Wherein I blog about stuff that interests me, which basically means anything goes. I tag my reblogs with 'beauty' a lot of the time. (My blog title quotes from Tabitha King's 'A Gradual Canticle for Augustine'!)
Long is the way and hard, that out of Hell leads up to Light
An Archive of Our Own, a project of the Organization for Transformative Works
They are quite children, bickering over a toy that the boy distains but cries Mine! Mine! when the girl he is sweet upon wants to play with it herself and do it better.
This, she must keep in mind, is their tug of war over a soul.
(Elizabeth chances to look back in her ascent, and chases Victor back down into the earth to rescue her fellow creature.)
As you might imagine, my brain essentially seized upon 'What would have happened if, after their argument about whether or not the Creature was intelligent, Elizabeth happened to see that Victor was going down to the cellar, thought 'Oh hell no' and went after him?' and refused to let go.
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No one ever talks about how heavy a checkovs gun is to carry through 100,000s of words and not fire it off to early or go “hehehehe” in the author notes.
“It is amazing to me,” said Bingley, “how young ladies can have patience to be so very accomplished as they all are.”
“All young ladies accomplished! My dear Charles, what do you mean?”
“Yes, all of them, I think. They all paint tables, cover screens, and net purses. I scarcely know any one who cannot do all this; and I am sure I never heard a young lady spoken of for the first time, without being informed that she was very accomplished.”
I wrote a fan fiction with my friend branchcloudsky about the painting tables thing, called The Marriage Contest. Anyway, I've heard some commentary on the difference between Bingley's and Darcy's opinion of "accomplishments," that Bingley focuses more on craft and Darcy on the more expensive education and intellectual:
“Oh, certainly,” cried his faithful assistant, “no one can be really esteemed accomplished who does not greatly surpass what is usually met with. A woman must have a thorough knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and, besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved.”
“All this she must possess,” added Darcy; “and to all she must yet add something more substantial in the improvement of her mind by extensive reading.”
I tend to agree with Elizabeth, a woman who can do all that seems fairly impossible, or she's got to be at least 40 years old!
“I am no longer surprised at your knowing only six accomplished women. I rather wonder now at your knowing any.”
“Are you so severe upon your own sex as to doubt the possibility of all this?”
“I never saw such a woman. I never saw such capacity, and taste, and application, and elegance, as you describe, united.”
I totally get the vibe of what Charles is talking about, though I'm having trouble finding a modern equivalent. Maybe it's comparable to a modern resume with stock phrases or a used car salesman. Everyone is talking up women being "accomplished" to a point that the word becomes meaningless. I think this passage in Sense & Sensibility is similar:
Sir John’s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles’ arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding.
Praise so often given that it rings hallow.
Back to the beginning of the chapter! I just wanted to start with the accomplishments discussion because of the picture.
At five o’clock the two ladies retired to dress, and at half-past six Elizabeth was summoned to dinner.
That is an hour and a half dressing for dinner, which according to Henry Tilney of Northanger Abbey is ridiculous for the country:
"...I must go and dress.”
“It is only a quarter past four,” showing his watch; “and you are not now in Bath. No theatre, no rooms to prepare for. Half an hour at Northanger must be enough.”
I think we are meant to take this as the Bingley sisters being quite vain.
To the civil inquiries which then poured in, and amongst which she had the pleasure of distinguishing the much superior solicitude of Mr. Bingley, she could not make a very favourable answer. Jane was by no means better. The sisters, on hearing this, repeated three or four times how much they were grieved, how shocking it was to have a bad cold, and how excessively they disliked being ill themselves; and then thought no more of the matter: and their indifference towards Jane, when not immediately before them, restored Elizabeth to the enjoyment of all her original dislike.
I think Elizabeth is a bit overly hard on the Bingley sisters here. We know they've been spending "hours" with Jane, and she does just have a cold. What more does she expect them to do? Jane also has Elizabeth looking after her, the Bingleys are hosting Elizabeth for this purpose. Also, it's a friendship of a couple weeks! I think that "enjoyment" speaks a lot about what Elizabeth wants to think about them.
Mr. Hurst, by whom Elizabeth sat, he was an indolent man, who lived only to eat, drink, and play at cards, who, when he found her prefer a plain dish to a ragout, had nothing to say to her.
A ragout:
This doesn't seem that fancy to me, but I think French dishes were all the rage at this time.
“You observed it, Mr. Darcy, I am sure,” said Miss Bingley; “and I am inclined to think that you would not wish to see your sister make such an exhibition.”
“Certainly not.”
“To walk three miles, or four miles, or five miles, or whatever it is, above her ancles in dirt, and alone, quite alone! what could she mean by it? It seems to me to show an abominable sort of conceited independence, a most country-town indifference to decorum.”
“It shows an affection for her sister that is very pleasing,” said Bingley.
“I am afraid, Mr. Darcy,” observed Miss Bingley, in a half whisper, “that this adventure has rather affected your admiration of her fine eyes.”
“Not at all,” he replied: “they were brightened by the exercise.” A short pause followed this speech
Darcy is forced to admit that he doesn't find Elizabeth's actions quite correct, but like Bingley, we will learn later that he admired Elizabeth's affection for her sister.
Differences between town and country manners will be a big theme in Mansfield Park, Austen's next novel.
That short pause is telling. The Bingley sisters check to make sure what they are saying is okay with Darcy. At the end of this chapter, Caroline will stop talking when she doesn't feel safe to continue.
“I think I have heard you say that their uncle is an attorney in Meryton?"
I have a whole post about this, but an attorney is a "middle class" lawyer, while Mr. Eliot from Persuasion and John Knightley from Emma are likely the gentry level of lawyer. Attorneys did an apprenticeship, barristers went to university, and only one is gentry.
“If they had uncles enough to fill all Cheapside,” cried Bingley, “it would not make them one jot less agreeable.”
“But it must very materially lessen their chance of marrying men of any consideration in the world,” replied Darcy.
To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend’s vulgar relations.
Mr. Bennet and his imprudent lustful marriage and how it screws over his daughters reason #65. In Sense & Sensibility, we hear that Lucy Steele cut all her relations, but that would be pretty awkward since the Bennets live in the same town as her lower class family.
On entering the drawing-room, she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high, she declined it, and making her sister the excuse, said she would amuse herself, for the short time she could stay below, with a book. Mr. Hurst looked at her with astonishment.
“Do you prefer reading to cards?” said he; “that is rather singular.”
“Miss Eliza Bennet,” said Miss Bingley, “despises cards. She is a great reader, and has no pleasure in anything else.”
“I deserve neither such praise nor such censure,” cried Elizabeth; “I am not a great reader, and I have pleasure in many things.”
Elizabeth Bennet, not a book worm! And she even sets down the book eventually because she prefers to talk. Also, "playing high" could mean anything from high stakes to unlimited stakes, yikes!
This conversation is so funny!
“Neglect! I am sure you neglect nothing that can add to the beauties of that noble place. Charles, when you build your house, I wish it may be half as delightful as Pemberley.”
“I wish it may.”
“But I would really advise you to make your purchase in that neighbourhood, and take Pemberley for a kind of model. There is not a finer county in England than Derbyshire.”
“With all my heart: I will buy Pemberley itself, if Darcy will sell it.”
“I am talking of possibilities, Charles.”
“Upon my word, Caroline, I should think it more possible to get Pemberley by purchase than by imitation.”
All of this is clearly Caroline trying to flirt with Darcy, but Charles is not going along with the agenda. I'm pretty sure he's annoying Caroline on purpose. He's not just a push-over, he banters back.
“Eliza Bennet,” said Miss Bingley, when the door was closed on her, “is one of those young ladies who seek to recommend themselves to the other sex by undervaluing their own; and with many men, I daresay, it succeeds; but, in my opinion, it is a paltry device, a very mean art.”
“Undoubtedly,” replied Darcy, to whom this remark was chiefly addressed, “there is meanness in all the arts which ladies sometimes condescend to employ for captivation. Whatever bears affinity to cunning is despicable.”
Caroline tries to call Elizabeth a "pick me" girl and Darcy turns it back on her.
Bingley was quite uncomfortable; his sisters declared that they were miserable. They solaced their wretchedness, however, by duets after supper; while he could find no better relief to his feelings than by giving his housekeeper directions that every possible attention might be paid to the sick lady and her sister.
Yes, there is some performance to the Bingley sister's misery, but I still think they like Jane!
Man this chapter is pure gold. So many excellent and character establishing moments!
i do want to add a little note for readers who may not have seen the distinction between plain cooking and other types before (@bethanydelleman you may already be aware of this!) but from what i've seen in the usages of plain cooking—which is what 'a plain dish' vs a ragout is referring to—it often has more of a semantic context that represents the difference between something like home cooking as opposed to gourmet. that's not exact and i have the feeling i'm probably exaggerating the plain definition a bit, but i think defining it that way better illustrates what austen is trying to say.
the OED defines plain cooking as Of a food, drink, etc.: not rich or highly seasoned; having few or basic ingredients; not elaborate, simple to prepare. as mentioned above, french dishes were incredibly popular at the time, and even then, french cuisine, at least the kind the ton would have enjoyed, had a reputation for being difficult, fussy, and expensive.
so, while a ragout may not look that fancy from the wikipedia examples, it's in keeping with mr hurst's character to enjoy a dish that is trendy, rich, heavily seasoned, and that takes more effort/skill to make or may have uncommon ingredients not accessible to most home cooks. i have the feeling if mr hurst and elizabeth had that conversation today, austen would have her preferring something like quality homemade mac and cheese as opposed to a chef-prepared truffle and wagyu risotto made with an expensive wine. austen's showing us what a food snob mr hurst is!
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Wrong: Ada Lovelace invented computer science and immediately tried to use it to cheat at gambling because she was Lord Byron's daughter.
Right: Ada Lovelace invented computer science and immediately tried to use it to cheat at gambling because that was the closest you could get in 1850 to being a Super Mario 64 speedrunner.
Well, yeah. That's why she received the unusual education which laid the foundation for her later discoveries in the first place. Her mother, Lady Byron, firmly believed three things:
It was her responsibility as a mother to ensure that Ada didn't turn out like her father;
Fundamentally, the thing that was wrong with Lord Byron is that he was a poet; and
The opposite of poetry is math.
Ada Lovelace's biography handily illustrates how well this theory worked out in practice.
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8 page comic about a mech and a mechanic and grief
hello precious followers. i made a comic about grief, or how i feel when i process grief at least. i put a robot in it. please read it.
if you wanna catch future comic pages i make as soon as i make em, heres a link to mmmmmy patreon! huge giant massive thank you to my patreon supporters you guys rule
20 Small Flaws That Make Your Characters Feel More Real
No real person is cool and composed 100% of the time. Everyone's a little awkward sometimes, gets too excited about something dumb, or has a fear that makes zero logical sense.
Being a bit of a loser is basically part of the human condition, and leaning into that is what makes a character feel like a person instead of a concept. Here's 20 small flaws to work in.
1. Being Bad at Something They're "Supposed" to Be Good At: A great cook who can't bake. A doctor who faints at the sight of their own blood. The mismatch is more memorable than if they were just good at everything.
2. A Genuinely Silly, Specific Fear: Not spiders, something weirder and more specific, the texture of wet paper, a particular sound, mannequins. Specificity is what sells it.
3. Laughing at Their Own Jokes: Before anyone else does, sometimes before the joke's even finished. It's a small thing, and it makes a character feel instantly more human.
4. Being Weirdly Competitive Over Something That Doesn't Matter: Board games, trivia, who can parallel park better. The stakes being embarrassingly low is exactly what makes it funny and real.
5. Holding a Grudge Over Something Petty: Still annoyed about a comment from three years ago that nobody else remembers. It says something honest about how their brain actually works.
6. Being Terrible at Taking a Compliment: Deflecting, downplaying, immediately changing the subject. Tip: this one's a great way to show insecurity without ever having the character say they're insecure out loud.
7. A Guilty Pleasure They're Embarrassed About: A trashy show, a boy band, a food combination nobody else understands. The embarrassment matters more than the thing itself.
8. Getting Overly Attached to an Object: A specific mug, a childhood blanket, a pen that "just writes better." Irrational, a little silly, and completely believable.
9. Chronic Procrastination: Not because they're lazy, because starting feels harder than it should. They'll do genuinely anything else first, and somehow it still gets done at 2am.
10. Talking Too Much When They're Nervous: Rambling, over-explaining, filling silence that didn't need filling. It's the opposite of the composed, quippy character, and it's usually more endearing.
11. Being Chronically Late: Not out of disrespect, just a genuinely broken internal clock. Great for a character who means well and still somehow makes everyone wait every single time.
12. Interrupting People Without Meaning To: Excitement gets ahead of them before they can stop it. It's a flaw that reads as enthusiasm more than rudeness, if you write it right.
13. Overpacking or Over-Preparing for Everything: Bringing five contingency plans to a simple errand. Usually rooted in a deeper need for control that the character probably hasn't examined too closely.
14. Struggling to Apologize Properly: "I'm sorry you feel that way" instead of an actual apology. Not malicious, just genuinely bad at the specific skill of admitting fault out loud.
15. A Weirdly Specific Food Aversion: Won't eat anything that touches on the plate. Refuses a food purely because of the texture. Small, harmless, and instantly humanizing.
16. Being Nosy: Can't help asking questions that aren't really their business, and can't quite explain why they need to know either.
17. Hoarding Things They Don't Need: Receipts, old birthday cards, a drawer of cables to nothing. A small, physical way to show a character who struggles to let go of things in general.
18. Being Bad With Names: Meets someone five times and still blanks. Endearing on a stranger, mortifying when it happens to someone they're supposed to know well.
19. Overthinking Simple Decisions: Standing in front of a menu for ten minutes over what to order. The stakes are nonexistent and the anxiety is real anyway.
20. A Terrible Sense of Direction: Gets lost in buildings they've been in a hundred times. Small, low-stakes, and a nice way to let other characters tease them without it turning mean.
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Actual quote was like, "He should have been dancing at the Chaumière, as young people have a moral obligation to do."
One more late contribution to Barricade Week. I think M. Gillenormand is one of my favorite characters from the book. He is not a very good guardian, but everything he does is so funny. I had to pause at the end of this chapter to draw this.
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