Rashomon, 1950 Dir. Akira Kurosawa
Misplaced Lens Cap

tannertan36

Kaledo Art

Product Placement

#extradirty
Claire Keane

Discoholic 🪩

ellievsbear
h
Lint Roller? I Barely Know Her

❣ Chile in a Photography ❣
Mike Driver
cherry valley forever

Love Begins
Sweet Seals For You, Always
he wasn't even looking at me and he found me
"I'm Dorothy Gale from Kansas"

blake kathryn
NASA

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@pmmdj
Rashomon, 1950 Dir. Akira Kurosawa

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Rupert Giles + 🔥 🔥 🔥 [requested by Anonymous]
THE QUESTION
Art by GABRIEL HARDMAN
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
#'this is present in the text' is often a good first step #but those second and third ones (naming it; describing its function) are vital (via @elucubrare)

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Source: Becoming Visible; An Illustrated History Of Lesbian And Gay Life In Twentieth-Century America- by Molly McGary and Fred Wasserman
ROBERT WATTS
Lustige Blätter (German magazine, 1932)

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The Simpsons - 5.14 - Lisa vs. Malibu Stacy
Did you grow up religious*? Are you religious now?
Yes / Yes / Same religion as the one I grew up in
Yes / Yes / Different religion from the one I grew up in
Yes / No
No / Yes
No / No
*By "growing up" religious I mean having been taught religion at home and/or having participated in religious rituals and/or having personally truly believed in a religion. If you never really believed in god but your parents still made you go to church, it still counts as growing up religious.
Did you grow up religious*? Are you religious now?
Yes / Yes / Same religion as the one I grew up in
Yes / Yes / Different religion from the one I grew up in
Yes / No
No / Yes
No / No
Results
*By "growing up" religious I mean having been taught religion at home and/or having participated in religious rituals and/or having personally truly believed in a religion. If you never really believed in god but your parents still made you go to church, it still counts as growing up religious.
RE-ANIMATOR 1985・dir. Stuart Gordon
"Female Trouble" movie showing in San Francisco. John Waters movies were popular in the late '70s and '80s counterculture as parts of midnight movie circuits. These movies were not particularly "secret" but rather a status of rebellion.
The Rocky Horror Picture Show (1975)

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The Lost Boys (1987)
The Matrix Reloaded (2003)