world, actually the biggest, 400-ton dump trucks that cost five million dollars each and tires that cost the price of a house, and you mine it like coal. The oil-sand goes into crushers and then into giant hot-water tumblers that separate the bitumen from the sand the way you'd separate wet paint from gravel, with a lot of help from caustic soda and even more help from steam. The water goes into tailings ponds, which are not ponds, they are lakes, they are visible from low earth orbit, and they are full of a mixture of fine clays and residual bitumen and a lot of other chemistry that is at best dubious and at worst a slow-motion environmental catastrophe nobody in Alberta can figure out how to clean up and which, by provincial law, the operators are supposed to eventually reclaim β a promise whose timeline keeps sliding to the right and whose financial reserves, if you actually cost them out, would bankrupt most of the companies that made them. That's the mining side.
The other eighty percent of the reserves are too deep to mine. For those you use SAGD, steam-assisted gravity drainage, which works like this: you drill two horizontal wells, one stacked a few meters above the other, you blast the upper one full of high-pressure steam until the bitumen down there gets hot enough to actually flow, and then you collect the flowable bitumen out of the lower well. You are, essentially, cooking the ground. To do this you need ungodly amounts of natural gas, because steam doesn't make itself, and the natural gas is piped in from elsewhere in the province, which is why the oil sands are sometimes described (accurately) as a process for converting natural gas, which is a reasonably clean fuel, into synthetic crude, which is not, at a thermodynamic efficiency that would make a nineteenth-century millwright wince.
The net energy math on this is β fine. It works. You put one unit of energy in, you get three or four out, that's the rough ratio, less than conventional oil's old ten-to-one but more than enough to make money at any oil price north of roughly fifty dollars a barrel, which the global oil price has been north of most of the time since about 2004. So it gets done. And once you've gotten the bitumen out of the ground β whether by digging or by cooking β you still can't ship it, because at pipeline temperature it's still too thick to flow, so you cut it with condensate (a light hydrocarbon imported specifically for this purpose, sometimes from the US Gulf, shipped north, used as a thinner) until it's a mix called dilbit, diluted bitumen, which is what actually goes down the pipe. About a third of every barrel of dilbit leaving Alberta is diluent. You are paying to ship the thinner.
This is, I want to stress, the normal operation of the industry. None of this is scandal. This is the regular Tuesday.
The scale of it is the part people don't absorb, because the numbers are all in units nobody has intuitions for. Canadian oil sands production is running around 3.5 million barrels a day as of 2025, which is more than every OPEC producer except Saudi Arabia and Iraq, which is almost half of all oil produced in Canada, which accounts for most of the difference between Canada being an oil-exporting country and Canada being a quiet resource backwater with a per-capita income that looks more like Ireland's. The industry is about thirty percent of Alberta's GDP. It is the entire reason Alberta's per-capita GDP is what it is. Until the Trans Mountain pipeline expansion came online in May 2024 β after twelve years of construction, at a cost of 34 billion Canadian dollars, after the federal government had to buy the project from Kinder Morgan because no private company could eat the political risk β basically all of it went to the United States, which meant Canadian producers had exactly one customer and priced accordingly, at whatever discount to WTI the American refiners felt like imposing. This was annoying to Canada in the way that having a single customer is always annoying to a supplier, and it's the thing the pipeline was supposed to fix, and fixing it is already looking like it wasn't as much of a fix as promised because production keeps growing faster than egress capacity can keep up.
Okay. That's the industrial situation. Here's the part that actually matters.
Fort McMurray is not a city in any sense that the word normally carries. It is a town of maybe 75,000 permanent residents, up near the 57th parallel, surrounded by boreal forest and muskeg, to which is attached β and the word "attached" is wrong, the word needs to be something more like "grafted" or "hosting" β a second population of roughly 35,000 workers who live in what are called camps. The camps are the actual operational engine of the industry. A camp is a cluster of prefab dormitory buildings attached to a cafeteria and a gym and maybe a movie room, plopped down in the bush near a mine or a SAGD plant, with capacity for anywhere from a few hundred to several thousand workers. Workers fly in from everywhere in Canada β Newfoundland, Cape Breton, New Brunswick, whatever backwater the post-industrial labor market has stranded them in β on two-week-on two-week-off rotations, work twelve-hour shifts, live in a room the size of a cell, and fly home to spend two weeks with their families before coming back. The term of art is "shadow population." The official census counts them separately.
And this arrangement is not incidental to how the industry works. It is the industry. You cannot run a facility the size of Syncrude's Mildred Lake mine with a labor force of people who live in the nearest city and commute to work. There is no nearest city. The nearest city is eight hundred kilometers away. You have to import the workforce, and because you have to import the workforce, you have to house them, and because you have to house them cheaply, you put them in camps, and because the camps are miserable, you pay the workers a lot of money, and because you pay the workers a lot of money, they put up with the camps, and the whole system is stable as long as the oil price is high enough to subsidize the discomfort premium. It is an entire industrial operation structured around the fact that nobody would voluntarily live where the bitumen is, and so the industry has to buy the labor's tolerance of not-living-there, over and over, shift after shift, for however many decades the deposit lasts.
Which brings me to Kate Beaton.
Beaton is from Mabou, Cape Breton, which is one of those Canadian places that the twentieth century was mostly unkind to. Cape Breton had coal, and Cape Breton had steel, and Cape Breton had fishing, and Cape Breton lost all three of these industries in the space of about forty years, and what it has now is diminished. The island's culture, which is Gaelic-inflected and absurdly musical and which has produced a shocking amount of art per capita, has as one of its load-bearing assumptions the idea that you will probably have to leave to make a living, and that this leaving will be sad but necessary, and that everyone you know will do it too, and that it's been going on since the Highland Clearances, and will go on after you. This is the Cape Breton structure of feeling. It predates the oil sands by about two hundred years. The oil sands are just the current destination.
So when Beaton graduated from Mount Allison in 2005 with an arts degree and a pile of student loans, she did what her cousins and the boys from her high school had already been doing for a decade, which was get on a plane to Alberta. She went to the camps. She worked tool cribs, she worked supply offices, she worked at Syncrude's Long Lake and at Shell's Albian Sands and at a couple of the smaller operators whose names I can't remember off the top of my head, and she kept a notebook, and eventually β many years later, after she'd become internet-famous for Hark! A Vagrant, which is a different story β she turned the notebook into a graphic memoir called Ducks, published in 2022 by Drawn & Quarterly, which won pretty much every prize available to graphic novels and landed on Obama's list that year, and which is, I think, the single best book anyone has written about what the oil sands actually are, which is a very specific kind of social machine.
The book is called Ducks because in 2008, while Beaton was there, 1,600 migratory ducks landed on a Syncrude tailings pond and died in it, which became briefly a global news story and got Syncrude fined three million dollars, which is roughly the kind of money Syncrude made every forty-five minutes that year. The ducks were the visible atrocity. The book is about the invisible one.
The invisible one is that the ratio of men to women in the camps was, depending on which camp and which shift, somewhere between 30-to-1 and 50-to-1. Beaton spent two years as one of the maybe two or three women at any given installation surrounded by several hundred men who were working twelve-hour shifts, living in single-occupancy dorms a hundred meters from hers, drinking heavily when off-shift because there was nothing else to do, doing cocaine at a rate that surprised even her, isolated from their wives and girlfriends and mothers and daughters, and β this is the part the book builds very patiently and very devastatingly β slowly losing the ability to behave like the people they used to be when they were still at home. The book is not a condemnation of the men. It is explicitly not that. The book's most painful move is that it keeps humanizing them, keeps showing how they're also trapped, also miserable, also being used up by the same machine, even as they do the things they do to her. Which, without getting into the specifics β read the book β include the full range of what several hundred isolated men will do to two women when the HR function is a phone number in Calgary that nobody is going to call.
And the thing Beaton sees, the thing she sets up with complete economy and then lets the rest of the book bear out, is that the machine is designed to produce exactly this. It's not a bug. The camp structure produces isolated men away from their social networks in exchange for money. Isolated men away from their social networks, given enough money and enough boredom, will do predictable things, and those predictable things are accepted by the operators as part of the cost of doing business, the way a mine accepts that a certain number of miners will get silicosis. It's a function of the design. Nobody up the chain at Suncor or Syncrude or Shell wants the women in the camps to be harassed. It's just that preventing the harassment would require reorganizing the entire labor-rotation structure of the industry, which would raise the cost per barrel, which would make the operation uncompetitive, and so the harassment is priced in as an externality. The women are told they have a bad attitude. The men are told to knock it off. The rotation continues. The oil flows.
What makes Ducks extraordinary, and what makes it a book about the oil sands rather than a book about harassment β though it is also that β is that Beaton also sees the men. She sees the welders from Cape Breton she grew up around, except here they're trapped in a way she recognizes because she's trapped in the same way, a way her dad would recognize from his own generation going to Boston or Toronto, a way her grandfather would recognize from the mines. The Maritime out-migration has been happening long enough that it has a folk repertoire, a whole tradition of songs about leaving, and the men in the camps are inside that tradition whether they know it or not. Some of them are actively dying inside it β there's a running count in the book, not emphasized, just there in the margin, of young men who die on the highway between Fort McMurray and Edmonton, or who kill themselves in their dorms, or who disappear. The mortality of the rotation is ambient. It's baked in. Nobody makes a particular fuss because making a particular fuss isn't what anyone there has the cultural equipment to do.
And the thing I keep coming back to, reading that book, is how precisely it maps onto earlier Canadian industrial extractions. Cape Breton exported its own men to its own mines in the 1890s and they died of black lung. Newfoundland exported its men to the Banks and they died drowning. The cod collapsed in 1992 and those men went to Fort Mac. There is a temporal rhyme here that Beaton doesn't belabor but that sits underneath the whole book: this is what Canadian industrial history is, a series of extractive operations that consume the bodies and social networks of men from places the previous extractive operation already hollowed out. The oil sands are just the current iteration. When the oil sands go β and they will go, either because the world stops buying the product or because the bitumen that's economically recoverable runs out or because a carbon regime finally prices the externalities β whatever comes next will be staffed by the grandsons of the men who died at Fort McKay, who were themselves the grandsons of the men who died at Glace Bay. Same as it ever was.
The industry knows all this, by the way. None of it is secret. The oil companies have sociologists on retainer. The turnover statistics are studied. The mental health crisis in the camps is a line item, it has a budget, there are contractors whose entire business is running crisis-response services for a workforce they know is coming apart. The 2016 wildfire β which evacuated 88,000 people from Fort McMurray in the largest wildfire evacuation in Canadian history, which burned down 2,400 homes, which briefly shut down most of the industry β revealed in passing that the regional municipality's shadow population was around 40,000 people at that moment, people who lived here but didn't live here, who were uncounted in most of the news coverage because they weren't from there, they were from somewhere else, and they all went back to their somewhere elses during the evacuation and some of them simply never came back. The 2018 post-fire census found the shadow population down fifteen percent. The oil didn't care. The oil kept flowing. The rotations restarted.
And the Indigenous piece, which I've been circling without saying directly, is that all of this is happening on land that belongs, by every reasonable reading of treaty and prior occupation, to the Athabasca Chipewyan and the Mikisew Cree and the Fort McKay First Nation and the MΓ©tis communities of the region, who have been variously co-opted, partnered-with, sued-into-submission, paid-off, or simply bulldozed over, depending on the decade and the specific negotiation. Some of the bands have significant ownership stakes in the operations now, which is a development the 1970s activist version of this story did not predict. Some are still in active litigation over water quality and cancer clusters downstream on the Athabasca River. Both things are true. The oil sands produce billionaires and elders dying of bile duct cancer and they produce them in the same watershed and if you want a tidy story about which is the real one you'll have to write it yourself because the ground doesn't offer one.
Beaton's book ends, more or less, with her going home to Cape Breton, having paid off her loans. She is permanently changed. She does not know if she is changed in a way she can live with. The book came out fourteen years after she left the camps and you can feel in it the time it took her to process what she'd seen, which tracks β it takes that long, usually, to figure out what a thing was, and sometimes you never figure it out, you just get old enough to stop being wrecked by it. She is one of the very few people who went through those camps and came out with the specific combination of linguistic ability and patience and moral seriousness to write about them. The others β the welders and the mechanics and the engineers and the heavy-equipment operators β mostly did not. They went home. They drank. They worked the next rotation. They raised kids who, statistically, also went to Alberta, because the Maritime economy did not improve. The book is as much about them as it is about her, and the fact that their version of the book doesn't exist, and won't, is part of what the book is finally about.
There is a thing you learn if you read enough industrial history, which is that the machine doesn't need you to understand it in order to keep running. Understanding the oil sands does not stop them. Beaton writing Ducks did not stop them. The 1,600 ducks in the tailings pond did not stop them. The 88,000-person wildfire evacuation did not stop them. The carbon math does not stop them. The Chipewyan cancer clusters have not stopped them. The only thing that will eventually stop them is the price, and the price is set in a market that does not weight any of the inputs I have just listed, and so the bitumen will keep coming out of the ground until it doesn't, and the men will keep flying in, and the women who work among them will keep being what they have to be to survive the rotation, and somewhere a Cape Breton teenager is right now considering her options and thinking about student loans.
Same as it ever was.
Eli Clare, Brilliant Imperfection: Grappling With Cure, 2017
[transcription:
WHITE PINES In seventeenth- and eighteenth-century New England, the British Royal Navy claimed ownership of all the white pines over a hundred feet tall. English surveyors branded each trunk with three vertical hatchet marks, declaring it a crime for anyone but the king's representatives to cut these trees down. Broad and arrow straight, they became sailing ship masts, flexing in the wind as the Royal Navy sped around the world on its colonizing missions. By 1800, most of these big old trees were gone. Now, two centuries later, I camp among white pines in occupied Abenaki Territory--known for the time being as Vermont--my favorite tent site at Ricker Pond strewn with needles. Neither as broad nor as tall as the mast trees, they still tower above the maple, beech, birch, balsam fir; sing in the wind, a deep-throated hush. Cones thud to the ground. Morning sun on the pond throws rippling shadows onto their bark. Crowns break and curve. Trunks split into three, four, five; grow bent around and through each other. They would never have been the king's trees.
/end transcript]
Discover New River Wilderness, a natural area up for auction bordering the New River Gorge National Park in West Virginia. Join our efforts
Incredibly important opportunity to protect large tracts of intact wilderness along the boundary of New River Gorge National Park and Preserve. The sale offers an opportunity to connect currently disjunct wildlife corridors in a particulary stunning part of the gorge known as Stretcher Neck. Because the tracts fall outside of the federally-mandated park boundary, the National Park Service can't bid on them. Unfortunately I got to this late and there is only one day left to pledge. Several conservation organizations, led by the Arc of Appalachia, are working furiously to gather pledges to protect as many of the tracts as feasible.
Istanbul - Istanbul Archaeology Museum 2
early June 2026 - Nero, Sappho, pic with Marcus Aurelius
Statue of Emperor Nero, Marble, 54-68 CE, Aydin Turkey
Looking like the actual cover from a Penguin Classics!! I legit think I've seen this one before, as someone who does read or listens to a lot of the classics. One thing I've learned from the historians and philosophers of this era is just how much the sculptures of these emperors were COMPLETE political propaganda.
Just how Trump uses AI to make himself younger and covered in muscles, Roman emperors would have these statues made where they're buff and young and as hot as possible. I'm not sure if the emperors asked for this, or if the sculptors just didn't want to die (there was a LOT of death by decree of the emperors).
Anyway Nero is sometimes depicted with a neckbeard with hints of a chunky form, but no matter he looked, that guy was an intensely homicidal and horny individual who cared about no one but himself. He had his first wife murdered just so he could marry the second, he had his own mother murdered, his stepbrother, his long loyal mentor and tutor, he had a young slave boy castrated and then he married him, and this is all just the tip of the iceberg.
Nero has definitely earned his horrendous reputation. Here's his wiki if you want to read more. I've read of him from Tacitus and Seneca as well, excellent primary sources.
Sappho, Marble, 100s CE, Izmir Turkey
!!!!! This was a huge head sculpture, very beautiful. I had no idea sculptures were ever made of her. Note that she was alive ~600 BCE so it's amazing that roughly 700 years later she was still being celebrated. It is terrible that we have so little of her huge body of work left, history is so tantalizing.
Wikipedia on Sappho
You may be able to see a little headphone logo on the black pedestal, there were audio descriptors but 1) I never saw where to get the audio 2) I did not have headphones or my special headphone jack 3) V was feeling terrible though did finally figure out that the nice long padded benches? He could sleep on those. Given all those constraints, I made the best of my time here.
Picture with Marcus Aurelius, who I haven't read since my 20s, but really enjoyed him then (probably worth a revisit, honestly).
Marble, ~170 CE, Anatolia Turkey
This statue is interesting because he's in his robes, but I'm standing in front of his piled up armor. I tried to find more info on this statue, but google just keeps barfing up news stories about how the USA finally returned a looted Marcus Aurelius statue back to Turkey recently.
This photo lets me know that body dysmorphia is one helluva drug, it's completely fucked up. When I look down on my body I see something wildly, radically different. Somehow I burned into memory what I looked like when I was at my heaviest years ago, and can't seem to shake it.

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Istanbul - Istanbul Archaeology Museum 1
early June 2026 - museum time!
Demeter, Marble, 4th century BCE, from Biga Turkey
Photo for the Demeter worshipers out there. I thought this was particularly beautiful, all the draping cloth and relaxed stance.
Kouros, 6th century BCE, from Samos (modern day Greece). The rest of the body is still in Greece.
Stopped me in my tracks. Did I recognize it from somewhere? Or is it just kind of strange and eerie and huge, reminding me of Buddhist sculptures with their extremely relaxed countenance and slight smile? Or is it just the damaged features making it unnerving?
Kouros is apparently considered to be a whole genre of sculptures of young idealized male forms, always naked, with heavy Egyptian influences based on the body stance.
They are the male counter to the female Kore, which after doing some quick internet reading today I realized that either my previous witchcraft/pagan readings were horribly wrong about Kore, or I horribly misremembered. Anyway Kore is thought to be the young female idealized form though she is always fully clothed, sometimes very heavily clothed, and as times changed the clothing in the Kore sculptures would be updated.
Horse Head, Marble, 400s BCE, Unknown Provenance
Photo for the horse people, although it was far more captivating in person/3D.
Legs of a Statue, Marble, 200s BCE, Kyme - Izmir - Turkey
Extremely fancy footwear that Tumblr has stripped so much detail from. It is interesting to me that the toes are left exposed, when so much of today's working footwear is all about closed toe shoes. Were these just for fancy dress? Or is it so hot there that it's just cooler this way? Maybe it's better for toe health in that climate. No idea.
Relief of a Dancing Maenad, Marble, ~150 BCE, Pergamon (then Greece, now Turkey)
Absolutely gorgeous in person! Wonder what it originally looked like, with the head, and possible paint. Props to the artist who made stone seem so alive with movement.
Istanbul - to the Istanbul Archaeology Museum
Early June 2026
Landscaping - look at the various floofy grasses that don't require mowing! This looked like a new installation. Very different than other landscaping we'd seen.
Getting both vertical and horizontal shots is a habit from photographing plants at work. Anyway I guess they just have so many old columns they just use them as garden art.
GIANT Neolithic kitty sculpture!!! This was probably my #1 fave piece of art on the entire trip. There were two, flanking a closed off building which I dearly would've loved to visit. They don't have much detail from the front, but there's more on the sides. Here's their wiki, they are that important.
Honestly these are so amazing and so old, I'd be worried to actually have them outdoors what with pollution and acid rain. I would LOVE to have full size replicas at home. I made certain to get selfies when we briefly stopped by them on the way out from the museum we did visit, and in a little bit of synchronicity there was also a cat in the grass.
Apollo, rendered in 12 tons of recycled plate sheet glass, by Artem Martis. Hated it. Hideous and disorienting.
The Turkish coffee didn't do too much, he is so exhausted but trying to make me happy. The good news is that this museum actually has REAL AC, and also it isn't crowded. This is a proper place for overwhelmed, overstimulated, exhausted introverts.
YO WHAT THE ABSOLUTE FUCK IS THIS
Bes, 600-500 BCE
"A large statue of dwarf God Bes is located in the Aessos Works Hall. Bes was an ancient Egyptian dwarf god. He was a complex being who was both a deity and a demonic fighter. He was a god of war, yet he was also a patron of childbirth and the home, and was associated with sexuality, humour, music and dancing. Bes also became popular with the Phoenicians and in Cyprus."
Wikipedia on Bes
Wikimedia with more pictures of this sculpture
I don't want to know what he's doing to that animal