โLove is loveโ okay but can we talk about people whose identities donโt focus on feelings for another person? Pretty please???
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โLove is loveโ okay but can we talk about people whose identities donโt focus on feelings for another person? Pretty please???

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i love clicking on somebodyโs ao3 profile and seeing the most nonsensical collection of fandoms. like yess let's live a thousand lifetimes
Never talk to me or my son who is visibly liberal ever again.
this might be the summer of yuri

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I'm obsessed with the phrase 'card carrying member of The Church of Jesus Christ of Latter Day Saints' actually. Yeah I have a card. It's over in my wallet.
Nakamura needs a friend rn
Hirose is happy... Isn't his happiness... mine, too?
I'm just going to say it - body hair (and beauty standards in general) is truly one of the final frontiers of women's issues in the West. Too many women just love their gilded cage too much. It shocks me how virulently women will defend it. I barely open my mouth and the "well I like how it feels. it just makes me feel cleaner. sensory issues. I do it for me. feminism is about choosing (to conform)." brigade come rushing in by the dozens.
Well I don't like how it feels. I don't feel cleaner without body hair. I don't prefer not having body hair. But who will advocate for women like me, but me? For women who do like hair removal, they are advocated for every time they step out of the house and see 99% of the female population also conforming to that standard, or when they watch a movie and see all the shaved actresses, or view an advertisment, or open a magazine, or watch a music video, or scroll through social media, or walk down the streets without receiving insults and glares for having a completely normal bodily feature.
You genuinely can't even point out that hairlessness is a man-made standard without women losing their shit and acting like they are totally immune to propaganda they've been exposed to from birth. I'm so tired.
I feel like people struggle to understand that my life as an aorace person is not centered around an absence of relationships. There is no romance shaped void that I am trying to live with, or live around, or which my life's purpose is to fill somehow.
I go to university and I go to work and I volunteer in my community and in the in-between moments I drink tea with my friends and I plant tomatoes on my balcony and there is no need for anything else. There is no room for anything else anyway.
When I am asked how I deal with 'the hole in my life' or what I do with 'all my free time', I know these questions are not about me at all. They are a reflection of the person asking.
Its kind of asking how you cope with the lack of parking spaces when someone doesnt own a car
Ooh I love this analogy because not owning a car does come with problems (at least in the US typically), namely that US infrastructure is so reliant on cars that not owning one means that you deal with other problems, like lack of bike lanes, infrequent public transit, people always assuming you can drive places, etc. Aro/ace people do face problems due to amatonormativity in society, such as inaffordability of places to live alone (because it's assumed you'll live with a roommate until you're a "real adult" and live with a partner and also because of capitalism), lack of ways to meet new people that aren't specifically focused on dating, and people always asking when you'll settle down, aren't you lonely, don't you miss having a partner? as OP talked about.
Like, there are problems that one encounters as a carless person, and there are problems I've encountered as an aroace person. But the problem as a carless person isn't lack of parking spaces and the problem as an aroace person isn't lack of a relationship.

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I feel like Apothecary Diaries is exemplary proof that writing quality depends not on which tropes are used, but on how they're used. The yeast of that story ferments on one of the most maligned and frustrating tropes in existence, and yet it's executed so well that the bread is delicious with a nice firm crust.
MaoMao and Jinshi are both intelligent in a lot of ways, including deductive reasoning. So one might expect their repeated misunderstandings or continued blindness toward certain revelations to feel contrived. But they never do, in part because of how brilliantly their characterization was established.
From the first installment, Maomao ponders how "knowing too much" could get her into trouble.
At first her main concern is her own literacy. The ability to read is not a skill most young women of her station possess, and would doubtlessly draw attention. Attention threatens her ability to lay low and wait out her service contract. So she keeps this skill hidden.
And indeed, her concerns are validated by the narrative, because she catches the attention of Jinshi and Gyokuyouโtwo of the highest authority figures of the rear palaceโimmediately upon employing her literacy in her effort to warn the concubines of the poisonous effects of the makeup.
This instantly alters the course of her life, a consequence that at first seems positive; after all, personal attendant to a concubine is certainly several steps above the average palace launderess. But these elevated steps bring more attention onto her, and it isn't long at all before the emperor himself is ordering her to perform medical miracles.
Knowledge is power. And as Maomao explains to Jinshi: it's not always about what someone will do with power; it's about what they can do.
So Maomao uses the powerlessness of her station as a shield, and hides behind it by pretending not to know things.
And the way she does this is interesting, in part because she is so good at deduction. Often it comes down to her simply choosing not to pursue a line of thinking, forcefully redirecting her attention elsewhere the moment she realizes that certain lines may connect to form a bigger picture than someone of her station should see.
Maomao is an apothecary. Effectively, throughout the story, she's an herbalist, pharmacist, chemist, physician, dietician, and forensic detective.
At the same time, her primary survival mechanism is avoidance. And this is established very early in her characterization, even before her actual titular passion.
When Maomao, solver of mysterious deaths, worker of medical miracles, foiler of assassination plots, repeatedly fails to connect the increasingly-obvious dots pointing to Jinshi's true identity, it doesn't feel contrived at all; because by the time those dots begin to come to light, the story has already established that it's firmly in-character for Maomao to simply refuse to pick up the pencil if she already knows what picture those dots will form. As long as she doesn't draw those connections herself, she can remain safe in denial.
And that's how Apothecary Diaries turned one of my least-favorite tropes into one of the most compelling parts of its story.
it is impossible to watch a movie. every night i think i want to watch a movie. no movie gets watched. because it's not possible
and yet they keep making movies with the hopes that one day humanity will discover a way to watch them. it's so inspiring
the problem with used books is that they are, individually, very cheap, so buying many of them feels affordable. but the math maths even when you aren't looking.
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I really love Jacob Anderson

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the book of mormon is actually so good when you don't have the church curriculum in your ear telling you to interpret it a certain way
If you ever get the chance, I really recommend buying one of those editions that mimic the layout of the first printings of the BOM, where it wasn't divided into verses to mimic the layout of the Bible. Like its just a book, just like the way the early saints read it:
Penguin classics has a paperback version. It's just, a really different experience, 10/10 would recommend.
one day, i hope to be moved from your downloads folder into somewhere more deliberate