scribbles and rocks

But this… This is something else.

The rapidity of a meme’s introduction to its zenith to its decline is so rapid that in ten years, you’ll need a damn twenty-page manual to explain this. It’ll be as unfunny and hard to explain as jokes in Shakespeare plays, except even more inexplicable because fuck, at least Shakespeare’s jokes are usually about anal or fucking your mother, good wholesome sex jokes we can all get behind.

ok let me see if i can break this down easily. YMCA is the easiest place to start - the song itself has become a meme over time with people changing the lyrics to reference other pop cultural events. so YMCA is meme one (1)

this first lyric replacement (”take the breadsticks and run”) is a reference to the tumblr meme ‘stuffing breadsticks into my purse’. i think everyone remembers that one so i wont bother to explain it. that’s meme two (2)

“man door hand hook car door” is a meme of its own, a creepypasta from i dont remember when. it was a terrible stupid retelling of the generic ‘stuck in a car while hook handed man tries to kill us’ story so the stupid title caught on for memorability. that in and of itself is meme three (3)

‘gun’ is… yeah i dont know how to explain gun. long story short you add gun to the end of a phrase instead of what you expect the last word to be. its shock funny. its everywhere but its popular to add to “man door hand hook car door” for.. some reason? gun is meme four (4)

and the thing is, this four meme combo is something thats gone around before. meme combos are, itself, a meme. which means taking this meme combo and mixing in another meme actually becomes meme five (5)

which leaves us at loss.jpg. loss.jpg was a terrible bad comic supposed to be about some tragic event, but it was presented so poorly literally no one takes it seriously, and for some reason recreating the four-panel setup has become popular. so thats meme six (6)

well i added my contribution : )

@aziraphales-library is one such place, they have a lot of fic recs but also try to help find fic! (and i’m gonna be @’ing them again tomorrow when i post my smut recs list lmao sorry! i’m just trying to spread the word of a good resource.)

Show don’t tell? Ignore.

Basic grammar and punctuation? Unnecessary. 

Physical descriptions of characters? Don’t need to bother. 

Solid plot? That’s for later. 

The words don’t come as fast when you’re thinking of the best way to put them together. It doesn’t have to be pretty, or much more than inconsistent nonsense.  The point is to have it exist.

Oh, how quickly the past is forgotten. 

They are part of the reason A03 is a thing now. Not the whole reason, but part of it. 

The Great Purges of 2002 and 2012 are when ff.net got a wild hair up their ass about THINK OF THE CHILDREN and nuked any fic posted on there that was explicit. Thousands upon thousands of nc-17 smutfics were lost.

Is there any way to spread this info? 

THE OTW WAS CREATED BY FANS SO WE’D HAVE AN ARCHIVE THAT WASN’T SUBJECT TO CORPORATE REVIEW. 

Nonprofit, so that nobody could ever say, “this isn’t making enough money; it’s getting shut down.” (See: Geocities, Quizilla, Figment, G+.) With lawyers involved and a firm awareness of the legalities of fanfic, so nobody would decide “we’ve gotten a nasty letter from a megacorporation with lawyers, so we’re hiding because we can’t afford to face a lawsuit. (Jedi Hurtaholics, Trevizo’s Millennium site.) With teams, so that an argument between co-mods didn’t result in the destruction of a whole archive. (Gryffindor Tower, Detention.)

AO3 IS OUR SITE.

It is by fans, for fans. Fans do all the coding. All the legal paperwork. All the abuse/tos violation complaints. Fans make all the choices about policies. Fans decide how to run the fundraisers. Fans write the blog posts. All the volunteer staff are fans; all the people who train them are fans. Fans wrangle all the tags. 

(And the other OTW projects, too. Fans manage the entries at Fanlore. Fans run the Open Doors project. Fans publish Transformative Works and Cultures.)

EVERYONE WORKING FOR THE OTW LOVES FANDOM. Wants it to survive. Wants it to be awesome for everyone.

(Knows that it can’t be awesome for everyone; some approaches to fandom just clash hard. But they strive to minimize those clashes as much as possible, because they love fandom.) 

AO3 is not some company that decided, “we’ll make a site for fanfic and then…” I don’t know what people are thinking is the reason. Money? Data harvesting? Tax shelter? Amusement and pity?

Nope; AO3 was fans saying, “Livejournal sucks; we’re tired of this fucked-up ‘rebuild every three years’ garbage; WE NEED TO OWN THE DAMN SERVERS.”

In The Zone 

Inspiration level of dried up mud 

Idea chaos cavorting through your head like bunnies on crack, never making it onto the paper 

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

o shit its 3 am 

cat lugubriously puking small and pathetic hairballs onto paper 

after-submission cold sweat 

i’m going to break my character’s hands in the next chapter *laugh of evil glee* 

typing sad scene while crying 

reading the chapter you wrote late last night confusion 

guilty trickle of procrastination 

slamming face against desk headache 

worldbuildgasm 

writing fan fiction of own books daydream 

i am the next tolkien 

i am the next rejected sack of shit to be yeeted out of a publisher’s back door

clever metaphor delight 

drained exhaustion after writing a couple thousand words 

euphoric, exhausted emptiness of finishing a book 

rereading first draft nausea

research hole 

screaming at wikipedia 

overwhelmed by the mess youve made 

cheeto dust on the keyboard mid-writing snacking 

typo typo typo 

what do i write next existential crisis 

Do an outline, whatever way works best. Get yourself out of the word soup and know where the story is headed.

Conflicts and obstacles. Hurt the protagonist, put things in their way, this keeps the story interesting. An easy journey makes the story boring and boring is hard to write.

Change the POV. Sometimes all it takes to untangle a knotted story is to look at it through different eyes, be it through the sidekick, the antagonist, a minor character, whatever.

Know the characters. You can’t write a story if the characters are strangers to you. Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.

Fill in holes. Writing doesn’t have to be linear; you can always go back and fill in plotholes, and add content and context.

Have flashbacks, hallucinations, dream sequences or foreshadowing events. These stir the story up, deviations from the expected course add a feeling of urgency and uncertainty to the narrative.

Introduce a new mystery. If there’s something that just doesn’t add up, a big question mark, the story becomes more compelling. Beware: this can also cause you to sink further into the mire.

Take something from your protagonist. A weapon, asset, ally or loved one. Force him to operate without it, it can reinvigorate a stale story.

Twists and betrayal. Maybe someone isn’t who they say they are or the protagonist is betrayed by someone he thought he could trust. This can shake the story up and get it rolling again.

Secrets. If someone has a deep, dark secret that they’re forced to lie about, it’s a good way to stir up some fresh conflict. New lies to cover up the old ones, the secret being revealed, and all the resulting chaos.

Kill someone. Make a character death that is productive to the plot, but not “just because”. If done well, it affects all the characters, stirs up the story and gets it moving.

Ill-advised character actions. Tension is created when a character we love does something we hate. Identify the thing the readers don’t want to happen, then engineer it so it happens worse than they imagined.

Create cliff-hangers. Keep the readers’ attention by putting the characters into new problems and make them wait for you to write your way out of it. This challenge can really bring out your creativity.

Raise the stakes. Make the consequences of failure worse, make the journey harder. Suddenly the protagonist’s goal is more than he expected, or he has to make an important choice.

Make the hero active. You can’t always wait for external influences on the characters, sometimes you have to make the hero take actions himself. Not necessarily to be successful, but active and complicit in the narrative.

Different threat levels. Make the conflicts on a physical level (“I’m about to be killed by a demon”), an emotional level (“But that demon was my true love”) and a philosophical level (“If I’m forced to kill my true love before they kill me, how can love ever succeed in the face of evil?”).

Figure out an ending. If you know where the story is going to end, it helps get the ball rolling towards that end, even if it’s not the same ending that you actually end up writing.

What if? What if the hero kills the antagonist now, gets captured, or goes insane? When you write down different questions like these, the answer to how to continue the story will present itself.

Leaves: *crunch*

Me (externally): ☺

they really just. don’t know. and won’t listen when people tell them that like

even if you’re an atheist, the way you talk about God and religion is christian af

y’all truly believe that you can celebrate christmas completely secularly, devoid of any connection to christianity

From @littleoceanbabe

You are exactly proving my point.

Why is it that your family gathers on Christmas in order to celebrate peace? Why not Eid? Why not Rosh Hashanah? Why not a million different holidays from the literal thousands of existing religions?

Our class has gotten close though so it was okay. My mispacha was there, and one of the other converts in the class, her dad came, so that was good.

Heck, the idea of “Judeo-Christian” is…heh, well. Ask a Jewish person or two and if they have the energy you’ll probably get a nice rant on why that term is a serious misnomer; but it’s VERY common to treat Judaism as if it was just the “precursor” to Christianity, as if Christianity is just an extension of Judaism with an extra set of Books, and it’s…it’s not. It’s REALLY not. That thinking stems from Christian cultures trying to simultaneously erase actual Jewish culture (where it actually differed from theirs), and pretending that theirs ~supplanted~ it and ~took its place~ like the New and Improved version, which… of course, being that most Christian sects insist that Christianity is The One True Religion, of COURSE they did.   

Even the idea of weekends is pretty much derived from the habit of most Christians to make Sunday a Sabbath and “day of rest” (some Christians do actually use Saturday instead - much like Jewish folk do - but Catholics and a majority of Protestant sects use Sunday).

Even some Really Big “little things” are more Christianized than you think though. The gender binary, and even the idea of “physical sex” being binary, is a social construct that mostly European Christians inflicted on everybody via colonialism and its influence on “science” and culture in general. Turns out it’s not the “natural default” for societies at all, oops (warning, that link is a LONG read but very handy and enlightening, if at times depressing).

So we celebrate Yul (winter solstice) instead of christmas and we do so on the 21. Of Dezember and we do celebrate Ostara on the 21. Of march (spring equinox) instead of easter, but that's not because we are culturally Christian but because Christians are, in fact, culturally Celtic.