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Strange racists and homophobes on the internet seem to have access to an alternate way cooler version of TV than me. "every white character on TV is in an interracial relationship" "every show has a gay couple in it" "main characters keep having to secretly be bisexual and nonbinary" "every show has gratuitous full frontal nudity" like damn promise?? What channel???
for real though, those DO NOT WATCH OR YOU'LL CORRUPT YOUR CHILDREN lists put out by conservative christian family groups is where I find all the stellar tv shows. Like, shit I didn't know half of those existed, thanks for finding them for me, gonna go watch 30 hours of gay tv now!
For personal context, before I went to the '98 Burning Man festival, one of the things I'd read from a couple different journalists was that "everybody" runs around naked. Which, fine by me, I'd already spent a lot of time in clothing-optional spaces, I'm not fanatic about it but it's nice.
So I got there early and set up a public shade structure on one of Black Rock City's main roads and spent most of each afternoon just watching the crowds go by. I don't remember seeing more than one actually naked person the whole week. I think a topless woman passed by my intersection maybe every half an hour, sometimes once an hour. So why in the hell were people, normally pretty smart and observant writers, coming away with the impression that everybody was naked?
Then I remembered an unrelated passage from Joel Garreau's great book about the history of the outer-ring suburbs, Edge City. Mall developers told him flat-out that they tried to keep the crowds in their malls less than 5% black. Not because they themselves were racist, but because they had determined, experimentally, that if more than 5% of the people in the mall are black, the median white shopper will wrongly describe the mall as at least half black, as mostly black. And not a few of them would describe it, at 6% black, as a mall where "only black people go." Why?
Because, emotionally, they were still upset over the last one when the next one came into view.
Same as the journalists describing Black Rock City as all naked. Same as the right-wing religious culture warriors describing television as entirely mixed-race and gender non-conforming. Not because it's even vaguely true, we know that, but because they haven't gotten over their discomfort over the last one by the time the next one comes along. The anger, not the stimulus, is the part that's continuous, so their mind lies to them that it's "all" the thing they can't get over.
Similar effect for the presence/proportion of women in things, by the way: https://health.howstuffworks.com/mental-health/human-nature/perception/how-17-equals-496-the-amazing-multiplying-women.htm
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most big herbivores are, frankly. if you have a pretty steady supply of food and don’t have to worry about missing a hunt and starving to death, you can afford to throw your weight around more and generally be more aggressive!
that’s why the most dangerous big animals in the world are almost all herbivores.
Sauropods would be fucking TERRIFYING and it annoys the hell out of me that media constantly portrays them as passive and harmless. That Indominus from Jurassic World would have been SLAUGHTERED against an Apatosaurus, let alone a whole HERD of them
Ok but, bringing it back to sauropods, people dont really understand just HOW terrifying they were
First, size. And yeah most people understand that sauropods were bit, but it really needs to be reinforced just how big they were.
This is Camarasaurus lentus, around 15 ish meters and over 16 tonnes, for reference sake, the largest african elephant bull EVER recorded was 11 tonnes.
pretty decent difference right?
Well, except one thing.
This is a SMALL sauropod.
Want to see a large one?
Yeah, you’re reading that right, 53 tonnes. Almost five times heavier than the largest recorded african elephant ever.
And they get even larger.
This bastard was last estimated at 73 tonnes, the largest animal ever to walk the earth.
And they didn’t just get big, they got l o n g, too
That right there, is BYU 9024, it (among with a few undescribed remains) shows an animal in the size range of 40+ meters, this one here clocks in at around 40, and the funny thing is? this is the *conservative* estimate, larger specimens are not unreasonable in the slightest. It’s not quite as heavy as the big south american bastard above it, but at 67 tonnes, its close.
Secondly, speed.
We’ve all seen it, lumbering behemoths that were dumb as rocks and probably about as fast, with a tailwind, going downhill.
Well…. Not really, the latest studies done as of Asier larramedi’s sauropod facts and figures book gives some… Horrifying estimates.
I’ll spare you the complete explanations, there will be a paper out soon that goes into greater depth, but I’d like to draw your attention to the speeds, specifically fo the animal called Giraffatitan.
Most people are familiar with it in some way, shape or form, but to clear up what exactly Giraffatitan is.
They’re not the small ones in the foreground, they’re the big ones in the back. 33 tonnes of pure muscle, moving at 25 kp/h. Again, to provide further reference.
https://www.youtube.com/watch?v=HUE304bqwQc
THIS is how fast that is. It’s a house running at you, forget a hippo charging you, this would be a tidal wave of flesh and hatred bearing down on you.
And finally, weapons.
Like someone earlier pointed out, Apatosaurus should have absolutely trounced the indominus, because quite frankly at such a size anything you do will hurt. Kicks with the front or hind limbs will be utterly devastating to anything except another of their kind, but Apatosaurus had another thing going in its favour.
One thicc-ass neck. Pictured here with speculative keratin spikes on the bottom, whilst the spikes are speculation, the neck itself would have essentially functioned like a fleshy battering ram, capable of pulping ribcages and smashing anything that could have “preyed” upon them.
But that’s not even the most terrifying thing, though this is not specific to Apatosaurus itself, but to all diplodocoids (Apatosaurus, Barosaurus, Diplodocus, etc.)
Specifically, the tail.
This is Diplodocus, as you can see, this animal is half tail, as you might also be able to see, the latter half of that tail tapers down to what can, in all essence be described as- a whip.
A serrated whip, powered by some of the largest muscles in the largest animals that would have walked on earth.
But it gets even MORE horrifying.
You see, there have been studies that have come to a conclusion, and though there are those that have doubted them, I personally have looked at the papers and found merit to the theories.
Well, I’ll not hold you in suspense any longer.
The tips of these tails, could have, and would have broken the sound barrier. Yup, you heard that right, and as soon as that fact begins to seep in, you’ll realize the horrifying implications.
A diplodocoid whipping its tail, would blow out the eardrums of any animal close by and unfortunate enough to draw its ire, the sauropod itself would possibly not come out unscathed, but when you can literally give a would-be predator internal hemmorages by, what to them would be essentially like snapping a finger, the benefits begin to outweigh the risks involved.
And that’s not even mentioning what would happen if it HIT anything, an impact at such velocity, with such mass driving it would be- quite frankly? Devastating beyond words.
Flesh wouldn’t just tear, it wouldn’t just break skin or bones, flesh would MELT, bones would shatter, if not simply cease to be. And this is on a sufficiently sized animal such as Allosaurus or Torvosaurus.
On a human? They would be ripped in half.
So yeah, Sauropods get shafted in popular media to an extent that isn’t even possible, if you think hippo’s are scary, imagine something fourty times its size, faster than you, and able to kill you without even touching you.
Sauropod are kaiju, plain and simple.
The babies were really cute though. This is andrew, and he’s a baby… the size of a horse.
If you want to know just how tiny they began, this is probably a good reference.
Yeah, the largest animals ever to walk the earth started out life at about the size of a dachshund. Eat your greens everyone.
I would not be surprised if, in a world where human civilization and dinosaurs lived side by side, stampeding herds of sauropods at enemy farmland and villages was a military tactic.
I honestly don’t think aggression would be the biggest threat a sauropod had for a human.
I don’t think they’d register humans as a threat, if they registered them at all.
Not saying they’d be safe. But at least one turtle in the fossil timeline learned the hard way.
Think about it, they’re large, and they’re not known for being brainy beasts.
just latching onto this response because “humans are too small to be a threat” is a pretty common sentiment in the notes- not necessarily!
you might not be a threat to an adult sauropod, but they may very well still decide to smear you and any other small maybe-predator in the area just in case you might get any ideas about snacking on their eggs or babies now or in the future.
more dead mesopredators = more baby sauropods that make it to the more defensible juvenile stage, it’s dinosaur math 🦕
the funny story about the cat with a Hispanic-sounding name being summoned for jury duty because the cat was mysteriously registered to vote (even though the owner has never registered to vote, which is the 'punchline' of the story) is asking you to swallow some basic (racist, incorrect, and conservative) assumptions about the way voter registration works in the United States of America in the guise of a funny story about 'bureaucracy'.
@bixbythemartian would you be willing to expand on this? I definitely didn’t read it that way and had questions about some details of the story myself but took it to be essentially “cat somehow gets on jury duty list, no one knows how or why but US gov bureaucracy is so ridiculous that the cat has to show up in person to be excused”
'us gov bureaucracy is so ridiculous that a cat has to show up in person to be excused from jury duty' is also expressing an inherently conservative viewpoint*, it's just a much more commonly accepted one.
but, to your point, the cat didn't 'somehow' get on the jury duty list, it was on the jury duty list very specifically because the cat was registered to vote. the unspoken assumption is that it's so easy to register to vote that even a cat can do it! the cat is even jokingly accused of voter fraud. of which, of course, the cat is innocent.
it is left to the reader's imagination how that happened, and who else could potentially register to vote.
this post is not in any way intending to blame anybody who read that and thought 'huh, what a funny story' and thought nothing more about it. this post is intending to demonstrate the ideology underlying the story going around, that one might have missed on a first reading.
*this is why they gutted a bunch of government services at the beginning of the current president's term, and continue to try to do so, in the name of cutting through red tape and inefficiency and useless spending. the number of people who have died to these cuts is currently unclear (the departments responsible for measuring such things also were massively cut and downsized), but estimated to be in the hundreds of thousands, at the moment, and projected to go into the millions.
also it appears that the story is a retelling ripoff of a real story that happened all the way back in 2010. here's an article from 2011 bemoaning the circulation of the viral story as if it was breaking news when it was (at the time) already a year old:
When One Website Reported a Year-Old Story as New, Dozens of Big Outlets Followed; Welcome to the Web Rewrite Echo Chamber
i admit, i also uncritically reblogged that story, in no small part because i knew a cat had in fact been summoned for jury duty before! the voter registration stuff pinged as odd, but the humor of the situation overrode my inner critic. in the original, real story, the cat had been listed as a pet in the census, which is how he somehow ended up on the jury roll. the other details - right on down to the first exemptions being denied and a vet being asked to write testimony that the potential juror was in fact, a cat - were lifted directly from this sixteen-year-old news story.
knowing all this now, it's almost impossible not to see the doctoring of the story as what it is - a pernicious and intentional production of conservative dogwhistling horseshit. knowing that the SAVE act is in senate yet again, it is difficult to imagine this registered voter cat story as anything but malicious propaganda designed to sow doubt around our voting systems.
I read that one aloud to the MFH, and then both of us sat there and went "Well, hang on, though. The voter registration thing sounds actually impossible to me. This has to be bullshit."
there’s very few things that drive me up the wall in fandom as much as this weird new assumption that fandom is primarily a space for younger people that older folks are only accepted into in a trial basis if they promise to centralize and accommodate younger fans, and further, anything else is creepy and predatory. IT’S OKAY FOR ADULTS TO PRODUCE CONTENT FOR OTHER ADULTS.
if I have to read “women in their 30s” used as an insult one more time I swear I’ll - step away from that user and just hang out with the other grownups who consistently create good content because I’m also an adult and too busy comparing car insurance to fight with teenagers on the internet, but goddAMMIT I’ll be annoyed
What stands out to me about the Mitch McConnell thing is just how little anyone around him actually cares for him as a person.
He goes down, ends up in a coma or brain dead, on life support, genuinely never coming back and even if part of him did he would be in agony from his cpr injuries. The best thing is to let him go.
But its not convenient to. His own *wife* runs away to China so they can't *make* her do the right thing and allow him to pass. She doesn't love him enough to override the political posturing. His own family is letting his abused half alive carcass get played with like a political doll while he's trapped in purgatory, as close to undead as one can be.
Not one of his colleagues or even any of his immediate family gives a single shit about him at all beyond what they can use him for. Its so grotesque I almost feel pity.
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The worst person you could ever meet in your lifetime still has a favorite breakfast cereal.
I knew a rapist who was an absolute ride-or-die friend to his gamer bros. Like, give the last dollar from his pocket to a friend who got a flat tire, and then turn around and go rape a Freshman that evening.
I knew a vicious child abuser who wept like a baby when her dog died.
The nastiest human being on the planet nevertheless feels obscurely melancholy sometimes, or has high spirits when they step out doors on the first warm day of spring, or has opinions on their favorite TV show and which side the toilet paper should hang on and whether or not the room should be cold or warm when you go to sleep.
We're all still just people. Complex, with fully-realized interior worlds.
None of that will save you from becoming a monster, if you decide to do monstrous things.
None of it makes you exempt from the consequences of monstrosity.
The problem with giving advice to angry and suffering people is that rather frequently the thing they need to know to improve their position is the last thing they want to hear and not something they have the capacity to internalize or accept
Unfortunate truths you can tell people that would help if they could hear what it means and not just what it sounds like
You were the victim, and it wasn’t fair, but it’s over now. Nobody came to save you, and I’m sorry, but it’s too late for anyone to go back and do it different.
You’re suffering over something that cannot be resolved. You’re allowed to feel angry, or outraged, or betrayed, but there will eventually come a time that you don’t feel that so violently anymore, and you’re going to want to have something good left to go back to.
You can’t make anyone love you the way you need to be loved. That’s how a lot of good things end. Not with a clear sign, something blocking the road that says “do not proceed”, just a splitting of the path that’s still moving somewhat in the same direction.
You can’t fix them. Nothing you can do will fix them. And if they fix themselves, they can’t do it for you- they have to do it for themselves as well, because otherwise a day may come when they’re alone, and as long as they live, they are their only true constant. So you can support, and you can encourage, but the hardest part is up to them. And sometimes they can’t do it even with your help.
Sometimes letting go of someone feels like mourning at their funeral before they’ve died, and every time you see them after it’s like talking to a ghost that doesn’t know it’s dead. Sometimes that happens. You’ll both still wake up tomorrow anyways.
I understand that you’re afraid, and that you’re afraid for good reasons. And I understand that being brave isn’t as easy as just turning that fear off, and you would if you could in a heartbeat. But the thing is, as long as that fear is able to dictate your choices, it will have power over you. If you don’t believe you can try to fight it, if you accept that it will always be in charge, you let the frightening thing stay present in your life. It will exist as long as you stay paralyzed. And that sounds cruel, but it isn’t something anyone can fix for you.
The person you may let yourself become after experiencing the terrible thing may very well grow into a much bigger, much more terrible thing, and someday it will swallow the first terrible thing whole. And all that will be left is something far worse for someone else. And you will not be able to shrink it down by explaining where it came from, because terrible things that are dead and gone are never as terrible as terrible things that are alive right now in front of you.
No matter how much or how little I love you, I still do not have the ability to help you the way you need to be helped. I might be the helper you want, but I am not a helper you can get. If you are to be helped at all, you will need to accept that it will come from someone else.
If anyone goes out of their way to find this user and harass them, please know that’s shitty behaviour and I will be deeply disappointed, but I think they really helped to underline number 8 in a way I wished I’d known to consider of others years ago
If you read this whole thing and found yourself angry, if you thought to yourself ‘I know that, and it doesn’t help. I know that, and I’m still suffering. I know that, I’ve heard that, I’ve been told that before, over and over and over again, by people who aren’t listening who don’t understand, who don’t get it, and I’m still hurting, still tired, still in pain, still suffering, and this isn’t something a handful of pithy words from some asshole who isn’t here and present and walking in my shoes suffering what I’m suffering from can fix. I know all of this and it changes nothing”, I want you to know:
Yeah. That was me, too. I sat at the bottom of a miserable pit that I didn’t even dig while a bunch of detached, emotionally unavailable jackasses who weren’t helping even a little yelled all this down at me, like just saying it hard enough or making me hear it as though I wasn’t already a hundred percent aware and still hurting anyways would magically solve all my problems and it didn’t. Like I was some whiny little rat with a victim complex looking for the easy way out and not the survivor of something awful doing their goddamn best to keep going, scraping by on the skin of their fucking teeth.
Every single note on this list is something someone told me at the exact wrong time, that made me want to scream and cry and smash a goddamn brick over their head because ‘I already know that, you fucking asshole, and it doesn’t change anything, so fucking help me or piss the hell off.”
That’s why I wrote the list.
It’s everything I needed to know that I already knew, that only made me feel worse, and didn’t help me improve anything at all even a little bit until I experienced the exact right circumstances that made them click the exact right way and allowed me to say it to myself and feel only a sense of, “okay yeah, I get it now.”
It’s not something I would ever directly say to someone in a time of crisis, but it’s all stuff I learned and needed to learn while I was that person.
You get what I mean?
The difference between knowing and internalizing, the difference between hearing the pain is temporary when you’ve broken a bone and KNOWING the pain is temporary after its healed, is that you KNOW, but you’re still not done experiencing the part that makes it true and real and meaningful.
As Above, So Below: Dottore, the Hanged Man, and V.I.T.R.I.O.L.
Or, Part III of Why I Think Dottore Is Coming Back (Part I, Part II)
Everywhere I look, I see Dottore so, when Qiqi drew The Hanged Man in her Witch’s Revelation, I had thoughts about Barbeloth’s interpretation:
It symbolizes transcendence and waiting, and also detachment from the everyday world.
I want to use the Lunar Arcanum to elaborate on Dottore’s connections to alchemical transcendence.
Specifically, I connect the card to V.I.T.R.I.O.L., an alchemical acronym that translates to visit the interior of the earth and, by rectifying, you will find the hidden stone. By literally and metaphorically surrendering in the heart of the world, Zandik achieves spiritual transcendence, paving the way for his eventual rebirth.
TL;DR
Dottore is narratively and visually linked to the Hanged Man
In Tarot, the Hanged Man represents enlightenment derived from a unique ability to view the world from different perspectives
Upright, the Hanged Man is associated with wisdom, sacrifice, and trials. Reversed, it symbolizes selfishness, apathy ,and stalling
In the Major Arcana, the Hanged Man is associated with the 3 and 4 of alchemy through sulfur (symbolizing fire and the soul)
V.I.T.R.I.O.L. is part of Azoth, the beginning and end of all matter
35 is Omega because he is the end of Dottore and the renewed beginning of a Zandik free of fate
The Hanged Man in the Lunar Arcana
I’m not the first person to point out the connections between Dottore and the Hanged Man Lunar Arcanum. Theories have circulated even before Nod-Krai, but 6.6 made the associations explicit, not only through its narrative themes but also its visual imagery.
As the Exalted Master of the Heretical Path, Dottore destroys the foundations on which he stands at the end of the boss fight. He—along with the Traveler, Wanderer, and Nahida—then tumble through the centre of Irminsul, which mirrors the shape of a broken, inverted tower, just as we see on the card.
We can also read the chains on the card as symbols for the constraints imposed upon him by the fact that he’s a Segment. As he says:
A soul living forever in the past inevitably holds different views than he did in his later years. The same thing that completes me also restricts me.
Barbeloth’s dialogue with Qiqi illustrates that the Hanged Man’s shackles have multiple metaphorical meanings:
Barbeloth: There are shackles that bind you, but you yourself have no desire to break free from them.
Qiqi: Shackles... Do you mean... my orders?
Barbeloth: At least on the surface, you wouldn't be wrong to understand things in such a way.
It’s worth noting that Qiqi, like Dottore, is a split soul. Zibai’s anecdote, The Adeptus Arts, Once More, tells us Qiqi has had her Three Deadly Selves severed, and only one remains in her body. I don’t believe it’s a coincidence that characters who have severed their souls into multiple perspectives are associated with the Hanged Man.
The card’s description also fits Dottore’s pursuit of truth:
The path where "strength" is sacrificed for "human wisdom",
Is that of the "Hanged Man" who seeks to glimpse the mysteries of the demonic heavens hanging from the white tree.
Though the intelligence that mortals grasp is flawed,
It cannot be said to be false.
Quite the opposite, for reflected in his inverted eyes,
Is a pure truth illuminated beneath infinite brilliance.
The white tree is, of course, Irminsul. By infiltrating it, Dottore is able to comprehend what the Heavenly Principles have done to Teyvat. He sacrifices his physical body for unprecedented access to knowledge.
The Hanged Man in the Major Arcana
The card’s Major Arcana counterpart depicts a man suspended by his right foot from the World Tree or Tree of Wisdom, the roots of which descend into the underworld while the branches support the heavens. (In Genshin, Irminsul upholds the Heavenly Principles’ fate system.)
While this image sounds a little gruesome, the man’s serene expression demonstrates that he’s there because he wants to be. As such, hanging isn’t punishment or retribution; it’s surrender.
I see your halo and gravity-defying red tails.
In traditional portrayals, the Hanged Man is shown wearing red pants and a blue shirt. Perhaps it’s a stretch, but I wonder if Datattore’s design is meant to allude to this. The Hanged Man also wears a golden halo behind his head which represents enlightenment derived from his unique ability to view the world from a different perspective.
This ability is central to Dottore’s character and, arguably, the source of his power. As he explains in 3.2:
A long time ago, I made a major decision in hopes of preserving all my perspectives of how I observed the world.
Observation is the first step of any experiment, but observing the current world doesn't satisfy me. It lacks an important dimension—that of time.
…
With my abilities, it's only a matter of time until I find better "perspectives."
The search for manifold and better perspectives is foundational to who Dottore is as a character. The game conveys this idea narratively and mechanically. Because the Hanged Man is upside-down on the card, it follows that he’s right-side-up when the card is reversed. Genshin plays with this inversion several times through the Nod-Krai story arc, not only by flipping Dottore but by rotating the camera itself.
The Hanged Man effectively represents those who see the world differently, and we know Dottore is one of a small few who sees the world for what it truly is. He hints at this truth when he presents the Traveler with the scenario of the World-As-Dream, but the Traveler dismisses it as “pure sophistry.”
Of course, I don’t believe we’re supposed to align with the Traveler here. As the game constantly reminds us, it’s the madmen and heretics who understand the truth.
I know Dottore has done some truly messed up shit and I’m not trying to say the ends justify the means, but these descriptions paint him as deeply sympathetic when we think about how intelligence (ahem, especially when one is neurodivergent) has historically been pathologized and scapegoated when it speaks truth to power.
Reading the Card: Other Important Meanings
Beyond perspective, there are a number of other salient interpretations in Tarot readings. Upright, the Hanged Man is associated with wisdom, sacrifice, and difficult trials (also known as a crucible). Reversed, the card symbolizes selfishness, apathy, and stalling.
The Hanged Man contends that sacrifice is necessary for progress. In addition to the obvious sacrifice of his death, I read Dottore’s tendency to play the villain’s part as a personal sacrifice; he is willing to forgo being understood by others in exchange for understanding the world.
Reversed, the Hanged Man also symbolizes stalling as a tactic for suspending action, and Dottore is constantly stalling. In the Moonttore boss fight, he toys with the Traveler & Co., prolonging the fight so that the World Formula can finish calculating because he wants Columbina to become a god (even if no one else recognizes his plan). His 75% HP line is “Good, keep it up. I'm still collecting data.”
In 6.6, he asks Pantalone to stall the Sumeru crew. Pantalone replies with a ludicrously tongue-in-cheek “you’re really asking for the moon here” and proceeds to recount a story about stalling for time by confessing one’s sins before a sentencing.
While stalling can indicate fear or indecision, it can also symbolize wisdom and circumspection. Reversed, the Hanged Man is a catalyst for action upon reflection, a way of planning for transformation.
In summary, the Hanged Man symbolizes enlightenment through surrender with both the upright and reversed cards signifying the need for different perspectives.
Alchemy and the Arcana
Tarot and alchemy have a long, overlapping history, and there are many esoteric interpretations of the Major Arcana. In readings of the Hanged Man, we find two of our favourite Dottore-related numbers, 3 and 4, revealed in the triangle of the man’s arms and the cross of his legs.
Together these shapes form the symbol of sulfur, one of the Tria Prima or three primes. In alchemy, sulfur represents the combustible element (fire) and, by allegorical extension, the soul.
While we lose the shape of this silhouette in the Lunar Arcana, these themes are baked into the associations between the Hanged Man and transcendence, which Barbeloth voices in her reading for Qiqi.
But, in exchange for the 3 and 4 shaped out of the man’s limbs, the Lunar Arcana gives us something even more compelling. If we look closely at the Hanged Man’s shirt, we find a 7-pointed star, a symbol not entirely unlike the esoteric illustration of V.I.T.R.I.O.L.
V.I.T.R.I.O.L.
In my first essay on Dottore and alchemy, I included an illustration of a famous alchemical diagram, a woodcut initially published circa 1613 in a foundational alchemical text titled Azoth by pseudonymous author Basilius Valentinus.
The diagram shows the alchemist surrounded by the 3 prime materials (sulfur/soul, mercury/spirit, salt/body) and the 7 steps of alchemy with the image of the 7-pointed star. In some illustrations, the most downward point is exaggerated as it is on the Hanged Man card.
Each step on the cycle has a word written on it, which gives us the alchemical acronym V.I.T.R.I.O.L.:
Interiora Terrae Rectificando Invenies Occultum Lapidem
If we translate the Latin text literally, we get:
visit the interior of the earth and, by rectifying, you will find the hidden stone
But we can also arrive at a more nuanced understanding of its spiritual meaning with a few translation notes:
Interiora: in addition to meaning inside, this word can also be translated as viscera—the interior of a person, or their heart
Terrae: means Earth, but it was frequently used as a metaphor for man, an association derived from Hebrew where the word man, Adam, plays on Adamah, meaning earth
Rectificando: most obviously translates as rectify, but it can also mean purify. If we look at the etymological building blocks, we get rèctus (straight) and ficàre (to do), meaning “to make right.”
Invenies: is often translated as find, but the Latin can also mean to obtain, achieve, or arrive at
So, a more metaphorical meaning is:
visit the heart of one’s self and, by making right, you will achieve enlightenment
In the Crucible of Causality, we watch as Dottore is drawn into the flames by his other selves. The video description explains:
Where countless broken souls converge, he shall hear the verdict of his own soul.
V.I.T.R.I.O.L. is an enticement to surrender and look inwards. Dottore takes this call literally when he ventures into the centre of Irminsul, but he also follows it metaphorically when he confronts the judgement of his soul. At the intersection of the two, he can reach enlightenment.
Azoth and the Path back from Dottore to Zandik
I mentioned that V.I.T.R.I.O.L. first appeared in a text called Azoth. But what is azoth?
In alchemy, Azoth is the essential agent of transformation. It is the beginning and the end. It is raw matter and purified output. Paracelsus, our renaissance alchemist buddy who gave us the Tria Prima, believed Azoth was the universal medicine capable of curing all ills. In the Kabbalah (from which Genshin draws extensively), it’s the Ultimate Substance. Azoth is the Universal Solvent and the Elixir of life.
Azoth is alchemy itself.
The word has contested origins with one proposal saying it began as azoc from the Arabic al-zā'būq (meaning mercury). But esoteric interpretations hold that it is be made up of three pairs of letters from the Latin, Greek, and Hebrew alphabets:
A & Z in Latin
Alpha (Α α) & Omega (Ω ω) in Greek
Aleph (א) and Tav in Hebrew (ת)
In all three cases, these letters correspond to the first and last of their respective alphabets where the first symbolizes the initial state of matter and the last corresponds to the completion of transmutation. It’s a tidy alchemical allusion for how, as the ultimate substance, azoth is the beginning and the end of all things.
As is often the case, Genshin is clever in their naming. Dust of Azoth is:
A device that can transmute elemental Ascension Materials.
And so the question of Azoth and names leads me to Omega.
The End Becomes the Beginning; As Above, So Below
Quick recap: alchemical transmutation and the Hanged Man contend that enlightenment requires surrender. In alchemy, transmutation begins with calcination—heating metal over flame. The corresponding metaphor in analytic psychology is that transcendence begins with ego death through the severing of attachment. Or, in Barbeloth’s words detachment from the everyday world. Through surrender, one emerges with a greater understanding of the self and the universe.
While playing through 3.X, I often wondered why the Segment we meet in Sumeru is the Omega build when Omega is the last letter of the alphabet. I would have assumed the Omega build would have been the oldest among the Segments. But, of course, I was being too literal.
35 is Omega because he is the end of Dottore. And, since the end is the beginning, his death will be the catalyst for Zandik’s return. Three years ago, the game told us this specific model would be the final step in Zandik’s transformation. My contention is that it won’t be the selfish Omega soul-fragment who returns but Zandik as the purified whole.
Another foundational alchemical principle is as above, so below, a phrase originating from the Emerald Tablet attributed to—wait for it—Hermes Trismegistus (hi Barbeloth). The idea here is that the universe and the human experience are foils for one another. Change one’s spiritual nature (below) and change the world (above). By extension, change the world (burn Irminsul), and change oneself (purify Zandik and restore him, now freed from the shackles of Fate).
Surrender, Rebirth, and the Cycles of Time
In the Witch’s Revelation quest, Barbeloth says to Qiqi:
As for your future, all you need to do is wait. Of course, it’s not like you lack for time.
Time is a running theme for Dottore. He’s frustrated by his inability to study the dimension of time. He and Pantalone need more time. He tells the Traveler he has all the time in the world in 6.3, but 6.6 is all about time running out. Is it really running out? Or has he found his answer in surrendering to it?
To achieve alchemical transcendence, one has to begin from a place of surrender. In the Major Arcana, the Hanged Man chooses surrender, conducting his energy downward into his illuminated mind. He does not climb the tree. He descends from it.
In the Lunar Arcana, the Hanged Man doesn’t hang at all. He falls.
Dottore falls with intention. With purpose. He shatters the foundation of Irminsul and surrenders to the fall while the Traveler, Wanderer, and Nahida hold onto each other to prevent their descent. Consider, Dottore is already in the flames by the time he reaches up for the Traveler('s power). He’s not there because the Traveler or Nahida put him there. He put himself there. After all, the hands that reach for him are his own.
Dottore’s deaths are deliberate. Moontorre dies so that he can infiltrate Irminsul. Datattore plunges into the heart of the world. Dottore admits to having a hand in Zandik’s death so he could perfect the Elixir for Pantalone. And, of course, he killed his fellow Segments. Sacrifice after sacrifice, surrender after surrender.
And now that he’s in the interior of the earth and can rectify with the other portions of his soul, he can obtain enlightenment and be reborn.
Bonus: Capitano as the Way Out (Maybe???)
One of the theories I’ve been tossing around is that Capitano will eventually pave Dottore’s way out of the Leylines.
Die and be transformed with Christ is the central journey of Christian faith where the crucifixion represents the ultimate form of spiritual transmutation. Sacrifice and resurrection are woven through the Christ story, and Capitano has been set up as this Jesus figure who shepherds souls and sacrifices himself for humanity.
Most clearly, we see this in his Fatui symbol of the three nails, which mystics viewed as a representation of the Holy Trinity and a symbol for the 3 alchemical principles (sulphur/soul, mercury/spirit, salt/body).
Capitano bringing Dottore back would also fit the imperative of the commedia dell’arte where all stock characters must be returned to the stage (alive) by the end of the performance, no matter how dire things look before that.
I've had so many thoughts about 35's long-term goal, and this hits on so many of those points!
As always, I can't help but bring Dottore's Mahayana philosphy into things, because it's clearly such a throughline for the character, but also - like all this alchemy - equal parts deeply spiritual and linked to his ultimate goals both for the world and for himself.
Prajnaparamitopadesa To Quell Seven Calamities was the first direct link we got to Dottore's canonical Buddhist philosophy. In short, the title of his Nod-Krai boss theme means something like "A Prajnaparamita-based proposal on overthrowing the Heavenly Principles' world model" - the "seven calamities" is referencing Hymns Of The Far North's title for the Heavenly Principles, Lord of Seven Calamities. And prajnaparamita is an aspect of the Mahayana branch of Buddhism, specifically outlining the path to becoming a bodhisattva, a world-saviour who foregoes individual ascencion to instead remain in the samsaras of suffering to help liberate others and guide them to Nirvana.
This goal is referred to multiple times in game dialogue and quest titles - throughout him talking with Traveler in Nod-Krai, the Field of Binding Nirvana in Irminsul in 6.6 - there's even the Nirvana Engine of Shouki No Kami, which he also contructed.
Dottore's ultimate goal is to save the world and everyone in it. When he speaks of the world being rotten and decaying, of the new world he will create, of being a creator-god, he isn't boasting - he is stating his truth. He immediately confirms as much when Pantalone asks him directly during their private talk in Surasthana - was your promised new world a lie? No, it never was.
Even his 6.6 boss description speaks of him "being unwilling - or perhaps unable" to liberate the whole world alongside himself.
The lyrics to Prajnaparamitopadesa make it very clear it's the latter. "I alone shall liberate. Rejoice! A new world is born."
Speaking of Omega's introduction scene - the very first thing Dottore does upon our first time meeting him is staging a scenario where the Akasha-hypnotized people of Sumeru lovingly greet "a hero who just saved the world". Ow.
The other aspect of Mahayana, aside from the world-saviour aspect, is the fascinating philosophy of Possibility.
According to the Mahayana philosophy, "all dharmas are devoid of essence". Meaning, simplified, that if nothing we believe to be real is actually defined and true and concrete, if existence and nonexistence are the same, then everything could be anything. This is what he means when he repeatedly talks about the process of experimentation being more important than the result - to never stagnate in fixation on a single goal, but always grasping and shaping that Possibility.
The Madman's Restraint boss drop mentioned above also references that philosphy - "Yet believing that all things, whether they exist or not, can be contained within reason may itself be another form of lunacy. The madman sees through reason's cunning, and in his world, all things are permitted."
Interestingly, you get a lot of Mahayana symbolism and dialogue in the Temple of Space, which we know has a major overlap with Dottore (Segment Domain Tau?). So. 🧐
Dottore's influence on the Hyperborean phantoms spotted 👆
It's also what makes his and Nahida's farewell conversation so bittersweetly final. "Indeed. I can see no further outcomes," he says. No more Possibilities, no more fault tree branches or contingencies - for 35, the one single remaining path is nearing its end.
I wholly believe everything we've seen Dottore do since he first appeared has been (more or less, no matter how meandering) leading up to this point, to the Crucible.
As he tells Pantalone, to be a segment is to be "frozen in time", containing a split shard of soul. Unchanging, unable to change. For someone like Dottore, who rages against all restrictions, how is that different from the shackles of Fate?
Only by smelting all those fragments together in that primal flame can he hope to rise as something whole again - a real person, able to grow, change.
Which gives this exchange a very different meaning. Are they talking about the world? Of course. But also about Dottore.
As the Staff of Homa's lore says:
Those who have passed, unable to bear deep sadness, but who have since become shrouded by ill karma and calamity,
They shall be reduced to ashen butterflies in this flame, and receive relief from their misfortunes and hurts.
As for the doctor who lit those countless flames, legend has it that they, too, were reduced to smoke in the shape of a lovely butterfly.
Though these rites have been forgotten over time and with the coming of peace,
Those with fire in their hearts can still hear these whispered words from flickering flames when they find themselves faced with an imposing darkness:
"Only an unbound flame can purify this world."
"Whole and shining like the moon" Prajnaparamitopadesa describes Dottore's new promised world. And dare I infer, his new, yearned-for made-whole Self.
35 has come here and completed his creation, and he does not regret it.
The most selfish segment, the one most yearning for a self, accepts the price of self-sacrifice and death of self in the hope that something else, something better may rise from the ashes to see the dawn of a world where Fate's shackles have loosened, humanity has taken control of Aaru, Sumeru is united and the Trilune goddess holds authority to rival the Heavens.
Once again @silvysartfulness’s insights and analyses of Dottore and his Mahayana philosophy are unparalleled. Do the ends always justify the means? Certainly not. But, for all Dottore’s talk of selfishness, everything from curing Eleazar to attempting to rewrite Irminsul’s Rules has been part of his relentless pursuit of a world liberated from Fate.
@millionwaters wrote a brilliant theory linking Hroptatyr, Dottore, and Pantalone via narrative and thematic motifs. It’s an excellent analysis, and I highly recommend going to check it out.
When I read it, another piece clicked into place to support the Hanged Man and self-sacrifice theories: the idea that he’s playing Hroptatyr’s part the same way he talks about playing the villain’s part. We see this in how he hangs from the world tree and plucks out his eye(s) the way Odin does in exchange for knowledge. Hroptatyr is, of course, an Old Norse name for Odin.
TL;DR
Dottore gains knowledge by making the same sacrifices as Odin; he is the Hanged Man and the one-eyed monster
Odin makes his sacrifices in exchange for wisdom to try to prevent Ragnarök, the fated end of the world
Dottore may be trying to find a different way to free humanity by burning the shackles of fate in contrast to Fimbulvetr, the everwinter that serves as a prelude to Ragnarök
The rift between Harbinger factions may stem from the opposition between Pierro and Hroptatyr; the Traveler will have to make a choice
Playing Odin’s Part
In Norse mythology, Odin hangs himself from the World Tree for nine days in pursuit of knowledge. In 6.6, Pantalone uploads the remainder of Dottore’s soul into Irminsul, where Dottore then destroys its foundations and follows the path of the Hanged Man in his descent.
In Norse mythology, Odin sacrifices one of his eyes at the Well of Mimir in exchange for learning the hidden truths of the Nine Realms. This sacrifice isn’t unprovoked. Mimir specifically demands his eye as an offering, and Odin plucks it out without hesitation to gain wisdom Interestingly, Mimir’s name is also connected to memory.
In 3.2, meanwhile, Nahida demands Dottore’s Segments in exchange for the Gnosis he has come for. Like Odin, he accepts. But he tells her:
what you request of me is like plucking out the eyes I have placed in the dimension of time.
In Nahida’s fairy tale, the Dottore monster is also portrayed having only one eye. From stripped down models, we also know that, under his mask, Dottore has a faceplate with a single red “eye.”
Odin shows us that knowledge requires self-sacrifice. Odin is also not a universally “good” dude. Pick any section of the Old Norse Prose Edda or Poetic Edda and you’ll find a lot of moral ambiguity. Odin’s heroism comes in part from how he is willing to pay these prices in exchange for knowledge and wisdom as he attempts to prevent the catastrophic, world-ending event of Ragnarök.
Ragnarök or, An Everwinter without Mercy (?)
Ragnarök, also known as the Twilight of the Gods, is a series of foretold events that culminate in the world burning and then being submerged in water, after which a new, purified world can rise and be rebuilt.
The prelude to Ragnarök is Fimbulvetr, a succession of three harsh winters with no summer in between. In other words, the everwinter is a harbinger of the end of the world. Pun intended.
From early leaks, we heard the Harbingers occupy different factions. I believe the original language was conservative vs. radical (eyeing Pantalone’s remark about Dottore in 6.6). Perhaps these factions map onto different approaches to the end of the world.
One leads to Ragnarök, the fated end, the cycle of destruction and rebirth that Teyvat appears to be stuck in. The other is the reworking of the existing world—not by burning and drowning but by burning the fate that chains the world to its cycles. This path is liberation.
In the Transcendence Trailer, citizens begin to protest Project Stuzha, potentially the prelude to Ragnarök. When they do, Childe and Sandrone seem surprised (they both gasp), but Arlecchino doesn’t seem shocked in the least. Her eyes slide to the side, presumably to glance at Pantalone, who appears quite pleased.
My suspicion is that Pantalone may have played a role in this apparent revolt as the ongoing executor of Dottore’s will. As such, I’m starting to suspect Dottore isn’t as aligned with Pierro as I initially assumed.
Mikhail, our Fatui NPC gossip stationed above the Mondstadt crafting bench tells us that Project Stuzha is being led by Pierro and Pulcinella. He refers to it as “Her Majesty the Tsaritsa’s great endeavor.”
Could it be that Dottore and Pantalone are opposing Pierro and the Tsaritsa to seek out an alternative to Ragnarök that, rather than perpetuating the endless cycles of the world’s destruction and rebirth, goes to the source and eradicates Fate itself? Pierro and Hroptatyr were opposed during the Cataclysm, and Ragnarök is a fated end. Destroy Fate, and maybe the story can be rewritten.
Wild speculation, but if the Traveler is meant to go through this journey to find out how to stop the cycle, who better than Dottore to show him how this might be possible? It would be a great way to turn years of assumptions on their head; where Dottore has been portrayed as the most selfish, he is aligned with a deeply self-sacrificing philosophy.
All of this to say that both @silvysartfulness and @millionwaters have cemented my belief that the game has set Dottore up to be redeemed not only on the level of the individual (e.g. the return of a purified Zandik) but on the level of the world.
Heck, this theory could also help explain the red-eyed lizards as Dottore crafting more eyes in space and time, since one of Odin’s ravens is often referred to as his eyes.
(And again please go read millionwaters’s theory because there are so many insights there I suspect we’ll see a lot of those themes soon)
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I know things are scary because they're going to strike us down with their powerful kicks, but here's what YOU (yes, YOU READING THIS RIGHT NOW) can do
ok sorry to double reblog BUT I just looked him up and he does these fantastic videos where he breaks down HOW he actually mimics the other artists’ styles. Like for ed Sheeran, he explains how he brings his voice forward in the mouth, while Adam Levine sings in the back of the mouth, stuff like that. It’s SO COOL, I don’t think I’ve ever seen anyone actually break down how to do this sort of thing, as a skill, instead of just treating it like a neat trick they just happen to be good at.
https://www.tiktok.com/@justinjmooremusic
What if Lumine was a lore-enthusiast and had just a little more agency.
I think Dottore and Traveler (Lumine really) have such a potentially fascinating dynamic that Hoyo has set up, but didn't really explore as much as they could have in 6.6.
This is Lumine finding out a slightly more detailed version of Dottore's past and comes to a personal verdict on one of the most deplorable and despicable people she has ever met.
First fic I've written in a long time so I think it's pretty rough around the edges, but I still think it's quite good. I would have posted it on Tumblr but the formatting I used for some of it just didn't want to transfer.
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the dialogue between solas and a necromancer inquisitor is very telling too because the only way he approves of studying necromancy is saying that you want to use it to understand spirits more but disapproves of anything else, especially saying you want to use it for your own power
interesting also that he specifies “so long as no intelligent spirits are harmed”—what constitutes a spirit being intelligent? cole disapproves of necromancy as a whole, saying that even the littlest, barest wisp could become a spirit.
solas and cole’s differing philosophies speak to… well, solas and cole. solas who is wisdom, who can convince himself that the ends justify the means, and cole who is compassion, who feels for every living thing. and wisps are alive, as we see in veilguard, but they’re not considered intelligent; when they possess corpses, they can be controlled by a necromancer, and it’s seen like, i don’t know, having oxen plow a field rather than enslaving a person.
it’s that matter of intelligence that brings about the primary moral quandary of necromancy that makes use of wisps. the mourn watch would be on solas’s side here, saying that they’re not quite intelligent and useful in the way that a work horse would be. but they’re not animals. they can continue to grow and become full-fledged spirits. solas even says this in his companion quest.
the following is from the origins codex entry on wisps:
A wisp is a demon that has lost its power; either it has existed in our world for too long without finding a true host or it has been destroyed […].
this is what solas is describing. he approves of an inquisitor utilizing wisps in battle, so long as they care to learn about spirits. but… he also knows that wisps are spirits that were killed and can be reborn, spirits that are too. is this just a trap for the inquisitor? hoping that they’ll learn more about spirits through their practice and that will lead to them realizing that what they’re doing is wrong?
i don’t know. i’m not a solas scholar.
anyway i’m still hung up on the “intelligent spirits” thing. here’s that one dorian and solas banter
solas is on the money here about binding spirits. but the intelligence thing comes up again! if a spirit is intelligent, it shouldn’t be bound or harmed. but a wisp is fine…? granted, that particular line is from a dialogue where he slightly disapproves. and it’s solas. and i don’t know him that well. so. grain of salt. but.
veilguard completely ignores any of this nuance. they say “oh it’s fine because wisps don’t count” and then leave it there. but then when ingellvar talks to a wisp they say this
so… they know wisps are “dead” spirits. right? what solas and cole say is known to the mourn watch. emmrich refers to wisps with “who,” as if they’re people. manfred is right there as our… rather poorly implemented as per my earlier rb, but right there nonetheless, example of a wisp growing into a spirit, actively displaying the humanity of wisps.
but they’re not intelligent, right? so it’s fine, right?
i’m jumping back to inquisition necromancy briefly as a quick added tangent—specifically the spirit mark skill and its upgrade “wisps of the fallen”
the default skill employs a spirit, but the upgraded version employs multiple wisps instead, weaker but more plentiful. i just think that’s interesting. notably, other necromancy skills such as horror (the first skill you unlock lol), power of the dead, and simulacrum have flavor text that describes them as using spirits specifically, not wisps; wisps of the fallen is the only thing on the necromancer tree that specifies wisps
utilizing spirits in magic does not necessarily harm them; spirit healers have been around since origins, and the necromancer skills that utilize spirits don’t imply that they come to harm (save for walking bomb, which is… unclear. in origins it’s described as “magically injecting a target with a corrosive poison” and in 2 and inquisition it’s just “a curse” so i have no idea whether spirits are actually used to cast it?? i’m leaning towards no though).
as a sidenote, the knight-enchanter’s primary ability is called “spirit blade,” but the blade itself is described as being “of solid magic,” not of spirits. it does deal spirit damage though
IF I START ALSO GETTING INTO SPIRIT HEALING and and how spirit healing and origins/2 spirit magic compare with inquisition necromancy i will never shut up so i’m not going to do that right now. but. my POINT is. uh. i don’t really know where i was going with this. something about necromancy and wisps and spirits. wisps being dead/dormant/reborn spirits
the necromancer tree kind of only has 3 abilities that actually deal with the dead. which are
1. death siphon: Every time an enemy dies nearby, you regain both health and mana.
2. power of the dead: Killing enemies attracts spirits that increase the power of your spells for a short time.
3. spirit mark: as above
we know that spirits are drawn to corpses because they can possess them easily and thus leave the fade; this is why the chantry burns their dead and why the nevarrans don’t. that’s really what ties the inherent spirit magic of necromancy to the dead in the first place.
death syphon (as it’s spelled in origins and 2) is particularly interesting because… okay. it’s in the spirit school (death tree) in origins and the spirit tree in da2. it’s described in both as functioning by “consuming entropic energy” from nearby dead. and entropy is its own different thing that comes from “the chaotic nature of the fade” per da2, and god i started getting into it i said i wouldn’t do that. i’ll get back to this sometime
OKAY. THE POINT IS. WISPS. INTELLIGENCE. AUTONOMY. it’s well-established that wisps are spirits in a weaker form, by solas, cole, and (vaguely) the mourn watch (i can’t physically check veilguard so all i have to go off of is a couple clips i saved from emmrich’s recruitment in my ingellvar playthrough and there’s not much in there). so are they not intelligent by nature? does that not imply that controlling wisps is enslaving them just as binding spirits is? that everything the mourn watch does is like, pretty wrong?
and veilguard is just like nah they’re silly little guys who chirp at you and follow you around so it’s okay. we are going to infantilize manfred and make him essentially emmrich’s servant so you don’t think about it too hard. as this one post i’ve had in my drafts for months and will never properly finish says:
yes!! extremely this. i was looking into veilguard codex entries as well because i forgot to do that and there’s this:
emmrich posits that being able to name their own interests and self-reflect is when a wisp is granted personhood. now here’s a snippet from the wiki page for spirits:
as solas says to describe his friend wisdom in his personal quest, “a spirit’s natural state is peaceful semi-existence. […] something similar may reform someday.” and there’s something stuck in my teeth here about weakened spirits and wisps. i don’t… quite have the words to articulate what i’m getting at here, but i think what you said about dolphins and apes vs slime molds is in the same vein. a weakened spirit is still granted personhood because it once had a virtue to embody, even if that virtue has long since been forgotten by those outside the fade, thus leaving the spirit essentially purposeless.
here’s a snippet from world of thedas as well:
wisps are “simple” and only “driven into action by a master with a purpose to give them” (…hate that). but in my reading of veilguard, it’s clear that wisps are capable of thought and feeling. the wisps in the necropolis can be “placated” by emmrich’s abilities. they respond happily to rook. exhibiting emotion is not equivalent to “intelligence,” per solas’s reading, and it’s not equivalent to “self-reflection,” per emmrich’s. wisp wraiths are described as having “more consciousness than an average wisp.”
emmrich: “i dare not call them beings at this juncture”
cole: “a fraction of a fragment of a figment, not enough to be, but the bits that could be”
wisps are not yet fully-formed spirits. but notably cole still disapproves of their use, saying a necromancer inquisitor “breaks” them. prevents them from becoming what they could be, what they already have been, because spirits never die, they exist in a cycle of reincarnation, and that should be central to all of this, too. because based on the above interpretations:
- a spirit does not retain its personhood when it is physically destroyed and reformed as a wisp
- a spirit does retain its personhood when it is weakened to a state of impotence by irrelevance
but the power level of the weakest spirit and a wisp is… probably comparable? the only difference really is in ability to express itself with words, isn’t it? because wisps are described as “impressionable,” but aren’t all spirits? isn’t that how they work? they’re shaped by the world around them?
i’m not sure where i’m going with this, but. dolphins and slime molds. you’re onto something