welcome to my humble abode
my posts are tagged [#rain rambles] and [#rain rants] usually, if you wanna see

ellievsbear
almost home
Jules of Nature
dirt enthusiast
$LAYYYTER
Three Goblin Art
"I'm Dorothy Gale from Kansas"

Discoholic 🪩
Misplaced Lens Cap
Mike Driver
trying on a metaphor
ojovivo
KIROKAZE
Sade Olutola

if i look back, i am lost

oozey mess

Janaina Medeiros
Game of Thrones Daily
Monterey Bay Aquarium

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@rain-droplet
welcome to my humble abode
my posts are tagged [#rain rambles] and [#rain rants] usually, if you wanna see

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Thousands of starfish had washed up on the beach, and a little girl was diligently throwing them back into the water, one at a time.
A man came up to the girl and said, "You'll never save all of them. What you're doing is pointless. It doesn't matter."
The girl threw another starfish into the water. "It mattered to that one."
The man snorted and walked away.
The girl kept throwing starfish, one after another.
To throw one starfish back into the ocean takes a trivial amount of effort, but to throw ten, or fifty, is much less so. The girl had not learned much of biomechanics, but she began to feel the strain in her back. Her skin had softened from the seawater, and the starfish themselves were abrasive. Her fingers had pruned. Her shoulder hurt. She was cut, twice, on her fingers, as the same storm that had stranded the starfish had also brought up broken shells and crab carapaces. The skin of a starfish was like sandpaper.
She tried switching hands, and could throw the starfish less well, and it wasn't long before she had mirrored all her injuries. She was bleeding, though the blood wept rather than flowing, briefly staining the starfish pink before they were tossed into the ocean.
It seemed as though there were just as many dying starfish as when she'd started.
After three hours, the girl was sunburnt. A passing man had told her that she should stop what she was doing, and had offered her some water, which she took, but he hadn't helped to throw the starfish back.
The girl's hands were cracked, scraped, and raw. Saltwater found the wounds, but she'd gone numb, and her motions became more mechanical.
"It mattered to that one," she thought to herself, "It mattered to that one," over and over, like a mantra. Her muscles ached, but the ache became familiar. When she'd started, her throws had been beautiful things, guided by purpose, but now they were sloppy and threatened to pull her off balance.
She did fall, more than once, landing on sand that was filled with jagged debris, and sometimes she was slow to get up. But she did get up, because there were more starfish to save, tens of thousands of them.
Night fell, and it was harder to see the starfish, but they were still in need of help. She was tired, and the cuts on her fingers had multiplied. The skin had been wet for too long, and in one place, on her palm, where she had gripped a thousand starfish to throw them, a piece of white skin had come off.
Still, she kept throwing starfish.
Her mother didn't find her until after midnight.
"Hi mom," said the girl. Her voice croaked. She had been saying, "It mattered to that one" under her breath for long enough that her vocal cords had strained. She threw another starfish into the ocean.
"You need to come home," her mother said.
"These starfish will die without me," said the girl.
"I know," said her mother. "But you need to come home, because if you keep doing this, you'll collapse on the beach, and like a starfish, you'll need to be rescued too."
The girl stooped down, back aching, and picked up another starfish. Many of them had died by this point, but there were still uncountably many that lived. The rough skin of the starfish grated at her tender skin, but she rose and threw it, arm protesting, and watched it fall down into the water.
Her mother grabbed her gently by the shoulders. "I'm bringing you home," she said. "It would be better if I didn't have to carry you, but I will if I have to."
"I don't want to be the sort of person who leaves starfish to die," said the girl, shrugging off her mother. But a part of her did want to be carried, because she'd walked for miles along this beach, one stooping step at a time.
"I know," said her mother. "But to survive, you have to be. Save as many as you can, but take breaks, get good sleep, eat well. Then go back and save more."
The girl swayed where she was. She was close to passing out, though maybe it was because her rhythm had been interrupted.
Her mother held out a hand, so they could walk together, like they'd done when she was smaller.
And it was then that she noticed the scars on her mother's hands, the calluses and rough spots, the places where cuts had healed. She had seen her mother's hands many times before, but had never asked why they were that way.
The girl slipped her hand into her mother's and began to cry as they walked back home.
the narrative is god, the lips of the story reach out at the end to swallow its prophets and spit them back out at the beginning. there is no escape from gods will. weve been running this set so long there are grooves in the wooden stage in a circle from beginning to end. why god, each time im spat out, do i forget it all? if i know this ends in tragedy maybe i could fix it. thank god, each time im spat out, i forget it all. if i knew this ended in tragedy maybe act one wouldnt be a comedy.
i must say, i am a huge fan of when a book is in the middle of a very exciting plot containing many interesting problems when out of nowhere for a few pages it's like, "hey by the way, real quick, here's a detailed explanation of the city's water filtration system! i'm telling you this for a reason and you should worry about it. anyway! haha okay back to the plot" and you just get to be Scared for a while
i am kissing you on the mouth right now
you are the only person who understands me. you and the person who tagged a series of unfortunate events

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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problematic sudoku solving skills gap
it’s not ‘talking to myself’ it’s called a soliloquy you fuck
#it’s only a soliloquy if it’s in verse #otherwise it’s just a sparkling mental breakdown
some friendship dynamics i doodled that i love a lot because im a certified FRIENDSHIP LOVER from the board of FRIENDIRECTORS on planet PLATONIC
taking a tolerance break from sudoku because it's desensitizing me to numbers
Need some fables AESOP

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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She's being so big and brave.
Do we have a franz kafka diary entry for july 1st, i want to know what he thinks!!!
happy too tired July everyone
for some reason lightning was being slow (crawling across the clouds) yesterday so I got a photo second try
this is what best friends are for.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
sorry everyone we won’t be seeing any men today they’ve all been bricked into their enclosure
The Masc of Amontillado
5 things your character can't do while speaking
Choke. Just think about it, seriously. Think about what choking is and imagine speaking while it’s happening. That would fuckin’ hurt, man.
Hiss. Look, it’s just not possible, okay? No matter how “evil” you want your character to seem.
Snarl. Animals snarls. The Beast from Beauty and the Beast snarls. The Hulk snarls. You know who doesn’t snarl? PEOPLE WHEN THEY’RE SPEAKING.
Shriek. Come on, 99% of the time, “shriek” is not the word you want.Let’s face it: if you put an exclamation point at the end of the sentence, your reader gets the picture. Don’t bring to mind banshees and screaming toddlers.
Sneer. I’m not even going to bother explaining this one. “SNEER” ISN’T EVEN A SOUND.
Choked is not meant to be taken literally, an obstruction in the throat. It means they’re having difficultly speaking, they’re forcing the words out with difficulty. Often used when the character is convulsed in tears or laughter.
Hiss is a low, threatening whisper. Raw, guttural, vicious. It is NOT a literal hiss like an animal, it is a tone of voice that serves the same function. Someone will hiss that they’re going to cut your throat- a message from one person to the other.
Snarl is the same kind of thing. Not literal, it’s a tone of voice that serves the same function. It’s raw and gutteral like a hiss, but more savage than vicious. It’s loud, it’s showy, it’s intimidating. It’s very alpha male, big man, look at how fucking dangerous I am. I’ll take ALL of you on. Even if they’re snarling at one person in particular, nobody better back them up or they’re gonna get fucked up too.
Shriek. Come on, seriously? We’ve all heard people shriek either in fear or outrage. High pitched, loud, out of control, feminine. Men can shriek, but it’s funny and emasculating. Think angry italian women throwing pots and pans or ladies on tables who just saw a mouse.
Sneering is contempt whether it’s a facial expression or a tone of voice or both. There are a hundred different ways to sneer with your voice, but it all adds up to the same thing.
How descriptive words work 101
Op radiating cinema sins energy with that list lol
OP tagging this as “reasons they stop reading a book in ch 1” yet not grasping like the most basic form of figurative language is… something