my little sister is 5 by the way and she is fuckign hilarious im literally crying rn
Hey guys the star of Let It Snake is graduating high school today lmao
$LAYYYTER
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🩵 avery cochrane 🩵

blake kathryn
we're not kids anymore.
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I'd rather be in outer space 🛸
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roma★
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he wasn't even looking at me and he found me
hello vonnie
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shark vs the universe
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@reddredpanda
my little sister is 5 by the way and she is fuckign hilarious im literally crying rn
Hey guys the star of Let It Snake is graduating high school today lmao

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I love Matilda because it's a story about a child who sees injustice around her and gets mad about it and questions why things aren't fair, and instead of the ending being that she learns how the world works and that life isn't fair, she catapults one of the adults who abused her out of a building with her mind
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I mean, in some very interesting Technically Correct ways, they didn't actually die? Now, they're very much no longer alive. But the forces involved are such that they didn't get any of the usual cellular processes of death, they simply went from biology to physics in less time than it takes a signal to travel down your optic nerve.
if you go from biology to physics without dying first you don’t go to heaven the uber driver went over this already
I feel like the oceangate incident is one of the only times you can accurately describe people as getting “unalived”. like “death” doesn’t seem like quite the right word for what happened to those guys but they sure as hell are Not Alive
a squirrel or perhaps a cardinal posted this
How about you mind your own damn business
But what would have happened if Villager wasn’t there??
I’m so sorry.
GO OFF BESTIE
Source
The rest of the thread is here.
tl;dr: Don’t monetize AO3, kids. You won’t like what happens next.
read this thread. this is by far the most concise explanation of a lot of different issues that i’ve seen in fandom spaces in a while. cosigning both the linked thread and the thread about aus/uk/can law that’s linked in-thread.
AHDHXHEBSG TWITTER WRITERS DID WHAT NOW???? AND PEOPLE PAID THEM????
If someone has never taken a class that includes copyright law, they may not know this stuff, so I don’t necessarily blame random people for not knowing what copyright is, but like… maybe just maybe it’s something that should be taught????
Just another reminder, because this always drives me crazy, but even if monetizing your fic was 100% unambiguously legal and protected, AO3 would still not let you do it because AO3 was founded and is supported by people like me who want a fandom community that is completely divested from making money off of fic.
Yes, this. Lots of fanworks on AO3 are unambiguously legal. Fics based on Shakespeare plays and fairy tales and Greek mythology and The Great Gatsby and your original character from your D&D game are not violations of copyright, because no copyright applies to those things.
AO3 still doesn’t let you monetize those things on the site, because we don’t want the site to be commercial! Because that’s not what it’s for!
It’s not there for you (generic you) to make money off the efforts of the people who build and maintain the site for free! We aren’t getting paid for the work we do to give you a nice site to use, just like you aren’t getting paid for the work you do to create whatever art you share there. Because fandom is supposed to be a community where we share with each other, and therefore we all benefit.
The deal is, we give you a free, stable, safe platform to host your works. In exchange, you get a site that isn’t covered in ads and tip jars and links to gofundme and “read the next chapter at my patreon”. You get one goddamn place on the internet that isn’t trying to make money off you. And we will defend that space and keep it non-commercial.
If you want to make money off your fics, you can instead post them somewhere like royal Road. “Oh, but Royal Road’s culture is so much more negative and stressful and lacks the supportive norms of AO3!” Yeah, because people are trying to make money there. Half the userbase is treating it as a storefront and hustling is the natural social consequence of that. AO3’s culture can only exist because it’s not commercial.

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The social forces that prevent you from being able to admit to your own desires in the safety of your own mind are far more evil than any desire you could have.
Unacted desires are fundamentally neutral, and you can't decide what to do about the things you want unless you can admit to yourself what they are in the first place. Everyone has desires that would hurt other people if they acted on them, but most people would not actually go out and do anything they know would cause harm. Far more harm is done in this world by people who are trying to pretend they can't possibly want anything they think is bad than people running around going "ehehehe I love hurting people!"
Providing people with a way of exploring the dark parts of ourselves in a way that cannot hurt anyone is one of the purposes of both fiction and kink.
All of us have a hungry, horny, angry, scared animal inside ourselves. You do not need to excuse or justify what that animal wants, it simply is. You cannot escape it. Lying to yourself about the animal that you are will only give you less control over it, not more.
Delphine Lecompte, Belgian poet
teamwork makes the dream work. and dreamwork. makes shrek
fantastic. i love it. i posted this after my wife said it yesterday and as i was doing it i was like "this can't be an original thought. as soon as i hit post someone's going to say 'you stole this from a tweet from 2014' and i'll say 'no, i stole it from my beautiful wife.'"
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
*a breathtakingly powerful statement even today, three quarters of a century later
imagine someone from 6500bc woke up from a coma and saw this. now you know how uninclusive you are. hope you wallow in your shame, asshole.

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Do people know this is the husband of the prime minister of New Zealand
And who is the guy burying him in the sand