Two Dinners and Five Times

Me: Okay well actually we're going to go home, have dinner, then dessert, then we can play your video game, then tubby then bed

Penny: Okay no tubby, games first, deal?

Me: This is not - what is happening right now?

Penny: Dada?

Dada: Arbitration?

Penny: I want to use bare foot when we go outside

Me: I didn't know we were going outside but you have to wear shoes girl

Penny: okay but what about I use bare foot's but at Penny's house? This deal?

Me: you know what yeah fine if you agree to not fight about shoes when we leave the house you can be barefoot in the back yard, deal.

Penny: -sticks her hand out expectantly- we deal?

Penny: but I want to go shool pwease

Dada: okay well it is 8pm, so you have to go to sleep now

Penny: okay but I see my fwiends at shool now please, deal?

Dada: Darling no one is at school, all your friends are asleep as well.

Penny: all Penny's fwiends are sweep? What about we... get in Dadas car and check to see watch them sweep, yes deal?

Me: (watching Penny scoot her step stool over to where we keep the candy jar): hey honey we're literally walking out the door to go get dinner, maybe we wait on the candy okay?

Penny: Oh but I will have some candy?

Me: Why don't you come have some mac and cheese and then when we get home you can have some candy, deal?

Papa: (yesterday morning, when Penny was a little grumpy) What about you come downstairs and we'll have some waffles and then tomorrow Papa will take you to the Diner in town for breakfast?

Penny: (extending her tiny hand to a VERY confused man) this is deal?

Papa: (not knowing hes entering a literal contract) uhm yeah deal.

-smash cut to 6:30 AM this morning-

Me: Okay baby this is going to suck. This is going to hurt real bad for a second and then it's going to feel weird and then it's going to feel good. You're going to hate it. But if you let Mama get these three medicines in and on you [Listerine, Antacid, Tylenol] you can scream it out and then we'll go get some ice cream! Deal?

Penny: (obviously not thrilled with this idea) okay, three big shreams, three medicines, ice cream ... it will suck... ice cream ... deal. (Sticks out hand and we shake on it)

Me: okay let's do this I'm so sorry (starts the process)

Penny: I will go upstairs and get my body clean but you hafta titch me, deal?

Dada: I would love to make this deal with you kid but I literally have no idea what you are saying- I don't know what the terms are, you're speaking a language I don't speak

Penny: you have to titch me like mama does okay DEAL!? (Sticks tiny hand out aggressively)

Dada: (looks at me bewildered for help)

Me: ( starts making a quick tick tick tick sound imitating a stop watch like I'm timing her, while penny jumps around yelling YES TITCH ME LIKE THAT)

Dada: In what world was I ever going to figure that out, thank you for acting as our legal interpreter yes deal let's go!

Penny: But I don't want to be sleeping, I want to stay up now! I want to see Grampy and Cozy and Guppie and Papa!

Mama: What if we video call all the grands and say good night to everyone? If we do that will you then go to bed no fussing?

Penny: Oh yes, this is deals! -sticks her hand out to shake-

** we make the rounds and video call all her grandparents, they are all already in bed and say good night and penny hangs up the last video call and toddles into bed with minimal fussing **

Me: Hey baby do you want to make a deal about school?

Penny: (immediately sticks out her hand, literally no hesitation, her entire demeanor changing in an instant) yes let's deals, I will be big and brave and go to school no fussing, and you will put Halloween every where all over my house, okay this is deals Mama??

Penny: (is doing some strange interpretive dance to let us know she's not a fan of the cup we've chosen to put her juice in, mind you this is the only clean cup at this moment. She is hopping up and down, and swinging her arm like an elephant trunk, she is pirouetting, her hands are on her hips. Shes is completely silent)

Husband: okay, you can not leave your room until someone comes and gets you okay? You're getting up way too early and we're guests in Papa and Guppies house so you stay and play in your room and someone will come get you when you can come out of your room tomorrow morning, deal?

Penny: (hand extended, plotting) deal

-smash cut to the next morning, penny is NOT in her room at the allotted 7:30 AM retrieve Penny Rose Time, we find her in bed cuddled up with my mom and dad watching a movie-

Penny: (hands out in a "calm down" gesture) LISTEN LISTEN I DIDNT LEAVE! I DIDNT- I didn't break da deals! I just knocked on the door until Papa came and got me.

Papa: (laughing hysterically) WELL DONT SNITCH!

Penny: I DIDNT DO NOTHING I KEPT MY DEALS! YOU JUS SAID SOMEONE HAD TO COME GET ME! PAPA COME GET ME!

When i started as a dishwasher, i was trained by an old career dish pit man named Claudio. He'd spent his whole life washing dishes. It allowed him to move to just about any city in the world that he wanted to and get a job without having to deal with complex hiring processes or strict resumé requirements. Which was the main thing he wanted out of a career. I still think about him.

He'd seen a lot of people come through that station who either didn't consider it a real job or thought it was beneath them, on their way to "better" or "more important" things. And, in retrospect, those first two days he was sort of doing the minimum with me that he could do and still respect himself when he told the manager he'd trained me.

But, maybe it was because i was really interested in learning all the positions there were in a restaurant because i knew they were ALL important, or because i was a hard worker, or maybe it was because i tried to have real conversations with him in my broken spanish and did my best to not make him speak any english unless he wanted to, but after a couple days there was a big shift in the way he and i worked together, and he started to really teach me.

That place ran the dish pit with one dishwasher, so when he was done training me I was going to be doing the job on my own.

The thing that stuck with me the most, for the rest of my restaurant career, was this... and it wasn't just the actual things he was saying, but a completely new way of looking at what i was doing within the context of how the restaurant ran. I came in for my 3rd day and he said

"When you work alone, you want to go home by midnight?"

we clocked on at 3:30 and took a half hour lunch break and usually skipped our tens, so, yeah i absolutely did want to get off work by midnight

Then, even tho i already knew where most of everything was by that time, he took me around and showed me all the dishes, cups, pots and pans, spatulas, silverware, had me look at all of it. Then he told me to remember that almost every one of the dishes I was looking at would be used more than once by the end of our shift- we were clocking on to wash the entire building full of dishes multiple times.

Then he led me back over to the industrial dishwasher most restaurants have, which looks like this:

and then this 60 year old career dishwasher from Mexico City said the thing that changed how I looked at restaurant jobs forever

"This machine takes two full minutes to run a cycle. We are on the clock for 8 hours. That means we have a maximum of 240 times we can run this machine. If you want to wash all those dishes, clean your station, mop, and clock off by midnight? This machine has to be on and running every second of the shift.

If you don't have a full load of dishes collected, scraped, rinsed, stacked, and ready to go into the dishwasher the second it's done every single time? You can't do it. If, over the course of 8 hours, you let this machine lay idle for just one minute in between finishing each load and being turned on again? Instead of 240 loads, you'll do 160 loads.

[like, literally, he had done this math, he had these exact figures]

160 loads instead of 240 loads means you are doing 20 loads in an hour instead of 30 loads. That means the dishes are going to pile up. The cooks will run out of pots and pans and will have to stop and wait for you, the servers will run out of plates and cups and have to stop and wait for you, and your night is going to SUCK. Every part of how this restaurant works can grind to a halt because of that idle minute between dish loads, and if it does you'll have an entire building of people in a hurry and all waiting on you.

And it means you're going to be here until 2 am doing the 200+ loads of dishes this restaurant goes through every night.

For this to work, you MUST have this dishwasher on and running every minute of the shift. As soon as you turn it on you have two minutes to have the next load ready. See these large items i put to the side down here? One or two of them takes up all the space in the machine. I keep them here so that if the machine finishes and shuts off before i'm ready for it i can stick one of these in there and turn it on again immediately. You have to think like that to do this job without stress."

The way he was looking at how the whole restaurant ran, the way he was looking at how he'd spend each minute of the entire shift, the way he broke down what the physical limits were and how to max them out so he could do his job and go home on time without stressing out... The way this 60 year old guy, who had never had professional ambitions beyond being a dishwasher, was still such a competent and brilliant expert in his field.

It was all such an important lesson, and one that stayed with me through every position i went on to work in restaurants, dish pit, busser, server, cook, all the way up through manager before I finally got out of my restaurant career

Claudio never wanted to be anything but a dishwasher who didn't stay any later than he had to.

But he knew how that restaurant ran better than most of the other people in it. I never had a chance to truly thank him for the specific lesson he taught me, because while it had an immediate impact, I didn't really understand how valuable a lesson it was until much later.

Beauty and the Beast features my favorite love story and my favorite Disney Princess, so it holds a very special spot in my heart. So, it’s worth looking into the film to decide when the Movie is supposed to be set.

During the opening musical number “Belle”, Belle is telling the Baker about the book she’s been reading. She’s clearly describing Jack and the Beanstalk, the earliest version being the tale of “Jack Spriggins and the Enchanted Bean” in 1734. But she also deliberately mentions an ogre, not a giant. Near as I could find, the only version with an ogre was written by Joseph Jacobs in 1890, making Belle nearly contemporary to modernity. Belle’s excitement over the book is likely a sign that this is a new story.

During the same musical number, we see a sign depicting a tobacco pipe, but unlike with the Calabash pipe from the Little Mermaid movie. I could place it to possibly be a Billiard type, but the exact era of creation escapes me. However, tobacco pipes have been around as long as Tobacco has been introduced to European trade, starting in the 16th century.

The history of colored printing goes as far back as the 16th century, and there are illustrations from the early 1700s with an impressive variety of color that help establish a stronger time period. The book also shows the words Le Prince Charmant or Prince Charming. Prince Charming started being used in 1697 in Charles Perrault’s version of Sleeping Beauty, although there, Prince Charming was not a name. Rather, Perrault stated that the Prince was charmed by her words. The first story to use Prince Charming as a name is the Tale of Pretty Goldilocks. It was written at some point in the 17th Century by Madame d’Aulnoy, but in her version the hero was named Avenant. It wasn’t until 1889 when Andrew Lang retold the story that Avenant was dubbed as Charming. One year later in 1890, Oscar Wilde used the term “Prince Charming” sarcastically in his novel “The Picture of Dorian Gray”, meaning that the term had gotten its more modern meaning by this point in time.

Gaston’s musket is a Blunderbuss, which was invented in the early 1600′s and remained popular through the 18th century before falling out of fashion in the middle of the 19th century. However, considering Belle states that this is a backwards town and Gaston is an old-fashioned, Primeval man, it’s possible he’s using a largely outdated weapon.

While there are no street lamps in the city, we can see in the background lanterns on the sides of buildings, which might allude to the movie taking place before the invention of gas lamps. However, gas lamps were invented in 1809, and if the version of Jack and the Beanstalk is from 1890, then by all accounts the town should have gas lamps. What this amounting evidence is leading me to believe is that the film is directly following the plot of the original fairy tale.

In the story, Beauty’s father is a merchant who loses his fortune due to a storm destroying his cargo. They’re forced to live on a farm until the merchant stumbles upon the Beast’s castle and kick starts the plot. In the opening song, Belle says “every morning’s just the same, since the morning that we came, to this poor, provincial town.” This could mean that she grew up in a much more modern, urban, and progressive town. Possibly even Paris. But that after Maurice suffered severe financial trouble, he was forced to move them to the small, backwards town that was practically living an entire century behind the rest of France, which is why she’s so bored and unimpressed by the little town. It helps explain why she’s so eager to want to get out of this town and see the world. She wants to be part of the modern world again.

Interestingly, I can support this theory with background information. According to some of my research, Belle’s village was based on the little town of Riquewihr, France, which still looks like it did in the 16th century to this day. So the idea that Belle’s little village lacks so many modern elements could be a nod to the architecture of this sleepy French village that has remained largely untouched by the march of time. Hence why it looks more like something out of the 1700s despite the many elements from the 1800s being present.

During the song “Be Our Guest”, Lumiere dances with a match stick. Match sticks were invented in 1805. Assuming the film still takes place in the 1890s, this would be concurrent with the other evidence we’ve seen thus far. Later in the same song, the silverware makes an Eiffel tower, which was constructed in 1889. Since Jack and the Beanstalk was written after that, it still fits within the suspected time frame.

During the climax of the battle, Cogsworth is wearing military garments reflective of Napoleonic styles. Napoleon was coronated in 1804 until 1814, had a brief return to power in 1815, and eventually died in 1821. So this is also congruent to the established time period.

In the Youtube Video “Fashion Expert Fact Checks Belle from Beauty and the Beast’s Costumes” by Glamour, April Calahan, a Fashion Historian from the Fashion Institute of Technology directly noted that Belle’s yellow gown lacks the shape of a proper 18th century dress, and more closely resembles the shape of 19th century dresses, fitting into the evidence that’s been mounting in support of a late 19th century setting.

As a part of his primary costume, Lefou wears a waistcoat and tailcoats, which came into vogue in the 1800s, namely from the 1840s through the 1850s.

But if the film is set in the 1800s, how can the Beast still be a prince after the French Revolution? Well something worth noting is that when he finds out that Belle isn’t coming to dinner, the Beast storms through the halls to her room as Cogsworth calls after him as “Your Eminence” and “Your Grace”. The address of “Your Eminence” is reserved for Cardinals of the Roman Catholic Church, and is an ecclesiastical style of address. “Your Grace” is noticeably an English style of address, but it’s being used by Cogsworth who is British, so I can chalk that up to just part of his culture. Although it was used for British monarchs, it fell out of use during the reign of King Henry VIII (1509-1547) and after that, the use of “Your Grace” became used to address archbishops and non-royal Dukes and Duchesses. Now clearly the Beast is not a cardinal or a bishop, especially if he is looking for the love of a woman to make him human, since it’s forbidden for Catholic priests to marry. So clearly that is not what is meant here. But the other answer actually does hold a bit of weight. Beast’s father was in fact, a Duke. So how is the Beast a prince? He’s not. Not entirely. See, there’s more than one kind of Prince in French nobility. There’s a Prince du Sang, or a Prince by Blood. Effectively, the Crown Prince, the sons of ruling monarchs. But the title is also given to lords in charge of a Principality, one of the smallest territorial sizes. The Beast’s principality probably only extends to having power over the little unnamed village. And with it being after the revolution, Beast might not even have the proper use of his title anymore. He’s effectively a rich kid in a fancy house with no real authority or power. He’s just old money from a by-gone era of human history. But if Beast’s address of “Your Grace” is accurate, that would mean that he’s a non-royal Duke, meaning he would not likely have been executed during the Revolution, as his family would have essentially been governors or senators than actual monarchs. They just had jurisdiction over a small piece of the Kingdom of France and reported back to and obeyed the orders of their King. Thus, he would not have been important enough to be killed or chased out of power by the townsfolk.

CONCLUSION

The movie is set between the late autumn and early-to-mid winter of 1890. Although the snow is gone when Belle returns to the village, the trees are still bare, signaling that it may just be unseasonably warm, though it could be the very early spring of 1891 between the receding of the snow and the blossoming of new spring foliage. Between the books, clothing, and references made, my conclusion is that Belle is a very modern girl living in a backwards little town stuck in the past, thus why a village in 1890 looks so completely lacking in modern technology despite the era. The Prince is nothing more than a fancy title as the son of a Duke, and he likely has very little if any actual government authority. Essentially, Belle married into wealth, not power, and will never be a proper queen, and I’m not sure if the wife of a lord ruling a principality is a princess or not, but I suspect the answer is no. Making Belle, like Mulan, a Disney Princess who did not marry royalty, was not born royalty, and thus, cannot be called a Disney Princess. She’s definitely a noblewoman, but she’s not royal by any means.

SETTING: Riquewihr, France

KINGDOM: The French Republic (France)

YEAR: Autumn, 1890 - Spring, 1891

PERIOD: The Third Republic (1870-1940)

According to the Encyclopedia Britannica (by way of Wikipedia), “costly battles on the Western Front forced France to conscript men up to the age of 45.” It’s not impossible that The Beast sees combat during WWI. Trench warfare, gas warfare, no man’s land, all the horrors of front line at the dawn of the 20th century. It’s entirely possible that Belle signs up with the Red Cross as a nurse, maybe utilizing a mechanical aptitude inherited from her father to aid in the war effort.

When Germany invades Poland, Belle and The Beast will be 56 and 60, respectively. In the spring of the following year, the Nazis invades France. They occupy castles and large estates across France, to use as both bases of operation and as strongholds to hoard stolen wealth (in the form of gold and art) and political hostages.

Would Belle and the Beast fight off Nazi invaders from their home? They’ve defended it before, but is there enough magic left in those old walls to mount a defense? Or would they flee their chateau, go underground, and use what remaining assets they have to aid La Résistance?

Do they have children, and if so what’s become of them in this time of war?

MARVEL 

Like, most MV makers I’ve seen concentrate very narrowly on the video –  making sure that the movements and beats sync up, the masking, the motion, all of that. Which is very good! But this particular work pays an equal amount of detail to its audio – both the audio of the song, matching lyrics and meaning to visuals, but also the audio of the clips being incorporated. That’s actually rarely done, and even more rarely done to this extent – usually the video is sort of a silent dance to accompany the music.