If you were to give Emma a work by Elizabeth Gaskell, what would you choose?
My first thought was that she would enjoy Wives and Daughters, especially the bond between Molly and her father. She may appreciate Molly's plight of a safe, beloved home space upended by the forced proximity of a less than welcome relative. And the various intrigues and secrets Molly is forced to hold?! Well! Maybe Emma would even be so inspired by the abrupt ending she'd have to write a new one herself which motivates her to write her own novel which turns into another and another...
OR
I'd give her "Lois the Witch" so we could be emotionally wrecked Gothic girlies together
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
hope you don't mind me gushing about this thing in the comments, but. i literally CANNOT STOP THINKING ABOUT this, it's my favorite animatic EVER oh my GOD!!! the COLORS and the art style!!! the compositions!! HOW YOU INCORPORATED AND MIXED THE LYRICS AND ACTUAL FILM QUOTES!! DID I MENTION I CRY EVERY SINGLE TIME I REWATCH THIS
(putting my image heavy gushing under a read more lmao)
much like with the actual movie, this makes me want to know EVERYTHING about how you accomplished to make it!! what was your process like!! can we see the cropped drawings you used?? or storyboards?? I'M SO CURIOUS bc like, i CAN TELL you put so much effort into it, and i would love SO MUCH to take a glimpse into the making of it??!!
god. GOD. i want this to get 835892356 billion views, it DEFINITELY deserves them
some of my favorite things
the papyrus font HEEEYYYYY don't let ryan see this
that you used yao and ilyukhina's languages/alphabets i am NOT OKAY OVER THAT
the different drawings in the letters that mirror the drawing in the back; i CANT ENGLISH PROPERLY RN but this is what i mean!!!
THESE TRANSITIONS HELLO???? OH MY GOD!!!!!
^^^ thE FACT THAT "home" HAS ERID'S RINGS SURROUNDING IT!!! FUCK!!!!!!!
on a similar note, this personally hurt me:
the fact that you drew ALL of these even tho we would only get glimpses of them iF THAT'S NOT DEDICATION I DON'T KNOW WHAT IS!!!!
im just so, SO full of love for this. THANK YOU for making this 🥹 your style is sOOO sfjasaFSAF i can't i CAN'T describe how much i love this. here's more of my favorite drawings. sorry if i sound incoherent (it's bc i AM)
aw my god man wtf 🥹🫶 i cant even begin to describe how much your words mean to hear oh my god 😭💖
since you are curious, here are the thumbnails! :D the only planned audio splice was the ending, the rest just kind of "felt right" to include once the thing started coming together and the timing made more sense to hear physically instead of just imagining it (it helps that i've watched the movie a morbillion times, so i didn't look for any of the voicelines either BAHAHA)
i dont have most of the cropped scenes unfortunately 🥹 at least not in full, theyre on a separate layer so i can finish them but i only drew what people would see! that way i could make sure it remained readable and looked correct in the available text space, even if in full the anatomy might be completely off 😌 but here's one of the fuller sequences in "alone" since i needed it to shake!
but in general it's a bunch of pngs and text stitched together on an editing program (davinci resolve) :3 some of them are manually animated (like the blink) and exported as a video, but anything with depth and quick flashes had separate pieces exported on different layers since it was easier to add the effects that way
thank you so so so much for your kind words bro wtf 🥹🫶💖 like genuinely immeasurable joy to know someone likes this as much as i do UASGDHFGDGH
It seems like there are plenty of fan theories propping up Hawkes or Islington as romantic endgame, and plenty of Pierce detractors. So when I came across the fan rumour that each volume ends with Pierce, I had to investigate! Be warned, spoilers ahead.
In order to establish parameters on this case study, I limited my observations to the last 3 pages of the last entry of each volume, via my ebooks.
Volume 1 - Emma is on Whereabouts Lane, coming home after an early morning stroll. She sees The Tenant exit LLM, look up at her window, then continue down Whereabouts without seeing her. She then receives her new name cards from Aunt Eugenia.
Volume 2 - Pierce asks about renting the salon for his studio. They look at it and agree it would be a beneficial arrangement. They shake hands on it.
Volume 3 - Emma wraps up her evening with Islington and Pierce after Lady Trewartha’s party. She and Pierce converse as they walk back to LL / LLM, then say goodnight & part. Emma goes to bed.
Volume 4 - The Alchemy is given a name, then all part & head to respective homes. Emma and Pierce exchange several notes through the wall reflecting on the evening.
Volume 5 - Emma leaves Hawkes and heads home for a quiet night in. She arrives as Pierce is leaving LLM. They exchange a few words, then Emma goes inside to have dinner, get ready for bed, and journal.
Volume 6 - Emma and Pierce exchange notes through the wall post-kiss.
Volume 7 - Pierce finds Emma in the kitchen near midnight. They have tea and talk. Emma ends the entry with an excerpt from Whitman.
Volume 8 - Emma receives her invite to perform Julius Caesar, and she exchanges notes through the wall with Pierce
I was surprised that I hadn't noticed before but indeed – every volume ends with some kind of Pierce interaction! The exception is volume 1 since they have yet to actually converse at this point in the narrative; nevertheless, he is still featured in the close of the volume. Pierce is not only part of each volume’s conclusion, but he's also the last person she speaks to in most of the current volumes (exceptions 1 & 5).
I recognise we do have quite a bit yet to come in the series. Still, this seems an important pattern for those looking for romantic endgame clues. It certainly appears as though Pierce is and will be a significant part in the conclusion of Emma's stories.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.
Timnit Gebru was fired from Google in December 2020 for refusing to retract a research paper, and every single warning that paper made about large language models has now happened at a scale the industry spent 4 years trying to make people forget about.
Her name is Timnit Gebru.
She co-led the Ethical AI team at Google. She co-wrote a paper called "On the Dangers of Stochastic Parrots" with Emily Bender at the University of Washington and two other researchers. The paper was 14 pages long. It was submitted to a top AI ethics conference. And it was the reason Google decided that one of the most senior Black women in AI research could no longer work there.
The story Google told publicly was that she resigned. The story she told, confirmed by 2,695 of her colleagues in an open letter, was that she was fired by email while on vacation because she refused to either retract the paper or remove her name from it.
The paper had not even been published yet.
Here is what she actually wrote, and why every prediction inside it has now come true.
The first warning was about scale itself. Bender and Gebru argued that training ever-larger models on ever-larger scrapes of the internet would produce systems that appeared fluent but had no actual understanding of language. They called these systems stochastic parrots because they would repeat patterns from training data with statistical confidence and zero comprehension. The paper predicted that this apparent intelligence would fool both users and developers into trusting outputs that were structurally incapable of being reliable.
This was 2020. GPT-3 had just come out. The paper predicted the hallucination problem before anyone had a word for it.
The second warning was about bias amplification. The paper documented in detail that internet-scale training data contains systematic overrepresentation of dominant viewpoints and underrepresentation of marginalized ones. The models would not just absorb this bias. They would amplify it, because the optimization process rewards confident outputs, and confidence in language patterns tracks frequency in the training set.
The prediction was that hiring tools built on these models would discriminate against women. That healthcare triage tools would underperform on Black patients. That loan approval systems would entrench inequality while presenting their decisions as neutral algorithmic judgment.
Every one of those things has now been documented in deployment.
Amazon's hiring algorithm penalized resumes that contained the word "women" in any context. Healthcare risk scoring algorithms used by major US hospitals were found to systematically underestimate the medical needs of Black patients. Apple Card's credit algorithm gave wives credit lines 10x lower than their husbands for the same financial profile.
The third warning was about environmental cost. The paper calculated that training a single large language model produced emissions equivalent to the lifetime output of 5 cars. The prediction was that the race to scale would create an environmental footprint that would eventually rival entire industries.
In 2024, Google's emissions were up 48% from 2019, and the company explicitly blamed AI infrastructure. Microsoft's were up 29%, same reason. Both companies have now quietly abandoned the climate commitments they were publicly celebrating the year Gebru was fired.
The fourth warning was about documentation. The paper argued that the training datasets being assembled were too large for anyone to actually audit. Nobody at Google, OpenAI, Meta, or any other lab could tell you with confidence what was in the data their models were trained on. This was not a temporary problem to be solved later. It was a permanent feature of the approach.
In 2023, researchers discovered that the LAION-5B dataset, used to train Stable Diffusion and other major image models, contained thousands of images of child sexual abuse material. The companies that had trained on the dataset had no way of knowing. The paper predicted that category of failure 3 years before it was found.
The fifth warning was the one Google cared about most.
Bender and Gebru argued that the deployment of these systems would centralize linguistic and cultural power in the hands of the small number of companies that could afford to train them. The internet would become a place where the dominant voice was a statistical average of dominant voices, presented as a neutral assistant. Languages underrepresented in the training data would degrade over time as more web content was generated by these systems and fed back into the next training run.
This is now happening in real time. A 2024 study found that 57% of new web content in English is AI-generated or AI-assisted. Researchers studying low-resource languages have documented active degradation in translation quality, because the synthetic content fed back into training is itself worse in those languages.
The paper Google fired her for predicted the model collapse problem before model collapse had a name.
The mechanism behind why this all happened is the part of her work that nobody quotes.
Gebru's argument was not that AI is dangerous in some abstract sci-fi sense. Her argument was that AI is dangerous in a very specific structural sense. The technology was being built by a small group of researchers who shared similar backgrounds, worked at similar companies, and were rewarded for shipping products faster than competitors. The incentive structure made it impossible for safety, ethics, and bias concerns to slow anything down. Anyone inside the system who raised those concerns was either ignored, sidelined, or removed.
She was making that argument from inside Google.
Then Google proved her right by removing her.
The team Google had built to make sure their AI was safe was dismantled in 90 days because they did the job they had been hired to do. Margaret Mitchell, the other co-lead of the Ethical AI team, was fired two months after Gebru for searching through her own emails for evidence of how Gebru had been treated.
Gebru did not stop. She founded DAIR, the Distributed AI Research Institute, in 2021. The mission is to do AI research outside the control of the companies that have a financial interest in not hearing the answers.
Every prediction in the Stochastic Parrots paper has now been validated by deployment. Hallucinations are an industry-wide problem the largest labs cannot solve. Bias amplification has been documented in hiring, healthcare, lending, and criminal justice. Environmental costs are larger than entire small countries. Training data audits remain impossible. Model collapse is an active research crisis at every major lab.
The question worth sitting with is the one almost no one in the industry will say out loud.
Every researcher with the technical credibility to call out these problems watched what happened to her in December 2020 and made a calculation about their own career. The number of people willing to speak publicly about safety and ethics issues inside the major AI labs collapsed after that firing and has not recovered.
The researcher Google fired for warning about exactly what is now happening was right.
The company that fired her is now the second-largest deployer of the technology she warned about.
And the people inside that company who agree with her are not allowed to say so.
"...Certainly it's extra work! Fine things, fine ideas, fine people, require work! This entire age is indulgent and selfish and shortsighted, complaining that easy things are not as easy as they'd like." He lifted a hand before him, half shake of a fist, half artistic passion. "If you want quality, you must work for it. You wake and you strive and you make decisions to sacrifice. An easy life will never bring the kind of satisfaction the soul craves. I despise people who lounge all day as if there weren't more important ideas than comfort, complacency, and appetite. Stretch yourself! Be industrious! Do something!"
-The Pirate, Ben Chambers, in The Unselected Journals of Emma M. Lion, Vol. 7
List of things that I want to have in the first Martian colony temple
Lenticular images of paintings
A model solar system and moving starry sky projection in the celestial room.
The endowment video in 3D with the glasses
Roombas
Japanese toilets (if we can afford a temple on mars, we can afford a few Japanese toilets)
Brief moment of zero gravity between the veil and celestial room
Mirrors in the sealing room that allows you to digitally add in family members so it looks like they’re with you.
A secret electronic panel that only the prophet and the authorities can access in a time of emergency that turns the building into a giant mecha with rocket boosters. (If we can Afford Japanese toilets, we can afford to turn the building into a transformer)
2. Have a portrait of Jesus holding a penguin the way he normally holds lambs
3. Japanese toilets
4. The chandeliers should be designed to look like Lion’s mane jellyfish
5. The clothing rental should offer cardigans embroidered with snowflakes
6. The temple should be guarded by leopard seals, which is an awesome species beloved by God.
7. Because there is no point in having an outdoor garden in Antarctica, I suggest two things: first, we could have a snow sculpture garden of scripture stories/characters. Second, an inner greenhouse to display native plants from the homelands of all the scientists who work there. (I’d say display native plants of Antarctica but that defeats the point of keeping the inside warm.)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
Pupping season is winding down as summer begins, but the harbor seal spectacular is just getting started!
After giving birth, harbor seals will linger at the rookery as mothers bond with their pups and teach them the ways of the water. The little ones follow in mom’s flipper-steps, learning important life skills like hunting, galumphing, and riding waves onto the beach for a well-deserved nap. It’s tough work, but somebody’s gotta do it! 🦭
Harbor seals are protected by the Marine Mammal Protection Act of 1972, a key U.S. law that protects seals, whales, otters, and other beloved aquatic species from harmful human activity.
If you venture out for some seal spotting this summer, stay quiet and keep a distance of 50 yards. It’s more than just the right thing to do–getting too close to marine mammals like harbor seals can mean big fines and even jail time for a law-breaking human!
So mellow out, settle in, and enjoy your day on the bay with the chill vibes of a sleepy harbor seal. 🏖️☀️
Just realized that the reason I love making friends on tumblr is because it’s exactly how you make friends on the playground as a six year old. No, I don’t know their name but they love mermaids too and built this awesome sand castle. No, I don’t know their age but their imaginary cheetah is friends with mine. You like this show? You like this character?? You can sing the theme song really loud??? Here is a flower crown. Here is a juice box. You can share my time and I might never see you again but part of you stays in my soul forever. In my mind we’re still on the swing set and the sky is blue and nothing will ever be wrong again.