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@onewithspectacles

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THEY REVERSED THE DOGSHIT UPDATE
https://vm.tiktok.com/ZTdQuxw52/
I think I found my new favorite rabbit hole. This voice actor does Shakespeare scenes in a southern accent and I need to see the whole damn play. Absolutely beautiful
if you're not from the us american south, there's some amazing nuances to this you may have missed. i can't really describe all of them, because i've lived here my whole life and a lot of the body language is sort of a native tongue thing. the body language is its own language, and i am not so great at teaching language. i do know i instinctively sucked on my lower teeth at the same time as he did, and when he scratched the side of his face, i was ready to take up fucking arms with him.
but y'all. the way he said "brutus is an honourable man" - each and every time it changed just a little. it was the full condemnation Shakespeare wanted it to be. it started off slightly mock sincere. barely trying to cover the sarcasm. by the end...it wasn't a threat, it was a promise.
christ, he's good.
the eliding of βyou allβ to βyβallβ while still maintaining 2 syllables is a deliberate and brilliant act of violence. βbear with meβ said exactly like iβve heard it at every funeral. the choices of breaking and re-establishing of eye contact. the balance of rehearsed and improvised tone. A+++ get this man a hollywood contract.
Get this man a starring role as Marc Antony in a southern adaptation of this show PLEASE.
This man is fantastic. π
The thing that just destroys me about this, though -- we think of Shakespearean language as being high-cultured, and intellectual, and somewhat inaccessible. And I know people think of Southerners as being ill-educated (which...let's be fair, most are, but not the way it's said). But that whole speech, unaltered, is so authentically Southern. And the thing is: Leaning into that language really amps the mood, in metalanguage. I'm not really sure how to explain it except... like... "Thrice" is not a word you hear in common speech...unless you're in the South and someone is trying to Make A Fucking Point.
Anyway. This was amazing and I want a revival of Shakespeare As Southern Gothic.
One of the lovely things about this, and one of the reasons it works so well, is that from what we can piece together of how Shakespeare was originally pronounced, it leans more towards an American southern accent than it does towards a modern British RP.
In addition, in the evolution of the English language in america, the south has retained many of the words, expressions, and cadences from the Renaissance/Elizabethan English spoken by the original British colonists.
One of the biggest examples of this is that the south still uses βO!β/βOh!β In sentences, especially in multi-tone and multi-syllable varieties. Weβve lost that in other parts of the country (except in some specific pocket communities). But in the south on the whole? Still there. People in California or Chicago donβt generally say things like βwhy, oh why?β Or βoh bless your heartβ or βOh! Now why you gotta do a thing like that?!β But people from the south still do.
I teach, direct, and dramaturg Shakespeare for a living. When people are struggling with the βheightenedβ language, especially in βOβ heavy plays like R&J and Hamlet, a frequent exercise I have them do is to run the scene once in a southern accent. You wouldnβt believe the way it opens them up and gives their contemporary brains an insight into ways to use that language without it being stiff and fake. Do the Balcony scene in a southern accent- youβll never see it the same way again.
This guy is also doing two things that are absolutely spot-on for this speech:
First, heβs using the rhetorical figures Shakespeare gave him! The repetition of βambitionβ and βBrutus is an honorable manβ, the logos with which he presents his argument, the use of juxtaposition and antitheses (βpoor have cried/caesar hath weptβ, etc). You would not believe how many RADA/Carnegie/LAMDA/Yale trained actors blow past those, and how much of my career I spend pointing it out and making them put it back in.
Second, heβs playing the situation of the speech and character exactly right. This speech is hard not just because itβs famous, but because linguistically and rhetorically itβs a better speech than Brutusβ speech and in the context of the play, Brutus is the one who is considered a great orator. Brutusβ speech is fiery passion and grandstanding, working the crowd, etc. Anthony is not a man of speeches (βI am no orator, as Brutus is; But, as you know me all, a plain blunt manβ) His toastmaster skills are not what Brutusβ are, but he speaks from his heart (his turn into verse in this scene from Brutusβ prose is brilliant) and lays out such a reasonable, logical argument that the people are moved anyway. I completely believe that in this guyβs performance. A plain, blunt, honest speaker. Exactly what Anthony should be.
TLDR: Shakespeare is my job and this is 100% a good take on this speech.
definitely one of the challenges I have with reading Shakespeare is that it sounds so weird to me. βThe good is oft interrβd with their bonesβ?? Who talks like that?
Well,,, rednecks. Despite being Elizabethan English, none of this is really out of character for a man with that accent; southern american English has retained not only (I am told) the accent of Shakespeare, and the βOh!β speech patterns, but also so many of the little linguistic patterns: parenthetic repetition (βso are they all - all honorable menβ), speaking formally when deeply emotional, getting more and more sarcastic and passive-aggressive as time goes on, etc.
Someone sent this to me a while ago and I dropped it in my drafts because I wanted to comment on how RIGHT this sounded but I couldn't express why it sounded right, so I'm glad other people have picked it up
There's a theory that Appalachian English in particular retains a lot of the qualities present in Shakespearean english that are now gone elsewhere. Thinking of my Mamaw, who says "twice't" instead of twice and other things like that...
This is right up there with Gary's Cook's Hamlet soliloquy
First of all, this is brilliant acting. Second of all, the language analysis above is great for anyone interested in it. And lastly, this video, to me, does a great job of pointing out the effect of type of media on the story you're trying to tell. Shakespeare's plays work best as plays. Not as scripts, not as movies. Plays.
Happy dagger day, friends

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why does this have 32k notes? itβs just a picture of a knife in a ranch bottle, is there some unspoken joke that 32 thousand people share? what is going on here, i dont get it. itβs just a fucking picture of a knife in a ranch bottle. is there some spiritual connection people have to this picture? is there some ominous and mystical reasoning that this has 32 thousand notes? do people reblog this because it makes them look like some indie blogger? or is there just something funny to this? someone please explain
no one tell him
Scheduling this to post on March 15 because it needs to happen.
March 15 again and here we goβ¦
Happy March 15th!
I had literally scrolled three posts down before I realized and started laughing. It definitely warranted a rb.
it's a beautiful day at the roman senate and you are a horrible goose
happy holidays!
Stab a politician day!!!!

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πͺ
julius caesar told the town crier to sub-speak about this itβs a historical fact
this is targeted tumblr content
Happy ides of march 2026 I bring you Julius Caesar weighted pincushion for consideration

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Happy Ides of March for those who celebrate <3