in desperate need of a nap

alone: How does your OC deal with loneliness? Have they ever been completely alone before? How do they act when there's no one around to see them?

betrayal: Has your OC ever been betrayed by someone they thought they could trust? Has your OC ever betrayed someone who trusted them?

bound: Has your OC ever been imprisoned or captured? What happened? How did they get out? Did the experience leave any scars?

break: What would cause your OC to break down completely? What do they look like when that happens? Has anyone ever seen them at their lowest?

desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?

failure: What's your OC's greatest failure? Have they been able to move past it? Does anyone else know about it?

fear: What is your OC's greatest fear? What do they do when confronted with it? Are they open with their fear, or do they hide it away?

future: What's the worst possible future for your OC? Are they taking steps to avoid that outcome? Are they even aware it's a possibility?

ghost: Who or what haunts your OC? What happened? How do they live with their ghosts?

guilt: What is your OC guilty about? How do they handle their guilt? Do they try to avoid guilt, or do they accept it?

hate: What does your OC hate? Why? How do they act towards the object of their hatred?

heartbreak: Have they ever had a relationship that ended badly? Experienced some other kind of heartbreak? What happened?

hide: What does your OC hide? Why do they hide it?

hunt: Who or what is your OC hunted by? A person, a feeling, a past mistake? Is your OC able to let their guard down, or are they constantly alert?

mask: Does your OC wear a mask, literally or figuratively? What goes on beneath it? Is there anyone in their life who gets to see who they are under the mask?

midnight: What keeps your OC up at night? Do they have nightmares? Fears? Anxieties? What do they do in the small hours of the morning when they should be sleeping?

mistake: What's the worst mistake your OC ever made? What led to them making it? Have they been able to fix it? How have they moved on?

monster: Is your OC monstrous in any way? Is there something that makes them monstrous? Are they aware of their own monstrosity? Do they accept it or reject it?

nightmare: What does your OC have nightmares about? How do they deal with their nightmares? Do they tell people, or keep it to themself?

pain: What's the worst pain your OC has ever felt? Do they have a high pain tolerance?

secret: What's one secret your OC never wants anyone to know about them?

skin: How comfortable is your OC in their skin? Do they grapple with anything that lives inside them—a beast, a curse, a failure, a monster? How do they face the smallest, weakest, most horrible version of themself? Are they able to acknowledge it at all?

torture: Has your OC ever been tortured? Would your OC ever torture someone else?

Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.

While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.

On some of the uncredited dialogue and story revisions for Star Wars:

On some of her work in Star Wars:

On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:

On her uncredited work in The Empire Strikes Back:

On how her input changed the ending of Raiders of the Lost Ark:

On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:

On editing the climactic ending in the Throne Room in ROTJ:

hear dory

Feral gods

In ooh

And day and night

And think he is his Jew

Lock

Dyin' inside

His with blue window

And whore

And every his goy

And his

And every a rizz

He

In

Sin

Im dabud ba di daba daba

Dabud ba di daba daba

Dabud ba di daba daba

Dabud da di

Im dabud ba di daba daba

Dabud ba di daba daba

Dabud ba di daba daba

Dabud da di

Abba with a blow

Is the cut of a wear

Bodish java two

Avvag in show blue

Father fear the clown

Like Mike... It's all time

Father weighing wing

Father Putain guide me

Im dabud ba di daba daba

Dabud ba di daba daba

Dabud ba di daba daba

Dabud da di

Im dabud ba di daba daba

Dabud ba di daba daba

Dabud ba di daba daba

Dabud da di

Abba with a blow

Is the cut of a wear

Bodish java two

Avvag in show blue

Father fear the clown

Like Mike... It's all time

Father weighing wing

Father Putain guide me

Im dabud ba di daba daba

Dabud ba di daba daba

Dabud ba di daba daba

Dabud da di

Im dabud ba di daba daba

Dabud ba di daba daba

Dabud ba di daba daba

Dabud da di

Inmate and Ide

Bliss house

With a widdle

Anna Pervette

Everythin's blue

For him his self

Ever around

He ain't got no butt

To listen

Im dabud ba di daba daba

Dabud ba di daba daba

Dabud ba di daba daba

Dabud da di

Im dabud ba di daba daba

Dabud ba di daba daba

Dabud ba di daba daba

- about 582 BCE

The last part about Jerusalem has been recited in Jewish weddings, the earliest document example of that is from around the third century and has lasted till this day.

My heart is in the east, and I in the uttermost west-- How can I find savour in food? How shall it be sweet to me? How shall I render my vows and my bonds, while yet Zion lieth beneath the fetter of Edom, and I in Arab chains? A light thing would it seem to me to leave all the good things of Spain -- Seeing how precious in mine eyes to behold the dust of the desolate sanctuary.

Was written during the middle ages

I wanted the birds to look like they were actually in the space so first thing after doing the draft was to do a lighting study

after that I covered the walls in letters in lieu of a projector/vr headset bc i have neither of those :) Then i take a picture of the section of wall and superimpose the lineart over top of it so I can pencil in the lines

et voila

GIVE IT UP FOR BIRD NUMBUH 5, THE CANADIAN GOOSE, Branta canadensis!!!!

bird 5/14, Bluejay, Cyanocitta cristata

birds 6 and 7: American Goldfinch, Spinus tristis, male and female

BIRD NUMBER 8, (yellow shafted) NORTHERN FLICKERRRRR, Colaptes auratus

genuinely made me start questioning my sanity around day 3, it's half the size the of the goose, WHY did it take me 4 days to finish??

Bird number 9: Red-tailed hawk, Buteo jamaicensis

my chains are broken i am FREE. although i did have a great deal of fun with this, the barring on the wings itself took me like four days and i am READY to move on

this was a week and a half of continuous work so please excuse me for getting a little emotional in the bg 🙏

BIRD NUMBER 10!!! The Male Mallard Duck, Anas platyrhynchos

the male and female ones are gonna be posted separately bc they're taking a lot longer lol but yea! super happy i was able to capture the iridescent green of the head, i found metallic green and blue paint at a craft store that really made his head POP. it looks better in person i promise

ALSO!! As this is the 10th one, BIG announcement. The end is in sight!!!!! I plan to finish within the next 3 weeks and there will be a small dedication ceremony/ unveiling happening at the library to commemorate its completion on the 16th of May. If you live in the Western New York region and want to check it out for yourself shoot me a dm!

aaaand another one bites the duck,

we're movin right along with bird numero 11!! The lady Mallard!! Anas platyrhyncos

power couple that they are, here's bird number 12 and 13,

the Northern Cardinals, Cardinalis cardinalis

and NOW that they are complete, ITS GO TIME, in the next five days (library's closed for mother's day 😭😭) i need to have the GBH fully rendered, the names of the birds vectored, weeded, masked, applied to the wall, and then painted, plus additional cattails throughout. I may be able to get away with just getting the GBH done in time for the unveiling and then just have the names and cattails added later, but i'm gonna really try to get it all done in time. BUT, i have a plan. Part of why i take so long on these is because i really am just figuring it out as I do it lmao. there have been many a time where i am sitting on top of the ladder googling "how to paint birds" but I think if i take the time tomorro to do all that figuring out how to approach it beforehand, this will go a lot faster. I may also recruit some of my artist friends to help with the placing of the names... hrmm we'll see.

Anyways, shout out to the librarian who tracked down exactly the thing i needed so i could figure out where to place the highlights in my birds eyes, ur the real mvp

Bird number 14 out of 14,

The Great blue heron, Ardea herodius

thank you to everyone who reached out or got excited about this project, it genuinely gave me the fuel i needed to keep going. In total, the 480+ total hrs it took me to cover this wall pales in comparison to how long its expected to spend on there, hopefully imparting a sense of beauty and love for the natural world to the next generation and here's hoping i'm only getting started with these.