vi har en grevling i taket

I'm in the business of atrophy.

My Neopets exist, and persist, and are dying and continue to die for the last ten years my account has been dark. My penguin lived until the day Club Penguin died, immobile in its igloo, decoration among the puffles. My Webkinz stand in rooms which time refuses to allow even the dignity of gathering dust. My footprint stuffs the digital shelves of datacenters for sites and accounts I do not remember making.

We live in a pretty great digital age and we have access to a ton of amazing tools that artists in past generations couldn’t even dream of, but a lot of people look at a cool trick and only learn half of the process of using it.

Here’s the missing part of this tutorial:

How do you populate your backgrounds?

Well, here’s the answer:

If the focus is the environment, you must show a person in relation to that environment.

The examples above are great because they show how to use the software itself, but each one just kind of “plops” the character in front of their finished product with no regard of the person’s relation to their environment.

How do you fix this?

Well, here’s the simplest solution:

This is a popular trick used by professional storyboard and comic artists alike when they’re quickly planning compositions. It’s simple and it requires you to do some planning before you sit down to crank out that polished, final version of your work, but it will be the difference between a background and an environment.

From Blacksad (artist: Juanjo Guarnido)

From Hellboy (Mike Mignola)

Even if your draftsmanship isn’t that great (like mine), people can be more immersed in the story you tell if you just make it feel like there is a world that exists completely separate from the one in which they currently reside – not just making a backdrop the characters stand in front of.

I’m a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!

Sketchup is very useful for environment references, and I assume it’s reasonably easy to learn. If you’re interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!

Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple ‘CAT’ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)

The armature can also be posed incredibly easily. I know programs exist for stuff like this - Manga Studio, Design Doll - but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.

By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!

Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.

We can even quickly and easily expand this scene to include more characters!

There’s a theory that early Europeans started saying “brown one” or “honey-eater” instead of “bear” to avoid summoning them, and similarly my friend has started calling Alexa “the faceless woman” because saying her true name awakens her from her slumber

English has an avoidance register used in the presence of certain respected animals, which sounds fancy until you realize it’s spelling out w-a-l-k and t-r-e-a-t in front of the dog.

All evil whales are, well, evil. So evil that if you speak their name at sea, they will hear it and home in on you. So instead you use all sorts of euphemisms for their names. Also if you try to cook their meat it literally disappears from the pot. That’s right, they’re so evil, you can’t even eat them.

They include such types as the hrosshvalur (horsewhale), with big eyes and a red mane and tail. This is probably the best known and most feared of the lot.

The raudkembingur (redcomb) is especially cruel and bloodthirsty even by illhveli standards. If you manage to escape it, it will die of frustration.

Good luck escaping the mushveli (mousewhale) though, it has legs! And will clamber onto the beach in pursuit!

Or what about death from above? The stökkull (jumper) leaps high into the air and pile-drives boats to pieces.

Meanwhile the skeljungur (shellwhale) sits in the path of boats and lets them get wrecked on its shelly hide…

… while the sverdhvalur (swordwhale) slices through boats with its dorsal fin.

The katthveli (catwhale) is relatively harmless though. It meows.

The same can’t be said of the lyngbakur (heatherback), a classic island fish that lets sailors get on its back and then dives, taking them to a watery grave.

The nauthveli (oxwhale) on the other hand specially targets cattle, attracting them into the sea with its bellow before tearing them apart.

How can you avoid all these murderous whales, like the taumafiskur (bridlefish) here? Any of a number of ways, including getting a steypireydur to help. There are substances, ranging from angelica to sheep dung and chopped fox testicles, that they find abhorrent. And you can distract them with loud noises and barrels.

For more, I assure you this link will answer all your questions.

https://abookofcreatures.com/category/illhveli/

2) Her work is all really awesome! And she’s got a ton of short stories available for free online. Some of my favorites:

“Bluebeard’s Wife” -- what would happen if a woman Bluebeard married just didn’t look in the room?

“The Dryad’s Shoe” -- an aroace Cinderella who has zero interest in the ball or the prince but does love gardening

“Jackalope Wives” -- takes the skinshifting conceit of selkies and applies it to jackalopes (folkloric horned rabbits) in the American Southwest. Also stars the absolutely iconic Grandma Harken, whose left to clean up the mess when her grandson tries to catch himself a jackalope wife. This one won a bunch of awards and there’s an audio version read by LeVar Burton.

“Sun Moon Dust” -- a young farmer inherits a sword bound to the souls of three warriors, all ready to teach him to be a hero... but he has no desire to be anything but a farmer. A very sweet M/M story!

it’s true you can’t draw one continuous line that would do the trick. but if the kitty and bunny set out by going through the doors they’re marked beside and each walked the certain way their colored arrows show at the same time their “collective path” as a team would go through each door only once. The moral of the story is actually about friendship , and cooperation, because in this world there are tasks you can’t do on your own.