it is I, Purple

Extra notes:

If the order is large, you're a regularly returning client, or less rendering is requested (plain cell shading), prices may be discounted.

Previous works is tagged #commission in this blog.

Fandoms i'm more familiar with are going to take less time to finish, fandoms I'm less familiar with or original designs will require more references.

First come, first serve. I will inform you if there's a queue, but otherwise a commission will usually take 2-4 days to finish.

I don't consent for my art to be used as NFT or to be fed into generative AI.

Examples of pricing under cut, other previous commissions in the #commission tag and other non-comms pieces are also tagged #purp art tag

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

Honourable mention, Drew Sarich, who has literally understudied Lestat in Lestat, but he's bald asf in JCS so he doesn’t really count.

I have a sword, I can protect myself

Feed your friends. Feed your loved ones. Feed the people who help you. Feed your neighbors. Feed your community.

Sneaky trade offer anyone?????