Unoriginal sin. Derivative sin
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@taserbats
Unoriginal sin. Derivative sin

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"He wouldn't say that" has a beautiful cousin, and her name is "That's Not What This Story is About".
Might be too obvious but "Sk8r Boi" by Avril Lavigne.
https://open.spotify.com/track/00Mb3DuaIH1kjrwOku9CGU?si=afPMrnIaTU69EM7Vhtfegg
A porcupine’s Halloween present (+ original sound effects)
I had no idea giant porcupines made fucking precious sounds
THAT’S THE SOUND IT MAKES!?!?!?
UN-BE-FUCKING-LIEVABLE
We got asked if this is cute and okay. I can very happily say yes, this is stupid cute and those are happy porcupine noises.
One of my favorite things about doing zoo work was all the noises you never realize the animals make when they’re excited or interested in a new thing. Coatimundis squeak and snuffle, and giant porcupines make that sound.
Omgggg the sounds.
Teddy is back on my dash and all is right with the world
WE ALMOST TO OCTOBRE POST OF PUNKINBEARS
HI TEDDY I MISSED YOU
Happy October, everyone! Have some pumpkins and a happy porcupine!
Armand looking at Daniel

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Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.
A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.
Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
As someone who spent over a decade catering luxury events, let me add some back of house info:
These events are almost always open bar. They're not trying to make their money back on alcohol. They want you to drink and eat and donate generously.
If there are cocktails, there will be at most two on offer, pre-made in large tubs. You cannot order a different version, it is what it is.
There are two types of events: cocktail style or seated. The first includes roaming hors d'oeuvres or a fancy buffet with tiny plates called a grazing station. For a long night, the roaming food will get a little bigger throughout the evening and have a 'main' at some point based around a protein.
A seated event will usually be more structured and may include multiple courses. Silver service is not in vogue anymore. You are likely to get either alternating meals brought to you like at a wedding, or served banquet style. A good caterer can get a plate to everyone in a 300 person event in about three minutes.
Drunk people are the same no matter how expensive their suits. They still laugh too loud, spill their drinks and slip on the dance floor. They are usually less embarrassed about doing coke in the bathrooms.
A full scale event that starts at 6pm will have staff arriving at noon to begin setup. Earlier if there's a light show or pyrotechnics. Typically venues don't just have 30 tables and three hundred chairs lying around, let alone table cloths, chair covers, etc. It's all rented and brought in on the day. Bands and DJs will be running audio tests in the background throughout.
Most heritage buildings that host these things, like museums and manor houses, aren't really designed for them. They might put down mats so you're not walking in stilettos over two hundred year old wooden floors, the kitchens are weirdly far away, and there are not enough taps. There is never anywhere for staff to sit, so if you open the wrong door you might find half a dozen waiters sitting on upturned milk crates in a room full of million dollar paintings, eating the left over bread.
Really old buildings don't have enough bathrooms, which means the staff will be sharing with the guests.
Clean up starts the second the event ends, if not sooner. Unattended glasses will start to disappear first, then table decorations. When the timer ticks over, the lights come back on and exhausted staff strip the tables, pack up dirty glasses and unopened wine bottles and have to Tetris it all into the back of a van. The venue is booked for that day only, so everything has to be gone before anyone can go home. A large event that finishes at midnight might take until 3am to be cleared away.
These are very long and physically demanding nights for anyone working them. The staff all get to know each other, and will absolutely notice someone trying to sneak in wearing a borrowed uniform. They are not being paid enough to care.
Many events at heritage sites or museums will have a Clear Drinks Only rule in case someone spills, and little trays/tables placed throughout so people don't set empty drink glasses down on antique furniture if they can't find a waiter
These events may not take place onsite, though! Some benefits or museum galas happen in rented event space elsewhere, for preservation reasons or simply because the site has a limited capacity (see above re: bathrooms and seating). Usually if that happens, catering will be provided by the venue instead of the staff arranging hors d'oeurves artfully on platters before guests arrive
Depending on the site, there may be a portion of the evening where the higher-up staff (director, curator, etc.) get up and talk about what they've done at the museum in the past year or so
The regular donors know each other and the museum staff, especially at smaller institutions. new faces will stand out and often be approached for conversation/introductions
The non-catering parts of offsite events- raffles, check-in, etc. -will likely be staffed by normal museum workers like tour guides, looking to pick up an extra shift
Good museums will reimburse staff for their rideshares home, since the event may end fairly late in the evening and even if transit is available, it may be dicey at that time of night or just take much longer when people want to go straight to bed
Heritage sites tend to attract less of the Coke In The Bathrooms crowd, in my experience. at least, I've never encountered this in eight years of working at historical house museums
oh you're in a horror film/book and your phone died/has no bars? how boring. I think phones in horror SHOULD work. they should ding only to have the protagonist check and find nothing. they should get calls from somebody you don't know but is still somehow in your contacts. google maps should lead you to one place, no matter what address you type in.
phones are such a big part of our daily lives, removing them from horror removes the horror from our experience. what if the horror felt like it could happen to you, right here, right now? what if it felt like it was already happening?
call 911 and something that is definitely not a person picks up.
call 911 and get an operator only for the call to become increasingly weirder and more sinister until you realize that whatever picked up is not there to help.
text messages from someone who's dead. voicemails that sound like dead air until you turn the volume all the way up.
emergency alerts for weather that doesn't happen on earth.
Your phone rings - but it's your phone number on the screen. You answer it, but all you hear is heavy, laboured breathing. You go to say something, only to hear your voice on the other end tell you "It's too late," and hang up.
You get a message from a number you don't recognise. It's a picture of you from behind. You turn and see there's nobody there. When you look back at your phone, you see the sender has sent another text - "Sorry, wrong number."
Your phone rings - it's a private number. You answer it, only to feel the sensation of something licking your ear.
You wake up to find a voicemail. You play it back, only to hear an autotuned version of your own voice reciting a Bible passage - 1 Peter 2: 18-20.
You get an emergency alert. It says "I'm sorry."
I think it's so funny how we bred JOBS into dogs. I have two shih tzus and they were bred to be lap dogs. All they care about is looking cute and cuddling with people. Meanwhile my grandma has a border collie and that dog needs to feel so useful all the time, he acts like he will pass away if he doesn't have a job to do constantly
On one hand this is extremely fucking funny, but on the other hand, it really boggles my mind how many people punish their dogs for just… doing the thing they were bred to do.
Your husky isn’t “hyperactive”, it’s bred to pull sleds for 8 hours straight and you have it in a 400 sq ft yard.
Your English sheepdog isn’t “pushy”, it’s bred to herd sheep, and you have neither to space nor the herd to allow it.
Your terrier isn’t “nippy”, it’s bred to kill rats and your hamster looks a hell of a lot like one.
Your Catahoula isn’t “mean to animals”, it’s bred to hunt any and all animals smaller than it, and you didn’t acclimate it to your cat.
Your Lhasa Apso isn’t “yappy”, it’s bred to bark at any tiny noise and alert watchmen to intruders
Like Jesus Christ, if you can’t provide an environment where your dog can’t fulfill its literal life purpose, maybe?? Don’t get that dog??? And if you do, maybe know the breed characteristics so you can redirect those traits into more constructive outlets????
Both your most common doodle's parts (labra and golden) want to hunt and retrieve water birds so the best suggestion I can give y'all is congratulations on your new duck hunting hobby.
#people will overlook the perfect breeds to suit their needs based on just their looks#and get a work dog because it looks cool
tags from @gnarlystarships because YEAH
@gallusrostromegalus
Any time someone sees Herschel and says "AWWW I want a Corgi <3" (because he is Very Cute (TM)), I immediately reply: "Do not get a Corgi unless you have a job for it to do. They were bred to bully livestock across the hills of Wales. This is basically a Border Collie that knows he is cute enough to get away with murder. If you get one and it doesn't have a job, it will apply its livestock-bullying instincts to YOU. Herschel's job specifically is to help manage my crippling ADHD, because I don't have a bull for him to micromanage." This gets me odd looks at the home depot but it does get the point across.

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Lately I've seen a lot of people using "Star Trek ending" as a shorthand way of saying "cheesy 60s ending where all the characters get together and laugh at some shitty one-liner until the freezeframe in order to wrap things up with a neat breezy bow" and, well. They're not wrong... but that's only half the episodes.
The other half of the episodes end you staring at the TV in haunted existential silence because the story's thesis was "Don't delude yourself that waging war with technology is any less brutal than committing murder with your bare hands. You are a mortal and an animal like any other and if you think you have a justified reason to kill you had better be prepared to face your enemy, and recognize him as an intelligent equal, and smash in his skull with a rock."
This is the episode, by the way.
The one we all laugh at for looking silly and awkward and dated because the fight choreography is terrible and the man in the rubber costume clearly can't see through his mask.
And yes, it is those things. But by that point in the episode I was so enraptured and distraught by the premise of the story that I genuinely wasn't seeing the meme.
Through voiceover Kirk reminds himself, and us, that despite its appearance, the Gorn is also a starship captain-- a being just as clever as Kirk, and just as desperate to save its crew. They're being forced to fight to the death with sticks and rocks, and the loser's ship and crew will be blown up.
And the show demands: Why is this so appalling to you? Ten minutes ago they were chasing each other in starships and shooting each other with lasers. Ten minutes ago Kirk was willing to risk every life on the Enterprise by pushing Warp 8 in order to catch and destroy the Gorn. It was righteous. You were cheering for him. Don't you dare be appalled that now they're being made to beat each other to death with bare hands, that the crewmembers who didn't participate or even get to choose their own course of action will be executed just because their leader lost. This is what battle is. This is the brutality of war when you don't get to dissociate behind technology. Is it still worthwhile?
if i can say something i think it's also bad to immediately absolve a female character of her wrongdoings just because she is a woman
if i can be so for real this is still doing "refusing to acknowledge her nuance because she's a girl"
also did y’all notice that sakura never actually gets to grow as a character, she just goes through the same arc in a loop over and over and over
like sakura’s best arc was in the forest of death, where sasuke and naruto both get hurt in a fight and sakura’s forced to protect them both. only sakura realizes that she isn’t strong enough to do that, since up until now she’s been more concerned with popularity than training as a ninja. awesome arc for her.
she cuts her hair (which she grew out to impress a boy) in a fight, visually symbolizing her giving up her pursuit of popularity in order to be a better ninja, and they get out of the forest alive, right, and then…. nothing happens with that.
the natural progression of her story would have been her pursuing training, but that doesn’t happen until the end of part one, literally as an afterthought to everything else that’s happened.
and then she literally goes through the same arc like two or three more times in shippuden: her, realizing that she’s not as strong as naruto and sasuke and vowing to train harder, and then… nothing. it’s literally the stupidest writing decision kishi ever made, and that’s saying something
are we even surprised, this shit came our from a man who said he didn’t know how to write female characters
how about consult your female collegues or wife? How about NOT writing female chracters at all??
I mean this has been going on for years
what he means: my first girlfriend sacrificed herself for the good of her people, and she didn't think twice about it. i saw firsthand what it meant to truly protect those you love, and in that moment i also experienced what it meant to be loved enough to be protected. but i wasn't ready. i didn't have enough time to say goodbye. she was gone before she fell back to me, and i knew it even before i looked for a pulse that wasn't there. she was heavy, until she wasn't, because i saw death happen in a way i never thought it could when her body vanished from my arms. i now know what it feels like to kiss a spirit, and it's the last touch i have of her. she sacrificed herself because she believed it was her duty, an expectation she felt she needed to face, and it should never have happened. but she got dragged into a war that we brought to her home. there was nothing i could do to protect her from its devastation, and i blame myself for her death.
what he says: my first girlfriend turned into the moon
what he means: that is so out there it is literally beyond my feeble comprehension and i have no idea how to respond and yet i can tell by your tone and expression this is something that has impacted you and yea that does sound like the sorta thing that would impact a person and it seems to have been a negative impact and i would like to console you somehow make you feel better and improve the relationship between us but even on a good day and with a normal subject id have no idea how to do that like what you just said sounds like something you should talk to a therapist about or maybe a priest or something but im not gonna say that i dont wana make you feel weird or isolated you shouldnt have gone through that and i would like to say its going to be ok but i dont know if it is or if this is the right moment to say that im sorry that happened to you
what he says: thats rough buddy
these women did wonders for the “i’m single and i like it that way” community… i’m having a sexy ass life!

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Watching a mitski fan upset the mcr side of twitter and proceed to go down the mcr pipeline in the past 3 days has been the funniest thing that wwwy24 directly caused
i do not support mens wrongs.