I hate this whole needing money to live thing
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@power-chords
I hate this whole needing money to live thing

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how to do things that everyone else seems to do no problem
too bad it’s not possible to do anything. but at least there’s music
Are you actually that stupid?
not to my knowledge
Exceeded the day's energy budget by going out of my way to try to find a particular UK music magazine and did not even get the magazine out of the deal. I can't even drag my ass out of bed to make instant noodles. At least hump day is over.

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male chauvinist dingbats
To put it very bluntly.
You will always make a better impact helping people who need it than trying to hurt people you think deserve it.
Son, your mother and I are unfollowing each other
God forbid you ask a pharmacy to fill a prescription

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there is something very sad and humiliating about having to desperately beg doctors and family members to understand that involuntary institutionalization does not in fact help your mental health, knowing your perspective will always be dismissed at the end of the day
it's such an awful existence to be a psychiatric patient as a teenager, there has to be another way to help aggressively suicidal teenagers, such as addressing the circumstances that make them want to die so much in the first place! you can stop suicide by locking someone up, sure, but they will not want to live
it's awful that researchers are only now starting to take this perspective seriously, but there is a small but growing body of study supporting exactly what patients have been saying about psychiatric incarceration. one study in particular, from Allegheny county in Pennsylvania, offers a damning analysis of involuntary psychiatric commitments:
For individuals whose cases are judgment calls, where some physicians would hospitalize but others would not, we find that hospitalization nearly doubles both the probability of dying by suicide or overdose and also nearly doubles the probability of being charged with a violent crime in the three months after evaluation. We provide evidence of earnings and housing disruptions as potential mechanisms. Our results suggest that, on the margin, the system we study is not achieving the intended effects of the policy.
One major factor that makes the nature of psychiatric treatment intrinsically violent is the fact that the boundaries of the patient is considered an obstacle to treatment. The lack of consent of the patient is considered an obstacle to treatment. These obstacles are abhorred by psychiatry and are considered things that must be broken down. If the patient has a disagreement with the treatment, or objects to it, this is considered a symptom and therefore is seen as something not to be validated or respected. Thoughts, behaviors, beliefs; these are all considered symptoms if they are in opposition to treatment and must be broken down. However, compliance with treatment is almost never seen as disordered or symptomatic, even if the patient is fawning or similarly complying to avoid more harm done to them. The fact that only extreme compliance is accepted by psychiatry is inherently violent and conditions people to accept abuse. Isolation and violence are not vectors of healing.
I think my shirt is so funny but no one has complimented me on it yet.
via
i think from how i blog its quite obvious that nothing bad has ever happened to me

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THE LION KING (1994) — dir. Rob Minkoff & Roger Allers
There are three successful “third generation” translations/interpretations (targumim? Ha!) of The Jazz Singer that I am aware of. One of them, obviously, as I have been arguing, is Collateral. Another is the Looney Tunes cartoon “I Love to Singa,” which I am arguing is third gen because Owl Jolson’s parents are clearly secularized.
The last, it occurred to me, is The Lion King. “Hamlet on the Serengeti” my ass. In substance it is as Jewish and American a story as you can get, from the daunting figure/way of the patriarch to the shameful flight from + triumphant return to origin. The injunction to REMEMBER. The musical idiom is a combination of acculturated Westjude film composer (Hans Zimmer), British piano-banging pop legend (Elton John), and South African expat and vocal prodigy (Lebo M), all gathered together under the production roof of a Katzenberg-revived Disney. In Los Angeles, California.