@caitallolovesyou
Some pictures of Flame w/ her chicks❤️
todays bird
Sade Olutola
Acquired Stardust
cherry valley forever
wallacepolsom

Product Placement

titsay

izzy's playlists!
Three Goblin Art
Misplaced Lens Cap

#extradirty
Cosmic Funnies

Janaina Medeiros
Stranger Things
I'd rather be in outer space 🛸

⁂
Alisa U Zemlji Chuda
One Nice Bug Per Day
Not today Justin

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@hennalyes
@caitallolovesyou
Some pictures of Flame w/ her chicks❤️

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In the 80’s as computer animation was on the rise one of the thorniest problems was “how do we get this thing we made on the computer… OFF the computer?” There were a lot of unique solutions, but the one I’m fascinated by most is Disney’s solution of using a plotter.
A plotter acted as sort of a 3D printer but for 2D images. There was a ball point pen that could move up and down, and the paper underneath could be moved in and out. Using CAD based programs you could plot points in 2D space and the plotter would draw the lines between them and even do geometric shapes!
When it came time to do The Great Mouse Detective, the animators at Disney wanted to do more dynamic shots for the climatic battle inside Big Ben. Drawing all those gears and cogs would be a nightmare for the animators, so they experimented with using 3D animation.
But this was still the early 80’s. There was no digital ink and paint program, no way to merge the 2D animated characters with the 3D animated backgrounds digitally. So how did they get the 3D animated backgrounds out of the computer?
By drawing each frame on the plotter.
Every frame was printed out on the plotter, and then xeroxed onto animation cels, and then hand painted like traditional 2D animation cels are.
But why the plotter? If they were gonna have to export every frame anyway, why not use a printer? Well… because printers back then just weren’t very good. A plotter uses points and physically draws the line between them, much like how vector graphics work. It yielded a much smoother and higher fidelity line than if they just printed them out.
This was still a massive undertaking, but it was probably the best solution to getting the dynamic camera moves they wanted out on paper. 2D animation was drawn over top and then both layers of animation cels were filmed frame by frame.
And that’s how you got dynamic shots like this in the mid 80’s! 3D animated backgrounds, printed with a plotter, xeroxed onto animation cels, hand painted, and then re-photographed with the 2D animation on top!
This technique would be the standard way Disney got their 3D animation out of the computer for their 2D films… right up until The Rescuers Down Under which was the first fully digital animated feature. That movie used PIXAR’s proprietary CAPS System (hey that name sounds familiar 😉) to combine everything digitally. But that’ll have to be a story for another time!
He has a scarf. He’s all set for the cold now. But he's not for "warm hugs"
woof woof
More space superpowers plz.

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Baby Blu needs a onesy
following a clean getaway from levincia (and nemona lol), alex takes time out to deal with a troublesome mon, while max's troubles only seem to be growing...
chara tones on this post filled in by @red-bulbasaur ~!
Tom Riddle
Are you proud of what you've given? Are you proud of what you've sacrificed?
Edit: TY FOR THE ENGAGEMENT!! This is for my AU, Here's the comic it's based upon, Gore warning for those who need it. Check my AU out :D

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Purple
repeating this to myself forever and ever
Listening to a podcast
"Let's take a word from our sponsor."
*Skip ahead a minute* "You can-"
*Skip ahead a minute* "Use code-"
*Skip ahead a minute* "300,000-"
*Skip ahead a minute* "300,000-"
*Skip ahead a minute* "T-shirts-"
*Skip ahead a minute* "Motherfuck-"
*Go back 15 seconds*
Oh we're all feeling this one aren't we?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Beginnings can be hard..........