4x08 - Dance in the Country
He left us each an equal-portioned dowry.

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4x08 - Dance in the Country
He left us each an equal-portioned dowry.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Wyll, Scratch and the Owlbear cub taking a short rest~
THE HUNGER GAMES: SUNRISE ON THE REAPING (2026) dir. Francis Lawrence
Mamzell Amira: That's Ffion's pleasure room, Elminster's Library. Here - take the key.

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BALDUR'S GATE 3 (2023) dev. Larian Studios
Toy Story 3 (2010), dir. Lee Unkrich
Certainly, the Doctor is eyeing Martha up for the first time and he’s beginning to think there’s something – well, there’s something remarkable about this one. — David Tennant on the DVD commentary for Smith and Jones.
You ever remember how twice Martha got trapped in time periods when overt racism, sexism, and misogynoir were even more present than today, and how she had to work jobs that completely ignored her skills so that she could take care of the Doctor both times? Blink wasn't the Doctor's fault because he didn't choose the setting that time, but it still happened to her, and he did choose it for Human Nature/Family of Blood without a second's thought of how it would affect her. You ever remember how the Doctor told her it was silly to worry about prejudices in the past and she should just act like she owns the place, that's what works for him, a white man? You ever get filled with rage against the Tenth Doctor?
The Hunger Games: Sunrise on the Reaping (2026) dir. Francis Lawrence

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I know I’ve posted about this before and I just mentioned it again recently, but I’ll never get over how wonderful it is that you can completely flunk Gale’s Act 1 Weave lesson and he won’t think less of you at all.
I’m not talking about stumbling at the finish line and messing up the last dice roll after you’ve shared some affectionate/flirty glances; I’m talking about bombing on your very first effort to mimick Gale’s hand movements, essentially turning the encounter into a crit fail dumpster fire, ending it as quickly as it started, having a Top Ten Worst Tinder Dates™️ moment—and Gale’s approval of you won’t drop at all. Not even a measly 1 point.
And not only do you not lose approval, he’s so smitten that the next day all you have to do is mention that you enjoyed being alone with him and you’d like to do it again sometime, and he hits you with this:
If you’ve ever worried that you’d be “too awkward for Gale,” just know that as long as you are good to him and reciprocate his interest, this man will be so busy looking at you with heart eyes that you can do no wrong.
if i didnt get little treats sometimes. well i would fucking die i think
“The LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that he’s the most boring average person in the world. It’s impossible to imagine a female character playing that role, because according to our pop culture, if she’s female she’s already SOMEthing, because she’s not male. The baseline is male. The average person is male. You can see this all over but it’s weirdly prevalent in children’s entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, who’s a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new characters— is there anything inherently gendered about what this character is doing? Or is it a toaster?”
— Bojack Horseman creator Raphael Bob-Waksberg commenting on how weird gendered defaults in entertainment are, and why we should think twice about them. Excerpted from this longer original post. (via 360degreesasthecrowflies)
Just so we’re clear, movies that are only 15 years old do not need a remake. And movies that are only 10 years old definitely don’t need a remake

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JURASSIC PARK (1993) dir. Steven Spielberg
Wyll Ravengard in Baldur's Gate 3 (2023).