Hi! I'm Char! This is my main blog where I do all my scrapbooking and shitposting
May or may not be some kind of median system:
Ione owns @super-ion where we do writing, mostly queer scifi/fantasy
Etta owns @synths-and-sensibility where we nerd out about music and our diy synth project
Pronouns are fluid, but xe/they/she/it are safe for all
Other sideblogs are: @charlottesphotons where I post photography (but it's on indefinite hiatus); and @khasiliel-was-here where I do silly little art about our angel oc
Also on bluesky as vulpes-aestatis and discord as the same
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Ask yourself, how does this piece make you feel? (No wrong answers)
Look for an artist statement nearby. What does it say about the artist and their relationship to their work? What does the artist say that they are trying to convey with their art? What contextual clues can you pick up from what they say about their background, or what they omit?
Look at the title of the piece. What is the artist saying about their work by naming it that, either explicitly or implicitly?
Look at the medium. Is there anything about the piece that stands out to you, knowing what it's made of?
Look at the year it was made. What cultural events might have been happening around this time? Was this piece part of a particular art movement? What was the purpose of that art movement, and what was it trying to say?
Accept that sometimes, you still might not get it. This is perfectly okay.
I really can and will blame the 9-5 for everything. "We're in a loneliness epidemic" well, we have to spend a third of our day interacting with people in a professional way that makes forming real friendships difficult and then we're peopled out by the time we're done. "People are eating more and more unhealthily" people have to spend more than a third of their day doing work related tasks and they don't want to spend their tiny amount of free time making food. "People aren't involved in their local communities" after spending more than a third of their day doing work related things people are tired and also all those community events take place during normal working hours. "People need to get more hobbies" after spending more than a third of their day working, people are TIRED and don't want to do anything that takes yet more energy. "Literacy is dying" to maintain your critical thinking skills you need to read/watch things that make you think and after spending more than a third of your day doing work related stuff you are TIRED and don't want to expend even more brainnpower. "People need to get outside more" People. Are. TIRED. Because they have to spend all of their time working or preparing for work or recovering from work or doing all the chores they couldn't stay on top of because of work. I can blame fucking anything on having to work, it is truly the root of all fucking evil.
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Good news. we can finally Be Bees. this isn't your world, but we can Be Bees. this is Good news. you can Be a Bee. you'll live like a Bee. A Pet. A pet? A Pet. Mark, this is Good news. You'll live. for 30 years. THIS IS INSANE
A scathing report released on the Fourth of July says the National Museum of American History downplays the role of the founders while empha
In a broadside posted to its website just as fireworks celebrating Americaβs 250th birthday were lighting up skies on Saturday, the White House condemned the Smithsonianβs National Museum of American History for what it said was a failure to celebrate the nationβs heritage, arguing it had become a political tool intent on denigrating the American story.
The 162-page report, by the White Houseβs Domestic Policy Council, represents a sweeping attack on the museumβs presentation of American history. It is the latest step in the Trump administrationβs campaign to pressure the Smithsonian into conforming to what President Trump has described as βpatrioticβ history.
While the report concludes that the broader Smithsonian Institution β which oversees 21 museums and the National Zoo β βhas not met its obligations to the American people,β it places particular blame on the National Museum of American History.
Titled βSaving Americaβs Story: How Ideological Capture at the Smithsonian Institutionβs National Museum of American History Erases Our Heritage,β the report accuses the museum of anti-white bias and of minimizing and distorting the nationβs founding. Those actions, the report asserts, have shifted the museumβs mission βfrom straightforward historical education and scholarship toward an extreme political activism that seeks to transform our country.β
The museum, it says, βno longer treats the American story as a shared national inheritance to be taught or celebrated but as a political instrument to divide, dispirit and discourage our citizens.β
The report takes issue with specific exhibits, such as an 1840 statue of George Washington that includes a depiction of Hercules. The workβs accompanying text describes βthe perceived courage of the American people.β That language, the report says, βrefuses to affirm the exceptional courage of the American people.β
But the reportβs βmain concernsβ involve what is not there.
Visitors today, it says, βwill find no major exhibit dedicated to Americaβs founding era, George Washington, Thomas Jefferson, other founding fathers, the Continental Congress, the pilgrims, the Puritans or major moments of the American Revolution.β Instead, it claims, many founders are presented chiefly in terms of their connection to slavery.
In a statement, a spokeswoman for the Smithsonian, Julissa Marenco, said, βFor more than 180 years, the Smithsonian has served the American public with nonpartisan and independent scholarship, and we remain committed to doing so.β
The White House did not respond to a request for comment.
The Domestic Policy Council, which wrote the report, is a White House group tasked with developing the presidentβs domestic agenda and advising him on issues like education and health care. Its leader, Vince Haley, has spearheaded the administrationβs commemoration of the nationβs 250th anniversary, including Mr. Trumpβs plan to build a 250-foot arch in Washington. Mr. Haley has also been credited with the idea for a patriotic sculpture garden known as the National Garden of American Heroes.
The Smithsonian has long been regarded as independent of the executive branch. But in an effort to have much greater influence on cultural matters in Washington, Mr. Trump has focused on the Smithsonian since March 2025, when he issued an executive order titled βRestoring Truth and Sanity to American History.β
In that order, which calls on Vice President JD Vance to overhaul the Smithsonian with the help of Congress, the president described a βrevisionist movementβ across the country that βseeks to undermine the remarkable achievements of the United States by casting its founding principles and historical milestones in a negative light.β
Mr. Trump has since announced that he was dismissing the director of the institutionβs National Portrait Gallery, Kim Sajet, calling her βa highly partisan person, and a strong supporter of DEI.β (The Smithsonian did not follow through β publicly insisting it controlled personnel matters β but Ms. Sajet resigned, saying in a statement that her decision served the institutionβs best interests.)
The White House also issued an ultimatum to turn over Smithsonian records or face potential budget cuts. In response, the Smithsonianβs secretary, Lonnie G. Bunch III, reasserted the institutionβs independence but said materials had been submitted in an effort to be βtransparent and open.β
Some 62 percent of the Smithsonianβs annual $1 billion budget is derived from federal sources, including funds directly appropriated by Congress. The Trump administration proposed cutting the Smithsonianβs budget by about 12 percent in the 2026 fiscal year, but Congress has maintained the institutionβs federal funding.
Saturdayβs report summons the specter of a funding withdrawal, citing how the presidentβs executive order directed Mr. Vance to work with the Office of Management and Budget to βprohibit expenditure on exhibits or programs that degrade shared American values, divide Americans based on race or promote programs or ideologies inconsistent with federal law and policy.β
Without specifying the exact remedy, the report says that βthe president has a duty and obligation to seek reforms of the Smithsonian.β
The report criticizes the museum for viewing βtraditional patriotic narrativesβ with suspicion or contempt. It says the museum endorses illegal immigration and advocates transgender issues, while it focuses on Christianity as βan instrument of conquest, exclusion or cultural erasure,β rather than its βconstructive roleβ in βshaping the nation and its freedoms.β
It takes particular aim at the museumβs director, Anthea M. Hartig, saying she has advanced βan ideological agenda contradictory to the museumβs founding purpose of fostering patriotism.β
The story the museum tells, the report says, βis not one of βthe victory of freedom and genius of our countryβ but one of regret, tragedy and shame.β
Ms. Hartig did not respond to a request for comment.
The report immediately drew pushback from some in the historical profession, which has sharply criticized Mr. Trumpβs efforts to enforce his view of history.
Sarah Weicksel, the executive director of the American Historical Association, the countryβs largest group of history scholars, questioned the reportβs claims that the museum neglects the nationβs founding and its founders.
βThe museum has extraordinary objects that tell the history of the Revolution, including the newly restored Gunboat Philadelphia,β she said, referring to a Revolutionary-era warship. βVisitors also encounter George Washington, his leadership prowess and the American Revolution in βThe Price of Freedom,ββ another exhibition.
But some conservatives commended the report.
βThe National Museum of American History is the tip of the iceberg,β said Mike Gonzalez, a senior fellow at the Heritage Foundation who has called for Mr. Bunchβs dismissal. βItβs not the only museum that erases our history and our heritage β all the other museums do. We have to go back to celebrating our country and its great achievements.β
The report, which contains more than 30 pages of footnotes, also criticizes an exhibition called βMany Voices, One Nationβ that it claims tries βto convince visitors that illegal aliens are entitled to citizenship, voting rights and βbelongingβ in America.β
And it criticizes an exhibition that closed in November 2025, βThe Electric Dr. Franklin,β for what it says was too heavy of an emphasis on Benjamin Franklinβs connection to slavery, including his ownership of slaves, and not enough on his work as an abolitionist.
The report comes as the Smithsonian faces potentially significant turnover in its governing Board of Regents, a 17-member panel that includes Democratic and Republican elected officials as well as nine citizens.
Mr. Bunch has led the Smithsonian since 2019, and his relationship with the White House is, at best, strained. He has enjoyed the support of the board in asserting that the Smithsonian is independent.
But the museum is working with a diminished board since the terms of two Smithsonian trustees ended in March. Their replacements have yet to be named as Mr. Trumpβs efforts to gain control of the institution have slowed that process.
Over the past few months, the Smithsonian managed to avoid further confrontations with Trump officials, perhaps because it made tweaks like altering some wall text and because the president was focused on matters like the war in Iran.
But the new report makes clear that the White House is fed up with the Smithsonian.
βThe serious concerns raised in this report are not about a few exhibits or a few controversial labels,β the report says. βAs it stands today, it would benefit most Americans, especially parents bringing their children for a tour, if the Smithsonianβs flagship history museum had a label at every entrance that reads: βWarning: the exhibits in this museum were prepared by people who donβt want you to love your country.ββ
You actually cannot skip to being good at a creative endeavour that you haven't put much practice into. You cannot trick your way out of the 'knows that your work is not what you want it to be but don't know how to improve it' stage by planning or reading or talking about it really really hard. At some point you just have to craft through it until your brain finds it's own unique way back to the 'everything I make slaps' stage and be prepared to start the cycle all over again. You just have to make that project you're excited about slightly less good than you want it to be. (Says this standing in a pool of blood and covered in blood and also coughing up a little blood)
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"The user doesn't know what they are doing, but luckily we are smart and can make all the decisions for them" <- voice of an operating system that kills its own firewall for no reason and doesn't tell anyone for months until you ask it where the firewall is
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going on HRT is a serious decision you should make with the utmost gravity. people might think you're cool, badass even. You might find yourself happy with your life, approaching the world with newfound wisdom one way or another. It might be what you want. It might get you off. It might just be a cool story to tell people. I, myself, found the initial experience was like I had sleepwalked through a nightmare for a quarter century - and for the first time, not just the first time I could remember but actually the first time, I was awake, and the sun was shining, and the world was beautiful. So obviously all of those are risks
βWhat, to the American slave, is your 4th of July? I answer; one day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sound of rejoicing are empty and heartless; your denunciation of tyrants brass fronted impudence; your shout of liberty and equality, hallow mockery; your prayers and hyms [sic], your sermons and thanks-givings, with all your religious parade and solemnity, are to him, mere bombast, fraud, deception, impiety, and hypocrisy β a thin veil to cover up crimes which would disgrace a nation of savages. There is not a nation on the earth guilty of practices more shocking and bloody than are the people of the United States, at this very hour.β
β Frederick Douglass (1818-1895), from a speech given at Rochester, New York, July 5, 1852.