This show had some of the most insane, important scenes pro women, I've seen in fiction. It took me by surprise, specially considering this is a 90's tv show. And yeah, I know nowadays this would be the bare minimum but you have to understand the thing that were peak romance and boy x girl friendships around the time was stuff like F.R.I.E.N.D.S where the boys were seemingly good friends with the girls but nothing like this scene ever happened or we had a Ross 'toxic boyfriend' Geller as the main couple with Rachel Green, who's biggest love flex was quitting her dream job for him.
Seeing this made me realize that was the reason why Living Single was as huge as other shows, but it also made me a fan.
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We proudly announce our new upcoming graphic novel, The Switch Up! It's got the shenanigans of Freaky Friday, the intergenerational family conflicts of Turning Red, and the intermittent long distance swap of Your Name... but spanning opposite ends of the Earth. When Cahaya and Kris start mysteriously swapping bodies with each other every other day, the two discover so much more than what it takes to impersonate a different life. This is our loving tribute but also thorough critique of the body swap genre.
it's still a long way to go (years,,,) before this book is finished, but we're so happy to share what we've been working on these past years! Centering this story on queer kids of color meant having to challenge the traditional structure of body swap narratives, and I truly can't wait to show you all what we've come up with. It's really like nothing you've ever seen before.
"Clark Kent, Lois Lane, and Conner Kent hanging out" prompt for @hauntedsandwing! Thank you for donating to @dcforgaza (requests closed). Two reporters and a cool kiddo~
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I had this a bit ago but got caught up in the mer stuff and forgot to post! This would be the first time Pietro ends up saying "I love you" and while Bobby had been wanting to say it for a while since he did actually say he loved him when he almost died in the frozen wasteland, but Pietro wasn't really conscious enough to know if he had or not. Tho Bobby would kind of ask if Pietro had heard what he said then or not and Pietro would silently squeeze his hand. Neither of them really addressing it again since. So while Bobby hadn't said it out loud, he definitely had through his actions.
This would be when Pietro had finally gotten his speed back but his body wasn't feeling used to it anymore and he actually got weak and threw up after going so hard with it so soon and his body needed to adjust, so he was made to rest and Bobby the next morning bothered to get up early (he's usually not a morning bird like Pietro) and make Pietro some breakfast in bed and even made some heart-shaped ice in his drink~ And Pietro, I'd-rather-die-than-cry-in-front-of-others, Maximoff was suddenly so overwhelmed with the gesture and the fact that someone actually genuinely cares for him so much he was actually moved to tears and finally says out loud what both had been feeling for a long time now. Bobby hesitated to say it first bc he didn't want to come on too strong when Pietro was always the one so hesitant with accepting their relationship, so once it was finally said by him it just opened the floodgates for Bobby.
Characters: Agent Washington (Red vs. Blue), Agent Carolina (Red vs. Blue), Dick Simmons, Sarge (Red vs. Blue), Franklin Delano Donut, Lopez (Red vs. Blue), Dexter Grif, Frank “Doc” DuFresne, Lavernius Tucker, Michael J. Caboose, All the other AI’s, Vanessa Kimball, Epsilon, Donald Doyle, John Elizabeth Andersmith, Katie Jensen, Antoine Bitters, Charles Palomo, Matthews, Emily Grey, Original Characters, Felix | Isaac Gates, Locus | Samuel Ortez, Siris | Mason Wu, Megan Wu, Four Seven Niner, Malcolm Hargove, Kaikaina Grif | Sister
Additional Tags: Emotional/Psychological Abuse, Psychological Trauma, Fluff and Angst, Angst with a Happy Ending, Dissociation, PTSD, Depression, Implied/Referenced Self-Harm, Implied/Referenced Suicide, Implied/Referenced Character Death, Panic Attacks, Frisbee Murder (don’t ask), Attempted Murder, Space Battles, Aftermath of Torture, Aftermath of Violence, Platonic Slow-Burn, Mental Instability, Flashbacks, Unhealthy Coping Mechanisms, Healthy Coping Mechanisms, Platonic Relationships, Russian Roulette, Creepy-Ass Villains, Canon-Typical Violence, Major Character Injury, Redemption, So Many Space Dads, Hurt/Comfort, Emotional Hurt/Comfort, Emotional Manipulation, Torture, Found Family, i take the canon and i put it in a box, and then i put that box into another box, then i mail it to myself, and when it arrives, i SMASH IT WITH A HAMMER, Canon Divergence, post s13
Summary: With The Staff of Charon a smoking-yet-functional speck on the horizon, and the threat of an active weapons system on one of Chorus’ moons, the fight is far from over. While Locus is no longer a threat, another one of Hargrove’s former lackeys waits for the Reds and Blues as they race to stop the weapons system from coming online. Does she really want to help them? Or is she hiding a more sinister motive? And why is she so interested in Locus?!
You ever think about many peices of media have zero women and thats just perfectly normal but if a peice of media has an all female cast people get... like that? Women should be allowed to kill over this btw
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