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So many anti-science (and particularly, anti-vax) people apply their diet and orthorexia culture to medicine. That is one of the things you will hear over and over again. “I actually read the ingredients of this vaccine and it has [SUBSTANCE] in it so I will not let my child get vaccinated.” which is exactly how these people grocery shop, I’m sure. No understanding of chemistry, no research into why that ingredient is in there, what it is doing to help make the vaccine safe and effective and what amount would make it toxic to the human body. They will be like “Oh my god, there is hydrochloric acid in there! I’m not going to research into why it is in there (in small amounts as a PH stabilizer), it’s hydrochloric acid (the human body creates it naturally) and they’re trying to inject this into our children!”
i would almost love to meet one of these people and say ah yes i love drinking Dihydrogen Monoxide with heavy amounts of Citric Acid, Glucose and Limonene (this is a very terrible lemonaid) these ingredients are water, the sour of a lemon, sugar, and lemon flavoring
or just asking if they know the chemicals in a lemon.
Unironically, I saw someone say to avoid citric acid in food products (it’s a common preservative and acidifier, very safe in moderation, occurs naturally in fruits and vegetables) because it is made of black mold. Which is partially correct, Aspergillus niger produces high amounts of citric acid when fed properly BUT the mold is completely filtered out of the final refined product. SO MANY FOOD PRODUCTS ARE MADE WITH MOLD, this one doesn’t have actual mold in it, you are fearmongering about the evils of mold while it lives all around us all the time!
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from Ghost Boy, the first song in The Civility of Albert Cashier; a trans-produced musical about Civil War soldier Albert Cashier who fought for the Union and lived most of his life as a man until he was outed in old age and forcibly detransitioned. Young Albert is played by actor Dani Shay (they/them) and the music was done in part by musician Joe Stevens (he/him). The entire show can be watched (without captions; the captions in the above video were added by me) here.
sorry i can't ever shut up about this musical but this show is a foundational text in transmasc studies. to me.
these lyrics from the above song ("Ghost Boy"):
Take me away
to a place
where I'm not strange,
and I'm not alone.
The world's not safe
and I am afraid
at the end of today
I know I'm on my own
and I'm never going home.
always fucking hit. tell me this doesn't strike at the heart of so much transmasc pain. (more lyrics under the cut)
and there's also a scene between Albert and his cis male love interest, Jeffrey, who loves Albert in a gay way but proposes that he detransition so that they can live together as a married couple after finding out Albert is trans. and there's a heartbreaking song ("The Perfect Home") where Albert is refusing the offer and trying to explain that to the man he loves that he simply cannot give up his life as a man, even if it would be easier and safer and allow them to be together:
Jeffrey:
We could have children -
Albert:
God, Jeff!
Jeffrey:
Teach them to stand up and live free
I'd keep your secret,
No one would know but you and me
Albert:
But that isn't free
Jeffrey:
But you'd be with me
Albert:
It's not my dream
Jeffrey:
But don't you see?
Albert:
Don't you see me?
and this is followed by another song in which Albert considers the life ahead of him & finds meaning and hope in choosing himself and his freedom:
Could I be satisfied
To live someone else's life
It doesn't feel right
And I don't know why
Deep in the heart of me
I know what I believe
To live as I want is a sacrifice
It's quite a mountain to climb
But I gotta try [...]
Like a cloud has been lifted here
I can see it all so clear
I don't want to disappear
But I can't live a lie
Goodbye
(also, there is the song "Excuse Me, Sir" which is about Jeffrey looking for Albert after he was taken by Confederates, and him slowly realizing that the feelings he has for his Brave Handsome Smart Boy Best Friend are, in fact, romantic love)
& then there is the song "Woman to Woman" which is set when Albert is aging and has been outed, and is now on trial. the cis nurse who has been targeting him, and iirc outed him, comes to speak to him in private. she's trying to convince him to admit his male identity is a mental illness and willingly detransition, threatening that if he doesn't he will be institutionalized. she projects her own experiences under patriarchy onto him, insisting that if she wasn't allowed to become a doctor, he shouldn't be allowed to get away with (what she sees as) trying to escape the burden of womanhood. which to me anyone interested in cis woman/trans man dynamics should watch that scene/song.
Nurse Smith:
Who cares about the truth? Do you know what happens when we don't fit in? We suffer. We fall out of step. I did my work, I followed the rules, and so must you
Albert:
Are you happy?
Nurse Smith:
Life isn't about being happy. We must submit, accept the pain. Now I'm asking you, one last time
Albert:
I'd rather die for the truth than live a lie like you
Nurse Smith:
I see.
You're undone at the stitch,
You ungrateful old bitch!
I'm not here to be scolded by you
I have stated my mind
And I think you will find
That the world won't be kind
To you.
and then. well. the penultimate song is "Breathe. Walk. Home." which is about Albert's final moments, having been forcibly transitioned (and eventually dying as a direct result of this, due to an injury he got from being forced to walk in dresses after a lifetime of wearing pants). and we see him have a conversation with his younger self, while wondering if he wasted his life trying to be a man:
Old Albert:
I don't recognize what I see
That person there, that's not me
I lived my life the way that I -
The way that I saw fit
This isn't it!
This isn't it
Where's the world I used to know? [...]
Old Albert (to reflection):
What did you do?
Young Albert:
I survived. I lived my truth.
Old Albert:
How did you know?
I didn't know, I just kept moving.
What else could I do?
Both:
What else can you do?
Old Albert:
They took my name -
Young Albert:
They can't take your name
Old Albert:
They took all that I owned -
Young Albert:
Let them take what they want
No, they can't take your soul
Old Albert:
But if you're old like me
You've lived long enough to know
Both:
We can't ever go home
We can't ever go home
There's some battles you face
And there's some where you run
You must fight all your days
It's not done 'til it's done.
How do the gnomes of the mushroom village govern themselves and how do they determine the legitimacy of the Giggleking who rules them? These are questions you must be able to answer.
btw my therapist made it sound like it's normal for people to have at least a few energizing activities they regularly do (or at least have the ability to regularly do if they chose so), and was kind of stumped when I expressed confusion at this concept itself. take that how you will if you're also going to be self reflective about this concept
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Foreigners will never understand how someone like Rawhide Kobayashi would immediately become a beloved local fixture in whatever small American town he ended up in.
every single time someone pulls the "How would you AMERICANS like it if someone came to AMERICA and" reversal, the answer is always "we'd fucking love it"
I just Googled the Swedish-Japanese guy in the OP, and according to this interview, his Japanese name was given to him by the master gardener he was apprenticed under:
“The family name ‘Murasame’ was given to me by my master. The given name ‘Tatsumasa’ is a combination of ‘dragon’ (tatsu), the [zodiac] year when I was born, and one character from my master’s name,” says Murasame."
So I think maybe it's less like naming yourself 'Brandon McFreedom' and more like moving to the states to work under a veteran car mechanic named Bud McLean, and then having him turn to you after a few years on the job, and say "Son, it's time for you to become an American so you can open up your shop. And when that day comes, I think the world should know you by a new name: McLeo GM Corvette."
women are like diamonds: synthetically-produced women are not meaningfully different from naturally-formed women, and anyone trying to tell you otherwise is probably trying to justify keeping their women mines open
everyone knows about the filing the serial numbers off that comes with turning a fanfiction character into an original character but theres a lesser known and equally funny "putting an original character created for a preexisting fandom setting into my own world" . like yeah this was always my own oc. i made this guy. however i need to shave off their homestuck horns. dont worry about it. its fine.
on tiktok people will quit their jobs after going viral once but on here not only can any post get 50k notes, but if it does theres nothing you can do with it. theres no monetization or any transferable skills at all. you just made a funny post and people liked it and thats the start and end of your career
you could say "i left the stove on" with no context and it might break containment on here and people start tagging it with ships and kins and theres no way to delete it forever unless staff gets involved. your mistake will never go away but your claim to fame will instantly
its like yes im the pineapple werewolf guy but no one outside of here and like 5 posts on reddit will ever know what that sentence means. i could jump on tiktok and no one would know me. no one on youtube or facebook. this is my little corner of the internet and i will die here before i give up that title and when i do know i lost nothing in the process
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