Ask me about Kit Baxter. Please.

He returns one night to his humble apartment, which is known to have vermin, and comes across a rat, which he could easily kill or set loose on the street.

But the rat- it is special. It seems to speak to him. Promises him every little thing he desires- talent, fame, and fortune. Recognition and esteem like he has only ever seen from afar; fine company like the wealthy men and women whose scraps he picks at over the sink.

Put me on your head, the rat says. Put me on your head and think of nothing.

It is strange at first, yes. Strange to feel another take control of his life and live it better than he ever could. To see miraculous things created with his own two hands, to feel his feet move in graceful and fantastic ways with a confidence he has never had.

But the rat delivers as he had promised: he receives promotions, notoriety, admiration. He is noticed. Envied. Every day is a waking dream, rubbing elbows with beautiful women and handsome men and influential personalities who lavish him with praise. It is addictive, this lifestyle- never mind that he is only ever truly conscious of it as a passenger of in own brain.

It is when he has reached heights few can ever conceive, with all that the rat had ever promised- a beautiful wife in a beautiful house with all the world in his palm, in possession of all the wealth and success a man could ever want, that the rat says that it is leaving.

Leaving? The rat cannot leave. Everything he is, the rat has provided.

"I have delivered on our bargain", the rat says. "I have brought to you all that you have ever dreamed. What more could you desire? I must live my own life, now."

The man is furious. He is terrified. He destroys the rat, in all of the ways that a rat can be destroyed, until nothing is left of it but a fine smear of marinara sauce.

He returns to the restaurant the next day moving like the shell of something hollowed-out and brittle. He cooks well- his fingers remember the movements, his eyes recognize the patterns, his mouth knows without his asking what orders to speak and what platitudes make patrons smile pleasantly with their straight white teeth.

He retains the talents of the rat. The charm of the rat. All the worldly pleasures the rat had provided him.

Still, it seems, he is little more than a vessel for the talents of the rat.

But the rat is gone.

"How did I find out about Bloodymary"

Look I see all of that shit.

I see everything.

Just 'cause I don't comment on it doesn't mean I don't see everything.

Why do you think I know?

You think you're hiding?

You're not!

You're doing it out in the open!

All of that shit!

I've seen everything!

I've seen all of it!

Every dirty little secret that you think you're posting publicly is being posted publicly.

You're not even trying to hide it!

“Grace says he would like half of dome to be water.”

“Oh, is necessary for humans to have large amounts of water question?”

Small Eridian equivalent of a sigh. “No. Not needed for life. In fact Grace will die if he falls in water and does not get out.”

“Tell him we give him water in containers that won't kill him. Lots lots lots of water on Erid for Grace to drink.”

“No. Grace say he want water on ground. Also want it with excess sodium chloride compound so it will be unhealthy for drink.”

“Grace want this liquid for celebration.”

“Of course.” They scan it. “You have wrong liquid. This contain compounds which are poisonous for humans.”

“Yes yes yes. Grace say humans like feeling of being slightly poisoned.”

And my dad and brothers? Were deeply disturbed by the movie Jennifer’s Body. I was flabbergasted. It’s not scary! It’s not even that gory. But they were horrified by it. These men who grew up on 70s slashers were legitimately shook by 90 minutes of Megan Fox eating a few teenage boys, mostly off-screen.

Similarly, my all-male reading panel for my thesis? Were so disturbed by my synopsis of the film Teeth that they couldn’t even talk about it. One of them said he couldn’t look at his wife for a week after reading it.

Again, grown-ass men who study and teach media for a living. Who definitely watch and enjoy horror movies. One of whom was a huge Tarantino buff. We watched and read worse in his intro to mass media class! But one movie about a girl whose vag could bite was enough to haunt him.

Then of course you have things like the Gone Girl backlash–men yelling that Amy Dunne is evil and women clamoring to assure everyone that they know she is not someone to emulate–the backlash against Carol Danvers, and, more recently, the griping from MRAs against the upcoming film Hustlers, which is about strippers scamming their Wall Street clients.

My conclusion? Most men–at least most straight, cisgender men, who are both my sample population and most of the ones whining that Carol is a “villain”–are perfectly fine with, and desensitized to, media where men do violence to women (horror movies), or men do violence to men (horror and action movies). They’re even sort of fine when women do violence to women (“ooooo cat fight!”).

But they get intensely uncomfortable when women are depicted doing any kind of violence to men, especially in films that tilt the balance of power to the other side of the m/f gender binary beyond a single moment or scene.

So woman as flesh-eating monster with men as her preferred cuisine? Woman who responds to unwanted sexual contact by biting it off? Woman who frames her cheating husband for murder? Woman whose response to harassment–behavior that many of the loudest whiners know is both creepy and reflective of their own thoughts/actions–is to break something?

Too scary. Unacceptable. Disturbing. These men hate being presented with the idea, even in fiction, that their position of power is socially constructed, that it could easily be flipped the other way. It terrifies them.

In feeling that terror, they experience a tiny modicum of what living, existing, moving, being perceived as a woman in the world is like.