You'd think "don't use a fictional creature as an allegory for oppressed minorities and as a horde of vile automatons that it's always okay to kill in the same work at the same time" would be a no brainer, but roughly 70% of all works featuring goblins and/or robots demonstrate otherwise.
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I know we make jokes about the proverbial asexual pervert who has written hundreds of thousands of words of smut on ao3, but also shoutout to the aces who arenāt perverts. to the aces who skip the sex scenes and wince at sex jokes and awkwardly leave the conversation when your friends start talking about sex. your boundaries arenāt childish and fuck anyone who says otherwise.
What helped me write trauma better is remembering that the nervous system learns predictions. If danger used to come after quiet, calm can feel threatening. If kindness used to come with a price, kindness can feel suspicious. So healing is not just āthey know theyāre safe now.ā Healing is the slow, annoying, deeply unfair process of teaching the body that the old prediction is not always the present truth.
what is the POINT of hold music if every 30 seconds you're going to interrupt it, make me think i'm finally done, then say "we're sorry, our staff is busy on other calls. please hold on, we will be with you shortly."
like just play the damned hold music that's what it's for
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Hello, I work for a large moderately evil corporation and for at least five years now I have to sign a yearly thing to say I will never ever have one of these devices in the same room as me while I work.
My large moderately evil employer takes it for granted that these things are spying on me at all times, and you should too.
various tv, film, and theater producers for the last 50 years smacking themselves in the forehead like fuuuuck how can we make it easy to understand why carrie is alienated from her peers and callously bullied at school WITHOUT making her a hideous fatass like in the book
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In middle school biology, we did an experiment. We were given yams, which we would sprout in cups of water. We then had to make hypotheses about how the yams would grow, based on descriptions of yam plants in our books, and make notes of our observations as they grew.
Hereās what was supposed to happen: we were supposed to see that the actual growth of the plant did not resemble our hypotheses. We were then supposed to figure out that these were, in fact, sweet potatoes.
What actually happened was that every single student in every single class lied in their notes so that their observations perfectly matched their hypotheses. See, everyone assumed the mismatch meant they had done something wrong in the process of growing the plant or that they had misunderstood the dichotomous key or the plant identification terminology. And, thanks to the wonders of a public school education, everyone assumed the wrong results would get us a failing grade. We were trying to pass. We didnāt want to get bitched out by the teacher. Curiosity, learning, science - that had nothing to do with why we were sitting in that classroom. So we all lied.
The teacher was furious. She tried to fail every student, but the administration stepped in and told her she wasnāt allowed to because a 100% fail rate is recognized as a failure of the teacher, not the class. It wasnāt even her fault, really, though her being a notorious hard-ass didnāt help. It was a failure of the entire educational system.
So whenever I see crap like Elizabeth Holmesās blood test scam or pharmaceutical trials which are unable to be replicated or industry-funded research that reaches wildly unscientific conclusions, I just remember those fucking sweet potatoes. I remember that curiosity dies when people are just trying to give their superiors the ārightā answers, so they can get the grade, get the job, get the paycheck. Itās not about truth when itās about paying rent. Thereās no scientific integrity if you canāt control for human desperation.
"trans men have male privilege" is just "bisexuals have straight privilege" all over again. it was a gross oversimplification then and it still is now.
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So!! For the past couple of months, I have been working on a plushie of Assok, from @modmad's wonderful webcomic The Property of Hate :D
I hadn't used felt to make a plush since I was a kid, and this project took a lot of work, time and efforts, but I'm extremely proud of how it turned out. Very much a labour of love :'>
Special shout-out to @sharoo, who crocheted the little Assok sock on the trunk for me!
I started it around mid-April and we're almost mid-July, so this project took just about three months to completeā although most of the last one was spent waiting for the little crochet Assok to arrive, augh. The package spent 25 days in transit why.
The pattern was made by Voynart on etsy, though I altered it quite a bit to make it resemble Assok more.
Process and WIP pictures below the cut!
After modifying the pattern I had bought I made two rounds of testing (one with just the paper pieces and another out of cheap felt) to check if it all fit together okay! This took two weeks iirc? I only had a limited amount of wool felt and I wanted to make the plushie as big as possible, so I didn't have a lot of room for errors once I got going
The body! I made all the paws different because they're not always the same colour in the webcomic (check pages 619, 620 and 637, for example!); likewise, I didn't use exactly the same thread colour on both sides of the body. I really enjoyed the fact that you can embrace visible stitches when working with felt, it's not something I did with my previous plushies :>
Fun fact: as I was sewing on the dark purple pieces on Assokaphantās front legs, I had to use pliers to force the needle through both pieces of felt plus stuffing, and I managed to break the needle fdshgfds
BUT THEN I ran into A Problem: sock too big for they trunk. Of course I could've put it in the washing machine until it shrank, but, you know, I was afraid it would take a while...
THANKFULLY Sharoo came to my rescue and made a perfectly-sized Assok for me!! It's adorable aaa I'm so glad. Couldn't have done it myself, truly the cherry on top
A gentle reminder, that if you see this photograph it is not a photograph of Mark Rothko's studio, but rather the set of a play. It's used even by big art accounts, frankly because they're lazy and not doing any research, but it's been floating around forever.
If you scrutinize it you can see there's some problems including that not very good painting in foreground which I suppose it's supposed to look like it's being worked on, but wouldn't really resemble one of his real paintings even if it was.
Anyway just another cautionary statement about what's real and what's not