MartAV

bucky barnes designated driver au: a personal fave, no idea if i'll ever write it in full but i hope i do. bucky barnes, fresh out of hydra, ends up stumbling into hell's kitchen and meets its devil. matthew murdock has an air of such good natured, reckless stupidity that usually manifests in a violent back alley street fight that it punches through decades of hydra programming because jesus christ, this man is terminally, dangerously stupid. why is that so familiar. this is one of the most chaotic things i've ever come up with and i love it with my whole heart. it's one of my favorite peter parkers i've ever come up with in it. he's so feral. may is where he gets it from. she is in a polycule with frank castle and karen page. it's so fun.

peter parker roommates au: weird cosmic energy linked the three peters from nwh and let them do what america chavez does, just with each other's universes. they immediately use this fact to save on rent costs by moving in together. multiverse shenanigans ensue. this one i'm probably going to write after i wrap up a few other projects.

time travel au: probably never going to write this one unfortunately, which is a shame, because it's an absolute party. matt murdock and peter parker are sent back to their old bodies in a freak magic accident. they immediately decide not to tell the fucking wizards this happened, because the fucking wizards ruin everything trying to "preserve the timeline" and "not destroy the multiverse as they know it." it's fine, peter did the math and they only have like a 13ish% chance of destroying space and time, trapping everyone in an endless void where death and escape will be impossible and those are like, AMAZING odds. and they sort of need those odds because they got booted back to the day that frank castle's family died and they simply fucking immediately saved them with no regard for the consequences. featuring a peter who refuses to be swayed by the fact that he's fucking thirteen again, he's going to airdrop the CIA's files to the entire state of new york, a matt who insists that he is aware that peter is like, thirteen and allergic to grass but this is one of his best friends, it's not weird, a frank who has no idea who these fucking people are, and a karen and foggy who got together and immediately sailed over the relationship hurdle of both mutually finding matt to be unspeakably attractive when he engages in open and honest communication, stumbled right into the most awkward seduction of all time. everyone is so stupid, except for peter, who is using this less of a romance opportunity and more as an opportunity to commit federal crimes.

Spider-Man v Kingpin x2: I have these two really different plot lines of Peter Parker versus the kingpin that’s like, cat and mouse, mind games, suspense type things. An older peter parker than what I currently have on my account, post nwh, that kind of showcases his ability to hold his own in the new york underground. Ensemble vigilante cast for both, but in very different ways. disney hire me i would make either of these into an eight episode series in a second. 

De-fridging the punisher's family: okay so like, i think there's a distinction between all “my wife/kids/girlfriend/family died and now i have to commit gratuitous acts of violence” backstories and fridging that's like, bad writing (even though it almost always is bad writing, very few writers have pulled it off) and i don't actually think frank castle's backstory is bad writing. that being said, i LOVE undoing it. i do not know why i am hyper fixated on the castles, but i am. they are alive and they live in my head. i have wayyy too many stories that are focused on the castle family. i do not know why. my favorites:

Maria Castle was Jack Murdock's kid sister AU--probably one of the sadder ones of the bunch. Maria is the painfully estranged aunt of Matt Murdock, who she recently bumped into, only to find that he looked like someone kicked the shit out of him. In an effort to make sure he's okay, she tries to revive ties long since buried. She invites him to join her family on their tradition in Central Park.

"Castles for Christmas" AU--Winter break is here, the dorms have plumbing issues, Foggy has a mandatory trip visiting a horrible bitch of a great aunt who doesn't want any blind best friends tagging along, and Matt says "I have a place to stay" when the place is an old mattress next to the boiler in Fogwell's. Meanwhile, Agent Orange takes a very different approach to the problem of Frank Castle and steals his kids. Matt Murdock hears a couple of kids in trouble and decides to handle it himself. When the kids' father tracks him down afterwards--well, nightmare scenario, but they aren't ratting him out to the cops, so it's as good as it can go. The problem: these people are fucking insane and their mission of "thank the nice young man who saved our kids" turned into "fully kidnap him and force him to live in their guest bedroom because they have an exaggerated sense of duty and this man is living like a fucking goblin." Featuring a matt who's like, trying to politely explain to the Castles that he appreciates the concern, but also this is a fucking kidnapping, like there's literal zip ties involved, like seriously this is a felony, a castle family who has decided that if frank keeps dragging him off the windowsill before he can wriggle his way to freedom then maybe they'll give him stockholm syndrome and it will be a nonissue, and a foggy who is wondering if his best bro has been enslaved by a suburban family of four to make gingerbread men.

Maria Castle Matt Murdock Best Bros Au--at the start of his Daredevil career, Matt saves a random suburban housewife mid-mugging--only she was in the process of saving herself and Matt gets clipped with a bullet in the process. the injury to his person is minor. the injury to his pride is major when random suburban housewife pistol whips him in a moment of panic, proceeds to kidnap masked man for medical treatment. The thing is 1) she hates the PTA 2) it's so hard to make adult friends with you know, kids and everything 3) she is extraordinarily okay with aiding and abetting and 4) this man is her dumbass little brother now, look at him, he's so ridiculous and pathetic, she can't not bully him, this is an excellent life decision curtis calm DOWN. featuring a curtis who does not want to be a part of this, please and thank you, maria stop calling him, and a frank still in Afghanistan, under the impression that this is his wife's new gay best friend instead of like. a man she met via vigilante justice.

15: Are there words, phrases, mannerisms or scenes you tend to use a lot?

Uhhh, i overuse stuff like “(s)he sighs” or “(s)he doesn’t say anything” or “(S)he scoffs” and “(s)he shrugs,” etc. because i’m looking for a specific like, rhythm(?) in a conversation or in the prose and shove in those mannerisms like placeholders. I haven’t figured out a better way to handle that problem with my writing yet, but hopefully will one day. 

Frank’s a weirdly expressive character, at least the way Jon Bernthal plays him, so I tend to kind of add in like, exaggerated exasperation. He has a lot of looking heavenward for strength, side-eyeing, that kind of thing.

Matt and Peter very purposefully have some parallels across my projects, but especially the Matt  and peter in pottery shards. it’s this kind of impatient way of downplaying concern for them. I think that all narrators are inherently unreliable, is the thing. It’s all going to be framed through their mindsets and experiences. Matt and Peter are both deeply isolated characters who don’t know how to comprehend--let alone accept--help and concern, for different reasons. Matt’s used to systemic abuse and instability. He’s used to him having problems being treated as him having done something wrong and being punished for it. So there’s usually a scene with a character showing some pretty appropriate concern for him--Brett, Foggy, Karen, etc.--and Matt’s entire internal monologue is about how endless this conversation is and how he doesn’t know why they’re reacting like this, and the thing they’re reacting to is like, horrible abuse. 

Peter has the same thing, because Peter in pottery shards is someone who enters the narrative as someone who has purposefully isolated himself and set himself into the mindset that people trying to interfere in his life--aka help him, the fourteen year old--is just going to hurt both himself and the people he loves. And there’s a lot of reasons for this, not all of which has been unpacked yet, but it’s resulted in this same mindset that Matt has as perceiving concern as something that’s at best a waste of his time and at worst a big problem he has to fix. So you have scenes where Curtis is actively providing him health care, or teachers are concerned about his wellbeing, and his entire internal monologue is either frustrated musings on how to get out of this, or perceiving it as them being upset with him. 

Foggy and karen haven’t gotten to the brunt of their roles yet in any of the projects, but I usually try to model them around these same internal baseline characteristics that results in repeated mannerisms. Foggy is someone who is usually very purposeful in how he acts and the words he uses. like, he’s really more self aware than any other character, and he’s good at teasing through the maladaptations of other characters. So foggy gets these repeat lines of verbal clarifications like “This isn’t a fight” because he’s good at clocking what exactly is wrong with another character and trying to make his own actions clear. I’ll refrain from karen because most of her repeated baseline characteristics haven’t popped up yet. 

18: Recommend someone else fic! (And tag them if they have a tumblr!)