i get so emotional every time i think about fanfic culture. it's just so beautiful that people are writing and anonymously posting these thousand-word stories about characters we all love and not even getting any money or public fame from it. it's literally just for the love of the game.
shout out to everyone who participates in fanfic culture, be it reading or writing fanfics. you are contributing to such a lovely thing <3
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wwx & jc: shared one braincell, with the braincell frequently in transit. wwx had it while cooking up demonic cultivation. jc had it while rebuilding his sect to stand as one of the great 4. neither of them had it while they sacrificed organs for each other or when wwx went to the wen remnants and jc led a siege against him
jyl: had one, but was worn down by the lack of braincells around her. at jzx's coffin, she finally said goodbye to it and headed to an active battlefield #yolo
jzx: nothing. nada. bless jl's dad but openly demeaning ur betrothed infront of ur entire generation and her younger siblings does not a braincell make
lwj: had one, but it flew off with the wind that stirred wwx and lwj's hair during their rooftop confrontation
lxc: had one, but it was stolen by jgy when (by lan standards) they made out sloppy style, got married then consummated the marriage infront of everyone present. (ive nvr watched untamed, but im referring to that one scene where their hands touch. scandalous)
jgy: obtained one watching the world tumble around him as he went down jinlintai's stairs for the first time. nothing quite like a shock like that to change your perspective. obtained lxc's braincell, which made him evil for Reasons.
nmj: also had one, he did have to run a sect, but it was tied up in that and the war and didnt contribute much to anything else. upon his death, the braincell returned to nhs, who promptly broke down as the braincell gave him brainpower to uncover dage's murder plot
nhs: inherited nmj's, but did have one, only it was solely for birds and sneaking porn around lqr. (he never needed to use it before, bc dage would always help him out). using the newfound power of 2 braincells, he orchestrated playing 5d chess with jgy
jgy didnt think/didnt want to think that nmj's braincell went to nhs. bc that would mean that dage!nmj who loved nhs still existed, dage!nmj who yelled and shouted at nhs but never quite forced him to do anything he didnt want. dage!nmj who wrote jgy a recommendation letter for his father. dage!nmj who swore brotherhood with him. dage!nmj who didnt care jgy's mum was a whore and elevated him to his right hand. dage!nmj, who i believe jgy, once upon a time, loved. dage!nmj, who jgy killed.
it was easier to think of a nmj who didnt forgive his crimes or accept his apologies. who distrusted him and sought to discredit him. nmj, who in a fit of rage, threw jgy down jlt's stairs like his father had done. nmj, who was the reason, must have been the reason that their relationship deteriorated so badly jgy didnt protest against killing nmj.
otherwise, it meant that jgy killed a dage!nmj, only nmj was no longer his dage. and for jgy who grew up with basically nothing, i think that wld have been worse
anyway me and canon are in a long distance relationship where i periodically, occasionally but always go crawling back begging for more. if ive gotten anything wrong, my apologies 🙇♀️
Megalodon fossil lost for decades confirms the monster’s terrifying size
A long-lost fossil once thought destroyed has resurfaced, confirming just how enormous megalodon may have been — and offering fresh clues about the giant shark’s life.
Diagram adjusted for new data. And (mild amusement): STILL not bigger than Ed.
ETA: Also adding this image that dates back to 2023, and which I just rerendered in the new version of Daz to see how the lighting behaves. Large version at this YW.com URL.
ETA 2: a differerently-rendered version of this (I think because of the color scheme of the rest of the series of images) appeared in one of my blog’s Shark Week promos, here. Must update the graphic…
Ack! That's _exponentially_ larger than I pictured in my head as a kid. I bet I unconsciously substituted in the sharks that I saw when swimming. Oops. Probably just as well, there's some images you just don't need in your head when snorkeling at a drop-off
today i learned that the finnish word for ‘hazardous waste’ is ongelmajäte, which can also translate as ‘problematic garbage’ and my roommate and i immediately agreed this is a word that belongs on tumblr.
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It’s Jane Austen’s 250th birthday today and I just want to yell about how much modern writing (in the English language) owes to this woman.
Jane Austen did things with stories and characters that had simply never been done before. Do you like flawed characters who grow over the course of the story? Jane Austen pioneered the art of doing that in novels. Do you like it when a story is filtered through a character’s perspective, so you can hear their voice in the narration? Say thank you to Jane Austen.
I’m going to very, very generally summarise what novels looked like when Austen started writing. The first important thing is: they were an incredibly young genre. The first English book that everyone agrees ‘this is definitely a novel, not a collection of short stories, or an allegorical fable, or a political commentary’ is Robinson Crusoe, published 1719. Austen’s first book was published in 1811. That’s less than a hundred years!
I’ve read some early English novels, and… from a modern point of view, they are messy. Plot events are often random. Characters are generally stock archetypes. Realism wasn’t much of a concern; characters get abducted, imprisoned, etc, on a regular basis.
Slowly, from about 1770 onwards, you started to get the ‘novel of manners’ – more realistic stories set in the social world of the time. Jane Austen was absolutely not the first to write books centred on young women coming of age and finding ‘Mr Right’. (Frances Burney and Maria Edgeworth are probably the best remembered of Austen's predecessors.)
And I’ve read some of these novels, and they’re… fine? I’m generalising hugely, but the characters are still very flat. The women are usually perfect, well-behaved, virtuous, etc; the only character flaw they might have is being naïve. Here’s a passage from one of Burney’s novels, describing the heroine:
Her form was elegant, her heart was liberal, her countenance announced the intelligence of her mind, her complexion varied with every emotion of her soul, and her eyes, the heralds of her speech, now beamed with understanding...
It’s a bit ridiculous, isn’t it? And of course it is! Novels were only just starting to solidify as a genre. The idea of making the characters flawed, realistic human beings had barely occurred to anyone. But Austen decided she didn’t want to write flawless protagonists. ‘Pictures of perfection you know make me sick and wicked,’ she once wrote in a letter to her niece.
It would be ludicrous to say that flawed characters or character-driven plots didn’t exist; of course they did. What are Shakespeare’s tragedies except stories driven by their protagonists fatal flaws? What makes Austen so remarkable is that she was pretty much the first person to take those themes from plays and put them into a novel instead. And so we have Emma Woodhouse, who gets the plot rolling by being self-deluding, meddlesome and conceited (I love her so much). We get Lizzy Bennet, who makes snap judgements that confirm her own biases and has to relearn how she sees everyone around her.
And then there’s Austen’s fucking groundbreaking way of filtering the narrative through a character’s perspective.
Austen was the first writer to consistently narrate in third person, while still filtering the narrative through one person’s point of view. If the protagonist makes a mistake, the narration sometimes just… doesn’t correct it. Take this bit of Emma. All the context you need is this: Emma thinks her friend Harriet is in love with someone, and they’ve just received news that the guy’s controlling aunt is dead, which would make it a lot easier for Harriet to marry him. Harriet is, in fact, not in love with said guy, so the news means nothing to her. But the narration says:
Harriet behaved extremely well on the occasion, with great self-command. Whatever she might feel of brighter hope, she betrayed nothing.
Harriet isn’t behaving with great self-command! She isn’t affected by this news at all! But what Emma thinks is reported as if it were fact. We don’t get to know what Emma doesn’t; her opinion controls the narration. I cannot stress how much this had never been done before.
Or take this part of Persuasion, where the protagonist, Anne, encounters the man she was briefly engaged to eight years ago:
Her eye half met Captain Wentworth’s; a bow, a curtsey passed; she heard his voice – he talked to Mary; said all that was right […] the room seemed full – full of persons and voices – but a few minutes ended it.
Look at how closely we are in Anne’s perspective here. She can hardly process what’s going on, so we barely see it. We don’t hear Wentworth’s speech. Time speeds up, the narration becomes a blur, just like the moment is a blur for Anne. No one had done this before!
We all love the Locked Tomb books here, right? You know how closely the narration sticks in each protagonist’s head; how the narration sounds and feels like their voice, how we don’t get to know anything they don’t know? Jane Austen pioneered that technique. What I’m saying is: we don’t get Gideon the Ninth without Pride and Prejudice.
Jane Austen was a phenomenal writer, who came up with entirely new writing techniques that authors still use, hundreds of years later. So many of the techniques we now hold up as ‘good writing’ were things she did for the first time.
Happy 250th birthday, Jane Austen. Thanks for giving us books as we know them.
__
(The examples here come from What Matters in Jane Austen by John Mullan, which is an incredible book I can't recommend enough to anyone who wants to know more about the social context around her novels.)
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all right guys, let’s have a conversation about soulmates
because I’m a nerd who majored in ancient China and still can’t let it go
okay so we all know that wangxian invented romance, but let’s talk a bit more about the iconic dialogue in episode 25:
Lan Wangji: 你把我當成什麼人? / What kind of person do you take me for?
Wei Wuxian: 我曾經把你當做我畢生知己 / I had once thought that, in my lifetime, you would be the one who knew me.
Lan Wangji: 現在仍是 / I still am.
I’ve seen various translations of the phrase “畢生知己” as “lifelong confidante” or “soulmate,” and I’m always so torn because these are both fine translations but like, not quite there
As a Greek, in response to the current controversy about Matt Damon being cast as Odysseus, I'd just like to share that one of the moments that changed my brain chemistry as a kid was reading a novelized version of the Odyssey and coming across the following description of Odysseus when Circe sees him for the first time and thinks he's hot: "his hair curled like a clematis and his eyes were very brown".
So may I present my own casting choice for Odysseus:
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