Agatha Writes

aliens from various media!

Malyn Varen's skeleton in Illinata's Deep is raiseable with a high enough level raise zombie spell. It is janky and bugged and hilariously big when it moves around.

Unless my game was super bugged to allow this to happen (I haven't seen anyone else post about or mention it but me lol), if you try raising his corpse, it will work.

apparently you can get more than just his skeleton!

So I'm just supposed to be normal about that line??? I'm supposed to just move on past it without my brain being sandblasted by the imagery????????

Extreme annoying that working in new rendering styles actually does help with the artblock.

Transparent version below so you, too, can put Yvgeny in situations

"Free the nipple" never meant "free to not wear a bra" or "free to breastfeed." Those were adjacent conversations that of course "free the nipple" supporters would boost, but that was NEVER the core of free the nipple.

The core of free the nipple was always that the breasts of people perceived as women ("female-presenting nipples" to use some Tumblr speak) are in no way different than the breasts of people perceived as men. And that since the chests of people perceived as men are not sexualized and are allowed to be exposed, so too should the breasts of people perceived as women. If men can be topless, so can women. If it's inappropriate for women to show their chests, neither should men. It isn't sexual assault for a woman to walk around barechested, because it isn't sexual assault for a man to do so either, and breasts are NOT sexual organs.

Claiming breasts are inherently sexual organs is factually and morally wrong, it is sexist and controlling, it is a tool of oppression, and it defines normal body parts (and bodily functions) as sex which leads to inherent sexualization of people with those parts. It leads to 12 year olds with large breasts being accused of seducing 40 year old men or trying to distract and corrupt their classmates.

"Free the nipple" doesn't mean "free the nipple in a god-fearing way." It means FREE THE NIPPLE, full stop, end of sentence. It means to free the nipple of the faulty social constructs that cast it as a sexualized, malicious force of seduction instead of a normal body part that should be free of expectations of shame or "modesty."

Breasts and nipples aren't shameful, sexual, immoral, porn-adjacent, kinks, a distraction, or things to be feared. They are a part of your body just like your elbows and ankles, and being afraid of them, thinking they will corrupt some innocent person or that being exposed to them is trauma akin to sexual assault, is the entire fucking problem.

Free the nipple, not just for breastfeeding, not just from bras, but from the fucked up social constructs that cast them as malicious instead of innocent. Stop trying to sanitize "free the nipple" for puritanical, conservative audiences who already hate you and the rest of us. You aren't helping anyone.

A 2026 refresher on the main trio of my comic project, Salmon Road!

Story follows Whitney, an insular handyman, as she is given sudden guardianship of her rambunctious kid sister, Clementine.

Together they struggle to navigate the drastic change in lifestyle - Whitney more comfortable with solitude and Clementine unaccustomed to the boring, nothing town that is Bluegill Springs. Or at least that's how it seems on the surface.

[...] Mary didn't really try to engage with Clark [...] Mary was right to be terrified when entering the Backrooms, being a reflection of his mind, because she hadn't really entered it before.

I think she does it because of her mother. Her mother was delusional, and you can't entertain those delusions at all when interacting with them. Clark is angry and shirks responsibility, but he isn't delusional. Mary, stuck in her own loop, treated him like she would her mother.

It's probably (at least partially) why she smiles at the end during the interview/interrogation. She's finally understanding what it's like to have someone try to analyse you without really engaging. It's patronising and probably going to make everything worse. We even see a Still Life of her sitting utterly terrified and distressed in that exact chair, suggesting that was how Mary was feeling, while all that Phil had to offer was questions he already knew the answers to and a vague threat that she'll be taken away.