feminist killjoy

And the thing about red flags, is that most things that are legitimately problematic in the books are fantasy staples. JKR didn’t invent the anti-semitic portrayal of goblins. It’s an old as hell trope that’s in countless fantasy stories. The house elves were based on Brownie folklore, even down to the tradition of their freedom coming from a piece of clothing being given to them. People were not talking a lot about the casual transphobia in doing things like describing Rita Skeeter’s hands as ‘mannish’ because casual transphobia was so ubiquitous that it was the norm, and that transphobia was often actively violent. I just don’t think it crossed many people’s minds that ‘wow JKR described Rita Skeeter’s hands as mannish once in the year 2000, so I think she’s probably a T*RF.’ And this doesn’t make it okay, and it doesn’t mean these aspects of the books aren’t problematic! But it does mean that like, no it wasn’t ‘so obvious’ even to MANY progressive minded people. And I also don’t think it makes her a terrible person. What makes her a terrible person is what she’s doing NOW.

Yeah her later works are jumbled messes that continue the worst bits of HP (creative world building that wants to seem grounded but ends up unravelling if you look at it too much which got worse when she got more “adult” with it, going further into a Good/Bad dichotomy and appearing to go back and make her morally grey characters LESS nuanced, plots that got overly convoluted and a refusal to expand her world without falling into the “all the important characters know each other” chasm ect ect) but she is, really, the ultimate example to me of what happens when you refuse to listen to criticism to grow and adjust your ideas as you learn. It’s obvious in her weird spiral with the HP universe that she refused to let go of and with her own stances on “social justice.”

JKR could easily be a lot of people on Tumblr and twitter! She had some progressive ideas for her time but got too caught up in the IMAGE of someone who hates bigotry and is so thoughtful and I really think she fully believes that she is a social justice progressive advocate because she talks politely and softly and says nice things. She’s a cautionary tale if anything about buying too much into your own hype whether that is as a creator or as a social justice advocate.

Jesus screamed “JESUS CHRIST YOU STABBED ME”.

Since that Jesus had to be taken down due to a bad case of stab-itis, the backup Jesus came in, but he weighed significantly less than the original Jesus- which would have been fine, except that at the end the cross was supposed to ascend upwards with Jesus on it, and the weights hadn’t been adjusted.

my first year doing this, our industry contacts were 1 actor, 1 casting director, and 1 producer to get different aspects of the business, and they all gave us amazing advice and told fantastic stories. the actor in question was Zazu on Broadway’s The Lion King for several years, and told the best story by far.

in The Lion King, there are only two pieces of pre-recorded noise in the whole show. one, when Pumbaa does a MASSIVE fart while fighting the hyenas, and the other being Mufasa saying REMEMBERRRRRR as Simba climbs Pride Rock. the actor told us while struggling not to laugh that, during one night’s performance, someone forgot to flip the tape of these pre-recorded noises.

so, at the end of the show, the great climax where Simba finally accepts his place in the Circle of Life, the heavens parted and-

PFFFFFFFFFRRRRRBTFTBTBFTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT

everyone froze. and then all ran off stage positively HOWLING with laughter.

Originally, the actors were going to stroll on stage with our Lefou hauling in the really neat (and real!) taxidermied deer head that we had found in a local thrift store. Now, two days before opening night, our director wants Lefou to run in from off stage and catch a stuffed duck that Gaston has just shot. This, of course, requires two things to work properly as a scene: a gunshot noise, and a stuffed duck.

The gunshot noise, we had covered. Blue-collar, redneck school? Guns a plenty to record. The stuffed duck? Harder than you might have thought to obtain.

Three hunting stores, two taxidermists, and one Pet Supply Store ™, I’d finally found a semi-realistic pheasant squeaky toy. What follows is an account of the ways this dog toy managed to be the nightmare prop of the six show run.

Opening Night: The stagehand, who was supposed to drop the bird from the ceiling catwalk, missed his cue and didn’t drop the it. Lefou’s actor rolls with it and does an excellent job of looking around foolishly before getting cuffed upside the head by Gaston. The stagehand then drops the bird squarely on Gaston’s head. Cue laughter.

Saturday Matinee: Different stagehand throws the bird instead of dropping it and beans Lefou directly in the face with the prop. Lefou falls over. Cue laughter.

Saturday Night: Bird is missing during curtain call. Director hauls the deer head down from it’s place on the tavern wall and tells Gaston and Lefou to revert to the old blocking i.e. no gunshot, no bird, just walk in with trophy. During Gaston and Lefou’s conversation, gun shot sound goes off and a stagehand throws the bird onto the stage…from the wrong side of the stage. Lefou and Gaston stare at it in awkward silence for a solid thirty seconds before Lefou makes off-script, subtle joke about Gaston’s gun going off late instead of early. Cue adults in the audience laughing.

Sunday Matinee: Director begs the stagehands to get the cue right at least once. Gunshot and bird prop go off without a hitch. Lefou accidentally catches the prop when it falls from the catwalk. He’s so startled that he caught it that Gaston runs right in to him. They drop both the gun and the bird props, and grab the wrong prop in their scramble. Gaston spends the rest of the scene gesturing dramatically with a stuffed pheasant, instead of a gun.

Sunday Night:  Director is fed up with bird prop, decides that Lefou should just carry bird prop in after gunshot happens off stage. Lefou accidentally squeezes the prop during the intro conversation, startling both actors into silence with the squeaky toy noise - apparently, neither of them realized it was a dog toy.

It was awesome because when people saw the play and didn’t know the girls were identical twins, it literally looked like it was one actor doing multiple, uber fast costume changes.

One of our first performances was for our peers and it was a big school so lots of people didn’t know the twins. This - for some reason - was also the performance they chose to record.

Listening to the confusion of the audience during the playback was fantastic and completely topped by the moment Viola walked off stage left just as Sebastian walked on stage right and someone right beside the camera goes “OH WHAT THE FUCK” so loudly it drowned out everything else.

It’s like our third show and everything has been going surprisingly well. Hook and Smee climb to the top of the “tree trunk”, supposedly looking for Peter and not knowing they’re standing above his hiding spot the whole time.

Turns out someone didn’t close the trapdoor properly, because the second Hook steps on it, he plunges through the thing. He’s able to catch himself, but he’s got his ass and one leg dangling through this hole where it’s like a ten foot drop to the ground. All of us stage crew are literally two feet away from him offstage, just gaping at him because???? Y'all this fall looked BAD. Looked like my dude did the splits in mid air. The whiplash caused his fucking wig to come off. The audience is dead silent, all of us backstage are dead silent, the director is like already looking up how to treat a broken groin.

like listen... 55+ years ago a bunch of actors had to use a mix of existing habits and wild imagination to come up with what they felt would be believable movements and muscle-memory for someone using completely unbelievable tech a few hundred years in the future. like tv had less than ten channels and the screen was a foot across, and they had to go "ok how would someone who's used to a tiny wireless gadget with a screen hold it and use it? how would they talk to a computer? how would the computer sound when she talked back?"

1) Binary files are 1s and 0s

2) Knitting has knit stitches and purl stitches

You could represent binary data in knitting, as a pattern of knits and purls…

You can knit Doom.

However, after crunching some more numbers:

The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…

3322 square feet

The idea of a “binary code” was originally developed in the textile industry in pretty much this exact form. Remember punch cards? Probably not! They were a precursor to the floppy disc, and were used to store information in the same sort of binary code that we still use:

Here’s Mary Jackson (c.late 1950s) at a computer. If you look closely in the yellow box, you’ll see a stack of blank punch cards that she will use to store her calculations.

This is what a card might look like once punched. Note that the written numbers on the card are for human reference, and not understood by the computer. 

But what does it have to do with textiles? Almost exactly what OP suggested. Now even though machine knitting is old as balls, I feel that there are few people outside of the industry or craft communities who have ever seen a knitting machine. 

Here’s a flatbed knitting machine (as opposed to a round or tube machine), which honestly looks pretty damn similar to the ones that were first invented in the sixteenth century, and here’s a nice little diagram explaining how it works:

But what if you don’t just want a plain stocking stitch sweater? What if you want a multi-color design, or lace, or the like? You can quite easily add in another color and integrate it into your design, but for, say, a consistent intarsia (two-color repeating pattern), human error is too likely. Plus, it takes too long for a knitter in an industrial setting. This is where the binary comes in!

Here’s an intarsia swatch I made in my knitwear class last year. As you can see, the front of the swatch is the inverse of the back. When knitting this, I put a punch card in the reader,

and as you can see, the holes (or 0′s) told the machine not to knit the ground color (1′s) and the machine was set up in such a way that the second color would come through when the first color was told not to knit.

Wires going through magnets.  This is how all of the important early digital computers stored information temporarily.  Each magnetic core could store a single bit - a 0 or a 1.  Here’s a picture of a variation of this, called rope core memory, from one NASA’s Apollo guidance computers:

You may think this looks incredibly handmade, and that’s because it is.  But these are also extreme close-ups.  Here’s the scale of the individual cores:

The only people who had the skills necessary to thread all of these cores precisely enough were textile and garment workers.  Little old ladies would literally thread the wires by hand.

With a Jacquard loom instead of painstakingly picking up every little thread by hand to weave in a pattern, which is what folks used to do for brocades in Ye Olde Times, this basically automated that. Essentially all you have to do to weave here is advance the punch cards and throw the shuttle. SO EASY. 

ALSO, it’s not just “little old ladies sewed the first spacesuits,” it’s “the women from the Playtex Corp were the only ones who could sew within the tolerances needed.” Yes, THAT Playtex Corp, the one who makes bras. Bra-makers sent us to the moon. 

And the cool thing with them was that they did it all WITHOUT PINS, WITHOUT SEAM RIPPING and in ONE TRY. You couldn’t use pins or re-sew seams because the spacesuits had to be airtight, so any additional holes in them were NO GOOD. They were also sewing to some STUPID tight tolerances-in our costume shop if you’re within an eighth of an inch of being on the line, you’re usually good. The Playtex ladies were working on tolerances of 1/32nd of an inch. 1/32nd. AND IN 21 LAYERS OF FABRIC. 

Here are the punch cards:

Some of these looms take up to 1600 spools. That is necessary to make their many different patterns.  Here are some patterns:

How many punchcards per pattern?

 This many:

Person A: Character you can project onto

okay but fuckin

i get people being like “ugh the straight romance” in frozen 2 like kristoff doesn’t on the surface do a lot

but like it’s been 3 years.  anna kisses his cheek after talking stuff out mostly to herself about how she’s worried about Elsa, and says “thanks, babe” in a way that reminds me of how i’ll thank my wife for just listening when I”m trying to work something out.  

she’s GUTTED when she hears he’s gone off with Ryder without telling her, when she’s overwhelmed and kind of scared in this whole thing and decides to go with Elsa because she needs to, but like… not having that emotional anchor 

and when they’re finally back together and she thinks Elsa’s dead she apologizes for leaving him behind because she had to try to protect her sister… he hugs her and says “hey, it’s okay.  My love is not fragile.”  Like, yeah, he had some feelings about feeling left behind and like she doesn’t need him, but ultimately he processed it and decided “you know what, if she needs to go off and have me to come back to, that’s okay. I’m not going to stop loving her and working at this relationship just because I’m feeling a little insecure.”

Like. I know it’s kind of backgroundy and I’m not saying anyone has to ship it, but fuck, his song provided some real emotional stuff while ALSO being a hilarious and much needed break in an otherwise VERY DARK movie, and he was there for Anna as someone she counted on as support, as best he could be, and it clearly was something she treasured and relied on.

…i guess what i’m saying is fuck all y’all saying that kristoff’s screentime was a waste or that you wish he hadn’t even been in the movie.  do you know how rarely we get to see happy, healthy, established relationships in disney movies?  Or kids movies in general?  Or, heck, MOVIES?  Unless that relationship is someone’s parents?

To the world