tomorrow I'll do the possible
EXPECTATIONS
d e v o n

bliss lane
occasionally subtle

Andulka
h

ellievsbear
PUT YOUR BEARD IN MY MOUTH
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NASA

@theartofmadeline
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@nonstoplive
tomorrow I'll do the possible

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you can’t call something a crackship if they have multiple scenes together and insane sexual tension. not even if only a few people ship them. that’s just a rarepair. the line must be drawn here.
“crackship” is for when he-man cheats on skeletor with sans at the skeleton family reunion
The pathologization of anger needs to be talked about. What do you mean my therapist is telling me that there’s something “chemically wrong” with me because I am still angry about my mom DYING OF COVID.
of course I’m still angry? My mom and 1.3 million other Americans are dead and you want me to shoot sunshine out of my ass about it?
“But It’s been 3 years since she died, you have complex grief” yeah and she was on a ventilator for 11 days and she kept writing “I am scared” and “I don’t want to die” on a notepad over and over again. While you were still going out unmasked and unvaccinated and coughing all over each other, I was living a nightmare I couldn’t fucking wake up from. And every single day I’m reminded of it in the form of “haha wasn’t the pandemic such a wacky time haha” and “I’m not getting a booster you can’t make me 🤪 (nobody asked)” and “it’s not real they made the numbers up!!!”
“You’re not coping” Ok here’s the deal; I’ll stop feeling this anger when we have a national memorial (we don’t) or a cdc equipped to stop it from happening again (we don’t) or a population that takes a deadly disease seriously BEFORE it effects them personally (WE DON’T!)
until then, I’m pretty sure my anger is A COMPLETELY NORMAL HUMAN REACTION given the facts at hand
what they DONT tell you about clarinets is that you have to fucking build the damn thing every single time. "what instrument do you play" fucking legos man idk
about build clarinets damn do DONT every fucking fucking have idk instrument is legos man play" single tell that the they thing time. to what "what you you you
I really need to start reading the blog name because I thought I was having some sort of moment right there.
when you look at a psychiatric diagnosis and you see that it has a 3:1 diagnostic rate of women to men, it's more likely to be diagnosed in trans people than cisgender people, and it's most prevalent in hispanic people out of any ethnic group. you really do have to consider who benefits from a label that amounts to "Biologically and Pathologically Hysterical". yknow.
it’s not a “stigmatised” disorder. it’s a disorder that was designed to stigmatise, to shame, and to oppress. acting as though the diagnosis is a stigmatised one is missing the part where this diagnosis is in fact meeting the exact purpose it was designed to fulfil
OP's tags from both the original post and the reblog were too good to hide.
that's really exactly it.
as someone who could very easily qualify for a diagnosis of bpd or cptsd, and even very often resonates with both, everything described in bpd is just a demonization of the same patterns of behaviour described by cptsd. it is just describing you as evil for struggling with being hurt so much, and in doing so, takes the focus away from the person hurting and puts it onto how it inconveniences everyone else.
we really need to be critical of how these labels come to be, because they are deliberately created, and they are created by people with biases. they are so often just a tool of oppression, another extension of a discriminatory machine.
I hope it isn't derailing, but I think this is also really illustrated with Narcissistic Personality Disorder. "narcissist" was a word for an asshole before it was a word for a disorder. rather than describing how someone might struggle to relate to others or be open to true connection, and centering the person who needs to heal, they instead called everyone who struggles with that an irredeemable dick and dressed it up in medical expertise so you wouldn't think to question it. frankly I think it's silly to call for treating "narcissist" like some sacred medical term instead of looking at how fucked up it is that they called a disorder that???
it was ages ago, but there was a post on here talking about just how many "disorders" and diagnoses boil down to "shitty bitch disease". and well, once you see it, you never stop seeing it. anti-social personality disorder? shitty bitch disease. npd, shitty bitch disease. obstinate defiance disorder (come the fuck on) well that's shitty bitch disease. bpd is maybe the most classic example of this. you don't need to listen to her, she has shitty bitch disease. pay no mind to the fact that this label somehow only makes it onto the most marginalized. don't worry about that, because you don't need to listen to those people anyway. they don't have reasons or pain or bad days or feelings or any of that pesky stuff that real people have to explain their actions. no no, we haven't abused them, not at all. haven't you heard? they were broken from the start, and I can prove it. see? they have shitty bitch disease.

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some people read an awful lot, but don't read very well. deep reading is itself a skill. being able to untangle the threads of theme, subtext, characterization, narrative style, and more are all things that it takes time and intentional engagement to learn.
if you've ever watched a movie with your film buff friend and chatted about it afterwards, that friend might have pulled hours more of conversation out of the same 90 minutes of screentime, and wondered how the fuck they did that - it's not raw intelligence, it's a skill that's been honed. And I learned a lot about film from talking to friends who knew about film, and reading critique by film scholars
literature works exactly the same. so if you want to get more out of your reading, there are things you can do to train that. Find a book or short story you think you've got a pretty good grasp on, preferably from a widely read & respected author like Ursula K Le Guin or Ray Bradbury (if you're new at this don't swing for the Toni Morrison or the Samuel Beckett yet unless you feel very comfortable with the complexity of the text - the point is to develop a complicated new skill on good foundations). Then go to JSTOR, create a free account, and look up criticism on the story you've chosen. Find something that looks readable to you and at least somewhat interesting. Read that article, and look at what that writer got out of the same story you've read that you didn't get. Do you see the critic's points? Did they teach you something about the text? Go reread that story and see if the criticism has changed how you read it. Are you seeing more? Are you thinking about the implications of a line that you hadn't noticed before? Does the story feel richer now?
there are other more involved ways of finding criticism. Learning to use academic databases, going to your local library to do interlibrary loans, finding critical voices you appreciate; these are all useful subskills. Literacy isn't just being able to read words, it's being able to read words in context and think about what they tell you about the text, the author, or the time and culture in which the text was produced. Literacy is the skill of being able to look at the world with open eyes and think clearly about how its parts are connected. It'll change your life
this keeps getting shared around and ive seen some different tags responding differently so i just want to make some important clarifications and distillations
you don't have to read more deeply if you don't want to (but i'd recommend it, i genuinely think it makes you a better person)
if you want to learn to read more deeply, the resources are out there. try to find critical literature (that is, academic writing that analyzes the text) on works your familiar with so you can get a sense for how to do that analysis too
learning to deep read literature can help you deep read many areas of your life
writers tend to put a lot of work into their stories. if you learn to read that work you'll (probably) appreciate the stories you love even more. And if not, then you'll have developed your taste. This too is worth doing
Blue kitty
I'm working on a cat game which will need nice cat visuals, so I always need more practice drawing cats. Get excited for KITTIES!
Speedpaint: https://youtu.be/zugEQ_fAGFQ
The chicken chain was told to "cluck off" the last time it tried to move into the UK. This time, it hired bigger guns.
me: "have they tried not being fucking ignorant religious bigots?"
article: “I suspect that a bit of the steam has gone out of the LGBT thing,” Backman told the right-wing outlet, staying ahead of the issue. “There may be the odd protester, but if they have got armies of PR people laser-focused on that then I suspect it may be OK.”
me: no surprises there... fuck them
sandwich recipe
We go through a lot of pickles here and this recipe is a good way to use leftover brine.
The thing that pisses me off the most though is the fact I know so many LGBTQ+ individuals that still go there, and they are surprised when I actually don't. It's literally like that tweet.
Yeah sorry I can't come into work today. I accidentally heard Primadonna by Marina formerly of and the Diamonds. So I need the day to be a primadonna girl. Yeah it's going to be the whole day.
Cave Training
Wanted to do a study of a cave, and turned it into Undertale's Waterfall at the end :)
Total time: 4-5 hours
Speedpaint

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Me: *Removes my cat from my lap to do something else.*
My cat: Father is...evil? Father is unyielding? Father is incapable of love? I am running away. I am packing my little rucksack and going out to explore the world as a lone vagabond. I can no longer thrive in this household.
The spiritual successor to Miette
Might I also add
Thinking a lot about Papyrus and flowey being friends again....my fav comfort and horror dynamic at the same time. What a duo
When cats walk up to you all "hi can I perhaps interest you in me, kitten boy? I'm literally warm and soft"
And they’re telling the truth. They are literally soft and warm.
Piece of advice to all writers who need a cover but don’t have the money to hire an artist: use the public domain.
Online, you can find quite a lot databases for photography in the public domain that you could use (always check their specific rules regarding commercial use), like Pixabay, Unsplash, or Pexels.
But, even a tad more charming, there are also hundreds of thousands of paintings in the public domain. If the artist has been dead for over 70 years, the image is (typically) in the public domain and can be used however you want it. This is not a new concept, big publishers like Penguin and the Oxford’s World Classics do the same!
When you use such images, always make sure that 1. the painting really is in the public domain (sometimes the art itself may be in the public domain, but the photograph you are using to see it is not!), and 2. that it is an appropriate image. Sometimes, an image may look innocent and fitting, but would actually cause irritation, like accidentally using a painting of siblings for a romance or using a controversial image for different reasons.
Some places you can find art in the public domain (always double check!): National Gallery of Art, Artvee, Public Domain Image Archive, and most websites of bigger museums.
[Prompt Calender: April 23rd, World Book and Copyright Day]
Your cover will look so much more professional and interesting if you use public domain imagery rather than AI.
Your hard work deserves thoughtful presentation.
Also check the Wikimedia Commons. Alot of Public Domain stuff there!
a clarification: if something is in the public domain, that means nobody holds the copyright on that thing anymore. this is not the same thing as the thing being available for anyone to use as long as they follow the rules.
the entire reason photographers put their work on places such as Unsplash and Wikimedia Commons is to make the photos available for anyone to use as long as they follow the rules. each photo being helpfully labeled with what the rules are, which on Unsplash is usually either (a) "pay for a license", or (b) "free with attribution for non-commercial use, but for commercial use, pay for a license". note that non-commercial use of a category b photo is still a licensed use, it's just a different license.
on Wikimedia Commons, many photos are in the public domain, thus available for anyone with no rules to follow. the rules on the rest vary, but Wikimedia Commons requires those rules to include that modified versions of these photos must also be available for anyone to use and modify. again, that's licensed use. that's the copyright holder saying it's available for anyone to use, here's the rules. anything in the public domain, there are no rules because there is no copyright holder.
I would be very surprised to learn any images available on Unsplash are in the public domain.
shirahama's hatching process

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Fictional country: average fantasy
Fictional small town in the middle of nowhere in real country: par for the course in any genre
Fictional major city in real country: standard fair, but it's usually clearly based on a real city
Fictional suburb of real major city in real country: strange but I can see the application
Real major city in fictional country: Chicago can be anywhere you dream of