disabled queer genderqueer Celtic-American Hellenic polytheist; hyperrealistic neuroqueer hopepunk; weaver of words
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singular they pronouns
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Black Lives Matter | water is life | we're queer, we're here, get over it | support your local libraries | there is no such thing as a good cop | Turtle Island is stolen land
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acting like the war's over because the battle's won is a good way to lose the war
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earth without art is just eh
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my fanworks-of-fanworks permission statement is on my AO3 and Dreamwidth profiles
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also AlexSeanchai on: AO3 | Dreamwidth | Mastodon | Bluesky | ko-fi
I recognize that the presence of Follow buttons on every single reblog addition on every single post means a lot of people are following other people based on a single reblog comment, without even loading the tumblr in question, never mind skimming the bio or pinned post
but seriously? I am making no attempt to be subtle about this. rather the opposite!
I don't know whether I think this should also apply when the sum of the interaction is them reblogging an image description from me and me going to see which one it was and noticing their bio before the post loads
this also goes for if you're doing a callout post on me, for whatever reason
my new favorite is I'm a Zionist, which is either absurd on the face of it—how can I be either zionist or antizionist? I'm not Jewish!—or additional proof that everyone (while they themselves are neither Jewish nor Israeli in any sense) who says antizionism is not antisemitism? is in fact a lying liar
or possibly someone who sincerely thinks my being a queer trans disabled progressive isn't enough justification to hate me, but because they really want to hate me anyway, they'll make sure to lump me in with Jewish people for saying using scammer strategies is scamming regardless of what sob story is involved, and/or for saying, hating the group of people that's been pissing everyone else off longest by refusing to die? might make you popular, but will never make you right
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It's Spiders Georg! I've translated it into Angkorian Khmer, the language of Cambodia from 802-1351 AD. Because I like doing stuff like that ;)
You read the black consonants first, then the blue consonants, than the purple vowels. If there's no written vowel, use an 'a'. Magenta is punctuation - a dingbat marking the start, periods, and then a stronger period that tells you the paragraph/section is finished.
Here's what it says!
The original:
reallyreallytrying
Jan 8, 2013
“average person eats 3 spiders a year” factoid actualy just statistical error. average person eats 0 spiders per year. Spiders Georg, who lives in cave & eats over 10,000 each day, is an outlier adn should not have been counted
Transliterated into Latin characters:
1935¹ śaka, ekādaśi roc mārggaśira, 'aṅgāravāra, nu rilirilitroyiṅ kathā: Neḥh ’ālakṣaṇa kathā: ’nak cya pīṅ pi pratisaṃvatsara, toy vyat vakra saṃkhyā.
’Nak cya pīṅ śūnya pratisaṃvatsara.
Nau ru Jaṃrau Pīṅ, ’nau guhā cya daśasahasra pratidina, ga te krau daṃnuk ta caṅvāt ti mān ban dāṃ ta kāñ.
More detail under the cut!
How it’s spelled:
1-9-20-10-5 ś-k e-kā-d-śi ro-c|mā-ʳgg-śi-r
ʔ-ṅgā-r-vā-r nu ri-li-ri-li-tro-yi-ṅ|k-tʰā neḥ-
h|ʔā-l-kṣ-ṇ k-tʰā ʔn-kˣ cy pi-ṅ|pi pr-ti-sṃ-
v-ts-r to-yˣ vy-t|v-kr sṃ-kʰyā . ʔn-kˣ cy
pi-ṅ|śū-ny pr-ti-sṃ-v-ts-r . nau ru jṃ-rau pi-
ṅˣ ʔnau gu-hā cy d-ś-s-h-sr pr-ti-di-
n g te krau dṃ-nu-k|t c-ṅvā-t|ti mā-n|b-n|dāṃ
t kā-ñ .
1935th Śaka year, 11 day of the waning moon of the month Mārggaśira, Tuesday. On this day, Reallyreallytrying said:
This, the instruction which says “People eat 3 spiders yearly” is really because of a calculation mistake.
People eat zero spiders every year.
Of Spiders Georg - who lives in a cave and eats 10,000 daily - he is outside the boundaries of the set and should not have been counted.
¹ The Angkorian Khmer used a different calendar than we do, called the Śaka Saṃvat, or Shaka Era. It starts in year 78 of the Christian Era, so 2013 AD lines up with 1935 Śaka.
² The Khmer has a large number of Sanskrit/Pali words, similar to how English has a lot of Latin/French. These loans are marked with a degree symbol ( ° ). I decided to use very formal language here, so there's a lot of loans.
³ ‘pīṅ’ is a Modern Khmer word (or at least a component of several modern names) for spiders. My Angkorian dictionaries didn’t have a term, and this one has cognates in several related languages, so I decided it was my best bet.
⁴ I'm not certain that zero could be used in this way at the time. They were definitely using 0 in large numbers, but actually treating it LIKE a number is usually a later development.
⁵ Translations in brackets mean that the word has no direct translation. The best I can do is say the function they serve in the sentence.
⁶ I think I'm funny.
⁷ Angkorian Khmer doesn't have a word for 'and' - you can just put things side by side. I've chosen to move the 'e' in 'ge ta' so that it reads 'ga te' to replicated the original misspelling.
And here are some (undescribed) old guides to reading Angkorian Khmer. They're written in a slightly different style - especially visible in the 'ñ' - but might still help if you're interested!
kastrakomnenes
this may be one of the most interesting posts I've ever seen. What got you into Angkorian Khmer specifically?
Thank you!
I'm interested in cultural history and I love the First Millenium AD/Early Medieval period. I got really into Heian Japanese fashion, and then was looking at other cultures that existed around the world during the same period. Sometimes it was the fashion that grabbed me. Sometimes the architecture. And sometimes it was the script or language. Angkor has all three!
I find the script (characters used to write) to be gorgeous, and the grammar is similar enough to English that I can wrap my head around it. (Very little inflection!) I am endlessly fascinated by how people take scripts that do NOT work for their language, and smash them with hammers until they do - the way the Irish use Latin to communicate consonantal sounds, how English uses it to communicate vowel sounds, how Angkorian Khmer uses Braḥmi to communicate consonant clusters, etc.
There's a large enough surviving corpus (enough things with writing on them), and enough of it's online (even if the scan quality can be unbelievably bad) that I can really sink my teeth into it. There are enough grammars from India during the same period that we've got a good understanding of how Sanskrit/Pali works, and studying the differences between Indian and Khmer Sanskrit/Pali is really, really neat! Plus, Angkorian Khmer works COMPLETELY differently, so seeing how they incorporated all the Sanskrit loanwords into non-Sanskrit texts is even MORE interesting!
But mostly, I love the curves. I love how the characters stack. I love how the 'e' diacritic comes before the main letter and I always forget to leave space for it and then want to have a tantrum. I love that the last black character on that text I wrote becomes a spiral later on in history. Becomes half as wide, loses all those weird bits that look like diacritics but aren't, and just becomes a spiral.
Sharron Hedges is an INCREDIBLE textile artist, one of the initial pioneers of the Art to Wear movement of the ~70s. This piece is called Morpho, and it represents approximately a year of work.
Hedges’ pieces are incomparable!
There is an episode of PBS’s great series Craft In America that features Hedges, and it’s well worth a watch!
why are all the movies about cursed tombs about cursed tombs in Egypt (I know why, colonialism) when the shit they found in Western European tombs was profoundly more disturbing and inexplicable
Look, maybe I'm just cranky because I've been stuck in the same room for the past ten days, but can we just stop with the oh so funny it's-cursed-jokes? They don't get better when applied outside of Egypt and frankly, don't make the work of (prehistoric, in this case) archaeologists any easier.
Yeah, trepanation sounds horrible from a modern point of view and I'll thank everyone to leave my skull cap where it is, once I'm sufficiently decomposed (future archaeologists excepted), but these were still people and whatever cultural practices were at play, they had meaning for them. I know it's usually not intended that way, but it feels rather disrespectful to turn them into an offhanded joke about the supposed creepiness of ancient burials.
If that makes me a spoilsport, I'm okay with that.
Let's also not forget the trepanation was probably often used as a medical treatment.
I also understand at a basic level that a lot of older burial types are very different from the modern western practice...but also, only if you don't actually think about modern western practice all that much.
Sure, the skull caps is a very specific practice of a very specific culture and period but it's not some cursed ritual. It was a specific treatment of the dead that was meaningful to that group at that time.
But before you start going 'oh it's cursed', take a moment to consider that there are currently and have been in the past cultures that would consider cremation a horrible, weird practice. And then take a moment to consider what those cultures would think of the practice of spreading ashes or keeping an urn of ashes on display in the home or reserving a small amount of ashes to go in a necklace, all of which are common practices in countries where cremation is frequently practiced today.
The sealing of the tomb described in the last section isn't a sign of some nefarious creepy goings on. It is extremely common for longstanding practices to change and for monuments to fall out of use or be ceremonially 'decommissioned' as it were due to cultural change or because the relevant social group or family had declined or moved away.
Burial practices like the ones at the Tumulus of Bougon were common right across Europe through the Neolithic period. They're not disturbing or inexplicable just because they're unfamiliar to you. When people have done ancient DNA analysis they find that particular monuments were often used by multiple generations of a single family or group of families. This is the equivalent of making 'oh no it's cursed' jokes about a longstanding family plot or crypt in a modern christian cemetery. It just looks a bit different because funerary practices don't stay static for 5,000 years.
Alanna shivered as she gazed over the choppy waters of Pirate's Swoop. She knew that she hadn't been the best mother, but seeing Aly THRIVING like that, in a way that she had never seen her daughter glow...
"Lass, you'll catch a chill," George said as a warm woolen shawl was wrapped around her shoulders. "Copper for your thoughts?"
Alanna tilted her head back against the chest, no less solid than when she had first done so, even after all these years. "Contemplating mistakes made, planning battle strategies to prevent them being made again."
George's fingers laced into hers, creating a protective shield wall around her growing belly. "I've been contemplating much the same," he admitted.
Alanna smiled up at him, then turned her attention to the warm shawl he had placed around her. "This is new."
That half smirk she loved on him flashed quickly in the dark. "Aye, well, I may have been trying to find clothing in the shade of your eyes. The weaver down the way finally managed to get it."
"Don't tell me the Whisper Man is going soft on me?"
"For you and our little ones, lass? Always."
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The reason most indie novels are written like the author is terrified of doing something wrong is because the overwhelming majority of indie novelists get their start by networking in the violent panopticon of the social media indie publishing community, which favours the people who are able to win at the social policing game.
I had heard of the whole messed up situation with this story, but I hadn't ever read the synopsis of the story before, and WOW
This story sounds like it could have been a brilliant exploration of gender and warfare and violence but instead it was attacked by people who didn't know how to confront a story that made them uncomfortable, and the author faced horrible consequences.
It's so important to be able to deal with stories that give you uncomfortable feelings in other ways than just attacking it. Being shown new perspectives sometimes has feelings of discomfort because it's an unfamiliar way of seeing the world.
Isabel Fall alluded to Nazi concepts in an edgy ambiguous Nazisploitation aesthetic that, if you read it in good faith, you could tell was ultimately in subversion of those concepts. However, the general sentiment of edgy South Parkian ambiguity caused the hypersensitive leftist critics to read her as a Nazi as a baseline assumption. It's the same phenomenon as The Boys viewers reading the (very Jewish) show as Nazi because of the presence of a likable Nazi character. Any attempt to put the brakes on it has everyone scrutinizing you as a Nazi, so the most extreme voices intimidate the rest into staying quiet.
When the detail that the writer was a trans woman (and a specific one people knew) had filtered into common knowledge, the consensus of the vocal detractors was that she had done Nazi actions equivalent to being a Nazi that hurt every trans woman, and it was their responsibility to terrorize her. When she ended up suicidal and swore off writing, that was viewed as a great victory against an enemy of trans women. (Not dissimilar from people harassing Jewish actress Aya Cash for portraying a Nazi on The Boys.)
Also, people like to single out N.K. Jemisin for participating, but she was pretty much doing what people expect of an ally: following the leading voices of the relevant minority, repeating their messages, and using her social capital to boost theirs. The problem was the trans women leading the mob. I find the presence of trans woman author Alexandra Erin more objectionable because she was run off Tumblr for being into vore and bondage and because she liked a post from a black submissive woman showing off a collar, which was framed as her wanting to enslave black people, so you would think she'd be sympathetic to a trans woman author stigmatized for being into edgy humor. Instead, she likened the story to firing randomly in the air and hoping only bad people would be hurt, when it should be clear innocents would likely be hurt, making the whole endeavor harmful. (Like being open about liking controversial fetishes on Tumblr?)
Edgy humor sets off mainstream leftists like Daleks sighting an enemy.
And there is some reason to say NK Jemisin was doing what people expect from an ally, but if this was the result, maybe it’s time we actually think about that a little.
Like, how many times can we see a marginalized creator get torn to bloody shreds by other marginalized people and well intended “Allies” who never actually looked at the evidence themselves and just went off what “the affected group” was saying? The queer experience is subjective as hell, and I can’t imagine any other marginalized experience is different. Maybe we should stop mob harassing people for making something without looking at the thing ourselves.
And it’s fine if you don’t want to look at a thing, but at this point I think we need to bring back the old rule that if you haven’t seen/read something, you ought to just not talk about it at all and admit you don’t know anything about the subject.
Because here's the other thing? The people who did this to Ms. Fall? Entirely other progs/lefties/libs. Not a single conservative was involved. It was all lefties attacking our own.
You will never see this happen to a more 'conservative' or even 'apolitical' (read: written by a white man from a white man's perspective) indie novel, because those perspectives aren't hounded like a transfem's are. They aren't expected to be perfect the way a transfem's are. By engaging in harassment campaigns like this, you are purely and totally making it harder for marginalized people to publish, because at the end of the day, they are the ones who lose their social support networks to harassment campaigns by the terminally online, while the mediocre white dude can just fucking ignore anything the twitter mob says.
I think it's important to point out that, if I am reading the interview she gave not long after it all went down correctly, not only did she get harassed until she gave up writing, she fucking went back in the closet.
Because there was little biographical information available about its author, the debate hinged on one question: Who was Isabel Fall? And that question ate her alive. When she emerged from the hospital a few weeks later, the world had moved on, but she was still scarred by what had happened. She decided on something drastic: She would no longer be Isabel Fall.
As a trans woman early in transition, Fall had the option of retreating to the relative safety of her legal, masculine identity. That’s what she did, staying out of the limelight and growing ever more frustrated by what had happened to her. She bristles when I ask her in an email if she’s stopped transitioning, but it’s the only phrase I can think of to describe how the situation appears.
Isabel Fall was on a path to becoming herself, and then she wasn’t — and all because she published a short story. And then her life fell apart.
...
After she checked out of the hospital, Isabel Fall ceased to be Isabel Fall. “I had a few other stories in the works on similar themes, and I withdrew them; that is the most concrete thing I can say that I stopped doing,” Fall says. “More abstractly, more emotionally, I have stopped trying to believe I am a woman or to work towards womanness. If other people want to put markings on my gender-sphere and decide what I am, fine, let them. It’s not worth fighting.”
That makes me so fucking angry every time I think about it that I want to spit or cry.
I have not been the subject of the level of intense, sudden, overwhelming attention that she has; I have been the target of a lower-volume, sustained campaign, and there is a reason that I call it "the acid fire hose." That shit will strip the fucking flesh from your bones.
So yeah. Of course indie authors flinch.
Honestly, there are plenty of books by indie authors, especially trans authors, that I've wanted to say, "I liked this mostly, but I really didn't care for [aspect]," but I was so concerned that I would cause problems that I fully just... didn't talk about the book at all bc I couldn't honestly just be like YUP I LIKED IT ALL.
Nobody's brought it up on Tumblr properly, so I will.
rather sick of hearing people complain about the stuff in Anne McCaffrey's books while ignoring much worse from male authors of the time and today. I don't even want to hear about questionable dragon flights bringing their riders into it anymore, at least Anne makes sure her lady leads get to orgasm and the great romance in her novels is never a 14 year old girl and the man who only doesn't rape her twice. Anne definitely had A Thing she was into that she wrote basically into every book series she ever made, but so what? She was also the first woman to ever win a Hugo and it is getting old to see people just throw out her life's work over something none of you bat an eye at when some old white guy writes it.
I think it’s entirely possible to hold two truths about Anne McCaffrey’s work.
She created an imaginative and imperfect world through an incredible feat of world building that has rightfully earned awards, and we can acknowledge this accomplishment.
The books are a product of the time, rife with internalized misogyny and problematic takes on homosexuality, consent, and implied child sex.
I am able to read and enjoy the stories while also thinking critically about those parts that don’t align with my worldview. We should be able to discuss these two (of many) facets of the work with either combusting or digging our heels into one siloed view or the other.
Especially because, and I could be wrong here, readers of her work skew a little older and we should have the emotional maturity to handle the dichotomy that so much media contains: it’s good, and it’s also bad. I love it, but I see the problems.
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I’m kinda surprised that nalbinding isn’t as popular as crochet and knitting tbh because it has an even lower barrier of entry tools wise and unlike crochet and knitting it makes fabric that you can cut.
I feel like part of it might be casual people are generally aware of the existence of crochet and knitting, even if they don’t know very much about either, but have never heard of nalbinding
Yeah I hadn’t heard of it until recently and I ordered a big bone needle for myself to try it out and that should be arriving soon.
I was surprised that I’d never heard of it though. It’s older than knitting and crocheting and even though it’s been done all over the world it’s super relevant to Nordic culture and my grandmother and I are both into keeping in touch with our roots a bit so I’m surprised I’ve never heard of it.
It seems like the sort of thing that would be popular even if not as popular as crocheting and knitting, considering the low barrier of entry.
You also don’t need a bunch of different sized needles for nalbinding or whatever. The size of the stitch is controlled either completely freehand or by pulling it against one of your fingers. Most people who have a lot of nalbinding needles seem to either have tried out wood, bone, and metal ones to see which kind they liked or they enjoy carving wood or bone and like making their own needles as an extra hobby.
It’s also a lot easier to freehand and adjust as you go than crochet or knitting and you mostly go by inches instead of rows and number of stitches so a large number of accessories like stitch markers or whatever isn’t really necessary.
Maybe the lack of accessories also makes it unpopular idk. People do like collecting things in their nests.
I've been wanting to do so, I cannot find anyone who can teach me, and any books I can find on it are Ass in the Visual Learning department. Otherwise I'd be making the hell outta some nalbinded fabric
can we stop with the "epstein class" bullshit. if you mean billionaires say billionaires. if you mean child predators say child predators. if you mean corrupt men in power say corrupt men in power. you sound like an edgy 13yo who just discovered communism trying to sound more politically educated than they actually are
it is functionally insane that jews are expected to be deferent and piously self deprecating while we are only intermittently treated as human beings.
some of the most powerful global institutions on an economic and social level are the dominant religious powers that have denuded the narrative of the jewish religion.
they have regularly denied us being its makers when it was convenient in order to depose us our positions of influence and security.
and we’re expected to be delicate and graceful when people slaughter us in the name of the religions that built over our memory? reprehensible
I expected my cpap machine to make a dramatic difference right away but after waking up from my first night on the machine I think the experience can be described as I woke up and thought “well I don’t think I feel dramatically different but it also definitely feels like something in there has been unclogged”
According to my app which no is not called cpapp unfortunately I only stopped breathing 1.7 times per hour. Which might sound weird but during my sleep apnea test I stopped breathing 23.5 times per hour so as you can imagine breathing is generally better than not breathing
I’m not talking about my health just to overshare btw. I think there’s probably other young people out there with sleep apnea who might need to hear someone in their 20s discussing this.
Don’t feel ashamed to get tested if you’re tired all the time or someone has told you that you gasp for air in your sleep. Get your shower drain unclogged.
I'm 35 and I got tested for sleep apnea in the fall and I was having OVER 50 EVENTS PER HOUR.
Got my cpap and holy shit the difference. I am actually rested when I go to bed at a reasonable time. I no longer need daily 2-4 hour naps just to function.
And I also suspect that it might be helping me not get as many colds, because that nightly airflow clears things out.
I'm really glad I have my cpap now and everything is better, but also wish I had got tested earlier, because maybe if I'd caught this sooner I wouldn't have developed some of the other health issues I deal with. But I thought I was so tired all the time because I'm a parent and autistic.
So yeah, even if you think you know why you're always tired, get tested just in case.
Is really hard to think , and impossible have actual conversation , about things Pixie not have picture buttons for on Pixies AAC device .
Have page of “ identity “ words NOW , Guardian Wizard help whole whole lots make it . And also get words from @windwardstar on tumblr too ( thank you ! ) . But not have any that before / during Pixie actively transitioning . Also not help explain Words Pixie still not understand for self .
Pixie *could* be trans , although that label make Pixie feel sick when used describe Pixie . Pixie transitioned , medically and socially , Because Pixies doctor and therapist said that fix what wrong with Pixie . Went from one ( wrong ) gender “ box “ to other ( also wrong ) gender “ box “ . ( see note 1 ) And yes some things got better . But also , many things got worse . Especially socially . Especially the more Pixie felt urgent burning need to push back against be forced to identify as trans - ** “ box “ .
Nonbinary was not talked about to Pixie , was not offered as possibility , until much too late . And anyways . Nonbinary be too much abstract contradictory chaos for Pixies “ black / white “ autism brain .
So many different words , so many different identities , all kinds of different ways to be nonbinary .
Pixie not can understand . And for honest , sometimes not really want try because too hard . Sometimes even wish “ conversion therapy “ be not abusive and actually worked … ( see note 2 )
note 1 : Pixie will not tell which “ box “ , or what Pixies agab is . Please to not ask assume or try guess .
note 2 : this NOT about “ inside “ transphobia / exorsexism , is about be cognitive disabled in ways that affect ability to understand complex and abstract ideas . DO NOT DERAIL !
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I do think it’s funny when headcanons are presented as objective character facts bc I get “He would not fucking say/do that” as much as the next guy but I must also humbly acknowledge its powerful cousin named “A skilled enough writer could make me believe he would”
It wasn’t long after Hamas carried out its attack on Israel in Oct 7, 2023, that Taryn Thomas found herself swept up in the chorus of pro-Palestine activists mobilising against the Jewish state.
Even before Israel’s ground invasion of Gaza following the Oct 7 massacre,“I was scrolling through social media, and I only saw support for Palestine,” she recalls. “People I know, whether it was activists or people I look up to, were already posting their thoughts.”
Then aged 19 and studying biomedical science at the elite Stanford University in northern California, Thomas, an African American, was first introduced to the anti-Israel movement at Black Lives Matter protests in 2020, where Palestinian flags were flown by some activists. “I never really understood why, but we were told that in order for us to be free, Palestine has to be free,” she says.
She subsequently helped lead large protests against Israel and, within two weeks of Oct 7 2023, had joined an encampment of activists on campus protesting against Israel’s invasion of Gaza. Like many others, she donned a keffiyeh, the headscarf worn to demonstrate solidarity with Palestinians. “I really loved it because of the sense of belonging and the sense of purpose,” she says of the encampment. “It was like an instant community.”
Besides fellow students, Thomas was encouraged by “faculty members like history professors” who “validated the movement”. “It seemed like everyone was a lot more educated than me and very certain and sure of themselves that this is a genocide,” says Thomas, who is now 21. “The only safe position was the more radical one in the encampment.”
‘I was confused by what our mission was’
Thomas grew up in Riverside County, one of the few Republican counties in the otherwise “very liberal California”. That, together with racist abuse at school, influenced her political outlook. “I thought going further to the Left would be the solution to the extremism I was seeing from the Right,” she says.
Huge demonstrations took place at universities across the US in the months that followed Oct 7, with protesters confronting the educational institutions with their demands – including to divest from Israel and cut ties with counterpart Israeli institutions.
While the movement was largely peaceful, some demonstrations turned violent and led to clashes with police. “One of our protests got out of hand, and that kind of made me take a step back,” says Thomas.
This was in June 2024, when several militant students broke into the office of Stanford’s president, causing hundreds of thousands of dollars of damage. “They spray-painted disgusting things, such as ‘Pigs taste best when dead’, ‘Death to America’, ‘Death to Israel’, and ‘Kill cops’,” Thomas recalls.
“I was confused by what our mission was. At what point did the pro-Palestine movement turn into this anti-Israel, anti-America movement? We completely lost sight of the victims we were claiming to be supporting and fighting for.”
Yet those behind the vandalism “doubled down”, she says, and justified their actions, “even though Jewish students said they felt unsafe”. She explains: “They felt like they couldn’t go to their classes, they were getting harassed and doxxed [having personal information published online] and things like that. Essentially, we completely lost our minds.”
A drastic change of heart
Then, in October 2024, Thomas was one of many students who received an open invitation to the Nova Music Festival Exhibition in Los Angeles. Recently opened in London, the exhibition aims to recreate the festival site where 413 people were murdered by Hamas, and many more were injured or taken hostage.
Nova exhibition
The recently opened Nova exhibition in London commemorates the 413 young people murdered by Hamas at the festival Credit: Jeff Gilbert
“Initially, I laughed, thinking, ‘What’s this propaganda?’” Something piqued her interest, however, so she decided to go. “I’d heard about the festival and was curious, but I’d only really heard the reasoning, ‘Well, why would you have a festival next to a contested border? Essentially, they were asking for it.’
“I was hoping it was going to reaffirm my position, that I would find Zionist lies and whatever. I went with a very closed mind.” Three hours later, Thomas emerged feeling “so lost”.
“I experienced a lot of cognitive dissonance – what I was seeing versus what I’d been told. It was like I arrived a year too late to a funeral. I had so many questions, but I really had no one I could talk to about this. All of my friends were from the encampment. I’d never met an Israeli or talked to them about their experiences – I was fluent in the state’s sins, but I was illiterate in its people.”
Seeing pictures and footage of the young festival-goers hit home for Thomas. “They were kids my age, just dancing, and then fleeing for their lives the next moment. I could see myself in them. I could have been sending a last ‘I love you’ message to my mum. I felt so much empathy and sadness.”
One element in particular changed everything – an audio clip of a jubilant Hamas fighter phoning his father to let him know he’d killed 10 Jews. “My heart sank because these [were meant to be] our martyrs. [This was] the resistance we were claiming we wanted. When we called for any means necessary, I didn’t realise that’s what it meant.”
Months later, Thomas was invited on a trip to Israel organised by a group combatting anti-Semitism on campus. “I knew if I was going to continue to speak on this, I needed to see it for myself,” she says.
During the 10-day trip last March, she met with Israelis, Ethiopian Jews, Palestinians, Druze and Bedouin. “I was shocked at how much diversity I saw – I didn’t even know Israel had black people,” she said.
On the fourth day, the group had to take cover during a missile attack. “Our guide told us to get on the ground, and I put my hands over my neck and prayed. “I thought about the irony of how I’d called for the divestment of the very system I was praying for,” she says. “It [the missile] didn’t care about my politics or what I posted or any of that. I was a target, a body on the ground, and I felt utterly useless.”
Fortunately the missile was intercepted and the trip continued, but the experience left Thomas shaken. She says it made her realise “how cushy and comfortable a life” she had in America, and that she’d not realised the “real consequences” of what she’d been calling for.
‘It felt like being stoned publicly’
Back home, she posted a picture of her trip online – a decision that cost her dearly. “My best friend of three years asked, ‘Is this in Israel?’ I said, ‘Yeah, do you want to talk about it?’ She immediately blocked me. I hadn’t even expressed anything. I literally said I went. Period.”
Her post opened the floodgates. “I lost every single friend”, while her classmates “posted really disgusting things”, including labelling her a “genocidal apologist”. Thomas says she was doxxed, and received death threats and racist abuse – and that her family was also targeted. “It was like a crusade and felt like being stoned publicly.”
She now takes a dim view of the encampment atmosphere. “It completely insulates you in this echo chamber and indoctrinates you. If you had any questions, you’d lose your social belonging – the last thing you wanted to be called was a Zionist.”
She adds that the protesters’ “attention turned into this hatred” and there were constant calls for the “normalisation of violence”. Some activists, for example, celebrated the assassinations of Charlie Kirk, the Right-wing political activist, and Brian Thompson, the UnitedHealthcare chief executive, she says.
The mental toll had become so heavy on Thomas that she stepped away from her studies late last year. What helped get her through this tough period is the new friendships she has formed, including some with Jewish students.
“They knew I came from the encampments and they engaged with me, intellectually argued with me, disagreed with me, but we still broke bread on Shabbat,” she says. “I learned from my [now] best friend that she was doxxed because of people within our movement. I know I have to repair some of those damages.”
‘Open your heart and put down those megaphones’
Thomas says her family are not politically engaged in the issue of Israel and Gaza and she has faced questions from her mother about her involvement. “She was just like, ‘Why are you doing this? It isn’t your burden to shoulder.’ She just wants her family to be safe and protected.”
But Thomas hopes that by sharing her story it will encourage others to experience the Nova exhibition. “I hope the people who are protesting will come – I just want them to go inside,” she says. “None of this is political. Just look and learn the stories – you don’t have to agree. Come in with an open heart and an open mind and put down those megaphones.”
As for Thomas, she hopes to return to university in September, but in the meantime, she is determined to do what she can to increase cross-community understanding. “A lot of us on the pro-Palestine side were recruited through empathy, so I think we can be reached through it too. Because of this unique perspective I have of what changed my heart, I think I can hopefully change other people’s.
“I’m not Jewish. I’m an African American woman. But a lot of our struggles are parallel,” she says. “We’re seeing an increase in anti-Semitism, we’re seeing an increase in extremism and political violence. There’s just no way that I can now sit back, kick my feet up and call it a day.”
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