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the year is 2035. the new beauty standard is for women to cut their ears off, as ears are a masculine trait which make the face look too big and hearing isnt necessary as it doesnt align with being demure. evil feminists say perhaps this is unnecessary and ears are natural. women are agressively proclaiming they are cutting their ears off due to sensory issues
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Thinking about the options given anytime the player is asked about Ralsei's wants and needs, and I just find it so interesting how it's presented.
(This isn't every instance, just the ones that particularly came to mind.)
There's obviously a right and wrong answer here, right?
One of these options always in agreement with Ralsei, letting her make her own choices and express her own opinions, while the other option (selected in yellow) always attempts to strip her of that agency, reinforce her current role, and deny her any change whatsoever.
This specific instance has, surely, been discussed plenty, but the specific gendered "bro" really drives home the player's option to consistently reinforce the status quo and stifle Ralsei's character growth. If Ralsei is to develop agency, she can't rely on the player like this.
But still, she almost always *asks permission* for what she wants, afraid of being responsible for her own decisions, as well as trying not to come across and unpleasant, selfish, or unfitting. And that's why I find Flowery's scene with Ralsei SO important for her development.
Flowery specifically states "don't worry about Kris", and the lack of mentioning Susie in that statement seems very pointedly about the freedom of choice afforded to the player (which often overrides Ralsei's own aspirations).
Especially considering the "Nah bro..." option presented earlier in the same chapter, Flowery's encouragement of femininity and dismissal of the player's choices, I can't read this as anything but intentional and vital to Ralsei's own agency and transfemininity.
Not even inherently in defiance of the prophecy, but in defiance of the player (at least in this instance).
Immediately following this scene, we as the player are, yet again, given the option to disregard Ralsei's wants, but very importantly, we aren't actually allowed to deprive her of those wants! Regardless of your selection, Ralsei will still end up with the blue-and-pink drink!!!
(even if it requires some intervention from Susie, if you attempt to take the blue-and-pink one for yourself)
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where y’all lose me is like. I saw some asshole on a post about Sinners complaining it was “hetslop”—this person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually don’t think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post that’s been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that they’d need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldn’t have to be like you in order for you to care about our narratives and experiences. and I think some of y’all are using this disdain for heterosexuality as a cover for your unexamined racial biases. it’s not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
on an even more basic level than that, also, I simply just think some of y’all NEED to learn how to interact with media and storytelling without ships and fandom in mind. like if not being able to write fic about two men kissing is genuinely going to be a dealbreaker for you I think that’s actually something you need to work on within yourself because at that point I think you’re no longer really interacting with art and themes and narrative so much as just kind of playing with toys. which is, like, fine I guess. have fun. but it wouldn’t kill you to disengage from that from time to time. especially if would allow you to actually appreciate rich and deeply moving cultural stories from communities of color that you desperately need to learn how to see as human
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Now that everyone is discussing Nolan's Odyssey movie, I feel like it's a good time to let non-Italians know that the production dumped plastic props into the Italian sea. Weirdly enough I could not find any article in English about it but it's a fucking problem nonetheless.
I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.
Non è la prima volta che la produzione solleva un vespaio in Sicilia. A Lipari una squadra di sub sarebbe però già impegnata a bonificare i
They dumped plastic skeletons in environmentally protected areas, against the literal contracts they had to sign to get the permits to film in environmentally protected areas. Like they not only did a bad ecological thing that freaked out some divers, they literally broke environmental protection laws and their contract with the Italian government
you can just say "person with ovaries." "an AFAB" makes literally no sense here, in addition to being grammatically nonsensical. sorry but this bleet has been pissing me off all day but i feel like if i reply to it i'll get it trouble.
a trans man who hasn't had any ovaries for 25 years isn't going to experience perimenopause in his mid-40s, so why include him based on a gender assigned to him as a baby? like... he was a baby.
like why bother acting like you want to be trans-inclusive if you're too lazy to recognize that sometimes, trans bodies aren't going to be the same as they were at birth when they got handed their baby gender
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various tv, film, and theater producers for the last 50 years smacking themselves in the forehead like fuuuuck how can we make it easy to understand why carrie is alienated from her peers and callously bullied at school WITHOUT making her a hideous fatass like in the book
snowghoul
turnnoffyourmind
prguitarman
theartofmadeline
pixelskylines
