sucking at something is the first step to getting good at it

ellievsbear
TVSTRANGERTHINGS
RMH

shark vs the universe
Stranger Things
Aqua Utopia|海の底で記憶を紡ぐ
I'd rather be in outer space 🛸
ojovivo
Sade Olutola

@theartofmadeline
taylor price
PUT YOUR BEARD IN MY MOUTH
The Stonewall Inn

Product Placement
Not today Justin

pixel skylines

tannertan36

PR's Tumblrdome
"I'm Dorothy Gale from Kansas"

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@phynoma
sucking at something is the first step to getting good at it

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snowy owls
awesome beach near me
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
Hang on a minute. I recognize the name “penwiper”. Let me check– Ok, yeah, I’ve heard of this person.
OP also invented armsocks.
Y'all might have noticed that your friendly community moderator has been slacking a bit lately. No updates. No organizing. What the heck was
OP I have been thinking about YOUR IMPACT since 2011. Do you know what you did for Homestuck lmao
Another example of a foundational internet text that millions of people don’t know was so influential.
Part one of Draw Everything June 2026 supplemental, where I'm drawing people's queer TTRPG characters.
This is Fyn Carter. They are @phynoma's aro warlock (The Darkest House).
"To Fyn, every mystery is just waiting to be unraveled - and nothing is more mysterious than the minds of their friends and companions!"
Pose reference is here, and my progress thread for this piece can be found here.

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no when i say intimacy i mean one of us is bleeding out and the other is putting their entire body weight behind their hands to stop it
I love it when media fucks up the wording of the Rasputin disclaimer and ends up with shit like "any resemblance to people or locations living or dead is coincidental". I'd love to know what committing libel against a dead location would entail.
Fuck the Fiesta Mall in Mesa, AZ. I heard it ate someone once.
this sea sucks shit. it doesnt even have any scrolls im sure
#Sorry what do you mean “rasputin disclaimer” (via @big-condiments-official)
For once I'm not actually doing a bit; those "any resemblance to real persons living or dead" disclaimers genuinely exist because of Rasputin.
(In brief, the 1932 MGM Studios film Rasputin and the Empress is a dramatisation of the life and times of Grigori Rasputin which is partially adapted from the personal memoirs of Felix Yusupov, one of the principal conspirators responsible for Rasputin's assassination. The film, which was heavily marketed as being based on real events, falsely claims that Rasputin fucked Yusupov's wife, Princess Irina Alexandrovna. As both Yusupov and Princess Irina were still alive at the time, they jointly sued MGM for libel – and won. This is actually, literally the reason the practice of including those disclaimers was taken up.)
Audio fiction sound designer Jeffrey Nils Gardner will walk you through their process for building immersive, engaging audio worlds.
Jeffrey Gardner - sound designer of TWO THOUSAND AND LATE (and soooo many others) - is doing a talk about sound design! If you're interested in SD, this is an amazing person to learn it from!
aw what the hell change my leitmotif to a minor key im not driving

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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americans are a saudi oil baron's idea of classy. brits are an american's idea of classy. the french are a brit's idea of classy. unfortunately the chain ends here since the french's idea of classy is also the french
parallels in the Alex Ward-Aabria Iyengar cinematic universe
Ok I put this on FB but it can't hurt to put here too. We need help with Fantine!
Dog location: Northeast Georgia, just outside metro Atlanta and near the NC/TN/SC borders. TL;DR: Really sweet stray dog has ringworm; current foster is immune compromised; need someone to help by housing her for the duration of her treatment. Only need a short-term foster (approximately a month is the estimate for ringworm treatment? up to six weeks, I guess) and we can help find a permanent placement for her when her treatment is complete.
Details: Fantine is a stray dog we have been fostering for about the last month, she has a wonderful temperament (very sweet and trusting with people, quite resilient, friendly to all the dogs she has met) and is about a year and a half old. She has had all her vaccines and flea/tick/heartworm treatment and was spayed almost three weeks ago. and is healing up from it really well.
She's also ringworm positive, and I have some serious immune-related health conditions. The vet who diagnosed her was worried about her staying in the house with me even though she has been in quarantined in the laundry room and we are being very cautious about biosecurity.
Our local shelter is full and doesn't have the resources to help us right now. We really, *really* need help finding a place for her to finish her treatment. She has been started on oral and topical meds and is receiving anti-fungal baths. She's a really, really good and easy dog (or we wouldn't have fostered her at all) but it's not longer feasible to keep her here, and I don't know what to do. Feel free to reach out and ask me any additional questions if you have them. Willing to drive her somewhere if it will get her to a good foster. Thanks for reading.
When I was a kid, I thought those pillars went down to the sea floor.
In reality, they usually go down to some large submerged floats.
I dislike this.
Pillars and floats like that are pretty stable, compared to regular boats, so there’s even a research vessel, called FLIP, that purposefully capsizes itself to be more steady when conducting research.
YEA IT FUCKIN IS (id embedded in image)
i was at dinner earlier going on an impassioned rant about pop music when the waiter came up to our table in the middle of me saying "carly could easily have made 1989 but taylor could never even touch the heights of E•MO•TION"
and he said "yes diva speak your truuuuth" and comped me a free tequila soda thank u san francisco i love u san francisco

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Here's my real tip for anyone moving out on their own for the first time; when you buy a set of measuring cups or spoons buy ones that have the measurement engraved into the cup/spoon and do NOT buy ones where it's just printed on. Because that ink/paint/ect. can rub off and then you'll have a bunch of useless little spoons and cups you have to get rid of bcs they no longer say what size they are. Don't ask me how I know, just trust me that you wanna buy engraved ones.
i would have assumed you know from experience but now "don't ask me how i know" is making me wonder what horrifyingly unspeakable sacrifices you made to gain this knowledge
Artworks by Luka Samkharadze