I really really *really* need to know what shenanigans Justice of Albis and Sphene got up to
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I really really *really* need to know what shenanigans Justice of Albis and Sphene got up to

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radiant star spoilers (for gender worldbuilding)
In the first few chapters we see that the radiant star ideology has six virtues
and that savants give up their past and therefore their gender and use they/them probouns
then! Much later we get a listing basically of all pronouns used in the city and it’s kind of a long list and significant that I think it includes pronouns we had not heard used for particular characters
I did not count the pronouns at the time but if there are seven
are ooioian genders each assigned a single defining virtue? With savants existing outside the gender categories and (presumably) embodying all virtues
I read Radiant Star all in one day and now I don't know what to do 😭 Ann Leckie does such amazing things with language and gender and religion, and the characters are all so believably messy (petty but devout, selfish but loving, motivations all over the place) that it makes me want to scream because I want to write like that.
Anyway. Y'all should read it.
I love that now that we've seen lots of planets where they have three or more genders, and those genders seem to come with roles and stereotypes (as opposed to on Earth where a lot of it is like, man, woman and like nonbinary umbrella with no specifics), it makes so much sense that Breq can't tell what people's sex or gender is visually. She's ancient, she's seen so many societies, not only do the markers for male and female in terms of dress, hair style, style of speaking, etc change planet to planet and often contradict, but Breq would also have to contend with planets that have seven genders. While coming from a society where gender doesn't exist and everyone is referred to by the same third person pronoun.
And that'd be why she can't use primary/secondary sexual features, because many of those societies probably don't do gender affirmation surgeries or HRT. And if they do, the standards probably vary a lot! Especially with sci-fi medicine and different planets affecting humans differently. There's probably a planet where everyone grows boobs, so top surgery isn't a thing and they focus on hands or something.
No wonder she looks at a person and just goes ??? and has to make basically wild guesses for how to refer to them.
just finished Radiant Star, catch me quite literally hootin and hollerin and clapping my hands at the end when [redacted] came back with news from [redacted]

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Radiant Star: not really a spoiler
*opens Radiant Star*
*genderfuckery in the first paragraph*
Yeahhh, this is what I'm here for
What I love about Justice of Albis is... it kind of sucks.
Like. JoA is great. It's clearly very conpetent from its 3000 years of experience and spends much of the book silently bemoaning the idiocy of those around it. It's been silently been acting little rebellions via its collecting for a Long Time. It basically decides to adopt this Jonr, this random kid abandoned by the system. Assuming that it is the narrator of the book--which is admittedly not certain, just a likely possibility-- it's whip sharp and snarky and brilliant. Its first order of business upon gaining freedom is to let out a loud guffaw of a laugh.
And yet.
Jonr is just one kid it rescued; there are so many others in Aaa that it paid no particular attention or consideration to. Its "crowd control" killed many civilians. It executed that crowd control under orders it couldn't reject, but again, the narration suggests an attitude of "that's a shame, but hey, trolley problem, what can you do?" Its collection includes random ephemera like cutlery and rocks and an egg, but also tge sacred religious artifact of a religion it colonized. An artefact it helps the colonizers make a forgery of to abett political control of the population. A religious artefact it notably does not give back once it gains its freedom.
Justice of Albis is a person; funny, clever, caring, but also selfish and hypocritical and Radchai.
#Problematic grandma warship, indeed.
You love to fucking see it.
number one rule! never believe ur thoughts after 10 pm . unless its about The Character then believe all of your thoughts wholeheartedly
caramel frappe give me the strength to clean my room
caramel frappe PLEASE
#this art is so evocative. it feels like a goya painting
thank you so much this is the highest compliment
OP did a lovely job with this piece. The pose they picked is a difficult one to do correctly and dynamically- the doubling over is hard to illustrate without making it look weird or poorly drawn, the low seat of the “pelvis” making the figure dip down lower (to emphasize the clutching motion of the hands) is a hard perspective to imagine without a reference. I liked the way OP chose to draw the shoulders, evoking both the hunching of shoulders that would be present in a fleshier painting and drawing out the strong, dynamic curve of the body.
The blood, the desperate clutch, the crying and the pose all suggest something religious, making the post all the more impactful with its drawing- The caramel frappe does not answer the subject, just as God does not answer the subjects of paintings who depicted the same theme.
It’s also intriguing where OP chose to put details. In amostly minimalist creation, the (relatively) detailed frappe, hands, and face guides your eyes in a a dynamic way- from the frappe to the face, then follows the line of the body out to the end of the legs- making the art more interesting to the eye.
I have a theory about the colors that I’m not sure is true, but I think the subject being black and white separates it from the frappe, which is fully colored. The blood, neither frappe nor person colored, acts as a connector between the two– the only ways the two subjects can connect are through touch and sight, both of which causes the human subject pain. Then again, I may be reading into things too much idk
okay this is my favorite comment on this entire post

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Guy who coinflips every morning to see if he should kill himself and inexplicably has gotten “live” each time
So, here's a sneak preview of Radiant Star! The diorama this year was too big for me to get a good view in one shot, so I've taken a few.
No peeps were harmed in the making of this diorama, but afterward a bunch got sat on by Shadow, and a lot of them were eaten.
I really love how misgendering is an act of colonial violence in the Imperial Radch universe.
Like when the Radch shows up and calls somebody "she" when they're not, it's not just getting their gender wrong, it's a statement that this entire part of their society doesn't matter and is going to be erased. And even when they gender someone "correctly", it's not any better. Because it's just the word that they're using, not a recognition of identity. It's insulting in a different way, and it must sting for the women who hear it and know that it's just happenstance that they're not being misgendered.
And it's constant. We talk about other people constantly. There's no escaping that violence when talking to the Radchaai.
And even when a Radchaai is trying to be respectful, they are so bad at figuring out gender that they constantly get it wrong, so even someone trying to be respectful is a reminder of the way that this imperial force erases identity and culture.
But, I AM fascinated by water treatment systems and I WOULD have appreciated the information ☹️
Radiant Star: [introduces a new Justice warship character]
Citizens of the occupied city: [understandably worried and concerned about the army of super-human corpse soldiers]
me: [kicks my legs like a school girl 💖💖💖]

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there is something soooo fascinating to me about how Ancillary Justice/Sword/Mercy steep the reader in Radchaai culture, in all the things that Breq and those around her take for granted. One of my favorite, most potent examples: the immediacy of her response to Dlique's death; the way, in her perspective, there is an obvious proper (just, beneficial) way to perform grief, and very serious potential consequences to any single element being out of place, obvious consequences, even though of course Presger Translators probably have their own culture it is nevertheless vital that they show respect to Dlique's death in the proper Radchaai fashion. Meanwhile all of these procedures are entirely new to us, the reader, but Breq doesn't really slow down to justify them because why would she? They are the substrate of the world as she knows it. Breq is not a Radchaai citizen but she is Radchaai in the same way that the religion I grew up with is just a part of me. It is all part and parcel of how Leckie writes societies and I am in love with and in awe of how Leckie writes societies.
But it's also really interesting that, to me, coming back to Radch-adjacent spaces feels like home within the series. I remember reading Translation State and while Reet and Enae were going "Radchaai snobs, are they good for anything other than drinking tea and misgendering every single person?", I was like oh tea! gloves! I'm home!. And Ooioiaa is our first Radchaai-controlled setting since the Ancillary trilogy, and the familiarity was grounding while all my focus went into keeping up with the convoluted Ooioiaan politics (in audiobook form no less). And--like that post I just reblogged says--I was soooo delighted to meet a new Horrifying, Massive Warship Full of a Whole Town's Worth of Puppeted Corpse Supersoldiers.
AND THEN
my familiarity with the series also really rubs in some of the horror of Radchaai things before the book does! I felt genuinely sick to my stomach as the doctor was insisting that it was going to be fine she was going to be careful educating Jonor, and when the narration mentioned that Justice of Albis was responsible for crowd control I was already wincing, because Breq has told us what ancillary crowd control looks like.
anyway I really enjoyed this book and I love this universe
I have a suspicion that Ann Leckie is to worldbuilding what JRR Tolkein is to languages. I think she loves building a world so goddamned much that she simply has to tell the stories within it.
Listen, if our beloved Ann Leckie is gonna do ONE THING she's gonna construct a world that is so thought-out on a political and material level. Ann Leckie is running up to your constructed world, pounding on the fourth wall, yelling "WHAT DO THEY EAT? WHERE DOES IT COME FROM? DOES IT MAKE SENSE FOR THAT FOOD TO BE PRODUCED IN SUFFICIENT QUANTITIES TO SUPPORT THE POPULATION? WHAT ARE THE WORKERS CONDITIONS LIKE? HOW DO THEY PRAY? WHAT MATERIALS ARE INVOLVED IN THEIR PRAYER? WHERE DO THE PRAYER MATERIALS COME FROM? HOW DOES THAT DIFFER FROM OTHER SOCIOECONOMIC CLASSES IN THIS PLACE?" And then she fucken skateboards away to play seven-dimensional chess with gender.
And we all agree we love Ann Leckie for this.