Nidorans and Science Fiction

1. will and elizabeth’s love story

2. elizabeth becoming pirate king

3. avoiding sexualizing elizabeth or the other female pirate characters in the first 3 films by allowing them to wear period-accurate pirate outfits that aren’t tailored to be revealing and impractical for ‘sex appeal’ just because they’re women

6. I run a corseting panel at cons and literally use Elizabeth’s lace-up scene as a video clip of what historical corseting was actually like, because the only thing they got wrong in this scene is that tightlacing wouldn’t be a thing for about another 200 years (and you couldn’t tightlace with the corset style Elizabeth is wearing anyway). It’s one of the most accurate corseting scenes I’ve ever seen.

7. Will’s hat.

8. That scene with all the pirates on the gallows where that little boy starts singing Hoist the Colours? Yeah, that’s fucking legendary. The rest of AWE was kind of a trash fire, but that scene gave me goosebumps.

9. There’s this great shot in the first one where they really drive home the class differences inherent in this time period by having the governor talking about progress and civilization to Elizabeth in their carriage, and then they cut to a shot outside the carriage where a beggar gets splashed by mud from the wheel. It’s a perfect way to underline that everything is not, in fact, a nice little upper-class fairytale, and to give some weight to Will’s storyline, because he has a lot more in common with that beggar than with the governor.

10. For its time, the CGI was fucking amazing.

11. And let’s not forget the work of the makeup department, which had to actually invent new ways of putting on makeup for this movie.

12. The governor’s death scene. Holy shit.

13. They could have gone with a Jack/Will/Elizabeth love triangle, but they didn’t. There are some hints Jack is in love (or at least in lust) with Elizabeth, but he recognizes that she loves Will, and that’s that.

2. They had a woman pirate right in the first film, when the tradition is to only show male ones (hell, the PotC ride at Disney had a wench auction scene until recently). And it was a female pirate of colour at that!

3. Elizabeth may not have known how to fight in the first film, but she wasn’t helpless either. Her first instinct was to fight, but she also had the brains to recognize when it was best to hide instead. Plus when given the chance she stabbed Barbosa that one time.

4. Elizabeth’s lack of fighting ability was not simply because she was a woman, it was clear it was due to her societal circumstances, since we saw other women of different socioeconomic backgrounds being able to fight (and when given the opportunity to learn Elizabeth took to fighting like a duck on water).

5. The Hoist the Colours scene where we see pirates of multiple ethnicities and their varying flags, reminding us that pirates came in all shapes and sizes and weren’t just white men.

6. One of the Pirate Lords being yet ANOTHER woman of colour. She may not have had much of a speaking role if memory serves, but even her presence is already a big deal.

Davy Jones CGI is legendary and a ton better than some of the stuff done today 😄

1. will and elizabeth’s love story

2. elizabeth becoming pirate king

3. avoiding sexualizing elizabeth or the other female pirate characters in the first 3 films by allowing them to wear period-accurate pirate outfits that aren’t tailored to be revealing and impractical for ‘sex appeal’ just because they’re women

6. I run a corseting panel at cons and literally use Elizabeth’s lace-up scene as a video clip of what historical corseting was actually like, because the only thing they got wrong in this scene is that tightlacing wouldn’t be a thing for about another 200 years (and you couldn’t tightlace with the corset style Elizabeth is wearing anyway). It’s one of the most accurate corseting scenes I’ve ever seen.

7. Will’s hat.

8. That scene with all the pirates on the gallows where that little boy starts singing Hoist the Colours? Yeah, that’s fucking legendary. The rest of AWE was kind of a trash fire, but that scene gave me goosebumps.

9. There’s this great shot in the first one where they really drive home the class differences inherent in this time period by having the governor talking about progress and civilization to Elizabeth in their carriage, and then they cut to a shot outside the carriage where a beggar gets splashed by mud from the wheel. It’s a perfect way to underline that everything is not, in fact, a nice little upper-class fairytale, and to give some weight to Will’s storyline, because he has a lot more in common with that beggar than with the governor.

10. For its time, the CGI was fucking amazing.

11. And let’s not forget the work of the makeup department, which had to actually invent new ways of putting on makeup for this movie.

12. The governor’s death scene. Holy shit.

13. They could have gone with a Jack/Will/Elizabeth love triangle, but they didn’t. There are some hints Jack is in love (or at least in lust) with Elizabeth, but he recognizes that she loves Will, and that’s that.

2. They had a woman pirate right in the first film, when the tradition is to only show male ones (hell, the PotC ride at Disney had a wench auction scene until recently). And it was a female pirate of colour at that!

3. Elizabeth may not have known how to fight in the first film, but she wasn’t helpless either. Her first instinct was to fight, but she also had the brains to recognize when it was best to hide instead. Plus when given the chance she stabbed Barbosa that one time.

4. Elizabeth’s lack of fighting ability was not simply because she was a woman, it was clear it was due to her societal circumstances, since we saw other women of different socioeconomic backgrounds being able to fight (and when given the opportunity to learn Elizabeth took to fighting like a duck on water).

5. The Hoist the Colours scene where we see pirates of multiple ethnicities and their varying flags, reminding us that pirates came in all shapes and sizes and weren’t just white men.

6. One of the Pirate Lords being yet ANOTHER woman of colour. She may not have had much of a speaking role if memory serves, but even her presence is already a big deal.

Davy Jones CGI is legendary and a ton better than some of the stuff done today 😄

Until, of course, they showed it to a traditional leatherworker and she took one look at it and said “Oh yeah sure that’s a leather burnisher, you use it to close the pores of leather and work oil into the hide to make it waterproof. Mine looks just the same.” 

“Wait you’re still using the exact same fucking thing 50,000 years later???”

“Well, yeah. We’ve tried other things. Metal scratches up and damages the hide. Wood splinters and wears out. Bone lasts forever and gives the best polish. There are new, cheaper plastic ones, but they crack and break after a couple years. A bone polisher is nearly indestructible, and only gets better with age. The more you use a bone polisher the better it works.”

It’s just. 

So ancient Roman statues have some really weird hairstyles. Archaeologists just couldn’t figure them out. They didn’t have hairspray or modern hair bands, or elastic at all, but some of these things defied gravity better than Marge Simpson’s beehive.

Eventually they decided, wigs. Must be wigs. Or maybe hats. Definitely not real hair.

A hairdresser comes a long, looks at a few and is like, “Yeah, they’re sewn.”

“Don’t be silly!” the archaeologists cry. “How foolish, sewn hair indeed! LOL!”

So she went away and recreated them on real people using a needle and thread and the mystery of Roman hairstyles was solved.

Here’s her YouTube channel with the recreated hair-styles

And the research she did got published in the Journal of Roman Studies (which is a big deal in the Classics world) “even though” she doesn’t have at least a Masters degree in the field.

[To give reference to the gate keeping in this field, she was, I think, only the second or so person without a PhD to be published in the history of the Journal]

So I go down to the basement, which is well-lit and finished and indeed there are more pepsi but also in the fridge is a massive tortise. This animal was the dimensions of a desktop computer and probably outweighed a labrador. It’s not moving, and is set in the middle of a plastic tray so it’s apparently supposed to be there. I go back upstairs.

“Hey Andrew.” I say, nonchalantly. “So is the tortise in the fridge down there for soup or what?”

“The what?” says the other member of the group project. I don’t remember her name, just that she always wore her hair in pigtails with butterfly clips that were based on real butterflies and she had at least a dozen species.

“Oh! No, that’s Andrew Too.” he says. “His species hibernates so he stays in the fridge for the holidays.”

“You named your tortise after you?” I ask.

“No, uh- Well, my grandfather got him in Egypt or somewhere while he was on leave during the war and He was named Andrew, so he thought it would be funny to name him ‘Andrew Too’. …Then Mom named me after him so Gandpa left me Andrew Too in his will. He’s pretty cool when he’s awake. Lets us dress him up for summer holidays, doesn’t bark.”

“Oh!” Said Butterflies. “My dad served in the Gulf War too! What unit was he in?”

It’s an interesting idea, similar in a manner to the many fantasy trope-tinged guilds in the Discworld novels of the late great Terry Pratchett, although an amusing idea occurred to me with the idea of trade unions for fantasy heroes.

Like, if there are unions to ensure employment and fair pay for folks clearing out dungeons, getting gnolls out the cabbage patch, stopping gnomes from going through your bins, and so on, then, logically, there much exist fantasy hero scab workers as well.

Folks that the local king or something brings in for lower pay on more dangerous jobs. Folks who are, say, completely new to the setting, out of their depth, and are thrust into a dangerous situation by a seemingly benevolent authority figure because said authority figure is too cheap to hire someone who understands the risks involved and asks more suitable wages for the role…

Y’know…

Wizard: Do not be afraid young one, I have summoned thee from across time and space to our world, we are in desperate need of a hero to save our world from the forces of darkness. It is your destiny to save our world from utter ruination. Will you take on this epic quest.

Kid: Sure!!!

*Bunch of adventurers kick open the door*

Wizard: Oh shit oh shit no no no no.

Head adventurer: AINT NOBODY GOING ON ANY EPIC QUEST.

Kid: Um, who are these guys?

Wizard: Um, they are agents of the dark lord sent to stop you, quickly run past them and go do that quest.

Head adventurer: Yeah you can shut up now. PAULIE. SILENCE SPELL.

Paulie: You got it boss. *Silences the wizard*

Head adventurer: Look kid, we’re representatives of the local 102.

Kid: Uhhh….

Paulie: The adventurer’s union.

Kid: Ah. Okay I know what Unions are. They have those here?

Head Adventurer: Sure do kid, and we got word that this douchebag was using magic to pull in unqualified under aged non union adventurers from another dimension so that he could avoid having to pay us our proper due. How old are you kid?

Kid: Um….14?

Head adventurer: Come on.

Kid: Okay twelve

Head adventurer: *Turns to wizard* You kidnapped a twelve year old kid to go fight the dark lord? Were you even gonna give them any equipment? Any magical training? Any supervision?

Wizard: *shrugs*

Head adventurer: *Hands kid a scroll* Here is a portal scroll back here, you want to still do this in like six years, give us a holler and we’ll set you up with some basic training and an apprenticeship, Until then, go back to your world and do whatever kids there do.

Kid: Yessir.

Even so, in some places we do have good bus-based transportation systems--such as in university towns that have a vested interest in providing public transport to campuses that are already very tight on parking space. Some cities and towns also do a decent job with their bus systems--but that is highly dependant on local politics, and there is always a risk of wealthy interest groups getting involved and fucking with things. Ironically, some of the best proof we have that buses are a good mass transport option come from private bus systems set up by companies like Apple and Tesla which use buses to transport thousands of their own employees, who would otherwise be stuck in a broken system of enormous commute times--where everyone else is stuck.

Anyway. Everything the original post says is correct--public transport had been criminally sabatoged in the U.S. And it is costing people jobs, livelihoods, and access to basic necessities like hospitals and grocery stores. It's not glamorous, but it is an enormous quality-of-life and class issue, and I'm relieved to see more people talking about it.

“I had my father get sick when I was 22. And I was poor, alright. And my father had an ulcer, and it exploded and you know all these toxins get in your blood. And basically, my father died, whatever, 50 days after his ulcer. So I had a father get sick while I was poor.

My mother got sick when I was rich. And my mother, you know… I don’t really want to get into it, but my mother was sicker than my father. And my mother’s alive. My mother’s fine, OK? I remember going to the hospital to see my mother and wondering, ‘Was I in the right place?’ Like, this was a hotel. Like it had a concierge, man.