It's called Obsession

‘I will never shame you.’ The gentle tone, like a caress, sounded odd [… in his] voice, but it made [her] eyes brighten.”

hm. ok. so the queen’s thief is about a trickster who wants to go down in history but as soon as it starts happening he’s like NO NOT LIKE THAT. and also about the people he befriends against their will :)

it’s an ancient greece/byzantine era-inspired world that starts off very focused on one person and then as his significance grows it zooms out to show you more and more of what it becomes increasingly clear are history-making events of this land, gradually gaining perspective and quickly gaining layers and layers of political intrigue, all of which is connected on thematic levels to the mythology of this world

...but it all starts with a grimy teenager sitting in prison because he got busted for bragging about how good he is at stealing

you should read it if you love mythology, courtly intrigue, and ruthless politics being no match for the saving power of trusting those you love. if you don’t love slow, classic fantasy quest road trips maybe don’t start with the first book tho

featuring characters such as:

a thief who wants to be famous. what kind of thief wants to be famous for being a thief. gen that’s so dumb

a pure beam of sunshine who will commit acts of international violence

a guard who is having a very bad day

an accountant who is having an even worse day

a queen whom i love and adore with all my heart

a queen who has murdered many people whom i also love and adore with all my heart

many tired old men

"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."

So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.

Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.

Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.

So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.

Here is a free pdf of xanathars guide to everything

Here is a free pdf to monsters manual

Here is a free pdf to tashas cauldron of everything

Here is a free pdf to dungeon master’s guide

Here is a free pdf to volo’s guide to monsters

Here is a free pdf of mordenkainen’s tomb of foes

A Pokemon only counts for itself, not its evolution line.

A Pokemon with multiple forms (like Zygarde) will only be counted for the specified form. A Pokemon with multiple appearances (like Spinda, Vivillon, Sylvally, etc.) count for all their appearances.

The writer of two of the most well known stories worldwide, The Three Musketeers and The Count of Monte Cristo was a black man. 

chose to take on his slave grandmother’s last name, Dumas, like his father did before him.

grew up too poor for formal education, so was largely self-taught, including becoming a prolific reader, multilingual, well-travelled, and a foodie, resulting in his writing both a combination encyclopedia/cookbook (which just— is fucking outrageous to me) AND the adaptation of The Nutcracker on which Tchaikovsky based his ballet

he also wrote a LOOOOT of nonfiction and fiction about history, politics, and revolution, bc he was pro-monarchy, but a radical cuss, and that got him in a lot of hot water at home and abroad.

even beyond that, he generally put up with a lot of racist bullshit in France, so he went and wrote a novel about colonialism and a BLATANTLY self-insert anti-slavery vigilante hero (which he then cribbed from to write the Count of Monte Cristo, the main character of which, Edmond Dantés, Dumas also based on himself).

(…a novel which also features a LOAD of PoC beyond the Count, and at LEAST one queer character, btw, bc EVERY MOVIE ADAPTATION OF ANYTHING BY DUMAS IS A LIE; seriously, at LEAST one of the four Musketeers is Black, y'all.)

famously, when some fuckshit or other wanted to come at Dumas with some anti-Black foolishness, Dumas replied, “My father was a mulatto, my grandfather was a Negro, and my great-grandfather a monkey. You see, Sir, my family starts where yours ends.”

for the bicentennial of his birthday, Pres. Jacques Cirac was like, “…sorry about the hella racism,” and had Dumas’s ashes reinterred at the Panthéon of Paris, bc if you’re gonna keep the corpses of the cream of the crop all together, Dumas’s more widely read and translated than literally everybody else.

and they are still finding stuff old dude wrote, seriously; like discovering “lost” works as recently as 2002, publishing stuff for the first time as recently as 2005.

ALSO IMPORTANT:

daddy general dumas was an immense fierce french warrior who was a 6 foot plus, stunningly gorgeous and charismatic Black gentleman 

he invaded egypt

the native egyptians said “is this napoleon? this must be napoleon. we for one welcome our majestic new overlord”

then napoleon showed up

napoleon has all the presence of yesterday’s plain Tesco hummus

the native egyptians were like “… no… no, we’ve thought very hard and we’ll have General Dumas actually”

this did not make napoleon happy

in fact it made him jealous

…and like this…

…while “Napoleon has all the presence of yesterday’s plain Tesco hummus“…

:-D

I suspect Alexandre Dumas would have laughed at that, because besides looking like someone who laughed a lot…

And for those of you who would like to try audio versions, this is what is on LibriVox, the free, volunteer run audiobook version of Project Gutenberg: