passing in public makes me feel like white shrek
literally how it feels
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@antique-scarecrow
passing in public makes me feel like white shrek
literally how it feels

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RAT CAKE âĄđ
yo i made rhis into a sweater
âIf the narcs think Iâm gonna stop baking brownies for my kids with AIDS, they can go fuck themselves in Macyâs window!â
Mary Jane Rathbun (1922-1999) was raised in Minneapolis and later became known as "Brownie Mary" in San Francisco as the Godmother of the medical marijuana movement.
bojack horseman really treated hollyhock loosing a large amount weight from being secretly drugged as something bad and unhealthy and not as something with a silver lining bc she was now thin and then had her gain the weight back with no one making comments about how that was âunhealthyâ and appropriately showed the fact that she was traumatized by the event and not secretly grateful other shows CAN NOT RELATEÂ
And this is the same show that showed another character hesitate to take medication to treat her severe depression because of the risk of weight gain and then showed her, after agreeing to take it, fat and happy and mentally healthy and loved by her partner for the rest of the show. It wasnât a temporary change to make a point then back to status quo, she got fat and stayed fat and the narrative told us it was better for her to be fat and healthy than thin and depressed or dead. And her weight wasnât a punchline! It just was how she was now.
Truly this show was doing some things.
These two are a married couple. They never wanted kids. Diane gets pregnant. They still donât want to have kids. Diane gets an abortion. At no point is the abortion blamed for any issues in their relationship. They agreed to it together, and that balloon made me laugh so hard I nearly had an asthma attack.

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cooler lesbian comix than the one youre probably talking about
to anyone in the areas impacted by the wildfire smoke, my #1 biggest piece of advice as someone whos been dealing with wildfire smoke in the NW united states for years, is build yourself a Corsi-Rosenthal Cube
they perform as well as expensive HEPA air cleaners, and are comparatively VERY inexpensive. all you need is a box fan, 4 air filters, a piece of cardboard, and some duct tape!!!!
i think it took us maybe a half hour to put ours together, if that, and we replace the filters every 3 months. it's really made a HUGE difference, both when the air quality is bad, but also with our allergies
Saw these easy to read instructions on Twitter. Stay safe đ
where i am, a box fan and the filters run about $20 each, so if $100 is too much of a stretch at the moment, get the fan and one filter. tape the filter to the intake side of the fan, all the way around. this is also good if your space is small and a 20" cube won't fit.
Yahoooooooooo!!!!
Friendly reminder to let your weapon expert characters be bad at different weapons than they normally use. Different things take different skill sets and not only do they sometimes not transfer, but sometimes muscle memory or mental theories that work for one can make you worse at another, just like any other art or skill. Just because you can throw a knife doesn't mean you can throw an axe.
These thoughts courtesy of my first time axe throwing, in which I discovered that I would probably be great at throwing any straight pointy object...just not an axe.
I experienced the periphery of a kind of fun, non-weapons / musical example of this as a teenager. I took a semester of guitar class in high school. Me and one specific other girl both really, really sucked at it. We tried our hardest in different ways, we scraped by passing grades, but not much else. This class was fun but it didn't teach us guitars so much as it taught us something about ourselves (namely the fact we couldn't play guitars). Notably, the teacher didn't seem to have his own office so his computer was just set up in the back of the music room this class took place in; the music room also had a piano, but that was typically covered by the time guitar class started. Now, my teacher was nebulously aware that I was "good with computers" and one day had a hand-written letter that apparently needed to be an e-mail, and for whatever reason he didn't want to type it up himself so he asked me to help him with it. He was trying to be helpful and read out the words slowly, one by one for me, to give me enough time to type them out for him. However, upon checking that I could read most of his handwriting just fine, I told him to simply set it down where I could see it because it would go much faster. He was absolutely flabbergasted that not only did it go faster, but that I could type up the whole letter without looking at the keyboard, and in a fraction of the time he could. It took me like a minute, I think? I just remember him having functionally ended the lesson part of the class early and giving us a generous open practice period for that day's class to make sure there was enough time for this task, and being surprised that I wouldn't need it. He thought this kind of fast touch-typing was something only trained secretaries or "court document people" could do and was stunned that a teenager achieved the same skill just from dicking around on the Internet in most of my free time. About a week(?) later, the piano happened to be uncovered by the time guitar class started. That other girl was joking around with our classmates before she sat down at the bench and started pounding out a song with no sheet music, no preparation, and seemingly no effort. Like, it turns out she'd been mastering piano for YEARS, and this guitar class was just her branching out and trying out new instruments for shits and giggles once she'd maxed out the piano lessons available to her. I have a very vivid and very vindicating memory of my guitar teacher looking between her, me, and my hands, and saying, "You know, this actually explains a lot." Because it turns out our hands are engaging in almost exactly the opposite muscles (or rather, muscle motions? kinetic operations? There's a word for this but I don't remember it) when they are "pressing (keys)" versus when they are "plucking (strings)". Most of the students in that class came in as blank slates, but that classmate and I both came in with our muscle memories over-developed in the "wrong" direction. Even though we both years of experience using our hands for small multimodal movements (theoretically ideal for starting a musical instrument), we still had to "unlearn" things which none of our other classmates needed to -- turning our preexisting expertise into another obstacle for our current goal.
#oh?? oh???#might this explain why several weeks of daily practicing of a guitar pick did absolutely NOTHING to actually make me better at it??#am i too good a fucking TYPIST to easily learn guitar picking???#cuz that's always really fucking frustrated me#i can chord just fine but picking has always fucked me over#T^T
An actual music teacher might need to chime in but anecdotally, yeah, that might explain it. Obviously, plenty of people still manage to play great piano or type well and also play guitar. It's just that if the former is the only thing you've done so far, then we need to work a little harder than most other learners to play guitar.
To circle back to OP's original context, I've also experienced this in martial arts. I used to learn kung fu from my dad in childhood, then in my preteens took taekwondo classes. There were a lot of ways in which prior experience with a martial art gave me a leg up in taekwondo, but sometimes it tripped me up, too -- literally, in the case of forms and kicks which emphasized sharp back and forth movements (as opposed to what I'd been used to, which was more flowy or circular movements from kung fu).
I don't know how to dance but I imagine dancers might experience something similar when switching between styles of dance? đ¤ˇ

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Salt of the Earth (1954), dir. Herbert J. Biberman
Damn, son.
EVERYONE SHOULD WATCH SALT OF THE EARTH
Salt of the Earth actually has a crazy interesting history- OP already said it was made in 1954, but that was in the middle of the Red Scare (communism scary cold war hysteria)
Congressâs anti-communism target fell hard on Hollywood, and those in the industry who were suspected of communism at all were blacklisted from all jobs, because studioâs didnât want to face backlash from Congress
Salt of the Earth was made nearly 100% with blacklisted crew members from Hollywood, and had such difficulty finding actors that they hired local citizens and miners from the actual strike the plot is based on. There were only 5 trained actors involved, and one of them (Rosaura Revueltas, the woman in the gif) was deported to Mexico before they finished filming on accusations of communism, with no proof and no substance. The filming was plagued with police harassment and threats (according to my professor they were shot at more than once), and the local union hall was burned down.
The movie itself not only covers a real 1950â˛s labor strike demanding safer and more equal labor conditions for Mexican-American employees, but after the miners were facing arrest, their wives and children took up the strike in their place. The movieâs combination of blacklisted crew, civil rights and feminist message, and pro-union plot (during the red scare) got the movie blacklisted and only 12 theaters in the entire United States would show the movie- it was successful in Europe, but didnât actually achieve viewership in the US until the 60â˛s
https://www.theguardian.com/film/2014/mar/10/salt-of-the-earth-labour-workers-blacklisted-filmmakers
It is available on YouTube for free
Do you ever think it's coming back? All that shit from the '90s? We were despised, but you read the stuff online now, it sounds just the same. Do I think it's coming back? Yeah. It's back, you fucking idiot. Right now, it's here.
TIP TOE ⢠1.01
manager today asked if iâd face paint for an event my work is hosting and she said âyou can face paint, right? we all just assumed you could face paintâ which is a fun assessment of my character
as a kid i constantly watched roadrunner and coyote cartoons and iâd play roadrunner and coyote with my dad which involved me running loops in my house bc the rooms made a circle while he tied a couch cushion over a beam to fall on me like an ACME anvil
sucks that whenever i want to look up a passage from the bible i have to go to some christian website i donât want to sign up for your prayer calendar iâm doing this to have more interesting allusions in my yaoi

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an interesting thing about clothing in late medieval and early modern europe is that, while lower class people generally did wear brightly colored clothing instead of muddy brown clothes, there were very distinct differences in the color of clothing people of different classes wore. clothing was done with all natural dyes, of course, but they were either dyed locally with cheap and easily accessible ingredients, or they were dyed in holland, italy, the ottoman empire, or even further afield using a jealously guarded secret combination of difficult-to-access ingredients, including (crucially) better-quality fixatives. this means that not only did expensive imported fabrics maintain a dark, rich tone much longer than a locally dyed one, which would get a washed out look after a couple of years, but there were also certain colors that a working class farmer literally couldnât afford to wear, and even though the difference between a cheap local lincoln green and an expensive imported popingay green might seem subtle to us people then seem to have been very sensitive to those differences. thatâs also why the colors puritans tended to wear seem uncharacteristically bright to our modern eyeâblack was such a rich and expensive color that it would be inappropriate to wear to anything other than a portrait sitting, but the colors orange and kendall green were deeply humble in their origins
naomi osaka for wimbledon 2026
âI worked 20-hour days to make Naomi Osakaâs Wimbledon dressâ
The Japanese designer Hana Yagi created the striking all-white bridal-inspired kimono that drew cheers from the crowd at the All England Club
The Japanese kimono and the traditional western wedding dress are difficult enough to walk in, let alone play tennis. But Naomi Osaka did so anyway, emerging on to Wimbledonâs Court 3 in a gown that was a hybrid of both garments to play a round of practice shots.
The dress, which drew cheers and wolf whistles from the crowd, was the Japanese playerâs latest fashion display, following the gold sequinned outfit that she wore at the French Open and her extravagant turquoise and green dress at the Australian Open in January. Her Wimbledon effort was the work of Hana Yagi, a 26-year old Japanese designer, who created it alone in ten days in her studio in Tokyo.
2026 French open, designed by Kevin Germanier in collaboration with Nike:
Yagi was asked to create an outfit for the âwalk onâ, when players enter the court before the beginning of a match, a well-established opportunity for fashion statements. At the French Open, Osaka compared her sparkling dress to the illuminations of the Eiffel Tower. Her extraordinary Australian Open outfit was inspired by jellyfish.
Australian Open 2026, designed by Robert Wun for Nike:
But Wimbledon imposes strict rules â above all that all clothes must be completely white (Roger Federer once got a telling-off for wearing shoes with orange soles). âFirst, it had to be all white,â says Yagi. âVisually, [Harper] gave me the image of a kimono or junihitoe [a traditional 12-layered kimono of the Japanese imperial court]. As a part of the concept, they wanted to reinterpret the tradition in the context of sport.â
The vintage wedding dresses she had in her own stock were cream and ivory â shades unacceptable at Wimbledon. She went to shops in Tokyo and bought the pure white western style wedding dress that forms the lower part of the Osaka gown, and a shiromuku, the traditional nuptial kimono in which brides are wrapped for delivery to their new husbands.
It is this, embroidered with brocade images of cranes and cherry blossoms, that forms the upper part of the dress, but drastically restructured to allow freedom of movement. âI didnât want her to walk with small steps â in this she wonât have any difficulty walking,â Yagi says. âAnd itâs not like a tight corset, but a dress that Naomi herself can adjust.â Osaka wore her playing dress, created by her sponsor Nike, below Yagiâs creation, so it had to be lighter than a conventional kimono. The other condition was that the player had to be able to put on and remove the dress quickly.
âIt was my first experience of that, because all my past works were art pieces, and not really aiming to be functional,â she says. âBut this has to come on and off in three minutes. I kept it putting it on myself over and over again to confirm that it worked.â The secret ingredient? Extensive strips of Velcro.
Some more of Naomi Osaka's show-stoppers:
US Open 2024. Designed by Yoon Ahn for Nike:
US Open 2025. Designed by Osaka herself: