this image? we have every reason to think it is a cucumber, like it was made in clay models in burials period, it's painted green, it's on the small side of things (9.6 cm or 3 3/4 inch)
oh right and it was placed on a model offering table with small model bread and drinking cup
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i hate that diet culture means all the tasty drinks everywhere are loaded with stevia now. this isn't even a stance about health, I just think it tastes so fucking bad
I love that, like. He KNOWS the audience want to clap and so he's using them as an extra instrument. He turns around and goes hey, stop, and hopes they understand conductor gestures and it works, and then he has clapping he can use when he wants
god i LOVE when the audience gets conducted. Right up there with Freddy Mercury's "AY-OH" bit at the Live Aid concert in 1985. And this, which delights me every time:
proud victim of the tumblr accent. it's fading out of public consciousness as the tik tok accent takes precedence; a linguistic evolution that makes the tumblr accent 85% funnier to unsuspecting civilians. it's like releasing a disease on a non-inoculated population. coughing baby versus hydrogen bomb.
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friend of mine recommended a video essay that's like 5 hours long about why it's currently a whole Thing for fascists to claim they only eat meat and demonize vegetables etc etc, and it's genuinely quite well researched in many places and contains some fascinating history and has made me feel very weird about my status as an adult who enjoys drinking milk. but I've not finished it and I genuinely don't know if I will because at one point the ol' "you can't say you care about animals and also eat animals" chestnut got dropped by the white vegan essayist and it put such a bad taste in my mouth that I had to leave instantly
like idk man it just feels genuinely parodic to dedicate hours to analyzing how foodways have frequently been used as white supremacist propaganda and then casually toss out an argument that pretty invariably demonizes indigenous hunting practices with 0 regard for traditional knowledge and land stewardship guiding those practices
Every time I hear a white vegan say that I want to throw the rubble of the Klamath Dams at them.
The largest dam removal in U.S. history. So successful that the salmon that haven’t run freely in the river for literally over a century came back the next year. Not steady progress over a decade as expected, the very next salmon run they came home. No one alive saw salmon in that river outside the hatcheries kept by native’s tribes and the Department of Fish And Wildlife scientists desperately trying to save them. One of the activists who helped bring the suit spoke of their dying grandmother making them promise to bring the fish home, and they didn’t know how that was possible, but they spent decades doing it.
The legal basis for successfully suing the power company who owned the dams was Indigenous treaty rights to eat the fish. Eating the fish was the one thing in a century that succeeded in being a clear and legally binding right that superseded the desires of white capital and industry. I have been going to the public interest environmental law conference off and on for 20 years where a lot of organizing for Undam The Klamath happened. I’ve heard updates about every legal tact they tried as they happened, and they tried everything.
There are healthy, thriving salmon, trout, and lamprey in a rewilding and recovering Klamath River right now as a direct result of Indigenous people eating them. Of their legally binding right to eat them. They sure as fuck care more about those fish than any white vegan ever could. They are salmon people that the Creator sent Salmon to feed, while charging the People with protecting and stewarding them. It’s not possible to learn about salmon and trout in the Pacific Northwest without learning this, and it’s unambiguously racist to dismiss this symbiotic relationship.
The white vegans are trying to get all hunting and fishing banned in Oregon, and that’s quite possibly the single most catastrophic thing that could be done to the animals here because we killed off all the major predators of creatures like deer and without anything hunting them their numbers will explode, eat all the vegetation, destroy the ecosystem, and then die along with everything else in that failing ecosystem. Controlled hunting of deer is vitally necessary for the deer to survive. This is something Native people know, but patronizing racist savior-complex white people refuse to listen to.
I have a whole collection of Oregon’s Public Broadcasting’s documentaries about Klamath River or the larger story of fish and people in the region. If you watch nothing else, watch Klamath Dams Are Coming Out, First Salmon Ceremony, After The Dams, and First Decent (Native made). It could not be clearer that the salmon are being protected and nourished by the people who eat them, and that stewardship is a massive part of their creation myths. But it contradicts political vegan dogma so they don’t listen.
#also do you have any idea how much conservation is funded by people who want to eat those animals#at least in the us anytime someone buys ammo or hunting equipment or hunting licenses that money goes directly to state wildlife agencies
Scientists have developed a breakthrough “superfood” for honeybees by engineering yeast to produce the essential nutrients normally found in
TLDR- Modern agriculture pollen is low in nutrients, and there aren’t enough wildflowers. Science has to develop vitamins to supplement the diets of agricultural bees. So plant some wildflowers for the wild bees near you.
“has turned to clay” I know exactly what theyre referring to but there’s also something about the epic being written in clay. like. like. enkidu can only now be remembered. his story can only be preserved, in clay. there’s nothing left for him, except clay
[ID: OP posted a photo of text from an English translation of The Epic of GIlgamesh that reads:
"How could I be quiet? How could I stay silent?
My friend, whom I loved, has turned to clay.
My friend Enkidu, whom I love, has turned to clay.
Am I not like him? I too will lie down
and never get up, for all of eternity." /id]
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I have been a sheep caretaker for like two days and already I'm like. Wow. I get it.
I get why these were some of the earliest mammals to ever be domesticated. They look up to humans with this sort of dumb but all at once innocent and pure and trusting expression. They're happy to see you. They follow you around. They like to be rubbed under their chins. Maybe its just some latent Scottish highland shepherd DNA I still have in me but I look at my sheep charges and suddenly I see why the love of God for humanity is so often described as a shepherd and his sheep. I'd fight a wolf for these guys. I'd go way the Hell out of my way for them. I'd carry their young for miles on my own back.
there's something so deeply dystopian to me how tech companies don't understand that a forced convenience is not a convenience at all. i'm sure autocorrect is helpful for many, but a function that forcibly changes my actual written words and punctuation is taking away my language. photo filters can be nice but i need to choose using them myself or else i have lost the ability to take the picture i want. i don't want a machine to draw or write for me. taking away the option for me to do things manually feels like violence!!!! all this talk of endless opportunity, why are you RESTRICTING me
In elementary school, my best friend and I had this game we would play where we were school supplies living inside a child's desk and going on slice-of-life adventures inside it. And I remember that a key component of our school supply society was a sort of religious schism that existed around the purpose and nature of the giant hand that occasionally reached in to grab different citizens, use them, and then return them, because most school supplies considered this an auspicious and enviable moment of being selected for a greater purpose and allowed a glimpse of a vast truth, but pencils considered it a horrible portent of doom because they always got sharpened during it and came back smaller and closer to death. We were third graders btw.
those videos by online creators where they prank workers disgust me so much. “pretending to be a mannequin in a clothing store” “asking for my dog to be allowed to ice skate at a public roller rink” and in the videos when the workers obviously say “hey you can’t do that please leave” they’re so fucking rude to them. and the comments are full of people going “lol it isn’t that deep, the saleslady needs a sense of humor” or whatever and. fucking hell. these are innocent people making minimum wage trying to do their job so they don’t get FIRED for letting you do your bullshit prank. people that you are harassing and filming and posting to be mocked for no reason other than cOnTeNt. if anyone ever tries that bullshit in my store i don’t even know what i’ll do
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nasa is using a 3D world graphic for the solar eclipse thingy today where germany is still devided in east and west adjfglkafdhgadfg. buddies, it's been almost 40 years.
So I showed this to a physicist and they were like "Oh! Yes! It's a figure from Fred Espenak's very old paper where he did a bunch of eclipse graphics! I've been looking at these my entire internet life, basically, for every solar eclipse! They called him Mr. Eclipse. He just passed away recently 🥺"
Anyway apparently Mr. Eclipse made 5000 years' worth of solar eclipse graphics, which you can find the simpler versions of here
So now instead of laughing at NASA for their outdated graphics I'm emotional about Mr. Eclipse and his hard work
Being able to draw older people as attractive without reducing or erasing the visual signs of aging, and in fact showing that they're attractive because of those signs, is an artistic skill that should be valued so much more. Honestly, it should earn you an immediate fortune because holy fuck is it a rare commodity. There are so many artists who seem to think attractiveness and aging exist in opposition to each other, so they smooth every wrinkle, erase every crease, and de-age the character until they're basically thirty with silver hair. But when an artist can look at crow's feet, smile lines, weathered skin, deep-set wrinkles, and all the little traces of a life well lived and say, "No, that's what makes them beautiful," that's a level of artistic observation and care I wish we celebrated more often.