crabs are so gentle, they can be so kind. their claws? precise little things, so careful in the sand, so careful with food. they do what they must to live and wave their claws to express their joy to the world for giving so much to them, for giving such kindness to these creatures known as crabs. please be gentle to crabs
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white usamericans when asked how they're doing, will never say "bad". they'll just say "I'm hanging in there" and that is universally understood as them being so so bad. like. no american is happily hanging in there. we don't like the hang.
There's a nationwide manhunt for missing teen Lyanna and then Elia files for divorce with the listed reason being infidelity instead of irreconcilable differences. Benjen Stark's police statement about witnessing Lyanna getting in a car with the crown prince gets leaked to the press. Brandon Stark is shot and killed by palace security while trying to get an audience with the royal family and his father (also present) is arrested and has a "heart attack" in his cell. Ned Stark shows up in a Dornish hospital with a heavily pregnant Lyanna. Scandal so nuclear it abolishes the monarchy.
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Finally a hand sewing tutorial on a hemline that isn't just the ladder stitch! the ladder stitch disappears when you tighten it, but it's not meant for hemlines because it breaks really easily! The overlock stitch is more stable, so it holds much longer, and it won't pucker or warp the fabric!
the thing about chekhov's gun is that the gun does not literally "need to go off by the third act." the story works just as well if someone merely grabs the gun and starts threatening people with it, or if the Jewish protagonist recognizes the particular model as a Politically Concerning piece of world war 2 surplus, or if the gun's owner waxes nostalgic about the last time he fired it, etc. etc. etc.
unfortunately I get the impression that a lot of people do not understand that and therefore build theories around the idea that if the gun is not Specifically taken down from the wall and fired, it serves no purpose to the story, so why the hell was it there in the first place
Chekhov's Gun means that if something is mentioned as relevant, then it needs to be relevant.
The gun doesn't have to be fired. It can symbolically fall from it's wall-mount, or be replaced by something else, or melted down, or merely be the trigger for a plot-relevant conversation.
Awhile ago I was struck by the similarity between fire towers and lighthouses, and wanted to capture that in a painting. Both are lonely, isolated structures that people tend to work alone, sometimes in extremely dangerous if not life threatening conditions. But fire towers are about warning people to run, about putting out a light that is a threat to people's safety. Lighthouses are sort of the opposite, drawing people in and guiding them to safety by keeping a light on instead of putting it out.
"Not dating or having sex isn't even a source of discrimination in real life-" How many rights and benefits are tied up in marriage contracts though? How much of our economic and societal structure is built with the clear expectation that people couple up and support each other? Where's the security nets and affordable options for people who will never have a partner/spouse to take care of them? How many people save serious commitment only for people they have a romantic and sexual relationship with? How many people will unquestionably prioritize their sexual and romantic relationship above all other social connections in their lives? And where does that leave the people who don't want that at all, ever?
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Are you all ready for this? This is maybe the prettiest book in the entire batch of 12. I've made some damn pretty books but this one? Oh my god. Look:
This is Innocuous by flamethrower and it is a canon-compliant, post-s1 Good Omens fic from 2019. Without getting too spoilery, Heaven and Hell are getting up to mischief again and our favorite pair are not nearly as at-liberty as they think. They have to think their way out of a trap that they don't even realize at first that they're in.
Alright, for cover materials we have lineco tan book cloth on the spine, textured turquoise cardstock for the base, chiyogami with a floral mosaic pattern for the ornamental parts, and gold foil HTV for the title. I included two photos to show off how shiny it is. The chiyogami is actually a couple of scraps from way back when I bound The Rose and the Serpent back in 2024. I used it for the endpapers in that one and this is nearly every bit of what was left. There's more on the back, so have a look under the cut!
This is the back. It was a painstaking process to cut this out with a fine-bladed xacto knife but it was worth every second. The scraps I had were identical, but it was really important to me that the front and back were not the same, and this is what I landed on. The cover (and the endpapers too, when we get to those) were inspired by a scene later in the fic when Crowley is showing off a rooftop garden paradise that he's made. This seemed like the kind of cool, lush, luxurious thing he might have in there. And I have to say it exceeded my wildest expectations. I didn't know I had it in me to make this.
And then the HTV got warped going onto the spine and I ended up with a wonky "o". We must remain humble. It's honestly still lovely though, I forgot it was there until I started writing up this post. I got a very good round on this text block, almost no swell (even after rounding, my books often have some swell, though it's only noticeable when I stack them). And the endbands came out unusually well. Those are, as always, custom made. They look good with the cover, though they were designed to match the endpapers:
These are that thick soft artisan paper that Joanne's used to sell. The gold bits are shiny foil. Again, secret rooftop Eden luxury vibe here. I have no regrets about this bind, though if I had it to do over again I might choose a solid color instead of a pattern here. Maybe. Maybe not. On the one hand I really like the pattern but on the other it is kind of a lot with the cover.
Couple of quick shots of the interior. I kept it a bit simple, honestly, which makes a nice contrast with the cover. That wasn't intentional but I can't say it doesn't fit. Feels balanced. Let's see, what else? There are, I kid you not, over 450 footnotes in this fic and those took some wrangling to get in line. I think that's the most footnotes I've ever dealt with in one story. Oh, and there's an extra chapter at the end which is a deleted scene that I had to track down on the author's other fanfic account (listed in the notes at the top of the fic) because they'd removed it from Ao3. It's public, it just needed a bit of extra leg work.
And there we have it! This was one of the earliest long fics I ever read and it is really pleasing to give it the fanbinding treatment. It was interesting rereading it after several years and seeing how trends had shifted in things like characterization and the types of plots chosen. I'm not sure if that's a wider fandom trend or a shift in my reading taste or both. Gave me some perspective, anyway.
The old school lack of transparency on tumblr is amazing because you assume the people you follow must all be equivalent to you and then you see someone write âI brought my youngest to college todayâ and someone else write âmy mom wouldnât let me listen to Ariana Grande when I was a kidâ and then your head explodes
honestly one of the best things we can do for ourselves is realize that people of different ages than us can still be the same kind of person as us. it's humbling and it gives everyone involved a sense of continuity, and it busts those stupid generational stereotypes media is so fond of.
It is useful for people to understand and experience the fact that people of all ages, from all walks of life, can be compassionate, wise, delighted with the same things you are, and also, on occasion, blisteringly stupid. Because that's humanity.
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Bright the sun shone | at the time of Ăorâs birth,
And bathed his count'nance fair.
Loki, wolf-father, | the trickster, the liar,
I found on the cold pavement
While returning in glory | from a grand hunt
For a 3 AM quesadilla.