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–Kobo Abe, The Woman In The Dunes

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What if. Amy's power required her to eat people.
But! She was in a cluster with Victoria, causing her to need to eat people too, or at least drink blood.
Extra guilt (:
Feed Vicky with your own flesh and blood Amy. It's your fault she's like this. It's what you deserve.
(and then Amy feels even more guilty about liking the thought of Vicky biting her)
I like thinking of alt-Shaper powers because of just how that shard stands out and also just how morbidly fascinating Amy's psyche would remain even in brighter timelines.
One idea I had was Dentata, that Amy would trigger with a primarily Mover power to chew and tongue her way through flesh to seed toothy slit-shaped portals that she could crawl into and then chew a slit portal way out of someone else's body, even across great distances.
If it was part of a Cluster, Vic might have a variation on it but punching holes through people to create the portals.
Anyway Sveta is the sweetest, most adorable cinnamon roll who ever got a triple-digit body count by compulsively strangling people
Florentine Inquisitor: There's no denying that, in the grand scheme, the vampires and to lesser extents the werewolves, ghosts, and wizards represent a major venom at many levels of society. Still, they're sapient beings and it's logical to conclude they still retain the Imago Dei that allows them the Redemption of Christ.
Path of Redemption "Martyr": I have spent the past 112 years perfecting the Divine Tide and calculating the best way to let the Spirit of Caine reside within me/repent his mania afterwards, letting me be the most sanctified Satanas of all Montreal.
barnyard the original party animals is the uncontested lord of bad implications in childrens movies
ok so like “the secret life of x” movies tend to not strongly explore the actual reasons why, exactly, their life has to be secret… they don’t really focus on it within the narrative. They do usually have some small justification for why animals or video games or toys or whatever have never just revealed themselves:
There’s no stated reason. They just pretend to not be alive. We usually can suspend our suspension of disbelief here because when it’s something like a video game or an emoji because any odd occurrences is perceived as a glitch or something similar but the actual reason why they aren’t too hung up on this kinda shitty lot in life isn’t said
They get something out of their current relationship with humans (like in toy story)
They have some specific reason to hide that they’re alive, like they die if they’re seen (like in the christmas toy)
They perceive themselves as sentient, talking creatures, but humans can’t understand them. They just see a squeaking mouse or an inanimate hot dog or whatever.
and the last one is what most animal movies do, and it’s like, not devoid of weird implications but you can see where it mostly works.
but barnyard is the outlier here: it goes with tier one: the animals can talk and walk on two legs but just pretend that they can’t for unstated reasons.
in the history of the barnyard world non human animals, at some point, decided to just pretend to be unable to speak. a “cow” or a “coyote” or a “hen” do not exist as we know it in the barnyard universe. the baa of the sheep is false; the ewe doesn’t understand it either. they only made up that noise to hide the fact that they speak human languages. a dog barking and running on all fours is a facade. animals naturally walk on their hind legs and made up whole postures just to appear non sentient.
and for what? what do they gain from this? they have no rights and no voice by their own choice. at one point a donkey claims the farmer is a good person because he’s vegan and a pig mentions bacon - this is not a fantasy universe devoid of death and misery and meat. do animals, in hushed whispers, remind their children not to sob in their real voice as they’re taken away? do the dogs not beg for kindness when they’re tied up and hit? do cows and chickens not cry for their life in the slaughterhouses? does a rat not scream a human scream when the trap misses their neck and only breaks their spine? Why? what is the point? They loose so much and have everything to gain.
anyways does everyone remember this really awful cat. it only appears in one scene but i can just sense the porn of it that would pop up if i googled it’s name
This post is like being tied to a chair as a a joker-style villain monologues and presses a gun closer and closer to my head as he reaches the climax of his rehearsed piece on the flaws of society and when he finally pulls the trigger it’s a little flag that says “bang!”
There's another movie called Zookeeper. It came out in 2011, is close in proximity to Adam Sandler's school of live action comedy, and has a similar animal Wainscot Society. Honestly, I'm not convinced this setup is actually that uncommon. In Zookeeper they mainly reference the "animal code." The movie seems to take the stance that it originates from a mistrust of humanity, a desire for segregation between animals and humans.

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concept: character that is a vampire-mage-changeling-werewolf-demon-wraith-hunter-mummy. as far as i'm aware this should be impossible but there's gotta be some bullshit explanation somewhere that could somehow allow for this... thoughts?
The most splats I think you could combine without homebrew (and still with very selective interpretation of splatbooks from different editions is an Undying Witch-Hunter Kinfolk with Fae Blood and was Awakened in a past life, giving them an additional Sorcerer Merit and a Destiny.
i hope this is all your favorite comic from known racist & 4chan advocate cdigoddess
4chan has always been Tumblr's fraternal twin to me, the Senator Armstrong to our Raiden.
This is what the average YouTube thumbnail looks like now
They paid him in WOIMS
I submit to you that the most iconic feature of any animal is either unlikely or impossible to fossilize.
If all we had of wolves were their bones we would never guess that they howl.
If all we had of elephants were fossils with no living related species, we might infer some kind of proboscis but we’d never come up with those ears.
If all we had of chickens were bones, we wouldn’t know about their combs and wattles, or that roosters crow.
We wouldn’t know that lions have manes, or that zebras have stripes, or that peacocks have trains, that howler monkeys yell, that cats purr, that deer shed the velvet from their antlers, that caterpillars become butterflies, that spiders make webs, that chickadees say their name, that Canada geese are assholes, that orangutans are ginger, that dolphins echolocate, or that squid even existed.
My point here is that we don’t know anything about dinosaurs. If we saw one we would not recognize it. As my evidence I submit the above, along with the fact that it took us two centuries to realize they’d been all around us the whole time.
So that people don’t need to go through the notes:
- We have fossils of spider webs
- Paleontologists have reconstructed the larynx (voice box) of extinct animals and we have a pretty good idea what vocalizations they were capable of
- Fossilized pigments have been found in a variety of taxa
- Soft tissues fossilize more often than you think; we have skin impressions for like 90% of Tyrannosaurus rex’s full body (shoulder blades and neck are the only bits missing)
If pop culture is your only window into extinct animals, then you do not remotely understand how much we know.
We know the entire lifecycle of a tyrannosaurus. We know from the sheer amount of remains we have, from every stange.
We know roughly how they sounded (as the person above me said).
We know they had remarkable vision.
We know they had the second. strongest sense of smell in history.
We know from their bones that they grew to a certain size and stayed there until about 14 or so, then absolutely ballooned up to their adult size in about three or four years.
We know they likely lived in family groups, because we have bones with certainly fatal injuries for a solitary animal (broken legs and such) that are completely healed.
We know exactly how other dinosaurs look, down to colors and patterns, because bones are not the only information that is preserved.
The Sinosauropteryx is one such dinosaur. Because pigmentation molecules were preserved in the feather impressions, we know it’s colors, and it’s tail rings (which one would argue would be it’s “iconic feature.”
(Art credit Julio Lacerda)
Microraptor is another! We know from feather impressions that it had four wings. We know from pigmentation that it was an iredecent black, like a raven.
(Art credit Vitor Silva)
This is not limited to dinosaurs, or feathers. We’ve found pigmentation in scales and skin. We’ve completely reconstructed two extinct penguins, colors and all. We’ve figured out the colors of some non-avian and non-feathered dinosaurs. We can identify evidence of feathers existing on animals without feather impressions.
We have feathered dinosaurs preserved in amber.
We can defer likely behavioral patterns through adaptations we see in bones, and from the environments they were found in. We can see how certain movements evolved through musculature attachments (yes, how muscles attached is often preserved). We know avian flight likely evolved by “accident” by the way early raptorforms moved their arms to strike at their prey.
We also understand behavior in extant animals and can easily speculate likely behaviors in extinct animals. (A predator running for it’s life is not going to exhibit hunting behaviors)
We learn and understand way more from “rocks” than paleontologists are given credit for. And if you watch a movie like Jurassic World, which has no interest in portraying anything with any sort of accuracy, and your take away is “We can’t possibly know anything about these animals,” then you don’t understand science.
As for shrinkwrapped reconstructions, we understand how muscles attach, and how fat works. Artists who lean into shrinkwrapping are are not generally concerned with scientific accuracy, or biology. They’re only concerned with Awesombro.
If true paleoartists tried to reconstruct a hippo, while they naturally would not get every bit correct, it would certainly look like a real animal, and not that alien monster that tumblr is so fond of using as “proof” that paleontologists don’t know anything (an art piece that itself was extreme and satirical, and a condemnation of the particular subset of paleoartists I mentioned earlier)
Every time paleoblr tries to show you how extinct animals actually looked, all we get is a chorus of “thanks i hate it” and “stop ruining dinosaurs!”
@lusus–naturae
@crystallinethoughts
You can find some fairly decent dinosaur sound reconstructions on YouTube. Based on how a Tyrannosaurus voice box and hearing worked, we can infer that it would have made low rumbling sounds instead of the iconic roars from the Jurassic Park franchise.
Something between the boom of a crocodile and the roll of thunder. It was a sound you would likely be able to feel, perhaps even before it was able to be heard. Far off thunder on a sunny day then the earth begins to shake and the thunder grows loud enough you can feel it in your stomach. That’s what it may have sounded like to be hunted by a T. rex.
Dinos aside, we would ABSOLUTELY know how damn loud howler monkeys are.
That’s the hyoid. It supports the larynx- the part of the animal that lets it make noise. The inner volume of the howler monkey’s hyoid is bigger than that of its brain.
In comparison, here’s the human hyoid.
Trust me. We’d know. They have a skeleton optimised for screaming.

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I got a job at a gas station across from a casino and a guy keeps coming in to buy whole cartons of cigarettes and talks in the third person calling himself "snake eyes pete" and every time I tell him his total hes like "tell ya what if old Pete rolls a snake eyes why dont you give it to him for free?" and he rolls the same set of loaded dice on the counter and it does not matter how many times he rolls snake eyes I will not give him the cartons for free he gets so mad
Snakeyes Pete is from Toronto he gave me a button once that said "Canadians have the best luck" and i said i thought that was the Irish and he said "I fucking hate the irish" and i said okay
hitting you hitting you hitting you hitting you hi-
It really is funny that we're getting a V6 before we're getting a M5, a C5, W5, or any of the other gamelines Mage the Ascension is one of the big three and just got a book for M20 edition last year. Are we going to be having the fourth edition of Mage running concurrently alongside V6? (Please yes. I don't want M5. Don't make M5, I beg you. Only make M6 if 6th Edition is good)
I have the theory that they tried to make M5, but they had to make so many changes to the rules that it got converted into the foundation of what 6th edition will be
From my little experience making homebrew I think 5th edition doesn't have game systems robust enough to acomodate multiple splats without feeling too shallow or too similar to vtm
And from what we got I think 5th edition is only capable of doing vtm good, if they couldn't nail it with hunter or werewolf, I have little to no hope for things like Mage or Changeling, at least in 5th edition, let's hope 6th edition is different
I disagree tbh, I've had a lot of success homebrewing 5th for Werewolf, Sorcerer, and cross splat stuff, and I think the main obstacle in the way of M5 or C5 is the fact that 5th Edition stuff is made with more disdain for the setting than love, and Changeling and Mage NEED you to love the work to write it well. W5 and to a lesser extent V5 treat established lore as something to be laughed at rather than built on and improved, and that will never work for something that can be as absurd as Mage or Changeling.
Honestly, I'm half considering writing an M5 of my own when I'm done with W5.5 and Human, I've got a few ideas but need to finish other things up first
tldr I don't think fifth edition is the problem, it's paradox
Honestly I'd have been way more inclined to give WoD5 a chance if not for the bizarre, barely restrained loathing for the established Lore and setting. It was noticeable in V5, but W5 was absolutely wild with it I think you hit the nail on the head with M5 though. Mage relies on the established Lore to an extreme degree and unlike other game lines, White Wolf has direct evidence that players will wholesale reject an edition when it treats that lore with disdain. Mage Revised is pretty widely despised in the Mage community from what I've seen, due to it being so mean spirited about the established Lore and trying to make the game way too much like vampire
Hopes and Fears for V6 #6 I hope we get: A fixed Sabbat. Please, please, please fix the Sabbat. The version we got in V5 was unplayable, and even if it was playable you wouldn't want to. No paths of enlightenment, they apparently don't care about Clan now (???), and it just wasn't fun. I want the Sabbat back. I'm really hoping that White Wolf realizes that a lot of us consider the Sabbat our favorite faction, and just because it doesn't lean heavily into that "personal horror" aspect the writers really fetishize doesn't mean it's an irrelevant part of the game experience. I hope we get Sabbat characters that have interesting philosophies on vampirism, I hope we get the dark spirituality that made the Sabbat what they are. I hope we get Paths of Enlightenment back for playing Sabbat characters, and I hope we get back the interesting clan identities with the Antitribu. I want Toreador Antitribu performing flesh art with Vicissitude, I want Serpents of the Light revolting against Set's tyranny, I want free Panders reveling in the status that they won as Caitiffs and never could have in the Camarilla. Give me back scheming Lasombra and the Courts of Blood, you can keep the Antitribu in the Camarilla but let us have back the dark aristocracy of the Sabbat. Give us ritae! Let us perform vaulderies and fire dances and games of instinct with our groups! These things are tailor made for VtM play, why did you take them from us? What I think we'll actually get: I think we'll get a playable Sabbat but they'll get cold feet about it and try to keep a lot of the hideously bad Sabbat lore from V5, like them forsaking Clan identities, the Lasombra leaving the Sect to go beg the Camarilla for mercy, abandoning all their strongholds to go run off to fight the Gehenna War, and etc. We might actually get some Paths of Enlightenment but they'll be written badly like they were in V20 and Revised and pigeonhole you into playing a baby eating monster and we'll get some snide sidebars in the book about how playing a Sabbat character makes you inherently evil and monstrous and want to kill everyone you see. We'll probably get some good Sabbat Loresheets at least. Maybe Black Hand membership will be a Loresheet, since it basically functioned as a proto-Loresheet in V20 anyhow. We'll probably get a Ritae Loresheet, maybe even get some Loresheets for the various factions like the Loyalists, Orthodox, Ultra-Conservatives, and etc, though that might be a pipe dream. We'll probably at least get the Vaulderie back, I hope. I think they'll throw Sabbat players a few bones at least but it'll be on homebrewers to hack the Sect into something playable since White Wolf has always regarded the Sabbat with open, barely-restrained contempt.
Hey, how was the sabbat different in previous editions? I have only read v5 and v20 👀👀👀
The difference between V5 and V20 is very substantial, they're basically the same group in name only. The Sabbat evolved a lot over the course of the editions of the game from 1st to Revised. They were originally portrayed as a bloodthirsty group of vampire supremacists, mostly shovelheads (i.e. mass embraced neonates), completely ignoring Humanity, and meant to be antagonists to the player characters. But as the editions went on, they started to pick up a lot more characterization. Writers started asking questions like "why would someone see the vampire curse as something to be superior over? How do they justify that? If they ignore Humanity, how do they avoid Wassail?" In 2nd edition and a bit in Revised, we got some excellent books focusing on the Sabbat, which assumed that players would be playing as them, Montréal by Night and Mexico City by Night being the most well known. In these, we started to see a very different view of the Sabbat. They're still vampire supremacists, but their reasoning has changed. They worship Caine and hate the Antediluvians, believing (correctly) that most Antediluvians are tyrants that control their progeny through the blood, and believe (again, correctly) that the Antediluvians are going to be back eventually and they need to be ready to fight them or else be enslaved or eaten. They loathe the Masquerade and the Traditions, believing them to be tools of elder vampires to keep neonates under control. They believe embracing their own vampiric condition is they only way to stay free, and refuse to change their behavior to benefit mortals because, after all, the worst thing that can happen to a mortal is dying, but the worst thing that can happen to a vampire is having your soul devoured by a hungry elder. Along with this, we see the Paths of Enlightenment, the myriad vampiric philosophies that the Sabbat came up with to replace Humanity, many of which are continuations of earlier Roads from the Dark Ages setting. We see some very monstrous and scary Paths like the Path of Night, embracing oneself as an agent sent by God to remind mortals to fear sin, or the Path of Caine, fanatically worshiping Caine and willing to kill or diablerize others to be a stronger soldier for him. Then there's Paths like Power and the Inner Voice, about mastering the hierarchy of Cainite society, or the Path of the Beast, about seeing yourself as a non-human predator, not necessarily evil and not killing for sport or fun but only for food or to protect territory. And then there were Paths like the Honorable Accord which was about acting honest and just and respectful to others, without any real caveats. Most Paths actually restricted violence in some way, even the extremely monstrous Path of the Night shuns killing without reason. The Sabbat also had a complex political system, coming out of the original Anarch Revolt as neonate revolutionaries, but it now being centuries later when the original revolutionaries have become elders themselves and have become their own kind of tyrants, but with a lot of neonates still believing in that original spirit of the Sabbat. Political parties are a thing, with the Loyalists being essentially very similar to Anarchs except without the Masquerade, Moderates who want to pull back on the more tyrannical aspects of the Sect, and then the Orthodox and Ultra-Conservative parties that want to reform the Sect into a more explicitly religious cult/army ready to fight Gehenna. This is part of why the idea of the entire Sabbat running off to fight the Gehenna War in V5 was so dumb. The Ultra Conservatives would have been willing to abandon their domains to run off to the Middle East, the Orthodox would have probably sent people to fight but without abandoning their domains, and the Loyalists and Moderates wouldn't have given a shit.
I'm taking notes for my games and may also read the books you mentioned, if you got more book recomendations let me know pls :D
This is what I mean when I yearn for contemporary fiction that's unreservedly, capital-W Weird. So many anthology publishers and yet many of them never reach this level of purity.
Well it's too bad she's wasting all that on books about
Literal Nazi Propaganda
So there's hope ig
It is Nazi propaganda, but I think even calling it propaganda sells the sheer buttfuck insanity of Miguel Serrano (and other writers like Julius Evola/Savitri Devi in that general wheelhouse) short. El Ultimo Avatara is quite literally a book about how Hitler himself is the avatar of a pre-Christian deity linked to Atlantis, Agartha, and a whole laundry list of other Western/non-Western esotericism sprinkled throughout.
Calling this propaganda makes it sound like it's rhetorically aimed at a general population. People don't read Serrano to be convinced of fascism. It's generally fascists looking for deeper justifications of an ideology already very deep in the quagmire of pseudo-Hegelianism. Savitri Devi was a neo-Nazi who served the Third Reich as a spy because she already had a fanatical contempt for Catholicism, industrialism, and humanism. She saw Nazism as the antidote to Christianity, pollution, animal abuse, and representing a total occult path towards perfection.
So, after the war, not only did she write a lot about continuing to promote Nazism even after being arrested, Devi also wrote books like The Lightning and the Sun which not only compared Hitler to Genghis Khan and Akhenaten but insisted that he was superior in spiritual character to them because he was literally the avatar of Vishnu, sent to purify the world at the end of the Kali Yuga. She believed that veganism and occultism even her unique spin on feminism are as much a part of his ideals as the fascism. Julius Evola was in a similar boat as an ex-leftist and ex-Dadaist who believed hallucinogens revealed to him the truth of perennial religion.
Rene Guenon has the misfortune of being a fascinating thinker whose insights into comparative religion and modern phenomenology get tied up with this crowd, not unlike Rene Girard. Just to be clear, while many members of the NSDAP were part of what we might label New Age/New Thought movements as well as occultism/neopaganism, Hitler himself was apathetic to religion apart from the Imperial Cult he seeked to build around himself and also expressing admiration for Islam as a "warrior religion" and East Asia as having "warrior culture." A lot of the Wewelburg Castle/archaeological shenanigans, he expressed contempt with. He wasn't even Catholic beyond the most perfunctory activity in his childhood.
Nowadays, thanks to the internet, this stuff is accessible to the average person if they're so inclined and have such a void of religion inside of them.

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The zeroth rule of reading Wildbow's fiction is understanding that Yudkowsky and a lot of the fans that flocked the Worm after he tweeted about it utterly failed to understand what Wildbow wrote. If you've watched Unfolding Idea's "Annihilation: Decoding Metaphor" then you probably get what I mean. That is, that Yudkowsky publicly and insistently reacted to Worm as if it was rationalist fiction when if anything, Wildbow's signature style is fundamentally G.K. Chesterton's '"The insane man is not one who has lost his reason, the insane man has lost everything but his reason."
If someone wants to reinterpret and of Wildbow's settings through a rationalist lens, then that's their prerogative as much as it's also others' prerogative to cross Pact over with Witch Academia. However, if you're interpreting Worm as a story about the necessary violent calculus to be save the world, then that's very obviously not what Wildbow was writing. None of his works are a rejection of sentiments, virtues, and dialectics as valid and healthy aspects of human existence. Beyond that, the works are all at least somewhat analogical rather than the analyticism Yudkowsky champions as ideal fiction.
Pact is fundamentally connected to the personalism of feeling the weight of an abusive upbringing perpetuating itself.
Pale is fundamentally connected to the personalism of trying to build authentic and compassionate connections in the face of tyranny.
Twig is fundamentally connected to the personalism of being the object of other's goals, being defined by this usefulness.
Claw is fundamentally connected to the personalism of protecting who you love in a world where love alone doesn't keep someone safe.
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