Artisan Scribbles

But.

Falling Free is about a man whose company sends him to a space station to teach a bunch of people with extra arms where their legs should be how to do space welding. When I first read the summary, I thought it was really weird and figured I wouldn't get around to reading it. I'm so glad I read it after all.

(via bsky)

Recipient of a third-degree burn in front of witnesses. IE, "I won't take that shit from a man dressed like a ghostbuster"= "Gostbuster" or "Buster"

A distinctive personal feature or quirk. IE, "Have you noticed how that new guy is always eating bell peppers?" = "Peppers", or "That chick has a massive forehead" = "Forehead".

An embarrassing thing you said or did. IE, "Did you seriously call Dale "Dad"?" = "Junior", "Baby boy", "Sport"

A game of name-mutation telephone. IE, "Donny Clyde" = "Bonnie 'n' Clyde" = "Bonnie" = "Bon-bon".

Irony. IE, calling a tall person "short stack" or a particularly dour person "sunshine".

A 'wrong place wrong time' one-off incident. IE, "He spilled oil on his pants and had to borrow a pair that were way too big and Jim saw him with the waistband pulled up to his nipples and called him 'Parachute'"

A batman-style origin story but not in a cool way: "One time she hit a deer with the company car and when she called the boss to tell her she was crying so hard we thought she was dying" = "Bambi"

The incredibly rare 'admiration' nickname, bourne only once a millennia under the light of the blood moon: "We saw him lift a truck once so now we call him 'iron man'"

+ How Nicknames Stick:

Your fate is determined by The Counsel

You hate it

"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."

So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.

Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.

Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.

So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.