Wishing I was Witty

Seeing that performance recognized on one of Canada’s biggest stages feels incredibly rewarding. Williams’ win is also historic in its own right. At just 25 years old, he became the youngest performer ever to win Best Lead Performer, Drama, at the Canadian Screen Awards, accomplishing the feat on his very first nomination.”

- Q+ Magazine

"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."

So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.

Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.

Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.

So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.

^“At the bottom of the image is the segment of the flag cut for the St. Patrick’s Cathedral protest. Photograph by Mick Hicks”

Rest in peace to the incredible Anthony Stewart Head (20th February 1954 - 1st June 2026)

- taking your ally's weapon out of their scabard to use yourself

- using someone else's shoulder as a rifle stand

- nudging someone's chin up with the tip of your weapon

Your husky isn’t “hyperactive”, it’s bred to pull sleds for 8 hours straight and you have it in a 400 sq ft yard.

Your English sheepdog isn’t “pushy”, it’s bred to herd sheep, and you have neither to space nor the herd to allow it.

Your terrier isn’t “nippy”, it’s bred to kill rats and your hamster looks a hell of a lot like one.

Your Catahoula isn’t “mean to animals”, it’s bred to hunt any and all animals smaller than it, and you didn’t acclimate it to your cat.

Your Lhasa Apso isn’t “yappy”, it’s bred to bark at any tiny noise and alert watchmen to intruders